Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 30 dielov umelca Simon Bening v našom katalógu
Stručne povedané
Z všetkých originálov, ktoré Simon Bening zanechal, je najznámejší The Seven Sorrows of the Virgin (1530), ktorý sa nachádza v zbierkach J. Paul Getty Museum v meste Los Angeles. Hneď za ním nasledujú Landscape with St Jerome (1515) a Self-Portrait (1558). Náš katalóg obsahuje 30 diel od Simon Bening; galéria si zachovala tých 30, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
Simon Bening produced The Seven Sorrows of the Virgin in 1530. This miniature focuses on the spiritual suffering of the Virgin Mary, specifically the grief experienced throughout her life. The work is held within the J. Paul Getty Museum in Los Angeles, United States of America.
To gaze upon Simon Bening's Landscape with St Jerome is to step through a portal into the early sixteenth century, a world rendered with meticulous devotion and profound tranquility. This painting, executed in 1515, transcends mere depiction; it is an immersive experience of nature’s enduring peace. The composition immediately draws the eye into a pastoral dreamscape, anchored by the dramatic presence of a large rock formation on the left. This…
The miniature portrait of Simon Bening, created in 1558, is more than just a likeness; it's a meticulously crafted window into the mind and spirit of a master Flemish illuminator. Housed within the Metropolitan Museum of Art, this small panel – measuring a mere 9 x 6 centimeters – belies the profound depth of its artistic statement. Bening, a pivotal figure bridging the late Gothic and early Renaissance traditions, wasn’t…
Within the hushed reverence of the Musée du Louvre in Paris resides a miniature painting that transcends its diminutive size, offering an intimate glimpse into the life and artistic vision of Simon Bening. His “Self-Portrait,” created in 1535, is not merely a likeness; it’s a carefully constructed statement about identity, skill, and the burgeoning humanist ideals of the Renaissance. Measuring just 9 x 7 centimeters on vellum, this work embodies…
The morning air feels crisp and still as a small procession of villagers meanders along a winding path. They move with a rhythmic, steady purpose, their figures silhouetted against a landscape of rolling hills and skeletal trees. A soft, diffused light bathes the scene, suggesting the pale glow of a late winter morning. This is the season of Candlemas, and the flickering light held by the faithful seems to pierce…
To gaze upon this miniature is to enter a rarefied moment of profound spiritual confrontation. The scene captures the biblical narrative of The Temptation of Christ, an episode rich with theological weight and dramatic tension. It is not merely a depiction of temptation, but rather a visual meditation on divine will versus worldly allure. The composition masterfully frames Jesus, steadfast in his resolve, against the seductive whispers of the devil.…
The Pietà is a work by the Netherlandish artist Simon Bening. This miniature was created about 1522. Bening, who was born in Ghent (?) in 1483/84 and died in 1561 in Bruges, captured this sacred scene on a small scale. The image focuses on the heavy, quiet weight of the moment.
In Pentecost by Simon Bening, the composition organizes a multitude of figures within a structured architectural environment. The scene is set inside a space resembling a Gothic cathedral, where the geometry of the building provides a framework for the religious event. This architectural setting functions as a sacred space, grounding the spiritual narrative in a tangible, physical realm. The arrangement of the figures creates a sense of depth through overlapping…
Two distinct biblical narratives occupy these narrow, vertical panels, separated by a gold-colored border. In the left segment, John the Baptist preaches to a gathered assembly near the water's edge, framed by towering, lush green trees that emphasize the verticality of the composition. The right panel depicts the Baptism of Christ, where Jesus stands in the water with hands clasped in prayer while John reaches toward him. A white dove…
