Portrét Jacob Lawrence

100 najznámejších obrazov od Jacob Lawrence, výber z galérie

Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 157 dielov umelca Jacob Lawrence v našom katalógu

Stručne povedané

Z všetkých originálov, ktoré Jacob Lawrence zanechal, je najznámejší The Library (1960), ktorý sa nachádza v zbierkach Smithsonian American Art Museum v meste Washington, D.C.. Hneď za ním nasledujú Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) a Bar and Grill (1941). Náš katalóg obsahuje 157 diel od Jacob Lawrence; galéria si zachovala tých 100, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.

1917 – 2000, Atlantic City Najviac diel: The Phillips Collection

Top 10 obrazov umelca Jacob Lawrence: výber galérie

1
The Library (1960) od Jacob Lawrence

The Library

1960 · Tempera · Smithsonian American Art Museum, Washington, D.C.

In the vibrant tapestry of twentieth-century American art, few works capture the pulse of communal aspiration as poignantly as Jacob Lawrence’s “The Library.” Completed in 1960, this masterpiece serves as much more than a mere depiction of a reading room; it is a profound window into the enduring spirit of the Harlem Renaissance. As one gazes upon the canvas, they are immediately swept into a bustling sanctuary of knowledge, where…

2
Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) od Jacob Lawrence

Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas

1989 · Painting · SCAD Museum of Art, Savannah

To stand before a piece from Jacob Lawrence’s Genesis Creation Sermon series is to be enveloped in a vibrant confluence of scripture, social history, and raw artistic energy. This particular panel, depicting "And God Created All the Fowls of the Air and Fishes of the Seas," transcends mere religious illustration; it is a monumental cultural document rendered in paint. Lawrence, whose life story was so deeply intertwined with the evolving…

3
Bar and Grill (1941) od Jacob Lawrence

Bar and Grill

1941 · Painting · Smithsonian American Art Museum, Washington, D.C.

Jacob Lawrence’s powerful 1941 work, "Bar and Grill," is far more than a mere depiction of an American social scene; it is a searing document etched in paint, capturing the suffocating reality of Jim Crow segregation. The painting plunges the viewer into the interior of a café, yet the atmosphere is anything but convivial. Lawrence masterfully uses composition to confront us with the visible, yet deeply ingrained, artificiality of racial…

4
Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies (1989) od Jacob Lawrence

Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies

1989 · Painting · SCAD Museum of Art, Savannah

In the profound depths of Jacob Lawrence’s 1989 masterpiece, Genesis Creation Sermon IV: And God Created the Day and the Night and God Created and Put Stars in the Skies, we find a breathtaking intersection between the divine and the earthly. This work is not merely a depiction of a biblical event; it is a visceral, rhythmic experience that captures the very moment light pierces the darkness. Lawrence, a master…

6
Taboo (1963) od Jacob Lawrence

Taboo

1963 · Painting · Philadelphia Museum of Art, Philadelphia

In 1963, Jacob Lawrence presented Taboo, a work that speaks with a clarity that belies its heavy subject matter. The painting captures two pairs of newlyweds, posed with the formal dignity of a traditional wedding portrait. On one side, a Black bride stands beside a white groom; on the other, the roles are reversed. They are dressed in full wedding regalia, their presence a calm assertion of existence in a…

7
Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters (1989) od Jacob Lawrence

Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters

1989 · Oil On Canvas · SCAD Museum of Art, Savannah

Jacob Lawrence’s Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters is far more than a depiction of biblical scripture; it is a vibrant, deeply personal sermon rendered in paint. Inspired by the powerful oratory of Rev. Adam Clayton Powell Sr., this work channels the electrifying energy of Harlem’s cultural heart into an epic moment of cosmic genesis. The scene pulses with divine activity, capturing that…

8
Tombstones (1942) od Jacob Lawrence

Tombstones

1942 · Tempera · Whitney Museum of American Art, New York

In the somber, evocative landscape of Jacob Lawrence’s 1942 masterpiece, Tombstones, we are invited into a profound visual dialogue between life and death. Painted during the turbulent era following Pearl Harbor, this work serves as much more than a mere depiction of a graveyard; it is a soulful testament to the collective experience of African Americans in Harlem. Lawrence, a master of narrative storytelling, utilizes his signature dynamic cubism to…

