Portrét Martin Schaffner

36 najznámejších obrazov od Martin Schaffner, výber z galérie

Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 36 dielov umelca Martin Schaffner v našom katalógu

Stručne povedané

Z všetkých originálov, ktoré Martin Schaffner zanechal, je najznámejší Eitel Hans I. Besserer von Schnürpflingen (1529), ktorý sa nachádza v zbierkach Bavarské štátne múzeá výtvarného umenia v meste Mních. Hneď za ním nasledujú Portrait of a Man with Rosary (1521) a Wolfgang I. Count of Oettingen (1508). Náš katalóg obsahuje 36 diel od Martin Schaffner; galéria si zachovala tých 36, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.

1478 – 1548, Ulm Najviac diel: Bavarské štátne múzeá výtvarného umenia

Top 10 obrazov umelca Martin Schaffner: výber galérie

1
Eitel Hans I. Besserer von Schnürpflingen (1529) od Martin Schaffner

Eitel Hans I. Besserer von Schnürpflingen

1529 · Oil On Panel · Bavarské štátne múzeá výtvarného umenia, Mních

A man sits in the quiet weight of 1529. He is Eitel Hans I. Besserer von Schnürpflingen, captured in a moment of stillness that feels heavy with the gravity of his station. The light enters from the upper left, a soft, directional glow that carves the contours of a face marked by experience. His gaze is directed toward the right, looking past the viewer into an unseen space. He wears…

2
Portrait of a Man with Rosary (1521) od Martin Schaffner

Portrait of a Man with Rosary

1521 · Oil On Panel · Kunsthistorisches Museum, Viedeň

The portrait presents a middle-aged man in a three-quarter view, positioned from the waist up against a solid, deep teal-blue background. He wears a red beret and a central red doublet, partially covered by a black cloak lined with fur. His sleeves exhibit a patterned design in shades of grey and white. The man's hands are positioned to hold a red rosary, which hangs against his clothing. Light enters from…

Výber umelcov Martin Schaffner pokračuje, od 11 do 36

11First Wettenhausen Altar: Christ before Pilate Reverse: Christ in Limbo (1515) od Martin SchaffnerFirst Wettenhausen Altar: Christ before Pilate Reverse: Christ in Limbo1515 · Bavarské štátne múzeá výtvarného umenia 12Departure of Christ from Mary (1507) od Martin SchaffnerDeparture of Christ from Mary1507 · Bavarské štátne múzeá výtvarného umenia 13Saint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 4 (1517) od Martin SchaffnerSaint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 41517 · Staatliche Kunsthalle Karlsruhe 14The Temptation of St. Anthony by Demons, Salemer Altar Panel 2 (1517) od Martin SchaffnerThe Temptation of St. Anthony by Demons, Salemer Altar Panel 21517 · Staatliche Kunsthalle Karlsruhe 15Saint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 1 (1517) od Martin SchaffnerSaint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 11517 · Staatliche Kunsthalle Karlsruhe 16Saints Peter and Paul with the Sudarium of Saint Veronica (Vera Icon) (1518) od Martin SchaffnerSaints Peter and Paul with the Sudarium of Saint Veronica (Vera Icon)1518 · Staatliche Kunsthalle Karlsruhe 17Saint Anthony, Tempted by Three Devils in Female Form, Salem Altar Panel 3 (1517) od Martin SchaffnerSaint Anthony, Tempted by Three Devils in Female Form, Salem Altar Panel 31517 · Staatliche Kunsthalle Karlsruhe 18Plague Altarpiece: Angry God the Father and Virgin Mary (1514) od Martin SchaffnerPlague Altarpiece: Angry God the Father and Virgin Mary1514 · Bavarské štátne múzeá výtvarného umenia 19Plague Altarpiece: Christ with Saints Roch and Sebastian (1514) od Martin SchaffnerPlague Altarpiece: Christ with Saints Roch and Sebastian1514 · Bavarské štátne múzeá výtvarného umenia 20Wettenhauser High Altar: Presentation in the Temple Reverse: formerly Relief with Adoration of the Shepherds (1523) od Martin SchaffnerWettenhauser High Altar: Presentation in the Temple Reverse: formerly Relief with Adoration of the Shepherds1523 · Bavarské štátne múzeá výtvarného umenia 21Wettenhauser High Altar: Annunciation to Mary Reverse: Farewell of Christ (left half) (1523) od Martin SchaffnerWettenhauser High Altar: Annunciation to Mary Reverse: Farewell of Christ (left half)1523 · Bavarské štátne múzeá výtvarného umenia 22Battle of Saint George with the Dragon (1532) od Martin SchaffnerBattle of Saint George with the Dragon1532 · Bavarské štátne múzeá výtvarného umenia 23Wettenhauser High Altar: Death of Mary Reverse: Farewell of Christ (right half) with Donor Ulrich Hieber (1523) od Martin SchaffnerWettenhauser High Altar: Death of Mary Reverse: Farewell of Christ (right half) with Donor Ulrich Hieber1523 · Bavarské štátne múzeá výtvarného umenia 24Wettenhauser High Altar: Descent of the Holy Spirit Reverse Side: formerly Relief with Adoration of the Magi (1523) od Martin SchaffnerWettenhauser High Altar: Descent of the Holy Spirit Reverse Side: formerly Relief with Adoration of the Magi1523 · Bavarské štátne múzeá výtvarného umenia 25male portrait (1524) od Martin Schaffnermale portrait1524 26Painted tabletop for Erasmus Stedelin (detail) (1533) od Martin SchaffnerPainted tabletop for Erasmus Stedelin (detail)1533 · Staatliche Museen 27Painted tabletop for Erasmus Stedelin (detail) (1533) od Martin SchaffnerPainted tabletop for Erasmus Stedelin (detail)1533 · Staatliche Museen 28Anweiler epitaph od Martin SchaffnerAnweiler epitaph 29The Adoration of the Magi od Martin SchaffnerThe Adoration of the MagiBavarské štátne múzeá výtvarného umenia 30Adoration of the Magi od Martin SchaffnerAdoration of the Magi 31Bildnis des Eitel Besserer Martin Schaffner od Martin SchaffnerBildnis des Eitel Besserer Martin Schaffner 32The Adoration of the Magi. od Martin SchaffnerThe Adoration of the Magi.Národné múzeum vo Varšave 33Painted tabletop for Erasmus Stedelin, detail woman with musical instruments od Martin SchaffnerPainted tabletop for Erasmus Stedelin, detail woman with musical instruments 34Drachenkampf des Hl. Georg od Martin SchaffnerDrachenkampf des Hl. Georg 35Farewell Christ from his mother od Martin SchaffnerFarewell Christ from his mother 36Painted tabletop for Erasmus Stedelin (1533) od Martin SchaffnerPainted tabletop for Erasmus Stedelin1533 · Staatliche Museen

