Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 28 dielov umelca Moritz Daniel Oppenheim v našom katalógu
Stručne povedané
Marriage Portrait of Charlotte de Rothschild (1836) je obrazom umelca Moritz Daniel Oppenheim, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Izraelské múzeum, Jeruzalem. Potom sa pohľad presunie na The Presentation at the Synagogue (Das Schultragen) (1869) a The Conclusion of the Sabbath (Sabbath-Ausgang) (1866). Z 28 diel umelca Moritz Daniel Oppenheim v našom katalógu je týchto 24 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
A young woman sits poised in a moment of quiet grace, her presence filling the space with a serene, romantic light. She is draped in voluminous white and silver sleeves that catch the soft, directional light, creating a play of shadows across the delicate folds of her gown. Her skin glows with a luminous quality, contrasting against the deep, lush greens of the fruit tree behind her. A warm gold…
A small hand reaches out to grasp the cold, metallic finials of a Torah binder. This object, sewn from strips of swaddling cloth used during circumcision, carries the weight of a child's name and a family's hope. Within the grand hall of the synagogue, the air feels heavy with the grey and black tones of an oil painting that captures a singular moment of transition. A father leans toward his…
Step closer and observe the quietude within this room. We find ourselves in a domestic space, a dining room caught in that delicate, flickering moment between the sacred rest of the Sabbath and the return to the labors of the week. The scene is centered upon a man lighting candles, a gesture that marks the havdalah ceremony. Around him, a multigenerational family and a Talmud student are gathered, their presence…
Moritz Daniel Oppenheim's "The Examination," painted in 1868, is more than just a domestic scene; it’s a poignant window into the heart of 19th-century Jewish family life. This intimate portrait, rendered with remarkable sensitivity and detail, captures a moment of quiet contemplation within a warmly lit living space – a space that speaks volumes about tradition, education, and familial bonds. The painting immediately draws the viewer in, not with grand…
A young woman is seated at a desk in this 1825 oil portrait. She is positioned slightly off-center, facing the viewer with a calm, steady expression. Her upper body and hands are the primary focus of this medium shot, captured at eye level. She wears a gown of a deep burgundy hue, the fabric appearing smooth and lustrous under the light. The sleeves and folds of the garment suggest a…
The Marriage Portrait of Charlotte von Rothschild is an oil on canvas painted by Moritz Daniel Oppenheim in 1836. The sitter is Charlotte von Rothschild, a German-born British socialite. She was a member of the Rothschild banking family of Naples. The portrait captures her at a moment of significant transition, marked by her family's prominent standing.
The Portrait of Kalmann Meyer Carl von Rothschild is an oil painting by the German artist Moritz Daniel Oppenheim. Created about 1851, this work captures a man of significant standing. Oppenheim was commissioned to paint several portraits of prominent members of the Rothschild banking dynasty, documenting their presence through the lens of mid-nineteenth-century realism.
This work is the Portrait of Adolph Carl von Rothschild, a formal depiction rendered by the German painter Moritz Daniel Oppenheim. Created about 1850, the portrait captures Baron Adolph Carl von Rothschild, a prominent figure within the influential Rothschild banking dynasty. The sitter's presence is marked by a quiet, dignified gravity that reflects his status during the mid-nineteenth century.
The oil on canvas titled Sabbath Rest, also known as Sabbath-Ruhe auf der Gasse, was painted in 1866. This work belongs to the hand of Moritz Daniel Oppenheim, an artist born in 1800 in Hanau, Germany. He lived until 1882 in Frankfurt, Germany. The painting captures a specific moment of stillness, a pause in the rhythm of daily life.
