Stručne povedané
Z hľadiska galérie je najznámejším obrazom umelca Lawrence Weiner dielo Turf, Stake and String from S.M.S. No. 5 (1968). Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) a A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968) dopĺňajú trojicu, ktorú pozná každé oko. Z 11 diel umelca Lawrence Weiner v našom katalógu prezentuje galéria nižšie 11 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.
Top 10 obrazov umelca Lawrence Weiner v galérii
A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall
A Study in Texture: Lawrence Weiner's "Removal" Lawrence Weiner’s 1968 work, “A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall,” is far more than its seemingly straightforward title suggests. It represents a pivotal moment in Conceptual Art, moving away from traditional artistic creation and focusing instead on the idea itself. This piece isn't about what *is* present, but rather what has…
Obrazy umelca Lawrence Weiner, usporiadané od 11 do 11
Múzeá, ktoré uchovávajú originály umelca Lawrence Weiner
3 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeum | Mesto | Diela umelca Lawrence Weiner | Obrazy z tohto zoznamu |
|---|---|---|---|
| Porto | 1 | The Level of Water | |
| Chicago | 1 | TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM | |
| Barcelona | 1 | Some Objects of Desire |
Lawrence Weiner, jeden ikonický obraz na každé desaťročie
Diela podľa dekád
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand
Obrazy umelca Lawrence Weiner: odpovede galérie
Ktorý obraz od Lawrence Weiner je najznámejší zo všetkých?Odhaľte odpoveď
Turf, Stake and String from S.M.S. No. 5 (1968). Nasledujú Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) a A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968).
Koľko rokov mal/a Lawrence Weiner pri dokončeni diela Turf, Stake and String from S.M.S. No. 5?Odhaľte odpoveď
26 rokov: Turf, Stake and String from S.M.S. No. 5 vzniklo v roku 1968 a Lawrence Weiner sa narodil/a v roku 1942.
Ktorých 10 najlepších obrazov má Lawrence Weiner?Odhaľte odpoveď
Turf, Stake and String from S.M.S. No. 5, Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand, A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall, The Level of Water, With a Relation to the Various Manners of Placement and or Location, TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, Altered to Suit A Film of Lawrence Weiner, CRUSHED BETWEEN COBBLESTONES, As Time Goes By a Wind and the Willows What's Our Hero To Do. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Koľko diel vytvoril/a Lawrence Weiner?Odhaľte odpoveď
Náš katalóg obsahuje 11 diel od umelca Lawrence Weiner z perioda od 1968 do 2004.
Kde visia najznámejšie originály umelca Lawrence Weiner?Odhaľte odpoveď
Väčšinou v Fúndacia Serralves (Porto), Art Institute of Chicago (Chicago) a Museu d'Art Contemporani (Barcelona). Tabuľka múzeí vyššie ich všetky uvádza.
Kedy vytvoril/a Lawrence Weiner svoje najznámejšie obrazy?Odhaľte odpoveď
V období 1970s: 3 z 11 diel na tejto stránke bolo vytvorených vtedy, pričom The Level of Water z nich.
Aké sú najskoršie a najneskoršie známe diela umelca Lawrence Weiner?Odhaľte odpoveď
Na tejto stránke je najstaršie dielo z Turf, Stake and String from S.M.S. No. 5 (1968) a najnovšie z Some Objects of Desire (2004).
Lawrence Weiner: umelec
The Language of Materiality
Lawrence Weiner was an American conceptual artist born in Manhattan, United States. His practice centered on the use of language as a sculptural medium, often utilizing wall texts and statements to describe sculptural processes and materials. He developed a framework known as the Declaration of Intent, which established that a piece may be constructed, fabricated, or may not need to be built at all, leaving the final condition to the receiver. His work explored the relationship between language, materials, and space, often focusing on the inherent properties of substances like wood, stone, and metal.
Throughout his career, Weiner's work was presented in various formats, including:
Exhibitions and Recognition
Weiner's work has been showcased in numerous international institutions, including the Stedelijk Museum Amsterdam, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Tate Gallery in London. His exhibitions spanned various locations, such as the San Francisco Museum of Modern Art and the Museum Ludwig in Cologne. He participated in several Documenta exhibitions and the Venice Biennale.
His professional recognition included several honors, such as: