Portrét Araki Katsumochi

13 najznámejších obrazov od Araki Katsumochi, výber z galérie

Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 13 dielov umelca Araki Katsumochi v našom katalógu

Stručne povedané

Z všetkých originálov, ktoré Araki Katsumochi zanechal, je najznámejší Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) (601). Hneď za ním nasledujú The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601) a The Four Pleasures (1625). Náš katalóg obsahuje 13 diel od Araki Katsumochi; galéria si zachovala tých 13, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.

1578 – 1650, Aichi Najviac diel: Cleveland Museum of Art
Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) (601) od Araki Katsumochi1. Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) 601 The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601) od Araki Katsumochi2. The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals 601 The Four Pleasures (1625) od Araki Katsumochi3. The Four Pleasures 1625

Top 10 obrazov umelca Araki Katsumochi: výber galérie

1
Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) (601) od Araki Katsumochi

Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu)

601 · Ink

The air hangs heavy and damp, thick with a grey veil that blurs the line between the earth and the heavens. In this quiet moment, a man stands alone on the right, his figure a solitary silhouette against the encroaching gloom. He faces a closed gate, a wooden barrier that separates him from the sanctuary of a mountain cottage. This is the scene of Yūgiri, a man caught in the…

Príbeh tohto originálu
2
The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601) od Araki Katsumochi

The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals

601 · Pigment · Metropolitné múzeum umenia, New York

Introduction to Nihonga Art Movement and Iwasa Matabei The Nihonga art movement emerged during the Meiji period (1868-1912) as a response to the rise of Western-style painting known as Yōga. The term "Nihonga" literally translates to "pictures of Japan," emphasizing its connection to traditional Japanese art forms. Iwasa Matabei, an artist from this movement, is renowned for his unique style and contribution to Nihonga. The Poet Mibu no Tadamine: A…

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3
The Four Pleasures (1625) od Araki Katsumochi

The Four Pleasures

1625 · Ink · Cleveland Museum of Art, Cleveland

We are looking at The Four Pleasures, a work attributed to the Japanese artist Iwasa Matabē. Created during the early Edo period, this piece reflects the refined sensibilities of a painter who lived from 1578 to 1650. It is a significant example of the artistic output from this era, capturing a specific moment in the evolution of Japanese visual language.

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4
Coastal Landscape (1594) od Araki Katsumochi

Coastal Landscape

1594 · Ink On Paper · Cleveland Museum of Art, Cleveland

This suibokuga ink wash painting, dated 1594, presents a coastal scene rendered in monochromatic shades of gray and black. The composition relies on an asymmetrical arrangement, utilizing large areas of negative space to suggest the presence of mist, water, or sky. This use of ma creates a sense of vastness across the light, aged paper or silk surface. In the foreground, deep, saturated black ink defines the needles of pine…

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5
Rakuchū rakugai zu (Funaki) (1615) od Araki Katsumochi

Rakuchū rakugai zu (Funaki)

1615 · Ink · Tokyo National Museum, Tokio

To look upon this six-panel folding screen is to witness the pulse of Kyoto as it existed around 1615. This particular version, known as the Funaki version, offers a panoramic perspective that seems to float above the city, granting the viewer a rare, elevated vantage point. The composition is a continuous landscape, a sprawling urban fabric that flows across the gold-leafed panels. It captures the dense architecture of the Edo…

O tomto origináli
6
“A Boat Cast Adrift” (Ukifune), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) (601) od Araki Katsumochi

“A Boat Cast Adrift” (Ukifune), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu)

601

Iwasa Matabei, also known as Araki Katsumochi, was a prominent Japanese artist of the early Tokugawa period. Born in 1578 and passing away on July 20, 1650, he specialized in genre scenes of historical events and illustrations of classical Japanese and Chinese literature, as well as portraits. Matabei's work is highly regarded for its unique style and attention to detail, making him a sought-after artist during his time. One of…

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9
Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals (1630) od Araki Katsumochi

Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals

1630 · Ink

In ancient Japanese court society, poetry was the quintessential literary experience. Idealized and deeply admired, poets were often commemorated in portraiture. In the early eleventh century, Fujiwara Kintō (966–1041) selected thirty-six “poetic immortals” (kasen) from the past, and their images became a popular theme in Yamato-e, traditional Japanese painting. This imaginary portrait of Archbishop Henjō was originally part of a set of album leaves comprising all thirty-six poets. Some of…

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10
“Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari) (1640) od Araki Katsumochi

“Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari)

1640

This painting pictorializes a scene from The Tale of the Heike, the great early medieval tale of war, valor, and tragic love that commemorates the Genpei War of 1180–85, which pitted the two great courtier families—the Taira (Heike clan) and Minamoto (Genji clan)—against each other. Matabei captures one of the most pivotal and poignant episodes of the entire tale, showing one of the last heirs to the Taira family’s power,…

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Výber umelcov Araki Katsumochi pokračuje, od 11 do 13

11Festival of Hōkoku Shrine (right screen) od Araki KatsumochiFestival of Hōkoku Shrine (right screen)Tokugawa Art Museum 12Festival of Hōkoku Shrine (left screen) od Araki KatsumochiFestival of Hōkoku Shrine (left screen)Tokugawa Art Museum 13Eight Views of Xiao and Xiang (1640) od Araki KatsumochiEight Views of Xiao and Xiang1640

Motívy, ktoré zaujali Araki Katsumochi

Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.

Trees 2 diel

Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) (601), Araki Katsumochi #1 Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) 601 Rakuchū rakugai zu (Funaki) (1615), Araki Katsumochi #5 Rakuchū rakugai zu (Funaki) 1615 · Tokyo National Museum

Portrait 2 diel

The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601), Araki Katsumochi #2 The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals 601 · Metropolitné múzeum umenia Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals (1630), Araki Katsumochi #9 Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals 1630

Yamato-e 2 diel

The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601), Araki Katsumochi #2 The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals 601 · Metropolitné múzeum umenia Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals (1630), Araki Katsumochi #9 Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals 1630

Architecture 2 diel

Coastal Landscape (1594), Araki Katsumochi #4 Coastal Landscape 1594 · Cleveland Museum of Art Rakuchū rakugai zu (Funaki) (1615), Araki Katsumochi #5 Rakuchū rakugai zu (Funaki) 1615 · Tokyo National Museum

Múzeá, ktoré uchovávajú originály umelca Araki Katsumochi

5 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Araki Katsumochi Obrazy z tohto zoznamu
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 The Four Pleasures, Coastal Landscape
Tokugawa Art Museum, NagoyaTokugawa Art Museum Nagoya 2 Festival of Hōkoku Shrine (right screen), Festival of Hōkoku Shrine (left screen)
Metropolitné múzeum umenia, New YorkMetropolitné múzeum umenia New York 1 The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals
Tokyo National Museum, TokioTokyo National Museum Tokio 1 Rakuchū rakugai zu (Funaki)
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 1 Portrait of the Poet Kakimoto no Hitomaro

Araki Katsumochi dekáda po dekáde: originál, ktorý definuje každú z nich

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Otázky zberateľov o obrazoch od Araki Katsumochi

Ktorým dielom je Araki Katsumochi najznámejší/najznámejšia?Odhaľte odpoveď

Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu) (601). Nasledujú The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals (601) a The Four Pleasures (1625).

Ktorých desať najznámejších obrazov má Araki Katsumochi?Odhaľte odpoveď

Evening Mist” (Yūgiri), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu), The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals, The Four Pleasures, Coastal Landscape, Rakuchū rakugai zu (Funaki), “A Boat Cast Adrift” (Ukifune), from Collection of Ancient Chinese and Japanese Stories (Wakan koji setsuwa zu), Portrait of the Poet Kakimoto no Hitomaro, Two Women, Archbishop Henjō (Sōjō Henjō zu), from the Dōon Version of the Thirty-Six Poetic Immortals a “Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari). Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko obrazov zanechal umenec Araki Katsumochi?Odhaľte odpoveď

Náš katalóg obsahuje 13 diel od umelca Araki Katsumochi z perioda od 1594 do 1640.