The composition is divided into two distinct registers. In the upper, larger scene, a woman identified as St. Gertrude de Nivelles sits within a wooden interior. She wears a black and white habit and a white wimple, with a golden halo encircling her head. Her hands are occupied with a drop spindle, spinning wool. The room is constructed of dark, grained wood, and several small black mice are scattered across…
Adoration of the Magi1520
12
Triptych of Virgin and Child; Saints Catherine and Barbara1520 · Museum of Fine Arts, Houston
13
Peter's Denial1527 · Getty Center
14
Christ Washing the Apostles' Feet1527 · Getty Center
15
Portrait of Henry III, Count of Nassau-Breda1550 · Gemäldegalerie
16
Book of Hours1530 · The Met Cloisters
17
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours1530
18
Henry III, Count of Nassau-Breda and Mencía de Mendoza1531 · Staatliche Museen zu Berlin
19
Scenes from the Creation
20
Penitent St Jerome1515 · Monasterio de San Lorenzo
21
Virgin and ChildMuseum of Fine Arts Ghent (MSK)
22
Jesus Among the Doctors1530 · J. Paul Getty Museum
23
The annunciation
24
Gathering twigs
25
The nativity
26
Villagers on Their Way to Church
27
Leaf from the Munich-Montserrat Hours
28
Prayer Book of Cardinal Albrecht of Brandenburg
29
Self-portrait1558
30
Calendar Miniatures from a Book of HoursJ. Paul Getty Museum
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Simon Bening | Obrazy z tohto zoznamu |
|---|---|---|---|
 J. Paul Getty Museum |
Los Angeles | 5 | The Seven Sorrows of the Virgin, Villagers on Their Way to Church, The Temptation of Christ |
 Louvre |
Paríž | 2 | Landscape with St Jerome, Self-Portrait |
 Metropolitné múzeum umenia |
New York | 2 | Self-Portrait, Pietà |
 Getty Center |
Los Angeles | 2 | Peter's Denial, Christ Washing the Apostles' Feet |
 Museum Boijmans Van Beuningen |
Rotterdam | 1 | Pentecost |
 Groeningemuseum |
Brugge | 1 | John the Baptist preaching and the Baptism of Christ |
 Carnegie Museum of Art |
Pittsburgh | 1 | St. Gertrude de Nivelles, from the Hours of Cardinal Albrecht of Brandenburg (1490-1545), Archibishop and Elector of Mainz |
 Museum of Fine Arts, Houston |
Houston | 1 | Triptych of Virgin and Child; Saints Catherine and Barbara |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
To gaze upon Simon Bening's Landscape with St Jerome is to step through a portal into the early sixteenth century, a world rendered with meticulous devotion and profound tranquility. This painting, executed in 1515, transcends mere depiction; it is an immersive experience of nature’s enduring peace. The composition immediately draws the eye into a pastoral dreamscape, anchored by the dramatic presence of a large rock formation on the left. This…
The Pietà is a work by the Netherlandish artist Simon Bening. This miniature was created about 1522. Bening, who was born in Ghent (?) in 1483/84 and died in 1561 in Bruges, captured this sacred scene on a small scale. The image focuses on the heavy, quiet weight of the moment.
Simon Bening produced The Seven Sorrows of the Virgin in 1530. This miniature focuses on the spiritual suffering of the Virgin Mary, specifically the grief experienced throughout her life. The work is held within the J. Paul Getty Museum in Los Angeles, United States of America.
The miniature portrait of Simon Bening, created in 1558, is more than just a likeness; it's a meticulously crafted window into the mind and spirit of a master Flemish illuminator. Housed within the Metropolitan Museum of Art, this small panel – measuring a mere 9 x 6 centimeters – belies the profound depth of its artistic statement. Bening, a pivotal figure bridging the late Gothic and early Renaissance traditions, wasn’t…
The Seven Sorrows of the Virgin (1530), J. Paul Getty Museum, Los Angeles. Nasledujú Landscape with St Jerome (1515) a Self-Portrait (1558).
47 rokov: The Seven Sorrows of the Virgin vzniklo v roku 1530 a Simon Bening sa narodil/a v roku 1483.
The Seven Sorrows of the Virgin, Landscape with St Jerome, Self-Portrait, Self-Portrait, Villagers on Their Way to Church, The Temptation of Christ, Pietà, Pentecost, John the Baptist preaching and the Baptism of Christ a St. Gertrude de Nivelles, from the Hours of Cardinal Albrecht of Brandenburg (1490-1545), Archibishop and Elector of Mainz. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 30 diel od umelca Simon Bening z perioda od 1510 do 1558.