9
War Series: The Letter (1946) od Jacob Lawrence

War Series: The Letter

1946 · Acrylic On Canvas · Whitney Museum of American Art, New York

Jacob Lawrence’s “The Letter,” part of his monumental “War Series” created in 1946, is not merely a depiction of sorrow; it’s an embodiment of profound human experience distilled into its most potent form. This work, rendered with the artist's signature flattened planes and stark geometry, immediately commands attention with its emotionally charged atmosphere. The central figure, hunched and isolated within a confined space, speaks volumes about the devastating impact of…

10
Migration Series No.57: The female workers were the last to arrive north (1941) od Jacob Lawrence

Migration Series No.57: The female workers were the last to arrive north

1941 · Tempera On Panel · The Phillips Collection, Washington, D.C.

A single, vertical line of reddish-brown cuts through the center of the frame, acting as a steady axis for the scene. Around this pole, the world feels flattened and heavy, composed of large, overlapping geometric planes that strip away unnecessary detail to reveal the essence of a moment. A figure, draped in a white cloth that obscures the face, leans into the work. Only dark hands are visible, gripping the…

Výber umelcov Jacob Lawrence pokračuje, od 11 do 100

11Genesis Creation Sermon VIII: And Creation Was Done and All Was Well (1989) od Jacob LawrenceGenesis Creation Sermon VIII: And Creation Was Done and All Was Well1989 · SCAD Museum of Art 12Migration Series No.39: Railroad platforms were piled high with luggage (1941) od Jacob LawrenceMigration Series No.39: Railroad platforms were piled high with luggage1941 · The Phillips Collection 13Genesis Creation Sermon I: In the Beginning All Was Void (1989) od Jacob LawrenceGenesis Creation Sermon I: In the Beginning All Was Void1989 · SCAD Museum of Art 14Genesis Creation Sermon VI: And God Created All the Beasts of the Earth (1989) od Jacob LawrenceGenesis Creation Sermon VI: And God Created All the Beasts of the Earth1989 · SCAD Museum of Art 15Genesis Creation Sermon VII: And God Created Man and Woman (1989) od Jacob LawrenceGenesis Creation Sermon VII: And God Created Man and Woman1989 · SCAD Museum of Art 16Migration Series No.23: The migration spread (1941) od Jacob LawrenceMigration Series No.23: The migration spread1941 · The Phillips Collection 17Migration Series No.31: The migrants found improved housing when they arrived north (1941) od Jacob LawrenceMigration Series No.31: The migrants found improved housing when they arrived north1941 · The Phillips Collection 18Migration Series No.37: Many migrants found work in the steel industry (1941) od Jacob LawrenceMigration Series No.37: Many migrants found work in the steel industry1941 · The Phillips Collection 19Migration Series No.59: In the North they had the freedom to vote (1941) od Jacob LawrenceMigration Series No.59: In the North they had the freedom to vote1941 · The Phillips Collection 20The Migration Series, Panel no. 13: The crops were left to dry and rot.  There was no one to tend them. od Jacob LawrenceThe Migration Series, Panel no. 13: The crops were left to dry and rot. There was no one to tend them.The Phillips Collection 21Genesis Creation Sermon III: And God Said (1989) od Jacob LawrenceGenesis Creation Sermon III: And God Said1989 · SCAD Museum of Art 22The Migration Series, Panel no. 57: The female workers were the last to arrive north. od Jacob LawrenceThe Migration Series, Panel no. 57: The female workers were the last to arrive north.The Phillips Collection 23The Migration Series, Panel no. 43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live. od Jacob LawrenceThe Migration Series, Panel no. 43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live.The Phillips Collection 24The Card Game (1953) od Jacob LawrenceThe Card Game1953 · SCAD Museum of Art 25The Wedding (1948) od Jacob LawrenceThe Wedding1948 · Art Institute of Chicago 26Migration Series No.49: They found discrimination in the North. It was a different kind (1941) od Jacob LawrenceMigration Series No.49: They found discrimination in the North. It was a different kind1941 27Migration Series No.45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North (1941) od Jacob LawrenceMigration Series No.45: The migrants arrived in Pittsburgh, one of the great industrial centers of the North1941 28Migration Series No.43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live (1941) od Jacob LawrenceMigration Series No.43: In a few sections of the South leaders of both Black and White communities met to discuss ways of making the South a good place to live1941 29Migration Series No.35: They left the South in great numbers. They arrived in the North in great numbers (1941) od Jacob LawrenceMigration Series No.35: They left the South in great numbers. They arrived in the North in great numbers1941 30Migration Series No.33: Letters from relatives in the North told of the better life there (1941) od Jacob LawrenceMigration Series No.33: Letters from relatives in the North told of the better life there1941 31Migration Series No.29: The labor agent recruited unsuspecting laborers as strike breakers for northern industries (1941) od Jacob LawrenceMigration Series No.29: The labor agent recruited unsuspecting laborers as strike breakers for northern industries1941 32Migration Series No.28: The labor agent sent south by northern industry was a familiar presence in the Black communities (1941) od Jacob LawrenceMigration Series No.28: The labor agent sent south by northern industry was a familiar presence in the Black communities1941 33Migration Series No.17: Tenant farmers received harsh treatment at the hands of the planter (1941) od Jacob LawrenceMigration Series