Stručne povedané
Z hľadiska galérie je najznámejším obrazom umelca Paul Burlin dielo A-1961 (1961), ktorého originál visí v Smithsonian American Art Museum v meste Washington, D.C.. Z 3 diel umelca Paul Burlin v našom katalógu prezentuje galéria nižšie 1 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.
Top 10 obrazov umelca Paul Burlin v galérii
Múzeá, ktoré uchovávajú originály umelca Paul Burlin
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Paul Burlin | Obrazy z tohto zoznamu |
|---|---|---|---|
| Washington, D.C. | 1 | A-1961 |
Paul Burlin, ikonické obrazy každého roka
Každý datovaný originál od Paul Burlin na tejto stránke bol vytvorený v roku 1961: tu sú, najznámejšie najprv.
Obrazy umelca Paul Burlin: odpovede galérie
Ktorý obraz od Paul Burlin je najznámejší zo všetkých?Odhaľte odpoveď
A-1961 (1961)
Koľko rokov mal/a Paul Burlin pri dokončeni diela A-1961?Odhaľte odpoveď
75 rokov: A-1961 vzniklo v roku 1961 a Paul Burlin sa narodil/a v roku 1886.
Koľko diel vytvoril/a Paul Burlin?Odhaľte odpoveď
Náš katalóg obsahuje 3 diel od Paul Burlin.
Kde visia najznámejšie originály umelca Paul Burlin?Odhaľte odpoveď
Väčšinou v Smithsonian American Art Museum (Washington, D.C.). Tabuľka múzeí vyššie ich všetky uvádza.
Paul Burlin: umelec
The Formative Years and Artistic Evolution
Born in New York City, Paul Burlin was a painter and printmaker who began his formal artistic education between 1900 and 1912 as a part-time student at the National Academy of Art and the Art Student's League. His early travels took him to Europe from 1908 to 1909 and to the Southwestern United States in 1910. Following a trip to Santa Fe, New Mexico, his paintings of the region were exhibited in New York in 1911, an event that led to his invitation to participate in the 1913 Armory Show. During his time in Santa Fe, which lasted until 1920, he painted landscapes, scenes of local daily life, and portraits of Pueblo Indians, often exploring themes of spirituality and anthropomorphism.
Style and Later Life
Burlin's career saw him move to Paris in 1921, where he studied European abstract painting styles. Upon returning to the United States in 1932, he settled in New York and worked as a member of the Federal Project of the Whitney Museum. As his career progressed, his work moved toward abstract expressionism, utilizing key symbols and imagery from Greek mythology to comment on the brutality of war. In his later years, despite losing his sight and undergoing eight cornea implants, he continued to paint, even when declared legally blind. His final works, The Series of Nine, were exhibited at the Museum of Modern Art in New York and the Pasadena Museum.