Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 73 dielov umelca Mather Brown v našom katalógu
Stručne povedané
Z hľadiska galérie je najznámejším obrazom umelca Mather Brown dielo Sir Francis Buller, 1st Bt (1792), ktorého originál visí v National Portrait Gallery v meste Londýn. Master Charles William Park (1785) a Untitled (D2X2CK) (1790) dopĺňajú trojicu, ktorú pozná každé oko. Z 73 diel umelca Mather Brown v našom katalógu prezentuje galéria nižšie 72 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.
The gaze of Sir Francis Buller, 1st Bt, meets the viewer from within this 1792 oil on canvas. Mather Brown captures the man who lived from 1746 to 1800, freezing a moment of judicial authority upon the fabric of the late eighteenth century. The sitter occupies the space with a quiet, heavy presence, his identity tied to the legal weight of his station. One senses the gravity of his life's…
In this 1785 portrait, we encounter a young boy seated with a composure that feels far beyond his years. There is a stillness here, a sense of a moment caught in the soft light of a receding landscape. He is positioned centrally, his figure anchored by a rugged stone seat that suggests a connection to the natural world, even as his attire speaks of high social standing. The boy’s gaze…
A Commanding Presence: Mather Brown’s Portrait of General Cornwallis This large-scale oil painting (249 x 164 cm), created in 1790 by American artist Mather Brown, offers a compelling and dramatic portrayal of British General Charles Cornwallis – a key figure in the American Revolutionary War. More than just a likeness, this is a carefully constructed statement about power, military leadership, and the lingering echoes of conflict. Brown, who spent much…
The William Temple Franklin painting by Mather Brown utilizes a three-quarter view to establish the subject's presence. Positioned slightly off-center, the gentleman is seated at a desk cluttered with papers and books, a configuration that emphasizes literacy and intellectual status. This Neoclassical portraiture employs an eye-level perspective to create an intimate connection between the sitter and the viewer. Depth is constructed through a deliberate layering of elements: the subject occupies…
A middle-aged man is positioned in a three-quarter length portrait, oriented slightly to the left of the center. He wears a dark navy or black military coat, accented by gold embroidery on the lapels. Beneath the coat, a white waistcoat and a powdered wig provide a sharp contrast to the darker tones of his uniform. The lighting originates from the upper left, casting shadows across the right side of his…
This formal 18th-century portrait, painted in 1786, presents a three-quarter view of a young man positioned slightly off-center. Facing towards the right while looking directly at the viewer, the subject exudes an air of elegance and aristocratic poise. The composition utilizes a deep brown background to create a strong chiaroscuro effect, which serves to highlight the subject's face and his white powdered wig.
The oil-on-canvas work titled Self-portrait is a direct encounter with the artist, Mather Brown. Created about 1812, this bust-length portrait captures the man as he appeared during the early nineteenth century. The subject gazes out from the frame, meeting the observer's eyes with a steady, quiet presence.
In this 1787 oil on canvas, a young man is positioned in a three-quarter view from the chest upward. He wears a dark black coat that contrasts against a crisp white cravat wrapped around his neck. A powdered wig with soft, defined curls frames his face. Behind him, a heavy red drapery falls in deep folds, providing a saturated backdrop to the figure. The lighting is directional, casting one side…
This oil on canvas presents Sir George Augustus Elliott, Baron Heathfield, as rendered by the American-born painter Mather Brown. The work was executed between 1788 and 1791, a period during which Brown was establishing his presence within the London art scene. The portrait captures the likeness of a man whose military career was defined by service in three major eighteenth-century wars.