No.17: Tenant farmers received harsh treatment at the hands of the planter1941 34Migration Series No.14: For African Americans there was no justice in the southern courts (1941) od Jacob LawrenceMigration Series No.14: For African Americans there was no justice in the southern courts1941 35Painting the Bilges (1944) od Jacob LawrencePainting the Bilges1944 36Watchmaker (1946) od Jacob LawrenceWatchmaker1946 37Cabinet Makers (1946) od Jacob LawrenceCabinet Makers1946 38Sedation (1950) od Jacob LawrenceSedation1950 39Vaudeville (1951) od Jacob LawrenceVaudeville1951 40...if we fail, let us fail like men, and expire together in one common strugge... -Henry Clay, 1813 (1956) od Jacob Lawrence...if we fail, let us fail like men, and expire together in one common strugge... -Henry Clay, 18131956 41The Cue and the Ball (1956) od Jacob LawrenceThe Cue and the Ball1956 42Pool (1954) od Jacob LawrencePool1954 43Street Shadows (1959) od Jacob LawrenceStreet Shadows1959 44Through Forest, Through Rivers, Up Mountains (1967) od Jacob LawrenceThrough Forest, Through Rivers, Up Mountains1967 45Struggle Series - No. 10: Washington Crossing the Delaware (1954) od Jacob LawrenceStruggle Series - No. 10: Washington Crossing the Delaware1954 · Metropolitné múzeum umenia 46...is life so dear or peace so sweet as to be purchased at the prices of chains and slavery? Patrick Henry-1775 (1955) od Jacob Lawrence...is life so dear or peace so sweet as to be purchased at the prices of chains and slavery? Patrick Henry-17751955 47The Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain. od Jacob LawrenceThe Migration Series, Panel no. 53: African American, long-time residents of northern cities met the migrants with aloofness and disdain.The Phillips Collection 48The Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them. od Jacob LawrenceThe Migration Series, Panel no. 27: Many men stayed behind until they could take their families north with them.The Phillips Collection 49The Migration Series, Panel no. 21: Families arrived at the station very early.  They did not wish to miss their trains north. od Jacob LawrenceThe Migration Series, Panel no. 21: Families arrived at the station very early. They did not wish to miss their trains north.The Phillips Collection 50Frederick Douglass listened to William Lloyd Garrison denounce slavery od Jacob LawrenceFrederick Douglass listened to William Lloyd Garrison denounce slavery 51Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers od Jacob LawrenceRace riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers 52Migration Series No.58: In the North the African American had more educational opportunities (1941) od Jacob LawrenceMigration Series No.58: In the North the African American had more educational opportunities1941 53Migration Series No.55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose (1941) od Jacob LawrenceMigration Series No.55: The migrants, having moved suddenly into a crowded and unhealthy environment, soon contracted tuberculosis. The death rate rose1941 54Migration Series No.54: For the migrants, the church was the center of life (1941) od Jacob LawrenceMigration Series No.54: For the migrants, the church was the center of life1941 55Migration Series No.53: African Americans, long-time residents of northern cities, met the migrants with aloofness and disdain (1941) od Jacob LawrenceMigration Series No.53: African Americans, long-time residents of northern cities, met the migrants with aloofness and disdain1941 56Migration Series No.51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes (1941) od Jacob LawrenceMigration Series No.51: African Americans seeking to find better housing attempted to move into new areas. This resulted in the bombing of their new homes1941 57Migration Series No.47: As the migrant population grew, good housing became scarce. Workers were forced to live in overcrowded and dilapidated tenement houses (1941) od Jacob LawrenceMigration Series No.47: As the migrant population grew, good housing became scarce. Workers were forced to live in overcrowded and dilapidated tenement houses1941 58Migration Series No.46: Industries boarded their workers in unhealthy quarters. Labor camps were numerous (1941) od Jacob LawrenceMigration Series No.46: Industries boarded their workers in unhealthy quarters. Labor camps were numerous1941 59Migration Series No.44: But living conditions were better in the North (1941) od Jacob LawrenceMigration Series No.44: But living conditions were better in the North1941 60Migration Series No.42: To make it difficult for the migrants to leave, they were arrested en masse. They often missed their trains (1941) od Jacob LawrenceMigration Series No.42: To make it difficult for the migrants to leave, they were arrested en masse. They often missed their trains1941 61Migration Series No.41: The South was desperate to keep its cheap labor. Northern labor agents were jailed or forced to operate in secrecy (1941) od Jacob LawrenceMigration Series No.41: The South was desperate to keep its cheap labor. Northern labor agents were jailed or forced to operate in secrecy1941 62Migration Series No.30: In every southern home people met to decide whether or not to go north (1941) od Jacob LawrenceMigration Series No.30: In every southern home people met to decide whether or not to go north1941 63Migration Series No.27: Many men stayed behind until they could take their families north with them (1941) od Jacob LawrenceMigration Series No.27: Many men stayed behind until they could take their families north with them1941 64Migration Series No.25: They left their homes. Soon some communities were left almost empty (1941) od Jacob LawrenceMigration Series No.25: They left their homes. Soon some communities were left almost empty1941 