Väčšinou v J. Paul Getty Museum (Los Angeles), Louvre (Paríž) a Metropolitné múzeum umenia (New York). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1530s: 7 z 30 diel na tejto stránke bolo vytvorených vtedy, pričom The Seven Sorrows of the Virgin z nich.
Na tejto stránke je najstaršie dielo z John the Baptist preaching and the Baptism of Christ (1510) a najnovšie z Self-Portrait (1558).
People (5), Woman (4) a Figures (4), v rámci 30 diel na tejto stránke.
Gouache, pre 3 z 30 diel na tejto stránke.
Northern renaissance a Ghent-bruges school, podľa originálov na tejto stránke.
The Seven Sorrows of the Virgin, Villagers on Their Way to Church a The Temptation of Christ: múzeá J. Paul Getty Museum, Los Angeles uchovávajú 5 z diel na tejto stránke.
V jemnej, svetelnej oblasti flámskej iluminácie má málo menôt, ktoré by pôsobili s takou prestížou ako Simon Bening. Často oslavovaný ako posledný veľký majster nizozemskej tradície, Bening disponoval jedinečnou schopnosťou transformovať malé povrchy pergamenu na rozľahlé, žijúce krajiny a hlboké duchovné meditácie. Jeho život bol hlboko zakorenený v bohatom umeleckom dedičstve Nízkonáchozemska; narodený buď v Gentte, alebo v Antverpách, pravdepodobne začal svoju cestu v rodinnom ateliéri pod vedením svojho otca, uznávaného iluminátora Alexandra Beninga. Táto rodová ligna mu poskytla základy technickej excellencie, ktoré mu v budúcnosti umožnili viesť jeden z najrozkvetetenejších dielniat v Brúgge.
Ako sa Bening pohyboval umeleckými centrami v Gentte a Brúgge, jeho reputácia rastla spolu s jeho majstrovstvom v oblasti miniatúry. Do roku 1508 sa oficiálne stal členom cechu svätého Jana a svätého Lukáša v Brúgge, čo bolo dôkazom jeho postavenia medzi profesionálnou elitou. Jeho kariéra bola poznačená plynulým prechodom medzi neskorošgotskou citlivosťou jeho predchádzajúcich majstrov a rodiacimi sa nuansami včasného renesancie. Toto obdobie umeleckej evolúcie je možno najcitlivejšie zachytené v jeho Autoportrete, diele, ktoré slúži ako oveľa viac než len prostý podobizanc. V tejto miniatúre sa Bening predstavuje nielen ako remeselník, ale ako intelektuál, sediaci pred obrazoslovím so spectacles v ruke – čo je symbolické gesto vyjadrujace precíznu pozornosť vyžadovanú jeho remeslom a vyjadrenie oddanosti svätému Lukášovi, patronovi malírov.
Skutočná mágia Beningovej práce spočíva v jeho schopnosti vytvárať „miniatúrne svety“, ktoré pozývajú diváka do stavu tichej kontemplácie. Jeho Hodinky slúžia ako hlavný príklad tohto devócieho umenia, kde každá strana pôsobí ako modlitebný klenot určený na pripomenutie všadoprezentovanej božskej prítomnosti veriacim. Prostredníctvom vynikajúcej manipulácie so svetlom a tieňom dosiahol Bening pocit trojrozmernosti, ktorý poprel malé meradlo jeho média. Jeho technika umožnila úchvačnú úroveň detailu, od jemných textúr luxusných tkanín až po atmosférnu hĺbku krajín, ktoré sa zdia, že sa neustále rozťahujú daleko za obrysy stránky.
Okrem jeho technickej zdatnosti sa historický význam Beninga nachádza v jeho úlohe ako mostu medzi érami. Hoci si zachoval prísne tradície školy Gent-Bruegge, jeho práca prijala nový humanistický dôraz na detail a naturalizmus. Jeho úspechy sa odzrkadľujú v trvalej prítomnosti jeho diel v najprestížnejších svetových kolekciách, kde naďalej ponúkajú pohľady do duchovnej a estetickej duše šestnásťteho storočia. Cez jeho ruky dosiahol éterický krás iluminácie vrchol dokonalosti a zanechal po sebe odkaz svetla, farieb a hlbokej oddanosti.
