Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Stručne povedané
Dead Wildfowl (1674) je obrazom umelca Jacob Biltius, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Statens Museum For Kunst, Kodaň. Potom sa pohľad presunie na Dead Birds (1670) a Snip, hanging (1663). Z 10 diel umelca Jacob Biltius v našom katalógu je týchto 10 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
3 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Jacob Biltius | Obrazy z tohto zoznamu |
|---|---|---|---|
| Kodaň | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| Leeuwarden | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
Dlhá kariéra trvajúca 17 rokov, od 1663 do 1679: najznámejšie originály umelca Jacob Biltius, zobrazené rok po roku.
Vyberte si rok a pozrite si originály.
Viac od 1666
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Viac od 1670
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum For Kunst, Kodaň. Nasledujú Dead Birds (1670) a Snip, hanging (1663).
41 rokov: Dead Wildfowl vzniklo v roku 1674 a Jacob Biltius sa narodil/a v roku 1633.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall a Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 10 diel od umelca Jacob Biltius z perioda od 1663 do 1679.
Väčšinou v Statens Museum For Kunst (Kodaň), Fries Museum (Leeuwarden) a Kunsthandel P. de Boer. Tabuľka múzeí vyššie ich všetky uvádza.
V období 1663: 2 z 10 diel na tejto stránke bolo vytvorených vtedy, pričom Snip, hanging z nich.
Na tejto stránke je najstaršie dielo z Snip, hanging (1663) a najnovšie z Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679).
Feathers (2) a Dark background (2), v rámci 10 diel na tejto stránke.
Oil On Canvas, pre 2 z 10 diel na tejto stránke.
Dead Wildfowl, Dead Birds a Wildfowl on a Wooden Table: múzeá Statens Museum For Kunst, Kodaň uchovávajú 5 z diel na tejto stránke.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.