65Migration Series No.22: Migrants left. They did not feel safe. It was not wise to be found on the streets late at night. They were arrested on the slightest provocation (1941) od Jacob LawrenceMigration Series No.22: Migrants left. They did not feel safe. It was not wise to be found on the streets late at night. They were arrested on the slightest provocation1941 66Migration Series No.21: Families arrived at the station very early. They did not wish to miss their trains north (1941) od Jacob LawrenceMigration Series No.21: Families arrived at the station very early. They did not wish to miss their trains north1941 67Migration Series No.19: There had always been discrimination (1941) od Jacob LawrenceMigration Series No.19: There had always been discrimination1941 · The Phillips Collection 68Migration Series No.15: There were lynchings (1941) od Jacob LawrenceMigration Series No.15: There were lynchings1941 · The Phillips Collection 69Migration Series No.13: The crops were left to dry and rot. There was no one to tend them (1941) od Jacob LawrenceMigration Series No.13: The crops were left to dry and rot. There was no one to tend them1941 70Migration Series No.9: They left because the boll weevil had ravaged the cotton crop (1941) od Jacob LawrenceMigration Series No.9: They left because the boll weevil had ravaged the cotton crop1941 · The Phillips Collection 71Migration Series No.7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery (1941) od Jacob LawrenceMigration Series No.7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery1941 72Migration Series No.5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages (1941) od Jacob LawrenceMigration Series No.5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages1941 73Migration Series No.3: From every southern town migrants left by the hundreds to travel north (1941) od Jacob LawrenceMigration Series No.3: From every southern town migrants left by the hundreds to travel north1941 74Migration Series No.1: During World War I there was a great migration north by southern African Americans (1941) od Jacob LawrenceMigration Series No.1: During World War I there was a great migration north by southern African Americans1941 75Bar and Grill (1941) od Jacob LawrenceBar and Grill1941 · Smithsonian American Art Museum 76Harriet Tubman Series (Panel -4) (1940) od Jacob LawrenceHarriet Tubman Series (Panel -4)1940 · Hampton University Museum 77When It Is Warm the Parks Are Filled with People (1943) od Jacob LawrenceWhen It Is Warm the Parks Are Filled with People1943 78This is Harlem (1943) od Jacob LawrenceThis is Harlem1943 79Captain Skinner (1944) od Jacob LawrenceCaptain Skinner1944 80War Series: Shipping Out (1947) od Jacob LawrenceWar Series: Shipping Out1947 · Whitney Museum of American Art 81War Series: Prayer (1947) od Jacob LawrenceWar Series: Prayer1947 · Whitney Museum of American Art 82African Gold Miners (1946) od Jacob LawrenceAfrican Gold Miners1946 83Defeat (1954) od Jacob LawrenceDefeat1954 84I alarmed almost every house till I got to Lexington-Paul Revere (1954) od Jacob LawrenceI alarmed almost every house till I got to Lexington-Paul Revere1954 85Trappers (1956) od Jacob LawrenceTrappers1956 86Victory and Defeat (1955) od Jacob LawrenceVictory and Defeat1955 87We, the people of the United States, in order to form a more perfect Union, establish justice, insure domestic tranquility (1955) od Jacob LawrenceWe, the people of the United States, in order to form a more perfect Union, establish justice, insure domestic tranquility1955 88...for freedom we want and will have, for we have served this cruel land long enuff... -a Georgia slave, 1810 (1956) od Jacob Lawrence...for freedom we want and will have, for we have served this cruel land long enuff... -a Georgia slave, 18101956 89I cannot speak sufficiently in praise of the firmness and deliberation with which my whole line received their approach... -Andrew Jackson, New Orleans, 1815 (1956) od Jacob LawrenceI cannot speak sufficiently in praise of the firmness and deliberation with which my whole line received their approach... -Andrew Jackson, New Orleans, 18151956 90Untitled (D2X9VM) (1955) od Jacob LawrenceUntitled (D2X9VM)1955 91Thousands of American citizens have been torn from their country and from everying dear to them: they have been dragged on board ships of ward of a foreign nation. -Madison, 1 June 1812 (1956) od Jacob LawrenceThousands of American citizens have been torn from their country and from everying dear to them: they have been dragged on board ships of ward of a foreign nation. -Madison, 1 June 18121956 92120.9.14.286.9.33-ton 290.9.27 be at 153.9.28.110.8.17.255.9.29 evening 178.9.8... -an informer's coded message (1955) od Jacob Lawrence120.9.14.286.9.33-ton 290.9.27 be at 153.9.28.110.8.17.255.9.29 evening 178.9.8... -an informer's coded message1955 93Listen, Father! The Americans have not yet defeated us by land; neither are we sure they have done so by water--we therefore wish to remain here and fight our enemy... Tecumseh to the British, Tippecanoe, 1811 (1956) od Jacob LawrenceListen, Father! The Americans have not yet defeated us by land; neither are we sure they have done so by water--we therefore wish to remain here and fight our enemy... Tecumseh to the British, Tippecanoe, 18111956 94Fulton and Nostrand (1958) od Jacob LawrenceFulton and Nostrand1958 · Cleveland Museum of Art 95Fruits and Vegetables (1959) od Jacob LawrenceFruits and Vegetables1959 · Cincinnati Art Museum 96The Visitors (1959) od Jacob LawrenceThe Visitors1959 · Dallas Museum of Art 97Magic Man (1958) od Jacob LawrenceMagic Man1958 98Parade (1960) od Jacob LawrenceParade1960 99Pool Parlor (1942) od Jacob LawrencePool Parlor1942 100Firewood 55 (1942) od Jacob LawrenceFirewood 551942