Portrait of Augustin Prevost in Uniform (for pair see - (109326))1723
12
Thomas Dawson, Viscount Cremorne1788 · National Gallery of Art
13
George, Prince of Wales (1762-1830), later George IVBuckingham Palace
14
Portrait of a ManMuseum of Fine Arts
15
Portrait Of Sir George Yonge
16
Portrait Of Charles Bulfinch
17
Sir John Colpoys
18
Sir John Eamer, Lord Mayor Of London
19
Thomas Fitzherbert
20
Rear Admiral Sir Home Popham
21
Henry Blundell
22
Portrait Of Major John Norton As Mohawk Chief TeyoninhokarawenYale Center for British Art
23
Lord Cornwallis Receiving The Sons Of Tipu As Hostages
24
Romeo And Juliet
25
Lady with a Dog1786 · Metropolitné múzeum umenia
26
Portrait of a Young Woman1801 · Metropolitné múzeum umenia
27
Portrait Of Sir John Eamer, Lord Mayor Of London
28
Lord Loughborough
29
Richard Clark
30
William Thomas
31
Peter Mellish, Sheriff
32
Ohn Williams A.K.A. Anthony Pasquin
33
John Bridge Aspinall
34
Sir William Dolben
35
Captain George Miller BlighNational Maritime Museum
36
Thomas Hugh Clifford Of Tixall
37
Anne Watts, Wife Of The 11th Earl Of Cassillis
38
Thomas Lowton
39
Portrait Of George Fermor
40
Frederick Augustus
41
Anne Brunton And Joseph Holman As Romeo And Juliet In 'romeo And Juliet'
42
Portrait of Hon. Harrison Gray
43
Sir John William Anderson
44
Portrait of Sir Richard ArkwrightNew Britain Museum of American Art
45
Captain The Honourable Archibald Kennedy
46
The Reverend Alban Thomas GwynneThe Homewood
47
Mary Anne Vevers), Mrs Alban Thomas Jones GwynneThe Homewood
48
Sir Christopher Wray
49
Thomas Howard, Earl Of Surrey, Defending His Allegiance To Richard Iii Before Henry Vii After The Ba
50
Henry AngeloNational Portrait Gallery
51
Viscount Mount Stuart, Provost Of Rothesay
52
Portrait Of An Unknown Man
53
Portrait Of Joseph Bologne De Saint-georgeMetropolitné múzeum umenia
54
Susannah Jones, Mrs Alban Thomas GwynneThe Homewood
55
John Smeaton
56
Colonel Alban Thomas Jones GwynneThe Homewood
57
John Adams
58
Miss Mary Barbara, Miss Mary Isabella, And Master Thomas Aston Clifford
59
Lord Mountstuart
60
John HowardNational Portrait Gallery
61
Alexander WedderburnŠkótska národná galéria portrétov
62
Garrick Between Tragedy And Comedy
63
A Girl At A HarpsichordPollok House
64
Sir Charles Morgan
65
Purveyor, Army Medical Department
66
Lord George Augustus Cavendish
67
Franz Joseph Haydn
68
Sir Francis Buller, 1st Bt
69
The Baptism Of Henry Viii
70
The Battle Of The Nile - Destruction Of 'l'orient'National Maritime Museum
71
Lord Howe On The Deck Of The 'queen Charlotte'National Maritime Museum
72
Thomas Jefferson1786 · National Portrait Gallery
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Mather Brown | Obrazy z tohto zoznamu |
|---|---|---|---|
 National Portrait Gallery |
Londýn | 4 | Sir Francis Buller, 1st Bt, Henry Angelo, John Howard |
 Metropolitné múzeum umenia |
New York | 4 | Untitled (D2X2CK), Lady with a Dog, Portrait of a Young Woman |
 The Homewood |
4 | The Reverend Alban Thomas Gwynne, Mary Anne Vevers), Mrs Alban Thomas Jones Gwynne, Susannah Jones, Mrs Alban Thomas Gwynne | |
 National Maritime Museum |
Londýn | 3 | Captain George Miller Bligh, The Battle Of The Nile - Destruction Of 'l'orient', Lord Howe On The Deck Of The 'queen Charlotte' |
 Detroit Institute of Arts |
Detroit | 2 | Master Charles William Park, Sir George Augustus Elliott, Baron Heathfield |
 Museum of Fine Arts |
Boston | 2 | A Commander in the East India Company, Portrait of a Man |
 National Gallery of Art |
Washington | 2 | William Vans Murray, Thomas Dawson, Viscount Cremorne |
 Gilcrease Museum |
Tulsa | 1 | William Temple Franklin painting |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In this 1785 portrait, we encounter a young boy seated with a composure that feels far beyond his years. There is a stillness here, a sense of a moment caught in the soft light of a receding landscape. He is positioned centrally, his figure anchored by a rugged stone seat that suggests a connection to the natural world, even as his attire speaks of high social standing. The boy’s gaze…
The gaze of Sir Francis Buller, 1st Bt, meets the viewer from within this 1792 oil on canvas. Mather Brown captures the man who lived from 1746 to 1800, freezing a moment of judicial authority upon the fabric of the late eighteenth century. The sitter occupies the space with a quiet, heavy presence, his identity tied to the legal weight of his station. One senses the gravity of his life's…
Mather Brown’s “Portrait of a Young Woman,” painted in 1801, is more than just a likeness; it's a carefully constructed tableau of Neoclassical grace and burgeoning Romantic sentiment. Born in Boston to a family steeped in New England intellectual history – tracing back to the influential Cotton and Increase Mather – Brown’s artistic journey led him from itinerant portraiture across New England to the vibrant, cosmopolitan world of London, where…
The oil-on-canvas work titled Self-portrait is a direct encounter with the artist, Mather Brown. Created about 1812, this bust-length portrait captures the man as he appeared during the early nineteenth century. The subject gazes out from the frame, meeting the observer's eyes with a steady, quiet presence.
Sir Francis Buller, 1st Bt (1792), National Portrait Gallery, Londýn. Nasledujú Master Charles William Park (1785) a Untitled (D2X2CK) (1790).
31 rokov: Sir Francis Buller, 1st Bt vzniklo v roku 1792 a Mather Brown sa narodil/a v roku 1761.
