Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 77 dielov umelca Robert Smirke v našom katalógu
Stručne povedané
The Cession Of Matavai je obrazom od Robert Smirke, ktorý priťahuje najviac pohľadov. Potom sa pohľad presunie na The wreck of the 'Grosvenor' (1792) a The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay (1793). Z 77 diel umelca Robert Smirke v našom katalógu je týchto 77 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
In The Cession Of Matavai, Robert Smirke presents a complex historical scene centered on the era of European colonization in the Pacific. The work captures a moment of profound cultural encounter, focusing on the tension between two distinct worlds. Smirke, an artist known for his ability to translate narrative depth into visual form, uses this setting to explore themes of power and the shifting dynamics of dominance and vulnerability.
In The wreck of the 'Grosvenor' by Robert Smirke, the chaos of a maritime disaster unfolds before the eyes. This scene captures the harrowing moment an East Indiaman meets its end. The vessel, a three-masted ship of 729 tons, struggles against the fury of the sea. It is a moment frozen in time, reflecting the tragedy that occurred on 4 August 1782. The water churns with a violent energy that…
The oil painting titled The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay was executed by the artist Robert Smirke. This work dates to about 1793. The canvas depicts a specific moment of naval combat, focusing on the central figure of the Earl of Sandwich. The subject matter centers on themes of courage, duty, and leadership during the Battle of Solebay.
The artwork titled Falstaff rebuked was painted by the English painter and illustrator Robert Smirke. This specific work dates to 1795. The piece is an oil on canvas that captures a scene of confrontation between a youthful, regal figure and an older, disheveled man.
The composition centers on a single female figure positioned within a dramatic setting. She is depicted in the role of Lady Macbeth, captured in a moment of intense psychological tension. The subject's posture and facial expression convey a sense of internal turmoil. Her gaze is directed away from the viewer, focused on an unseen point of distress. The lighting emphasizes the contours of her face and the heavy folds of…
The Awakening of King Lear by Robert Smirke centers on a dramatic moment of human interaction. An elderly man with a white beard sits in a large chair, serving as the focal point of the composition. Kneeling before him is a woman in white and light blue drapery, her posture suggesting a gesture of supplication or comfort. This central pairing is framed by two other men who observe the scene…
To gaze upon this depiction of the Port of Zakynthos is to be instantly transported across the azure expanse of the Aegean Sea, far from the clamor of modern life. This work captures not merely a harbor scene, but a moment suspended in time—a vibrant tableau vivant rendered with the delicate precision characteristic of early nineteenth-century topographical studies. The composition itself sings of industry and repose; boats, some moored peacefully…
A Scene From 'the Busybody' From By Mrs Centlivre is a painting by the artist Robert Smirke. This work depicts a specific moment taken from the play written by Mrs Centlivre. The composition captures a dramatic instance from the theatrical text, focusing on the interactions between the characters within a domestic setting.
Diana and ActaeonYale Center for British Art
12
Juliet Nurse
13
Lady Jane Grey
14
The Slaughter Of The Suitors Of Penelope
15
Title Not Known - (10)
16
The SoldierYale Center for British Art
17
Title Not Known -
18
The Afflicted Matron, The Countess Trifaldi, From 'don Quixote'
19
'henry Iv', Part I, Act Ii, Scene 1, The Inn Yard With Gadshill And The Carriers
20
King Lear
21
Mary Isabella Somerset
22
The Treachery Of Colonel Kirke
23
Ulysses And Nausicä
24
Children Playing
25
Cromwell suppressing the mutiny in the army
26
Ulysses Discovered By His Nurse
27
Sancho Panza And The Duchess
28
His Majesty Reviewing The Volunteer Corps Assembled In Hyde Park, In Honour Of His Birthday
29
The Deserter Apprehended
30
The Merry Wives Of Windsor
31
The Martyrdom of Archbishop Cranmer
32
The SchoolboyYale Center for British Art
33
Kneeling female figure with a cup
34
Title Not Known -
35
Title Not Known -
36
The LoverYale Center for British Art
37
Title Not Known
38
Title Not Known -
39
The Order Of Knighthood Conferred On Don Quixote By The Inn Keeper
40
Title Not Known - (9)
41
Title Not Known -
42
Casimire And Lady Pentweazel, From Samuel Foote's Taste
43
Title Not Known -