Slávne obrazy umelca Jacob Lawrence podľa jednotlivých období

Motívy, ktoré zaujali Jacob Lawrence

Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.

Múzeá, ktoré uchovávajú originály umelca Jacob Lawrence

8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Jacob Lawrence Obrazy z tohto zoznamu
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 35 Migration Series No.11: Food had doubled in price because of the war, Migration Series No.57: The female workers were the last to arrive north, Migration Series No.39: Railroad platforms were piled high with luggage
SCAD Museum of Art, SavannahSCAD Museum of Art Savannah 10 Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas, Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies, Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters
Whitney Museum of American Art, New YorkWhitney Museum of American Art New York 4 Tombstones, War Series: The Letter, War Series: Shipping Out
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 3 The Library, Bar and Grill, Bar and Grill
Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 1 Taboo
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Wedding
Metropolitné múzeum umenia, New YorkMetropolitné múzeum umenia New York 1 Struggle Series - No. 10: Washington Crossing the Delaware
Hampton University Museum, HamptonHampton University Museum Hampton 1 Harriet Tubman Series (Panel -4)

Jacob Lawrence dekáda po dekáde: originál, ktorý definuje každú z nich

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Otázky zberateľov o obrazoch od Jacob Lawrence

Ktorým dielom je Jacob Lawrence najznámejší/najznámejšia?Odhaľte odpoveď

The Library (1960), Smithsonian American Art Museum, Washington, D.C.. Nasledujú Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989) a Bar and Grill (1941).