Sir Francis Buller, 1st Bt, Master Charles William Park, Untitled (D2X2CK), William Temple Franklin painting, A Commander in the East India Company, William von Freytag (1711-1798), Charles Bulfinch (1763-1844), Self-portrait, William Vans Murray a Sir George Augustus Elliott, Baron Heathfield. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 73 diel od umelca Mather Brown z perioda od 1782 do 1812.
Väčšinou v National Portrait Gallery (Londýn), Metropolitné múzeum umenia (New York) a The Homewood. Tabuľka múzeí vyššie ich všetky uvádza.
V období 1780s: 9 z 72 diel na tejto stránke bolo vytvorených vtedy, pričom Master Charles William Park z nich.
Na tejto stránke je najstaršie dielo z William Temple Franklin painting (1782) a najnovšie z Self-portrait (1812).
Man (9), Portrait (9) a Men (9), v rámci 72 diel na tejto stránke.
Oil On Canvas, pre 10 z 72 diel na tejto stránke.
British neoclassicism, podľa originálov na tejto stránke.
Sir Francis Buller, 1st Bt, Henry Angelo a John Howard: múzeá National Portrait Gallery, Londýn uchovávajú 4 z diel na tejto stránke.
Mather Brown predstavuje fascinujúci most medzi dvoma érami, maliara, ktorého život a dielo vtlačili meniace sa prúdy konca 18. a začiatku 19. storočia. Narodený v Bostone v roku 1761, svoju umeleckú identitu formoval v intelektuálnom kocioch koloniálnej Ameriky, skôr než našiel svoj najvyšší vyjadrení v grandióznych londýnskych ateliérov. Jeho cesta predstavuje viac než len osobnú kariéru; je zrkadlom pohybu umeleckých ideálov od prísnych, štruktúrovaných princípov neoklasicizmu smerom k emotívnemu, dramatickému duchu romantizmu. Táto transformácia umožnila Brownovi stať sa všestranným rozprávačom, schopným zachytiť nielen tichú dôstojnosť individuálneho portrétu, ale aj chaotickú veľkoleposť historického konfliktu.
Základy Brownovej majstrovstva možno vysledovať až k jeho ranému mentorstvu pod legendárnym Johnom Singletonom Copleym. Pod Copleyovým pozorným okoom sa Brown naučil dôležitosti precízneho detailu a hlbokého porozumenia klasickej forme. Toto školenie mu dodalo technickú disciplínu potrebnú na navigáciu na konkurenčnom európskom umeleckom trhu. Keď sa v roku 1790 presťahoval do Londýna, neprišiel len ako cudzinec, ale ako pripravený profesionál, ktorý si rýchlo vybojoval svoje miesto v prestížnej Kráľovskej akadémii. Toto členstvo bolo zásadným úspechom, ktorý signalizoval jeho prijatie do najvyšších sfér britskej umeleckej elity a poskytol mu platformu na interakciu s najvplyvnejšími postavami jeho doby.
Brownovo dielo je charakteristické mimoriadne schopnosťou prispôsobiť svoju techniku potrebám zvolenej témy. V portrétnej tvorbe disponoval výnimočným darom vykresľovať jemné nuansy charakteru a spoločenského postavenia. Jeho portréty významných osobností, ako sú Thomas Jefferson a Benjamin West, demonštrujú bystrý pohľad na politické a sociálne prúdy éry, pričom svojim subjektom vkladajú pocit trvavosti a vážnosti. Či už zachytával vyvinutú eleganciu v obraze Lady s psom alebo dôstojnú prítomnosť v portréte Thomasa Lowtona, Brown využíval svetlo a textúru na vytváranie živých, dychajúcich prítomností na plátne.
Za hranicami intímnej dimenzie portrétu sa Brown snažil zachytiť to epické. Bol maliarom veľkých ambícií, ktorý často obracal pozornosť k historickým plátnom, ktoré si vyžadovali ovládnutie komplexnej kompozície a dramatického pohybu. Jeho dielo Bitva pri Nile slúži ako vrchol tohto prístupu, kde sa vzdal statických klasických foriem, aby prihral znárodnenú energiu a viscerálnu intenzitu námorného boja. V týchto väčších díloch možno vidieť vznik romantickej senzibility – zameranie na sublímne, mocné a transformatívnu povahu historických udalostí.
Význam Mathera Browna spočíva v jeho úlohe kultúrneho spojovateľa. Prepojením precíznosti svojho amerického vzdelania so štylistickými inováciami londýnskej umeleckej scény pomohol formovať vizuálny jazyk éry definovanej revolúciou a prechodom. Jeho schopnosť pohybovať sa medzi formálnymi požiadavkami objednaného portrétneho maliarstva a naratívnymi nárokmi historického malbasť umožnila, aby zanechal trvajúcu stopu v britskom aj americkom umeleckom povedomí.
Dnes jeho diela zostávajú kľúčovými referenčnými bodmi pre pochopenie vývoja západného umenia. Prostredníctvom jeho pláten svedčíme o:
