1
1 najznámejších obrazov od umelca Pedro Peres, každý jedinečný
Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každú prácu) · 1 dielov umelca Pedro Peres v našom katalógu
Stručne povedané
Retrato de Victor Meirelles (1900) je obrazom umelca Pedro Peres, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Museu Victor Meirelles, Florianópolis. Z 1 diel umelca Pedro Peres v našom katalógu je týchto 1 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
1841 – 1923, Lisbon
Najviac diel: Museu Victor Meirelles
Top 10 obrazov umelca Pedro Peres podľa výberu galérie
Múzeá, ktoré uchovávajú originály umelca Pedro Peres
Múzeum s najväčším počtom obrazov z tejto stránky.
| Múzeum | Mesto | Diela umelca Pedro Peres | Obrazy z tohto zoznamu |
|---|---|---|---|
 Museu Victor Meirelles |
Florianópolis | 1 | Retrato de Victor Meirelles |
Pedro Peres v priebehu rokov: jedinečné originály každého diela
Všetky uvedené diela pôvodného autora Pedro Peres s dátumom 1900 patricia do jedného roku, 1900: sú zobrazené podľa popularity.
Diela podľa roku
Vyberte si rok a pozrite si originály.
Obrazy umelca Pedro Peres: otázky pre galériu
Akým najznámejším dielom sa pýta Pedro Peres?Odhaľte odpoveď
Retrato de Victor Meirelles (1900)
V akom veku vytvoril/a Pedro Peres dielo Retrato de Victor Meirelles?Odhaľte odpoveď
59 rokov: Retrato de Victor Meirelles vzniklo v roku 1900 a Pedro Peres sa narodil/a v roku 1841.
Koľko je známych diel umelca Pedro Peres?Odhaľte odpoveď
Náš katalóg obsahuje 1 diel od Pedro Peres.
Kde možno vidieť najznámejšie originály od Pedro Peres?Odhaľte odpoveď
Väčšinou v Museu Victor Meirelles (Florianópolis). Tabuľka múzeí vyššie ich všetky uvádza.
Pedro Peres: portrét umelca
A Life Between Two Shores
Pedro José Pinto Peres was a man shaped by the movement between continents. Born in Lisbon, Portugal, in 1841, his early years were cut short by a significant change that would define his creative identity. At the age of five, he moved to Brazil, a transition that placed him in a new landscape where his artistic voice would eventually take root. He grew up in a country that was still finding its visual language, and he became a part of that unfolding history through his work as a painter and draftsman.
His education was formal and rigorous, grounded in the traditions of the time. He studied at the Liceu de Artes e Ofícios and later at the Academia Imperial de Belas Artes. It was within these walls that he learned to translate the world onto paper and canvas, absorbing the techniques of his instructors and the atmosphere of the imperial academy. His training provided him with the technical foundation necessary to navigate the demands of portraiture and drawing.
The Hand and the Influence
The development of his style was deeply connected to the mentors who guided him through his formative years. He did not work in isolation; instead, his hand was guided by the perspectives of those who came before him. His technical approach was shaped by several key figures:
- Chaves Pinheiro
- Agostinho José da Mota
- Vitor Meirelles
These relationships were more than mere instruction; they were the threads that connected him to the established artistic lineage of Brazil. His work reflects this lineage, particularly in his ability to capture the likeness and character of his subjects. One of his notable contributions to the visual record is his watercolor portrait of Victor Meirelles, a work that exists today in the Museu Victor Meirelles in Florianópolis.
A Quiet Legacy
By the time of his death in Rio de Janeiro in 1923, Pedro Peres had lived a long life that spanned the transition of a nation. He remained a dedicated practitioner of his craft, moving from the student in the academy to a settled artist in the Brazilian capital. His work remains a part of the historical record, preserved in collections that hold the traces of his skill. He left behind a body of work that speaks to the quiet precision of a draftsman and the observant eye of a portraitist.