Motívy, ktoré zaujali Martin Schaffner

Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.

Múzeá, ktoré uchovávajú originály umelca Martin Schaffner

5 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Martin Schaffner Obrazy z tohto zoznamu
Bavarské štátne múzeá výtvarného umenia, MníchBavarské štátne múzeá výtvarného umenia Mních 19 Eitel Hans I. Besserer von Schnürpflingen, Wolfgang I. Count of Oettingen, First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ
Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 5 Saint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 4, The Temptation of St. Anthony by Demons, Salemer Altar Panel 2, Saint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 1
Staatliche Museen, KasselStaatliche Museen Kassel 3 Painted tabletop for Erasmus Stedelin (detail), Painted tabletop for Erasmus Stedelin (detail), Painted tabletop for Erasmus Stedelin
Kunsthistorisches Museum, ViedeňKunsthistorisches Museum Viedeň 1 Portrait of a Man with Rosary
Národné múzeum vo Varšave, VaršavaNárodné múzeum vo Varšave Varšava 1 The Adoration of the Magi.

Martin Schaffner dekáda po dekáde: originál, ktorý definuje každú z nich

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Otázky zberateľov o obrazoch od Martin Schaffner

Ktorým dielom je Martin Schaffner najznámejší/najznámejšia?Odhaľte odpoveď

Eitel Hans I. Besserer von Schnürpflingen (1529), Bavarské štátne múzeá výtvarného umenia, Mních. Nasledujú Portrait of a Man with Rosary (1521) a Wolfgang I. Count of Oettingen (1508).

V akom veku bol/a Martin Schaffner, keď vzniklo dielo Eitel Hans I. Besserer von Schnürpflingen?Odhaľte odpoveď

51 rokov: Eitel Hans I. Besserer von Schnürpflingen vzniklo v roku 1529 a Martin Schaffner sa narodil/a v roku 1478.

Ktorých desať najznámejších obrazov má Martin Schaffner?Odhaľte odpoveď

Eitel Hans I. Besserer von Schnürpflingen, Portrait of a Man with Rosary, Wolfgang I. Count of Oettingen, First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ, First Wettenhausen Altar: Capture of Christ Reverse: Christ before Pilate, First Wettenhausen Altar: Washing of the Feet of Christ Reverse: not preserved, First Wettenhausen Altar: Departure of Christ Reverse Side: Scourging of Christ, First Wettenhausen Altar: Entry of Christ into Jerusalem Reverse: Crowning with Thorns of Christ, First Wettenhausen Altar: Christ before Caiaphas Reverse: Resurrection of Christ a First Wettenhausen Altar: Denial of Peter and Mockery of Christ Reverse: not preserved. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko obrazov zanechal umenec Martin Schaffner?Odhaľte odpoveď

Náš katalóg obsahuje 36 diel od umelca Martin Schaffner z perioda od 1507 do 1533.

V ktorých múzeách visia majstrovské diela umelca Martin Schaffner?Odhaľte odpoveď

Väčšinou v Bavarské štátne múzeá výtvarného umenia (Mních), Staatliche Kunsthalle Karlsruhe (Karlsruhe) a Staatliche Museen (Kassel). Tabuľka múzeí vyššie ich všetky uvádza.

