Stručne povedané
Z všetkých originálov, ktoré Jacob Calmeyer zanechal, je najznámejší Self-portrait of Jacob Mathias Calmeyer (1800), ktorý sa nachádza v zbierkach Oslo Museum v meste Oslo. Hneď za ním nasledujú Jens Mathias Pram Kaurin (1827) a Portrait of the Poet J.S. Welhaven (1827). Náš katalóg obsahuje 8 diel od Jacob Calmeyer; galéria si zachovala tých 8, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
Top 10 obrazov umelca Jacob Calmeyer: výber galérie
Múzeá, ktoré uchovávajú originály umelca Jacob Calmeyer
2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Jacob Calmeyer | Obrazy z tohto zoznamu |
|---|---|---|---|
| Oslo | 3 | Portrait of the Poet J.S. Welhaven, View of Svartediket near Bergen, The Waterfall at Lysaker | |
| Oslo | 2 | Self-portrait of Jacob Mathias Calmeyer, Portrait |
Jacob Calmeyer dekáda po dekáde: originál, ktorý definuje každú z nich
Otázky zberateľov o obrazoch od Jacob Calmeyer
Ktorým dielom je Jacob Calmeyer najznámejší/najznámejšia?Odhaľte odpoveď
Self-portrait of Jacob Mathias Calmeyer (1800), Oslo Museum, Oslo. Nasledujú Jens Mathias Pram Kaurin (1827) a Portrait of the Poet J.S. Welhaven (1827).
Koľko obrazov zanechal umenec Jacob Calmeyer?Odhaľte odpoveď
Náš katalóg obsahuje 8 diel od umelca Jacob Calmeyer z perioda od 1827 do 1880.
V ktorých múzeách visia majstrovské diela umelca Jacob Calmeyer?Odhaľte odpoveď
Väčšinou v Národné múzeum umenia, architektúry a dizajnu (Oslo) a Oslo Museum (Oslo). Tabuľka múzeí vyššie ich všetky uvádza.
V ktorých rokoch vytvoril Jacob Calmeyer svoje najznámejšie diela?Odhaľte odpoveď
V období 1820s: 2 z 8 diel na tejto stránke bolo vytvorených vtedy, pričom Jens Mathias Pram Kaurin z nich.
Aké sú prvé a posledné známe originály od Jacob Calmeyer?Odhaľte odpoveď
Na tejto stránke je najstaršie dielo z Jens Mathias Pram Kaurin (1827) a najnovšie z Georg Carl Christian Wedel Prahl (1880).
Aké diela umelca Jacob Calmeyer sa nachádzajú v múzeu Národné múzeum umenia, architektúry a dizajnu?Odhaľte odpoveď
Portrait of the Poet J.S. Welhaven, View of Svartediket near Bergen a The Waterfall at Lysaker: múzeá Národné múzeum umenia, architektúry a dizajnu, Oslo uchovávajú 3 z diel na tejto stránke.
Jacob Calmeyer: život a dielo
A Life Shaped by the Academy
Jacob Mathias Calmeyer emerged from Fredrikshald in 1802, a period when the foundations of Norwegian art were being quietly laid. His path toward the brush began in 1819, joining the very first class of students at the newly established Norwegian Royal Drawing School in Christiania. This early immersion in formal training provided him with a disciplined eye, guided by the instruction of Jacob Munch and Johannes Flintoe.
The pursuit of refinement eventually led him across the borders to Copenhagen. Between 1821 and 1826, Calmeyer studied at the Royal Danish Academy of Fine Arts. It was here that he encountered the influence of Christoffer Wilhelm Eckersberg, a connection that would leave its mark on his approach to composition and light. This period of academic rigor in Denmark prepared him for a career that would span several Scandinavian cities.
Movement Through Scandinavia
Calmeyer’s professional life was marked by a series of shifts between significant cultural centers. After establishing himself within the artist guild in Bergen in 1832, he moved toward Stockholm in 1835, where he remained for several years. This period of residence in Sweden allowed him to exist within a different artistic atmosphere before his eventual return to Norway in 1859.
Upon returning to Christiania, he settled into a later chapter of his life that included passing his knowledge to the next generation. His lineage of instruction can be seen in students such as Ragnvald Hjerlow. His presence in the Norwegian art scene was not merely through his own hand, but through this quiet continuity of technique and tradition.
The Painted Record
The works left behind by Calmeyer offer a window into the landscapes and subjects of his era. His paintings are held within significant collections, including the National Gallery of Norway, the Bergen Art Museum, and the National Museum. These institutions preserve pieces such as Svartediket ved Bergen and Lysakerfossen, works that reflect his engagement with the Norwegian terrain.
His output was not limited to the natural world; he also engaged with portraiture, capturing figures like Knud Bull. Through these varied subjects, Calmeyer contributed to the visual record of 19th-century Norway, leaving a body of work that remains part of the Royal Library in Stockholm and other esteemed repositories.






