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3 najznámejších obrazov od umelca Lazar Meyer, každý jedinečný
Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 3 dielov umelca Lazar Meyer v našom katalógu
Stručne povedané
The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903) je obrazom umelca Lazar Meyer, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Carnavalet Museum, Paríž. Potom sa pohľad presunie na Saint-Lazare Prison (1908) a Saint-Lazare Prison (1908). Z 3 diel umelca Lazar Meyer v našom katalógu je týchto 3 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
1847 – 1935, Fegersheim
Najviac diel: Carnavalet Museum
Top 10 obrazov umelca Lazar Meyer podľa výberu galérie
Múzeá, ktoré uchovávajú originály umelca Lazar Meyer
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Lazar Meyer | Obrazy z tohto zoznamu |
|---|---|---|---|
 Carnavalet Museum |
Paríž | 3 | The Maquis of Montmartre seen from Rue Caulaincourt in 1903, Saint-Lazare Prison, Saint-Lazare Prison |
Lazar Meyer v priebehu rokov: jedinečné originály každého diela
Medzi 1903 a 1908, čo predstavuje celkom 6 rokov, Lazar Meyer vytvoril každý zobrazený dátovaný originál: krátke obdobie, rok po roku.
Diela podľa roku
Vyberte si rok a pozrite si originály.
Obrazy umelca Lazar Meyer: otázky pre galériu
Akým najznámejším dielom sa pýta Lazar Meyer?Odhaľte odpoveď
The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903), Carnavalet Museum, Paríž. Nasledujú Saint-Lazare Prison (1908) a Saint-Lazare Prison (1908).
V akom veku vytvoril/a Lazar Meyer dielo The Maquis of Montmartre seen from Rue Caulaincourt in 1903?Odhaľte odpoveď
56 rokov: The Maquis of Montmartre seen from Rue Caulaincourt in 1903 vzniklo v roku 1903 a Lazar Meyer sa narodil/a v roku 1847.
Koľko je známych diel umelca Lazar Meyer?Odhaľte odpoveď
Náš katalóg obsahuje 3 diel od umelca Lazar Meyer z perioda od 1903 do 1908.
Kde možno vidieť najznámejšie originály od Lazar Meyer?Odhaľte odpoveď
Väčšinou v Carnavalet Museum (Paríž). Tabuľka múzeí vyššie ich všetky uvádza.
V akom období vytvoril/a Lazar Meyer svoje najznámejšie obrazy?Odhaľte odpoveď
V období 1908: 2 z 3 diel na tejto stránke bolo vytvorených vtedy, pričom Saint-Lazare Prison z nich.
Ktorý z najslávnejších obrazov autora Lazar Meyer je najstarší a ktorý najnovší?Odhaľte odpoveď
Na tejto stránke je najstaršie dielo z The Maquis of Montmartre seen from Rue Caulaincourt in 1903 (1903) a najnovšie z Saint-Lazare Prison (1908).
Aké originály od Lazar Meyer môžem vidieť v Carnavalet Museum?Odhaľte odpoveď
The Maquis of Montmartre seen from Rue Caulaincourt in 1903, Saint-Lazare Prison a Saint-Lazare Prison: múzeá Carnavalet Museum, Paríž uchovávajú 3 z diel na tejto stránke.
Lazar Meyer: portrét umelca
A life shaped by borders and streets
Lazar Meyer arrived in Paris from Fegersheim following the Franco-Prussian War of 1870. The occupation of Alsace-Lorraine by the German Empire had prompted him to move with his brother, Léopold, seeking a different life in the 18th arrondissement. His early years in the city were marked by the heavy atmosphere of the Commune. He served as a secretary for a section during those turbulent days and faced arrest and imprisonment near the Île de Ré. Though he was nearly deported, the court eventually acquitted him because he had not taken up arms.
He settled into a quiet routine in Paris, marrying Louise Albertine Macé in 1880. Together they raised three children: Éva, Léa, and Israël Maurice. While his personal life took root in the city, his professional path was built through steady study and teaching. He learned under Alexandre Laemlein, Alexandre Cabanel, and Émile Lévy. Later, he shared this knowledge as a drawing teacher at Lycée Condorcet.
The brush and the ceramic tile
His work often focused on the intimate details of daily life and the changing face of his surroundings. He was a painter of genre scenes and portraits, showing a particular skill for capturing the texture of silk in a dress or the quiet weight of a family scene. Some of his pieces, like Kaddish pour les morts, carry a heavy, somber tone. He also looked toward the landscape, documenting the hills and thickets of Montmartre before they were transformed by urban expansion.
Beyond the canvas, Meyer worked with different materials to leave a mark on the city itself. In collaboration with the earthenware maker Jules Paul Loebnitz, he helped create large ceramic panels for the 1878 Universal Exhibition. These pieces, titled L'Architecture, La Peinture, and La Sculpture, were based on drawings by Émile Lévy. They eventually found a place on the facade of the former Loebnitz earthenware factory.
His contributions to the art scene included:
- Exhibiting at the Paris Salon between 1870 and 1882.
- Capturing the landscape of Montmartre, such as in Le Maquis de Montmartre vu de la rue Caulaincourt en 1903.
- Creating works that documented the era of the Second Empire.
- Developing a style that placed him among the early painters of Montmartre and a precursor to the School of Paris.
The later years of his life saw the loss of much of his physical output. During the Second World War, several of his works were destroyed or vandalized. He remained in Paris until his death on January 28, 1935.