V ktorých múzeách visia majstrovské diela umelca Araki Katsumochi?Odhaľte odpoveď

Väčšinou v Cleveland Museum of Art (Cleveland), Tokugawa Art Museum (Nagoya) a Metropolitné múzeum umenia (New York). Tabuľka múzeí vyššie ich všetky uvádza.

V ktorých rokoch vytvoril Araki Katsumochi svoje najznámejšie diela?Odhaľte odpoveď

V období 1640s: 2 z 13 diel na tejto stránke bolo vytvorených vtedy, pričom “Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari) z nich.

Aké sú prvé a posledné známe originály od Araki Katsumochi?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z Coastal Landscape (1594) a najnovšie z “Taira no Koremori’s Farewell,” from The Tale of the Heike (Heike monogatari) (1640).

Aké témy si Araki Katsumochi najčastejšie vyberal/a?Odhaľte odpoveď

Trees (2), Portrait (2) a Yamato-e (2), v rámci 13 diel na tejto stránke.

Ktorú techniku používal(a) Araki Katsumochi najčastejšie?Odhaľte odpoveď

Ink, pre 4 z 13 diel na tejto stránke.

Aké diela umelca Araki Katsumochi sa nachádzajú v múzeu Cleveland Museum of Art?Odhaľte odpoveď

The Four Pleasures a Coastal Landscape: múzeá Cleveland Museum of Art, Cleveland uchovávajú 2 z diel na tejto stránke.

Araki Katsumochi: život a dielo

raný život a vlivy

Araki Katsumochi, významná postava raného obdobia Tokugawa v Japonsku, zanechal v umeleckom svete nezmazateľnú stopu svojimi žánrovými scénami, historickými ilustráciami a pútavými portrétmi. Narodený v roku 1578 bol Katsumochi synom Araki Murashige, významného daimyō, ktorý skončil tragicky, čo viedlo k tomu, že Katsumochi prijal rodné meno svojej matky, Iwasa.

umelecký štýl a technika

Katsumochiho tvorba je charakteristická svojimi výraznými postavami s veľkými hlavami a jemne nakreslenými rysmi tváre. Jeho jedinečná technika štetca, ktorá spája prvky škôl Tosa a Kanō, mu umožnila vyniknúť v farebnej aj monochromatickej technikách lavíska. Hoci bol školený pod vedením Kanō Naizena zo slávnej školy Kanō, jeho štýl bol hlbšie ovplyvnený školou Tosa.

významné diela a odkaz

Jedným z najslávnejších Katsumochiho diel je séria portrétov tridsiatichšesť poetických nesmrteľných (1640), ktorá bola na objednávku chrámov vytvorená pre Tokugawa Iemitsu. Toto majstrovské dielo, podpísané ako „umelec Matabei z neskoršej éry zo Tosa Mitsunobu“, demonštruje Katsumochiho schopnosť zachytávať historické udalosti a klasickú literatúru.

kontroverzie a odkaz

Medzi odborníkmi prebieha neustála debata o tom, či sú Katsumochiho diela skutočne súčasťou štýlu ukiyo-e alebo nie. V Japonsku je často považovaný za zakladateľa ukiyo-e, zatiaľ čo niektoré teórie naznačujú, že bol nezávislým maliarom školy Tosa vzhľadom na jeho vysokosociálnu klientelu. Záver Katsumochiho záhadný život a umelecký prínos zanechali trvalý dopad na japonske umenie. Jeho jedinečný štýl, ktorý spája tradičné techniky s inovatívnym vedúcim štetcom, pokračuje v fascinovaní milovníkov umenia po celom svete.

referencie

súvisiaci umelci a hnutia

Všetky 13 diela od Araki Katsumochi →