Portrét Robert Smithson

Obrazy umelca Robert Smithson: 4 najznámejších výtvarných diel prostretých pohľadom galérie

Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 6 dielov umelca Robert Smithson v našom katalógu

Stručne povedané

Z hľadiska galérie je najznámejším obrazom umelca Robert Smithson dielo Non Site - Site Uncertain, ktorého originál visí v Detroit Institute of Arts v meste Detroit. Three-Sided Vortex (1966) a Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) dopĺňajú trojicu, ktorú pozná každé oko. Z 6 diel umelca Robert Smithson v našom katalógu prezentuje galéria nižšie 4 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.

1938 – 1973, Passaic Najviac diel: Detroit Institute of Arts

Top 10 obrazov umelca Robert Smithson v galérii

Múzeá, ktoré uchovávajú originály umelca Robert Smithson

2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Robert Smithson Obrazy z tohto zoznamu
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

Robert Smithson, ikonické obrazy každého roka

5 rokov, od 1966 do 1970, zachytáva celú dátovanú kariéru umelca Robert Smithson na tejto stránke: krátky prehľad zobrazený rok po roku prostredníctvom jeho najznámejších originálov.

Diela podľa roku

Vyberte si rok a pozrite si originály.

Obrazy umelca Robert Smithson: odpovede galérie

Ktorý obraz od Robert Smithson je najznámejší zo všetkých?Odhaľte odpoveď

Non Site - Site Uncertain, Detroit Institute of Arts, Detroit. Nasledujú Three-Sided Vortex (1966) a Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Koľko diel vytvoril/a Robert Smithson?Odhaľte odpoveď

Náš katalóg obsahuje 6 diel od umelca Robert Smithson z perioda od 1966 do 1970.

Kde visia najznámejšie originály umelca Robert Smithson?Odhaľte odpoveď

Väčšinou v Detroit Institute of Arts (Detroit) a Chrysler Museum of Art (Norfolk). Tabuľka múzeí vyššie ich všetky uvádza.

Aké sú najskoršie a najneskoršie známe diela umelca Robert Smithson?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z Three-Sided Vortex (1966) a najnovšie z Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithson: umelec

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.