V akom veku bol/a Jacob Lawrence, keď vzniklo dielo The Library?Odhaľte odpoveď

43 rokov: The Library vzniklo v roku 1960 a Jacob Lawrence sa narodil/a v roku 1917.

Ktorých desať najznámejších obrazov má Jacob Lawrence?Odhaľte odpoveď

The Library, Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas, Bar and Grill, Genesis Creation Sermon IV: And God Created the Day and the Night and God Creatied and Put Stars in the Skies, Migration Series No.11: Food had doubled in price because of the war, Taboo, Genesis Creation Sermon II: And God Brought Forth the Fimament and the Waters, Tombstones, War Series: The Letter a Migration Series No.57: The female workers were the last to arrive north. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko obrazov zanechal umenec Jacob Lawrence?Odhaľte odpoveď

Náš katalóg obsahuje 157 diel od umelca Jacob Lawrence z perioda od 1940 do 1989.

V ktorých múzeách visia majstrovské diela umelca Jacob Lawrence?Odhaľte odpoveď

Väčšinou v The Phillips Collection (Washington, D.C.), SCAD Museum of Art (Savannah) a Whitney Museum of American Art (New York). Tabuľka múzeí vyššie ich všetky uvádza.

V ktorých rokoch vytvoril Jacob Lawrence svoje najznámejšie diela?Odhaľte odpoveď

V období 1940s: 56 z 100 diel na tejto stránke bolo vytvorených vtedy, pričom Bar and Grill z nich.

Aké sú prvé a posledné známe originály od Jacob Lawrence?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z Harriet Tubman Series (Panel -4) (1940) a najnovšie z Genesis Creation Sermon V: And God Created All the Fowls of the Air and Fishes of the Seas (1989).

Aké témy si Jacob Lawrence najčastejšie vyberal/a?Odhaľte odpoveď

People (8), Harlem renaissance (6) a Figures (6), v rámci 100 diel na tejto stránke.

Ktorú techniku používal(a) Jacob Lawrence najčastejšie?Odhaľte odpoveď

Painting, pre 10 z 100 diel na tejto stránke.

Aké diela umelca Jacob Lawrence sa nachádzajú v múzeu The Phillips Collection?Odhaľte odpoveď

Migration Series No.11: Food had doubled in price because of the war, Migration Series No.57: The female workers were the last to arrive north a Migration Series No.39: Railroad platforms were piled high with luggage: múzeá The Phillips Collection, Washington, D.C. uchovávajú 16 z diel na tejto stránke.

Jacob Lawrence: život a dielo

Jacob Lawrence - Život Napísaný Výpravami

Jacob Armstead Lawrence, narodil sa septembra 7., 1917, v Atlantických mestách, New Jersey, kde jeho rodičia emigrovali z juhovýchodu. Rozvodili sa v roku 1924 a Lawrence bol ako tínenec starostlivo dohliadaný naňho v zariadení sociálneho zabezpečenia v Filadelfii. Keď mal trinásť rokov, znovu spojil sa s matkou v Harlem, kde ho rodičia umiestnili počas rozmachu Harlemského vzniku – obdobia kultúrneho rozvoja afroamerickej spoločnosti. Tento ponáhľajúci sa pohyb medzi ulicami a kolektívnou atmosférou Harlema poskytol Lawrence základ svojho umeleckého zmyslu. Už v tomto živom prostredí prvýkrát stretol Lawrence umenie, keď navštívil školu Utopia Children’s House a neskôr študoval pod vedením Charlesa Alstona na Harlem Art Workshop – skúsenosť ktorá položila základy jeho cestovania k umeleckému rozprávaniu nezabudateľným slovami.