44
The Astronomers' ClubNational Maritime Museum
45
Don Quixote And Sancho Panza
46
The JusticeYale Center for British Art
47
The InfantYale Center for British Art
48
The Rivals
49
Scene From Samuel Richardson's Pamela
50
Mrs Henry Siddons
51
Melinda And Lucy Consult Kite
52
He Seven Ages Of Man The PantaloonYale Center for British Art
53
Title Not Known - (11)
54
Much Ado About Nothing
55
Lady Pentweazle From Samuel Foote's 'taste'Upton House
56
The Rivals from `Tom Jones
57
Title Not Known - (8)
58
The Two Sons Of Tipu Sahib, Sultan Of MysoreYale Center for British Art
59
Measure For Measure
60
Scene From Bickerstaffe's Play 'the Hypocrite'
61
Falstaff Disguised As Herne With Mrs Ford And Mrs Page
62
The Scandal
63
The Duel
64
Second ChildishnessYale Center for British Art
65
Young Man Lifted From A River, Apparently Drowned
66
The Merry Wives Of Windsor -
67
Scipio And The Hermit
68
Don Quixote At Home, After The Termination Of His Second Sally
69
'henry Iv', Part I, Act V, Scene 4, Falstaff And The Dead Body Of Hotspur
70
The Sleeper Awakened
71
Illustration From Francis Beaumont And John Fletcher's 'the Humorous Lieutenant'
72
Title Not Known -
73
Resuscitation By Doctor Hawes Of A Man Believed Drowned
74
A Scene From 'taste' A Play By Samuel Foote
75
Illustration To Le Strange's 'gil Blas'
76
'love For Love' By William Congreve
77
The Rival Waiting-womenHatchlands Park
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
4 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Robert Smirke | Obrazy z tohto zoznamu |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 13 | The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Port of Zakynthos, Greece, Woman Sleeping in the Nude in a Wooded Landscape |
 Upton House |
Banbury | 2 | A Scene From 'the Busybody' From By Mrs Centlivre, Lady Pentweazle From Samuel Foote's 'taste' |
 National Maritime Museum |
Londýn | 1 | The Astronomers' Club |
 Hatchlands Park |
Guildford | 1 | The Rival Waiting-women |
15 rokov rozdeľuje prvý a posledný datovaný originál umelca Robert Smirke zobrazený tu, 1790 a 1804: každý rok má svoje miesto nižšie.
Vyberte si rok a pozrite si originály.
The composition centers on a single female figure positioned within a dramatic setting. She is depicted in the role of Lady Macbeth, captured in a moment of intense psychological tension. The subject's posture and facial expression convey a sense of internal turmoil. Her gaze is directed away from the viewer, focused on an unseen point of distress. The lighting emphasizes the contours of her face and the heavy folds of…
In The wreck of the 'Grosvenor' by Robert Smirke, the chaos of a maritime disaster unfolds before the eyes. This scene captures the harrowing moment an East Indiaman meets its end. The vessel, a three-masted ship of 729 tons, struggles against the fury of the sea. It is a moment frozen in time, reflecting the tragedy that occurred on 4 August 1782. The water churns with a violent energy that…
Viac od 1792
The oil painting titled The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay was executed by the artist Robert Smirke. This work dates to about 1793. The canvas depicts a specific moment of naval combat, focusing on the central figure of the Earl of Sandwich. The subject matter centers on themes of courage, duty, and leadership during the Battle of Solebay.
The artwork titled Falstaff rebuked was painted by the English painter and illustrator Robert Smirke. This specific work dates to 1795. The piece is an oil on canvas that captures a scene of confrontation between a youthful, regal figure and an older, disheveled man.
To gaze upon this depiction of the Port of Zakynthos is to be instantly transported across the azure expanse of the Aegean Sea, far from the clamor of modern life. This work captures not merely a harbor scene, but a moment suspended in time—a vibrant tableau vivant rendered with the delicate precision characteristic of early nineteenth-century topographical studies. The composition itself sings of industry and repose; boats, some moored peacefully…
The Cession Of Matavai. Nasledujú The wreck of the 'Grosvenor' (1792) a The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay (1793).
The Cession Of Matavai, The wreck of the 'Grosvenor', The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Falstaff rebuked, Sarah Siddons as Lady Macbeth, The Awakening of King Lear, Port of Zakynthos, Greece, A Scene From 'the Busybody' From By Mrs Centlivre, Woman Sleeping in the Nude in a Wooded Landscape a Figure Study of a Nude Woman in a Wooded Landscape. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 77 diel od umelca Robert Smirke z perioda od 1790 do 1804.
Väčšinou v Yale Center for British Art (New Haven), Upton House (Banbury) a National Maritime Museum (Londýn). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1792: 2 z 77 diel na tejto stránke bolo vytvorených vtedy, pričom The wreck of the 'Grosvenor' z nich.
Na tejto stránke je najstaršie dielo z Sarah Siddons as Lady Macbeth (1790) a najnovšie z Port of Zakynthos, Greece (1804).
Women (7), Scenes (4) a Historical scene (3), v rámci 77 diel na tejto stránke.
Oil, pre 4 z 77 diel na tejto stránke.
Romanticism a Neoclassicism, podľa originálov na tejto stránke.
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Port of Zakynthos, Greece a Woman Sleeping in the Nude in a Wooded Landscape: múzeá Yale Center for British Art, New Haven uchovávajú 13 z diel na tejto stránke.
V grandióznej tapiserii britskej umeleckej histórie, kde mnohí hľadali slávu prostredníctvom rozlehlých bojových scén alebo monumentálnych portrétov, si Robert Smirke vybojoval jemnú a hlboko intímnu pozíciu. Narodený v roku 1753 v tichom mestečku Wigton, neďaleko Carlisle, bol Smirke mužom, ktorého štetec riadil skôr rytmus verša než dráma dejín. Ako syn cestujúceho umelca bol jeho vzrast v hlbokom ponore do samotnej podstaty pozorovania; naučil sa vidieť svet cez šošovku pohybu a svetla dlho predt, než vôbec absolvoval formálnu tútorstvo. Táto skorá blízkosť s kočovným životom v sebe vyvolala celoživotnú úctu k jemným detailom prírodného sveta, čo bola vlastnosť, ktorá neskôr definovala jeho jedinečný prístup k literárnej krajine.
Smirkého umelecká cesta bola cestou neustáleho a dôsledného zdokonaľovania. Po tom, čo si precvičil svoje technické zručnosti u londýnskeho heraldického maľovníka, sa v roku 1775 začal profilovať v profesionálnej sfére prostredníctvom Incorporated Society of Artists. Hoci jeho rané výstavy boli skromné, odhalili kvetnúci talent zachytávať tichú eleganciu scény. On nemaloval len krajiny; on maloval príbehy. Jeho skutočné majstrovstvo spočívalo v schopnosti preložiť písané slovo do vizuálnej poézie, pričom sa špecificky zameriaval na diela anglických poetov, ako bol James Thomson. Výberom monochromatických paliet a zložité kompozície Smirke vytvoril pocit nadčasovosti, ktorý umožnil divákovi vstúpiť priamo do veršov klasickej literatúry.
Smirkého vzostup v prestížnych sálach Royal Academy slúži ako dôkaz jeho technickej zdatnosti a schopnosti očariť najnáročnejších kritikov danej éry. Jeho voľba za asociovaného akademika v roku 1791, po ktorej nasledovalo získanie plného statusu akademika v roku 1793, znamenala jeho prechod z nádejného ilustrátora na pilier britskej umeleckej establishmentu. Práve v tomto období začali jeho najslávnejšie diela rezonovať v predstavách verejnosti. Diela ako Narcissus and the Lady a Sabrina — s tématikou čerpanou z Miltonovho diela Comus — продемонstrovali hlbokú citlivosť k atmosférickým kvalitám mýtu a legendy.
Smirkova tvorba je charakterizovaná niekoľkými definujúcimi prvkami, ktoré ho odlišovali od jeho súčasníkov:
Aj jeho diplonové dielo, Don Quixote and Sancho, odrážalo jeho oddanososť postavám a naratívnej hĺbke. Hoci možno nezamýšľal hľadať slávu podobnú tej, ktorú získali umelci malujúci epický rozmer impéria, Smirkova historická významnosť spočíva v jeho úlohe vizuálneho strážcu anglického literárneho dedičstva. Premmenil plátno na stránku knihy a zabezpečil, aby romantizmus poetov 18. storočia prežil vďaka trvalej sile jeho obrazovosti. Jeho život, rozprestierajúci sa od konca 18. storočia až po rok 1845, zostáva krásnou kapitolou v príbehu britského umenia — príbehom, ktorý sa neprezentuje hlasnými vyhláseniami, ale jemným, evokatívnym šepotom majstra rozprávača.
