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1 najznámejších obrazov od umelca Marie Wiegmann, každý jedinečný
Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 2 dielov umelca Marie Wiegmann v našom katalógu
Stručne povedané
Half-length Portrait of a Woman (1857) je obrazom umelca Marie Wiegmann, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Augustiner Museum, Freiburg. Z 2 diel umelca Marie Wiegmann v našom katalógu je týchto 1 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
1820 – 1893, Srebrna Góra
Najviac diel: Augustiner Museum
Top 10 obrazov umelca Marie Wiegmann podľa výberu galérie
Múzeá, ktoré uchovávajú originály umelca Marie Wiegmann
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Marie Wiegmann | Obrazy z tohto zoznamu |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Half-length Portrait of a Woman |
Marie Wiegmann v priebehu rokov: jedinečné originály každého diela
Všetky uvedené diela pôvodného autora Marie Wiegmann s dátumom 1857 patricia do jedného roku, 1857: sú zobrazené podľa popularity.
Diela podľa roku
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Obrazy umelca Marie Wiegmann: otázky pre galériu
Akým najznámejším dielom sa pýta Marie Wiegmann?Odhaľte odpoveď
Half-length Portrait of a Woman (1857)
V akom veku vytvoril/a Marie Wiegmann dielo Half-length Portrait of a Woman?Odhaľte odpoveď
37 rokov: Half-length Portrait of a Woman vzniklo v roku 1857 a Marie Wiegmann sa narodil/a v roku 1820.
Koľko je známych diel umelca Marie Wiegmann?Odhaľte odpoveď
Náš katalóg obsahuje 2 diel od Marie Wiegmann.
Kde možno vidieť najznámejšie originály od Marie Wiegmann?Odhaľte odpoveď
Väčšinou v Augustiner Museum (Freiburg). Tabuľka múzeí vyššie ich všetky uvádza.
Marie Wiegmann: portrét umelca
A Life in Brushstrokes
Marie Elisabeth Wiegmann began her life in Silberbeg, Silesia. Her hands found their way to the Düsseldorf Academy in 1841, where she sat as a pupil under Hermann Stilke. Later, she studied with Karl Ferdinand Sohn. These years of training shaped how she saw the light on a face or the fold of a garment. She moved through Germany, England, Holland, and Italy, carrying her observations with her.
In 1841, she married Rudolf Wiegmann. They eventually settled in Düsseldorf. Her travels were not merely for leisure; between 1843 and 1845, a study trip to Italy allowed her to look closely at the art of that land. This period of looking deeply influenced the way she approached her subjects.
The Subjects of Her Canvas
Her work often turned toward the human form and the stories told in folklore. For a time, between 1846 and 1850, she focused on paintings rooted in mythical and fairytale tales. She drew from late romantic literary models, creating pieces like those based on Ludwig Uhland’s poem, The Elves. Her illustrations even found a place in the pages of St Nicholas: An Illustrated Magazine For Young Folks in 1883.
Beyond stories, she was a painter of people and quiet moments. Some of her known works include:
- A Venetian Lady
- A Young Girl with Roses
- A French Woman of 1792
- Portrait of Karl Schnasse
Recognition and Legacy
Her career lasted more than fifty years. During this time, she earned a gold medal in Berlin for one of her works. Her portraits were held in places like the National Gallery of Berlin, where pieces such as A Venetian Lady were established in 1876. She left behind a body of work that reflects the traditions of the Düsseldorf School.
She lived until 1893. Her life was marked by the steady application of paint to canvas, moving from the lessons of her teachers to her own established presence in the art circles of Europe.