A quiet domesticity defines this 1880 scene, where a Jewish family gathers to observe the Hanukkah ritual. The composition utilizes a deep perspective, drawing the eye from the foreground figures through an open doorway into a secondary room where others sit in repose. Soft, directional light enters from the left, casting gentle shadows that define the heavy drapery and the textures of period clothing. The palette is muted and monochromatic,…
Shavuot (Pentecost) (Das Wochen- oder Pfingst-Fest)1880
12
The Bar Mitzvah Discourse (Bar-Mizwa-Vortag)1869 · The Jewish Museum
13
Sukkot (Feast of Tabernacles) (Das Laubhütten-Fest)1867 · The Jewish Museum
14
The Godfather Awaits the Child (Der Gevatter erwartet das Kind)1867 · The Jewish Museum
15
The Elector of Hesse Entrusting Mayer Amschel Rothschild (1743–1812), with His TreasureAscott House
16
The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs (Die Heimkehr des Freiwilligen aus den Befreiungskriegen zu den nach alter Sitte lebenden Seinen)1834 · The Jewish Museum
17
The Wedding (Die Trauung)1866 · The Jewish Museum
18
Portrait of Fanny Mendelssohn Hensel1842 · The Jewish Museum
19
Lionel Nathan de Rothschild1835 · National Portrait Gallery
20
Self-Portrait1814 · The Jewish Museum
21
Seder (The Passover Meal) (Der Oster-Abend)1867
22
The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs (Die Heimkehr des Freiwilligen aus den Befreiungskriegen zu den nach alter Sitte lebenden Seinen)1833 · The Jewish Museum
23
Purim (Feast of Esther) (Das Purim-Fest)1873 · The Jewish Museum
24
Lavater and Lessing Visit Moses Mendelssohn1856
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
#14 The Godfather Awaits the Child (Der Gevatter erwartet das Kind)
#16 The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs (Die Heimkehr des Freiwilligen aus den Befreiungskriegen zu den nach alter Sitte lebenden Seinen)
#22 The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs (Die Heimkehr des Freiwilligen aus den Befreiungskriegen zu den nach alter Sitte lebenden Seinen)
4 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Moritz Daniel Oppenheim | Obrazy z tohto zoznamu |
|---|---|---|---|
 The Jewish Museum |
New York City | 12 | The Presentation at the Synagogue (Das Schultragen), The Conclusion of the Sabbath (Sabbath-Ausgang), The Examination (Das Verhören) |
 Izraelské múzeum |
Jeruzalem | 6 | Marriage Portrait of Charlotte de Rothschild, Portrait of a Young Woman at her Desk, Marriage Portrait of Charlotte von Rothschild |
 Ascott House |
Leighton Buzzard | 1 | The Elector of Hesse Entrusting Mayer Amschel Rothschild (1743–1812), with His Treasure |
 National Portrait Gallery |
Londýn | 1 | Lionel Nathan de Rothschild |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In the quiet intensity of his 1814 Self-Portrait, we encounter more than just the likeness of a young man; we witness the dawn of a profound artistic identity. Moritz Daniel Oppenheim, a figure who would later become a pioneer of Jewish artistic representation in Germany, presents himself here with a striking blend of youthful ambition and classical poise. Holding his palette with a sense of quiet pride, the artist positions…
A young woman is seated at a desk in this 1825 oil portrait. She is positioned slightly off-center, facing the viewer with a calm, steady expression. Her upper body and hands are the primary focus of this medium shot, captured at eye level. She wears a gown of a deep burgundy hue, the fabric appearing smooth and lustrous under the light. The sleeves and folds of the garment suggest a…
A young woman sits poised in a moment of quiet grace, her presence filling the space with a serene, romantic light. She is draped in voluminous white and silver sleeves that catch the soft, directional light, creating a play of shadows across the delicate folds of her gown. Her skin glows with a luminous quality, contrasting against the deep, lush greens of the fruit tree behind her. A warm gold…
In the quiet intimacy of Moritz Daniel Oppenheim’s 1842 masterpiece, Portrait of Fanny Mendelssohn Hensel, we encounter more than a mere likeness; we enter a profound dialogue between light and identity. As a pivotal figure in the Romantic era, Fanny Hensel—the brilliant musical force and sister to Felix Mendelssohn-Bartholdy—is rendered here with a dignity that transcends the boundaries of a traditional portrait. Oppenheim, a pioneer in documenting the nuances of…
The Portrait of Kalmann Meyer Carl von Rothschild is an oil painting by the German artist Moritz Daniel Oppenheim. Created about 1851, this work captures a man of significant standing. Oppenheim was commissioned to paint several portraits of prominent members of the Rothschild banking dynasty, documenting their presence through the lens of mid-nineteenth-century realism.
A small hand reaches out to grasp the cold, metallic finials of a Torah binder. This object, sewn from strips of swaddling cloth used during circumcision, carries the weight of a child's name and a family's hope. Within the grand hall of the synagogue, the air feels heavy with the grey and black tones of an oil painting that captures a singular moment of transition. A father leans toward his…
The oil on canvas painting titled Purim (Feast of Esther) (Das Purim-Fest) was executed by the artist Moritz Daniel Oppenheim in 1873. This work belongs to a series of paintings by the artist titled "Scenes from Traditional Jewish Family Life." The composition focuses on a specific historical and religious commemoration regarding Queen Esther's triumph in saving the Jews of ancient Persia from annihilation.
A quiet domesticity defines this 1880 scene, where a Jewish family gathers to observe the Hanukkah ritual. The composition utilizes a deep perspective, drawing the eye from the foreground figures through an open doorway into a secondary room where others sit in repose. Soft, directional light enters from the left, casting gentle shadows that define the heavy drapery and the textures of period clothing. The palette is muted and monochromatic,…
Marriage Portrait of Charlotte de Rothschild (1836), Izraelské múzeum, Jeruzalem. Nasledujú The Presentation at the Synagogue (Das Schultragen) (1869) a The Conclusion of the Sabbath (Sabbath-Ausgang) (1866).
36 rokov: Marriage Portrait of Charlotte de Rothschild vzniklo v roku 1836 a Moritz Daniel Oppenheim sa narodil/a v roku 1800.
Marriage Portrait of Charlotte de Rothschild, The Presentation at the Synagogue (Das Schultragen), The Conclusion of the Sabbath (Sabbath-Ausgang), The Examination (Das Verhören), Portrait of a Young Woman at her Desk, Marriage Portrait of Charlotte von Rothschild, Portrait of Kalmann Meyer Carl von Rothschild, Portrait of Adolph Carl von Rothschild, Sabbath Rest a The Kindling of the Hanukkah Lights. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 28 diel od umelca Moritz Daniel Oppenheim z perioda od 1814 do 1880.
Väčšinou v The Jewish Museum (New York City), Izraelské múzeum (Jeruzalem) a Ascott House (Leighton Buzzard). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1860s: 9 z 24 diel na tejto stránke bolo vytvorených vtedy, pričom The Presentation at the Synagogue (Das Schultragen) z nich.
Na tejto stránke je najstaršie dielo z Self-Portrait (1814) a najnovšie z The Kindling of the Hanukkah Lights (1880).
Woman (5), Man (5) a Jewish family life (3), v rámci 24 diel na tejto stránke.
Oil On Canvas, pre 13 z 24 diel na tejto stránke.
German romanticism, podľa originálov na tejto stránke.
The Presentation at the Synagogue (Das Schultragen), The Conclusion of the Sabbath (Sabbath-Ausgang) a The Examination (Das Verhören): múzeá The Jewish Museum, New York City uchovávajú 12 z diel na tejto stránke.
