Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 30 dielov umelca Hermann Struck v našom katalógu
Stručne povedané
Z hľadiska galérie je najznámejším obrazom umelca Hermann Struck dielo Moroccan Jew, Jerusalem (1900), ktorého originál visí v Leo Baeck Institute v meste New York City. Haifa V (1900) a Jerusalem, Russian Building II (1900) dopĺňajú trojicu, ktorú pozná každé oko. Z 30 diel umelca Hermann Struck v našom katalógu prezentuje galéria nižšie 30 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.
In the delicate, monochromatic world of Hermann Struck’s Moroccan Jew, Jerusalem, time seems to suspend itself within the fine strokes of a pen. Created in 1900, this exquisite drawing serves as more than just a portrait; it is a profound window into a vanishing era and a specific cultural identity. The subject, captured in a dignified profile, wears the traditional turban and head coverings characteristic of North African Jewish heritage,…
In the delicate, monochromatic strokes of Haifa V, we are transported back to the dawn of the twentieth century, specifically to the year 1900. This evocative drawing serves as more than just a mere depiction of a street; it is a temporal bridge that allows the viewer to step into the rhythmic, unfolding life of Haifa, Israel, at the turn of the century. Through the masterful hand of Hermann Struck,…
In the delicate, monochromatic strokes of Jerusalem, Russian Building II, we are transported back to the turn of the twentieth century, specifically to the year 1900. This evocative drawing by the esteemed German-Jewish artist Hermann Struck serves as more than just a topographical record; it is a soulful meditation on the pulse of a city in transition. Through his masterful command of line and shadow, Struck captures a moment where…
In this evocative black and white etching, titled The Pyramids at Giza in the Distance, the viewer is transported back to the turn of the twentieth century, standing amidst the sands of Egypt. The composition is anchored by the majestic silhouettes of the Great Pyramities, rising from the horizon like silent sentinels of a lost era. Two slender palm trees frame the scene, their organic, swaying forms providing a delicate…
Aus Holland II1907 · Leo Baeck Institute
12
Palm Beach, Florida I1913 · Leo Baeck Institute
13
Central Park, New York1913 · Leo Baeck Institute
14
Fruit Trees in Odenwald1919 · Leo Baeck Institute
15
Jerthe United States1926 · Leo Baeck Institute
16
Stepped Pyramid at Saqqara1939 · Leo Baeck Institute
17
Engadine Lakes1900 · Leo Baeck Institute
18
Patriath1935 · Leo Baeck Institute
19
Duomo and Baptistery, Florence, plate from Hesse1923 · Leo Baeck Institute
20
Jerusalem, Mosque of Omar1900 · Leo Baeck Institute
21
Havana III1913 · Leo Baeck Institute
22
Jerusalem X1916 · Leo Baeck Institute
23
Nablus (Palestine)1900 · Leo Baeck Institute
24
Lake Tiberias II1934 · Leo Baeck Institute
25
Tomb of Giovanni Segantini (1858-1899)1907 · Leo Baeck Institute
26
Jewish Chimney Sweep1915 · Leo Baeck Institute
27
Palestine Sunset1939 · Leo Baeck Institute
28
Two palm trees, plate from Hesse1923 · Leo Baeck Institute
29
Jerusalem, Chapel of the Ascension1905 · Leo Baeck Institute
30
Shabbat KiddushJewish Museum of São Paulo
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Hermann Struck | Obrazy z tohto zoznamu |
|---|---|---|---|
 Leo Baeck Institute |
New York City | 29 | Moroccan Jew, Jerusalem, Haifa V, Jerusalem, Russian Building II |
 Jewish Museum of São Paulo |
Sao Paulo | 1 | Shabbat Kiddush |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In the delicate, monochromatic world of Hermann Struck’s Moroccan Jew, Jerusalem, time seems to suspend itself within the fine strokes of a pen. Created in 1900, this exquisite drawing serves as more than just a portrait; it is a profound window into a vanishing era and a specific cultural identity. The subject, captured in a dignified profile, wears the traditional turban and head coverings characteristic of North African Jewish heritage,…
Moroccan Jew, Jerusalem (1900), Leo Baeck Institute, New York City. Nasledujú Haifa V (1900) a Jerusalem, Russian Building II (1900).
24 rokov: Moroccan Jew, Jerusalem vzniklo v roku 1900 a Hermann Struck sa narodil/a v roku 1876.
Moroccan Jew, Jerusalem, Haifa V, Jerusalem, Russian Building II, The Pyramids at Giza in the Distance, Aus dem Spreewalde II, Portrait of Rabbi Samson Raphael Hirsch (1808-1888), Talmudic Scholar, Fuerstenhaus-Karlshorst, Cactus a The Blind Beggar. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 30 diel od umelca Hermann Struck z perioda od 1900 do 1939.
Väčšinou v Leo Baeck Institute (New York City) a Jewish Museum of São Paulo (Sao Paulo). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1900s: 15 z 30 diel na tejto stránke bolo vytvorených vtedy, pričom Moroccan Jew, Jerusalem z nich.
Na tejto stránke je najstaršie dielo z Moroccan Jew, Jerusalem (1900) a najnovšie z Stepped Pyramid at Saqqara (1939).
Etching (16), Landscape (13) a Black and white (10), v rámci 30 diel na tejto stránke.
Etching, pre 17 z 30 diel na tejto stránke.
Realism, podľa originálov na tejto stránke.
Moroccan Jew, Jerusalem, Haifa V a Jerusalem, Russian Building II: múzeá Leo Baeck Institute, New York City uchovávajú 29 z diel na tejto stránke.