V ktorých rokoch vytvoril Martin Schaffner svoje najznámejšie diela?Odhaľte odpoveď

V období 1510s: 15 z 36 diel na tejto stránke bolo vytvorených vtedy, pričom First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ z nich.

Aké sú prvé a posledné známe originály od Martin Schaffner?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z Departure of Christ from Mary (1507) a najnovšie z Painted tabletop for Erasmus Stedelin (detail) (1533).

Aké témy si Martin Schaffner najčastejšie vyberal/a?Odhaľte odpoveď

Man (3), Dark background (2) a Religious (2), v rámci 36 diel na tejto stránke.

Ktorú techniku používal(a) Martin Schaffner najčastejšie?Odhaľte odpoveď

Oil On Panel, pre 3 z 36 diel na tejto stránke.

Aké diela umelca Martin Schaffner sa nachádzajú v múzeu Bavarské štátne múzeá výtvarného umenia?Odhaľte odpoveď

Eitel Hans I. Besserer von Schnürpflingen, Wolfgang I. Count of Oettingen a First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ: múzeá Bavarské štátne múzeá výtvarného umenia, Mních uchovávajú 19 z diel na tejto stránke.

Martin Schaffner: život a dielo

Martin Schaffner: A Master of Detail in the Dawn of the Renaissance

Born in Ulm, Germany, around 1478, Martin Schaffner emerged as a significant figure within the burgeoning artistic landscape of the mid-15th century. While details surrounding his early life remain somewhat sparse – he was a man who largely worked behind the scenes, often serving as an assistant to more prominent masters – his output speaks volumes about his skill and dedication. Schaffner’s career unfolded primarily in Ulm, where he established himself as a respected painter and medallist, contributing significantly to the religious art that dominated the era. He wasn't a flamboyant innovator; rather, he was a meticulous craftsman, a master of detail who honed his abilities through diligent apprenticeship and a deep understanding of established artistic conventions.

Schaffner’s early training is believed to have been under Jörg Stocker, a renowned painter in Ulm. This association provided him with a solid foundation in the techniques of oil painting and fresco, crucial skills for creating the intricate scenes that would become his hallmark. However, it was through his work alongside other masters – particularly as an assistant – that he truly developed his distinctive style: one characterized by remarkable precision, vibrant colors, and a profound sense of realism. He wasn’t interested in grand gestures or revolutionary approaches; instead, he focused on faithfully rendering the subjects before him with painstaking accuracy.

Biblical Narratives and Tabletop Masterpieces

Schaffner's artistic output primarily revolved around religious themes, reflecting the prevailing devotional climate of the time. He frequently produced altarpieces – large-scale paintings intended for church interiors – depicting scenes from the Bible. These works are notable for their detailed depictions of figures, architectural settings, and symbolic elements. The “Adoration of the Magi,” a particularly striking example, showcases his mastery of perspective and color theory, creating a richly layered scene brimming with biblical significance. The painting exemplifies Early Netherlandish style, characterized by its meticulous detail and use of symbolism to convey theological messages.

Beyond altarpieces, Schaffner also excelled in producing smaller-scale works, often commissioned for private patrons. These included portraits – typically of wealthy merchants or members of the clergy – and intricately decorated tabletop scenes. The “Painted tabletop for Erasmus Stedelin” is a testament to his skill in creating miniature worlds within panels, depicting biblical narratives and allegorical figures with astonishing detail. These tabletop compositions were not merely decorative; they served as visual sermons, educating viewers on religious teachings through carefully arranged imagery.

Technique and Influences

Schaffner’s technique was rooted in the traditions of Northern European painting, particularly those practiced by artists working in Germany and the Netherlands. He employed oil paints with a remarkable degree of control, layering thin glazes to achieve luminous colors and subtle gradations of tone. His meticulous attention to detail is evident in every brushstroke, from the folds of clothing to the texture of fabrics. While he didn’t radically depart from established conventions, Schaffner demonstrated an exceptional ability to execute these techniques with unparalleled precision.

It's believed that his work was influenced by artists like Stefan Lochner and Hans Memling, both masters of detail and religious illustration. However, Schaffner developed a unique style characterized by a quiet solemnity and a focus on the human figure. He avoided dramatic compositions or overly expressive gestures, instead prioritizing clarity and accuracy in his depictions.

Legacy and Historical Significance

Martin Schaffner’s contribution to 15th-century art is often overshadowed by more flamboyant figures of the era, but his work holds considerable historical significance. He represents a crucial link between the Gothic and Renaissance periods, embodying the meticulous craftsmanship that characterized Northern European painting during this transitional time. His altarpieces and tabletop scenes provide valuable insights into the religious beliefs and artistic practices of the period.

Schaffner’s legacy lies not in groundbreaking innovations but in his unwavering commitment to excellence. He was a master of his craft, a diligent artist who dedicated his life to faithfully rendering the world around him with remarkable skill and precision. His work continues to be studied by art historians today as a testament to the enduring power of detail and the importance of craftsmanship in the creation of great art.