Portrét Olof Johan Södermark

11 najznámejších obrazov od Olof Johan Södermark, výber z galérie

Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 11 dielov umelca Olof Johan Södermark v našom katalógu

Stručne povedané

Z všetkých originálov, ktoré Olof Johan Södermark zanechal, je najznámejší Peder Anker (1830), ktorý sa nachádza v zbierkach Bogstad v meste Oslo. Hneď za ním nasledujú The German Artist Franz Riepenhausen (1828) a Presumed Self Portrait (1827). Náš katalóg obsahuje 11 diel od Olof Johan Södermark; galéria si zachovala tých 11, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.

1790 – 1848, Landskrona Parish Najviac diel: Národné múzeum

Top 10 obrazov umelca Olof Johan Södermark: výber galérie

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Portrait of Signora Vincensa od Olof Johan Södermark

Portrait of Signora Vincensa

Oil · Národné múzeum, Stockholm

In the mid-1820s, while living in Rome, Olof Johan Södermark turned his attention away from the rigid structures of sculpture toward the intimate realities of daily existence. This oil portrait captures an employee in a Roman café, a woman caught in a moment of quiet, unposed labor. Unlike the idealized portraiture common to the era, this work rejects the polished perfection often demanded by high-society commissions. Instead, it offers a…

Výber umelcov Olof Johan Södermark pokračuje, od 11 do 11

Motívy, ktoré zaujali Olof Johan Södermark

Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.

Múzeá, ktoré uchovávajú originály umelca Olof Johan Södermark

3 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Olof Johan Södermark Obrazy z tohto zoznamu
Národné múzeum, StockholmNárodné múzeum Stockholm 8 The German Artist Franz Riepenhausen, Presumed Self Portrait, Regina. Roman Girl with Choral Necklace and Earrings
Bogstad, OsloBogstad Oslo 1 Peder Anker
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 Porträtt av president Jacob August von Hartmansdorff

Olof Johan Södermark dekáda po dekáde: originál, ktorý definuje každú z nich

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Otázky zberateľov o obrazoch od Olof Johan Södermark

Ktorým dielom je Olof Johan Södermark najznámejší/najznámejšia?Odhaľte odpoveď

Peder Anker (1830), Bogstad, Oslo. Nasledujú The German Artist Franz Riepenhausen (1828) a Presumed Self Portrait (1827).

V akom veku bol/a Olof Johan Södermark, keď vzniklo dielo Peder Anker?Odhaľte odpoveď

40 rokov: Peder Anker vzniklo v roku 1830 a Olof Johan Södermark sa narodil/a v roku 1790.

Ktorých desať najznámejších obrazov má Olof Johan Södermark?Odhaľte odpoveď

Peder Anker, The German Artist Franz Riepenhausen, Presumed Self Portrait, King Karl XIV Johan, Regina. Roman Girl with Choral Necklace and Earrings, Karolina Bygler. Model to the Sculptor Johan Niclas Byström, Gatumusikanter vid Pantheon, Porträtt av president Jacob August von Hartmansdorff, Grazia, Roman Model a Portrait of Signora Vincensa. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko obrazov zanechal umenec Olof Johan Södermark?Odhaľte odpoveď

Náš katalóg obsahuje 11 diel od umelca Olof Johan Södermark z perioda od 1827 do 1845.

V ktorých múzeách visia majstrovské diela umelca Olof Johan Södermark?Odhaľte odpoveď

Väčšinou v Národné múzeum (Stockholm), Bogstad (Oslo) a National Portrait Gallery of Sweden (Strängnäs). Tabuľka múzeí vyššie ich všetky uvádza.

V ktorých rokoch vytvoril Olof Johan Södermark svoje najznámejšie diela?Odhaľte odpoveď

V období 1830s: 4 z 11 diel na tejto stránke bolo vytvorených vtedy, pričom Peder Anker z nich.

Aké sú prvé a posledné známe originály od Olof Johan Södermark?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z Presumed Self Portrait (1827) a najnovšie z Grazia, Roman Model (1845).

Aké diela umelca Olof Johan Södermark sa nachádzajú v múzeu Národné múzeum?Odhaľte odpoveď

The German Artist Franz Riepenhausen, Presumed Self Portrait a Regina. Roman Girl with Choral Necklace and Earrings: múzeá Národné múzeum, Stockholm uchovávajú 8 z diel na tejto stránke.

Olof Johan Södermark: život a dielo

The Precision of the Cartographer’s Eye

Olof Johan Södermark was a man whose life was defined by the striking duality of the sword and the brush. Born in Landskrona, Sweden, in 1790, his early years were shaped by the rigorous discipline of military service, a path that began when he entered the fortification corps at the tender age of thirteen. This formative period as a cadet instilled in him a profound respect for accuracy and observation—traits that would later become the hallmark of his artistic style. As he ascended through the ranks to become a lieutenant within the Field Measurement Corps, Södermark dedicated himself to the science of cartography. The meticulous nature of mapping landscapes and recording topographical details provided him with a unique visual vocabulary; the same eye that traced the contours of the Swedish terrain would eventually be used to trace the delicate nuances of the human face.

From the Battlefield to the Roman Studio

The trajectory of Södermark’s life was irrevocably altered by the tremors of the Napoleonic Wars. His service took him to the heart of Europe's most pivotal conflicts, including the intense battles of Grossbeeren and Leipzig in 1813. These experiences of chaos and courage, alongside his time serving as an adjutant to Lieutenant General Sixtance David Sparre, infused his character with a certain Romanticist intensity. However, it was his transition from the battlefield to the artistic studio that would define his historical significance. Seeking to expand his creative horizons, Södermark traveled to Rome, where he immersed himself in the classical traditions of the era. Under the guidance of renowned sculptors such as Johan Niclas Byström and Bengt Erland Fogelberg, he initially sought to master the permanence of stone. Yet, as his travels took him through the cultural epicenters of Paris, Munich, and London, he found that his true passion lay not in the static weight of sculpture, but in the fluid, expressive potential of portrait painting.

A Legacy of Neoclassical Grandeur

As Södermark matured as an artist, his work became a sophisticated bridge between Neoclassical discipline and the burgeoning emotional depth of Romanticism. His ability to marry scientific precision with an evocative sense of character allowed him to ascend to the highest levels of Swedish society. By the early 1830s, he had earned the prestigious opportunity to paint members of the Royal Family, creating portraits that captured both their sovereign authority and their individual humanity. One of his most notable achievements remains his depiction of King Karl XIV Johan, a work that exemplifies his ability to render texture, light, and royal dignity with unparalleled clarity. Though his life was cut short in 1848, Södermark left behind a legacy of profound influence, passing his artistic torch to his son, Per Södermark, and ensuring that the meticulous, soulful vision of the soldier-artist would endure within the annals of Swedish art history.