Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 47 dielov umelca Jozef Fabini v našom katalógu
Stručne povedané
Autumn under the Tatras (1958) je obrazom umelca Jozef Fabini, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Tatra galéria, Poprad. Potom sa pohľad presunie na Sub-Tatra Meadows (1952) a Motif from Levoča (1955). Z 47 diel umelca Jozef Fabini v našom katalógu je týchto 30 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
A single flame flickers in the dimness, casting a warm, amber glow across the room. An elderly woman sits in the shadows, her presence felt through the heavy textures of her pleated white ruff collar and the deep creases of her skin. She holds a spoon and a small vessel, caught in a moment of quiet sustenance. Below her, a tabby cat rests in the foreground, a soft shape amidst…
Created in 1952, this work reflects the technical mastery of Jozef Fabini. His background as a restorer and art historian is evident in the precise handling of pigments and the reverence for classical light. While Fabini is often associated with the rugged majesty of the High Tatras, this piece demonstrates his ability to apply a sophisticated understanding of light and shadow to religious portraiture. The work captures a sense of…
Market Under the Town Hall1952 · Liptovská galéria Petra Michala Bohúňa
12
Under Dreveník1953 · Galéria Spišských umelcov
13
Dreveník by Žehra1954 · Galéria Spišských umelcov
14
Jamník1960 · Galéria Spišských umelcov
15
Spiš Castle1961 · Galéria Spišských umelcov
16
Richnava1960 · Galéria Spišských umelcov
17
Hungry Valley1961 · Galéria Spišských umelcov
18
Hodkovce1959 · Galéria Spišských umelcov
19
From Old Krompachy1960 · Galéria Spišských umelcov
20
Black Mountains1965 · Východoslovenská galéria
21
Spiš Castle1965 · Galéria Spišských umelcov
22
Alley in Spišská Nová Ves1969 · Galéria Spišských umelcov
23
Landscape near Žehra1969 · Galéria Spišských umelcov
24
Markušovce1969 · Galéria Spišských umelcov
25
In Levoča Mountains1969 · Galéria Spišských umelcov
26
Miloj1969 · Galéria Spišských umelcov
27
With the Franciscans1973 · Východoslovenská galéria
28
Markušovce1979 · Galéria Spišských umelcov
29
From Spišský Štvrtok1982 · Galéria umenia Ernesta Zmetáka v Nových Zámkoch
30
Autumn under the TatrasTatra galéria
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
5 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Jozef Fabini | Obrazy z tohto zoznamu |
|---|---|---|---|
 Galéria Spišských umelcov |
Spišská Nová Ves | 16 | Landscape under Spišský hrad, Under Dreveník, Dreveník by Žehra |
 Tatra galéria |
Poprad | 7 | Autumn under the Tatras, Sub-Tatra Meadows, Harvest Under the Tatras |
 Východoslovenská galéria |
Košice | 5 | Motif from Levoča, Birds of Prey, Silence in the Fields |
 Liptovská galéria Petra Michala Bohúňa |
Liptovský Mikuláš | 1 | Market Under the Town Hall |
| Galéria umenia Ernesta Zmetáka v Nových Zámkoch | Nové Zámky | 1 | From Spišský Štvrtok |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
A single flame flickers in the dimness, casting a warm, amber glow across the room. An elderly woman sits in the shadows, her presence felt through the heavy textures of her pleated white ruff collar and the deep creases of her skin. She holds a spoon and a small vessel, caught in a moment of quiet sustenance. Below her, a tabby cat rests in the foreground, a soft shape amidst…
Autumn under the Tatras (1958), Tatra galéria, Poprad. Nasledujú Sub-Tatra Meadows (1952) a Motif from Levoča (1955).
50 rokov: Autumn under the Tatras vzniklo v roku 1958 a Jozef Fabini sa narodil/a v roku 1908.
Autumn under the Tatras, Sub-Tatra Meadows, Motif from Levoča, Harvest Under the Tatras, Landscape under Spišský hrad, Under the Tatras, Birds of Prey, Landscape near Dunajec, Silence in the Fields a Kojšov. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 47 diel od umelca Jozef Fabini z perioda od 1947 do 1982.
Väčšinou v Galéria Spišských umelcov (Spišská Nová Ves), Tatra galéria (Poprad) a Východoslovenská galéria (Košice). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1960s: 14 z 30 diel na tejto stránke bolo vytvorených vtedy, pričom Birds of Prey z nich.
Na tejto stránke je najstaršie dielo z Kojšov (1947) a najnovšie z From Spišský Štvrtok (1982).
Oil On Canvas, pre 2 z 30 diel na tejto stránke.
Landscape under Spišský hrad, Under Dreveník a Dreveník by Žehra: múzeá Galéria Spišských umelcov, Spišská Nová Ves uchovávajú 16 z diel na tejto stránke.
Jozef Fabini was a true polymath of the Slovak art world, a man whose creative spirit could not be confined to a single discipline. Born in Olcnava, his journey was marked by an extraordinary breadth of expertise that spanned the roles of restorer, art historian, graphic artist, painter, and landscapist. While many recognize him for his delicate touch with a brush, his intellectual pursuits were equally profound; he possessed a deep academic foundation, having studied law at the University in Bratislava while simultaneously immersing himself in the study of art history and archaeology. This unique duality allowed him to approach the canvas not just as a creator, but as a scholar who understood the very bones of artistic heritage.
His professional path was as varied as his talents. Before dedicating himself fully to the life of a fine artist, Fabini navigated the complexities of public service, working in various capacities across Bratislava, Prague, and Košice. His career saw him serving in administrative roles within the postal services and even acting as a minister of transport. However, it was his deep connection to the preservation of art that truly defined his legacy. During the mid-twentieth century, he served as a restorer for the Regional Gallery in Michalovce, a role that undoubtedly sharpened his eye for detail and deepened his reverence for the textures and pigments of the masters.
As a painter, Fabini found his most profound expression in the natural world, particularly within the dramatic and evocative landscapes of the High Tatras. His work often captures the fleeting beauty of the seasons, such as the rich, impressionistic textures found in his depictions of autumn. Through his eyes, the mountains were not merely static geological formations but living, breathing entities capable of profound emotional resonance. His ability to translate the rugged majesty of the Slovak terrain into oil on canvas allowed him to communicate a sense of place that was both deeply personal and universally moving.
His artistic development was shaped by a rigorous period of study under notable mentors. From his early evening courses in Košice to private instruction with masters like E. Halász-Hradil, and later formal studies at the SVŠT in Bratislava under professors such as Benka, Mallý, and Schurmann, Fabini built a technical mastery that supported his expressive tendencies. Whether he was working on a sweeping landscape or a delicate graphic piece, his work remained rooted in a profound connection to the Spiš region, celebrating the light, atmosphere, and enduring spirit of the land he called home.
The significance of Jozef Fabini lies in his role as both a creator and a guardian of culture. His contributions extended far beyond the creation of individual paintings; through his work as an art historian and restorer, he helped safeguard the very traditions that informed his own practice. His exhibitions, held in prestigious venues from Bratislava to Prešov and Košice, showcased a body of work that ranged from landscapes to intricate drawings and watercolors, reflecting a lifetime of dedicated observation.
Today, his presence is felt through the enduring impact of his visual legacy within Slovak art history. His ability to blend the precision of a scholar with the passion of a landscapist ensures that his work remains a vital window into the soul of the region. Through his diverse mastery, Fabini did more than just paint the landscape; he documented the cultural and emotional essence of a period, leaving behind a rich tapestry of art that continues to inspire those who seek the beauty in the mountains and the history in the brushstroke.