Dynamický Kubizmus: Štýl Narodený Zkušenostmi

Lawrence si však nezískal umelecké štýly len tak ľahko; vytvoril si svoj vlastný, ktorý sám často popisoval ako „dynamický kubizmus.“ Nebolo to napodobňovanie európskej avantgardy, ale jedinečná kombinácia modernistických princípov a skúseností jeho spoločnosti. Lawrence bol ovplyvnený výraznými farbami a plochými tvarmi Afriky – umeleckých zdrojov kubizmu – ako aj mexickým muralistom – ktorí kladú dôraz na príbeh a sociálny komentár. Výsledkom bolo vizuálne jazykové prostriedky, ktoré boli zároveň pozoriteľne moderne a hlboko zakorenené v kultúre Afroameričanov. Jeho obrazy sú charakterizované silnými zjednodušenými tvarmi, bohatými farebnými škálami a zámerným odmietnutím tradičnej perspektívy. Tento postup neslúžil len estetickému účelu; slúžil k zvýšeniu emocionálneho významu tém obrazov a vytvoreniu pocitu okamžitého kontaktu s divákom. Lawrence nehovoril o replikovaní reality, ale o jej zredukovaní na základnú podstatu – zachytávaním ducha ľudí a ich histórie s nezlomnou úprimnosťou.

Životné skúsenosti a výchova

Lawrenceovo detstvo bolo poznačené pohybom a adaptáciami po rozvode rodičov v roku 1924. Jeho matka ho umiestnila do zariadení sociálneho zabezpečenia v Filadelfii, kde získal prvý kontakt s umením – keď navštívil školu Utopia Children’s House – a neskôr študoval pod vedením Charlesa Alstona na Harlem Art Workshop. Tento workshop poskytol Lawrence základné umelecké znalosti a podporu rozvíjajúceho sa kreatívneho ducha. Už v mladom veku Lawrence začal pracovať v práčovni a tlačiarňi, kde získal praktické skúsenosti z oblasti práce a tvorby. Jeho záujem o umenie však nezmizol – pokračoval študovať na univerzite a neskôr vyučoval na Univerzitě Washingtonu až do roku 1983. Lawrence bol veľmi erudovaný umelec, ktorý si osvojil široké znalosti z oblasti literatúry, filozofie a histórie. Jeho osobné hodnoty boli pevne zakorenené v humanistických princípov – čo ovplyvnilo jeho tvorbu a postoje k životu.

Významné Výstavky a Úspechy

Lawrence získal uznanie ako umelec už v mladom veku, keď jeho obraz „Jacob Blessing the Sons of Joseph“ získal veľké uznanie v roku 1956 – vrcholné dielo holandskej barokovej výtvarnosti. Jeho tvorba bola prezentovaná na mnohých významných výstavách po celom svete a získala množstvo ocenení za svoju umeleckú hodnotu a inovácie. Najvýznamnejším výsledkom jeho činnosti bolo vytvorenie epického obrazového cyklu *The Migration Series*, ktorý zobrazoval cestovanie afroamerických obyvateľov z juhovýchodu do priemyselného Severu v období Veľkej migrácie – masovej migračnej vlne, ktorá mala miesto medzi rokmi 1916 až 1970. Tento cyklus získal veľké uznanie kritikov a odborníkov za svoju umeleckú hodnotu a sociálnu relevanciu. Jeho obraz „Bar and Grill“ zobrazuje segregáciu v baru New Orleans – čo je výrazný príklad sociálneho komentára Lawrencea. Jeho tvorba pokračovala až do roku 2000, keď zomrel v Seattle. Lawrence zostal umeleckým spisovateľom a vyučoval na Univerzitě Washingtonu až do roku 1983. Jeho dielo je súčasťou základných kolekcí mnohých múzeí po celom svete – vrátane Smithsonian American Art Museum a Muzea moderného umenia v New Yorku. Lawrence bol jednou z najvýznamnejších afroamerických maliarov القرن XX., ktorý prinášal nové perspektívy na skúsenosti svojich súdržností a zároveň podporoval rozvoj amerického umenia. Jeho obraz „Victory and Defeat“ oslavuje historické významy vojenských konfliktov – čo je výrazný príklad Lawrenceovej umeleckej tvorby. Jeho dielo bude mať pozitívny dopad na budúce generácie mladých ľudí, ktorí sa budú vzdať jeho filozofiou a hodnotami.