Stručne povedané
Z všetkých originálov, ktoré Rienk Keijert zanechal, je najznámejší Allegory on the City of Leeuwarden (1742), ktorý sa nachádza v zbierkach Fries Museum v meste Leeuwarden. Hneď za ním nasledujú Portrait of an Unknown Man (1737) a Portrait of Antonia Cornelisdr. Schrevelius (1750). Náš katalóg obsahuje 14 diel od Rienk Keijert; galéria si zachovala tých 14, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
Top 10 obrazov umelca Rienk Keijert: výber galérie
Výber umelcov Rienk Keijert pokračuje, od 11 do 14
Múzeá, ktoré uchovávajú originály umelca Rienk Keijert
2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Rienk Keijert | Obrazy z tohto zoznamu |
|---|---|---|---|
| Leeuwarden | 13 | Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius | |
| Varšava | 1 | Athena and Odysseus |
Rienk Keijert dekáda po dekáde: originál, ktorý definuje každú z nich
Diela podľa dekád
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
Otázky zberateľov o obrazoch od Rienk Keijert
Ktorým dielom je Rienk Keijert najznámejší/najznámejšia?Odhaľte odpoveď
Allegory on the City of Leeuwarden (1742), Fries Museum, Leeuwarden. Nasledujú Portrait of an Unknown Man (1737) a Portrait of Antonia Cornelisdr. Schrevelius (1750).
V akom veku bol/a Rienk Keijert, keď vzniklo dielo Allegory on the City of Leeuwarden?Odhaľte odpoveď
33 rokov: Allegory on the City of Leeuwarden vzniklo v roku 1742 a Rienk Keijert sa narodil/a v roku 1709.
Ktorých desať najznámejších obrazov má Rienk Keijert?Odhaľte odpoveď
Allegory on the City of Leeuwarden, Portrait of an Unknown Man, Portrait of Antonia Cornelisdr. Schrevelius, Portrait of Daniel Antony Baron van Plettenberg, Portrait of Albertina Sophia Baroness van Plettenberg, Portrait of the family of Gosewijn Theodoor van Coehoorn (1679-1737), Portrait of Maria van Plettenberg, Portrait of Hans Willem Baron van Plettenberg, Athena and Odysseus a Solomon Worshipping the False Gods. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Koľko obrazov zanechal umenec Rienk Keijert?Odhaľte odpoveď
Náš katalóg obsahuje 14 diel od umelca Rienk Keijert z perioda od 1737 do 1773.
V ktorých múzeách visia majstrovské diela umelca Rienk Keijert?Odhaľte odpoveď
Väčšinou v Fries Museum (Leeuwarden) a Národné múzeum vo Varšave (Varšava). Tabuľka múzeí vyššie ich všetky uvádza.
V ktorých rokoch vytvoril Rienk Keijert svoje najznámejšie diela?Odhaľte odpoveď
V období 1750s: 6 z 14 diel na tejto stránke bolo vytvorených vtedy, pričom Portrait of Antonia Cornelisdr. Schrevelius z nich.
Aké sú prvé a posledné známe originály od Rienk Keijert?Odhaľte odpoveď
Na tejto stránke je najstaršie dielo z Portrait of an Unknown Man (1737) a najnovšie z Portrait of Adolf IJpey (1773).
Aké diela umelca Rienk Keijert sa nachádzajú v múzeu Fries Museum?Odhaľte odpoveď
Allegory on the City of Leeuwarden, Portrait of an Unknown Man a Portrait of Antonia Cornelisdr. Schrevelius: múzeá Fries Museum, Leeuwarden uchovávajú 13 z diel na tejto stránke.
Rienk Keijert: život a dielo
The Life of a Leeuwarden Painter
Rienk Keijert lived much of his life within the walls of Leeuwarden. Born in 1709, he was the son of Frans Keyert and Maria Jelgerhuis. His path as a painter began with formal training at the Hague drawing academy. By 1732, he was known in Leeuwarden as Renicus Keyert, having been admitted to the congregation after arriving from 's-Gravenhage. His presence in the city was marked by more than just his brush; he held several civic roles, including serving as a member of the Leeuwarden vroedschap from 1750 and acting as a chamberlain for the States of Friesland. He married Ymkje Meekma in 1740, a union that lasted roughly thirty-four years until his death in 1775.
A Hand in Civic Life and Decoration
His work often moved between the private and the public. He was tasked with decorative painting and the delivery of almanacs, and his hands were busy with the design of firework theaters, such as those created for the arrival of Willem Karel Hendrik Friso and Anna van Hannover in 1734. In 1760, he provided portraits of the stadtholder family for the newly built Leeuwarder raadzaal, though these specific works were not preserved. His skill extended to the creation of grisailes within that same council chamber. In the Fries Museum, one can find a large allegory of the city of Leeuwarden, a work that speaks to his role as a portrait and history painter.
The Final Years in Leeuwarden
Keijert’s life was tied to the rhythms of his city. He was a citizen of Leeuwarden by 1742 and held the position of vaandrig of the schutterij in Oost Minnema espel in 1743. Even his civic duties were sometimes tied to family, as he was appointed chamberlain in 1740 to provide income for his father. When he passed away on 10 January 1775, he was buried at the Jacobijnerkerkhof. Following his death, his collection of paintings, prints, and drawings was auctioned in February of that year.