Moritz Daniel Oppenheim (1800-1882) predstavuje výnimočnú postać v kronikách nemeckej dejin ultimately umenia, kde pôsobí ako hlboký pionier židovskej umeleckej reprezentácie. Narodený v Hanau v Nemecku, bol jeho život aj tvorstvo hlboko zakorenené v odhodlaní dokumentovať a oslavovať nuansy židovského života a kultúry počas transformatívneho devätnásteho storočia. Často bol oslavovaný ako prvý židovský maliar, ktorý dosiahol široké uznanie v rámci hlavného umeleckého prostredia, pričom prekročil hranice bežných biografických detailov a vytvoril dielo, ktoré slúži ako životne dôležitý vizuálny záznam komunity navigujúcej medzi komplexnosťami modernizácie a snahou zachovať svoje posvätné tradície.
Oppenheimova umelecká cesta začala základným výkonom pod vedením Conrada Westermayra v jeho rodnom meste, kde si prvýkrát osvojil princípy nemeckej romantickej maľby. Jeho skutočný profesionálny vzostup však katalizovalo zápis na Mníchov akadémiu krás v возрасте siedemnich rokov. Práve v týchto prestížnych sálach si zdokonaloval svoju technickú majsterstvo vedľa súčasníkov, ako boli Wilhelm Leibl a Johann Baptist Eberhard Krauss. Za snahou rozšíriť svoje obzory sa Oppenheim vydal na transformatívne zahraničné štúdium, pričom cestoval do Paríža, aby študoval pod Jean-Baptiste Regnaultom, a neskôr do Ríma. V Taliansku, pod vedením velikánov ako Bertel Thorwaldsen a nazarenovského maliara Johann Friedrich Overbeck, sa jeho štýl vyvinul do sofistikovanej kombinácie dôsledného pozorovania a klasického vplyvu. Toto rímske obdobie bolo mimoriadne kľúčové, pretože jeho dielu vnieslo pocit historickej vážnosti, ktorý neskôr ovplyvnil jeho zobrazenia židovských rituálov a každodenného života.
Srdce Oppenheimovho prínosu do umenia spočíva v jeho schopnosti premeniť domácu sféru na scénu pre hlboký kultúrny naratív. Jeho maľby sa často zameriavajú na intímne scény židovského rodinného života, zachytávajúc tichú dôstojnosť rituálu a teplo komunitných väzieb. Pod jeho štetcom sa to, čo je obyčajné, stáva monumentálnym. V díloch ako Záver soboty (Sabbath-Ausľgang) využíva majstrovský realizmus a jemný symbolizmus na vykreslenie dojmovivého prechodu zo svätého odpočinku soboty späť do časového sveta, čím pozýva diváka, aby bol svedkom posvätnosti rodinného rituálu.
Jeho schopnosť prepletať historický kontext s osobnou emóciou je možno najjasnejšia v jeho žánrových maľbách, ktoré dokumentujú konkrétne kultúrne milníky. Napríklad:
Okrem svojej technickej zručnosti je Oppenheimova práca neoddeliteľne spojená s hnutím Wissenschaft des Judentums – vedeckým úsilím o etabloovanie židovskej histórie a kultúry ako rešpektovaného akademického odboru. Jeho maľby fungovali ako vizuálne vedecké dielo, poskytujúce dôstojnú a autentickú reprezentáciu komunity, ktorá bola v širšom europeskom umeleckom kanóne často marginalizovaná. Zobrazovaním židovských tém s rovnakou úrovňou detailu, dôstojnosti a romantickej veľkoleposti, ktorá bola zvyčajne vyhradená aristokratickým alebo mytologickým témam, vyzval existujúce predsudky a presadila dôležitosť židovskej identity v rámci nemeckej kultúrnej tkaniny.
Napokon, odkaz Moritza Daniela Oppenheima je príbehom odolnosti a viditeľnosti. On nemal len maľoval scény; on konštruoval vizuálny jazyk pre éru prechodov. Jeho schopnosť zachytiť jemnú rovnováhu medzi starým svetom a novým zabezpečuje, že jeho dielo zostáva vitalným bodom východiskom pre pochopenie židovskej skúsenosti devätnásteho storočia, čo z neho robí neoddeliteľnú postavu v dejinách nemeckého romantizmu aj v globálnom naratíve židovského umenia.
