Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 78 dielov umelca Henri Gervex v našom katalógu
Stručne povedané
Z všetkých originálov, ktoré Henri Gervex zanechal, je najznámejší Study For A Portrait Of Tsar Nicholas Ii. Hneď za ním nasledujú Portrait De Madame G. a Portrait of Alfred Stevens (1884). Náš katalóg obsahuje 78 diel od Henri Gervex; galéria si zachovala tých 77, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
Henri Gervex produced this study, titled Study For A Portrait Of Tsar Nicholas Ii, during a period of significant imperial commission. The work focuses on the likeness of Tsar Nicholas II, the final ruler of the Romanov dynasty before the revolution of 1917. Gervex, a prominent figure in French Naturalism, developed this composition as a preparatory exploration for a larger official portrait of the Russian Emperor.
Portrait De Madame G. is a work by the French artist Henri Gervex. This piece depicts a woman positioned within an outdoor setting, likely a garden or a park situated near a body of water. The subject is presented in a formal yet relaxed pose, occupying the central portion of the frame. She is dressed in elegant attire, which includes a flowing gown and a large hat. A draped shawl…
The work before us is titled Portrait of Alfred Stevens, a significant oil on canvas created by the French artist Henri Gervex. Painted in 1884, this portrait offers a direct encounter with the subject, Alfred Stevens, capturing him in a moment of quiet presence. It is a piece that reflects the specific social and artistic milieu of late 19th-century France through its formal execution and the identity of its sitter.
In Café Scene in Paris, Henri Gervex offers us a quiet glimpse into the daily rhythms of the city. The painting captures a lively moment within a traditional Parisian café, focusing on a group of people gathered around a large rectangular table. Some figures are seated while others stand, creating a sense of natural, unforced movement. It is a snapshot of urban life, caught in a moment of social interaction.
In this preparatory study from 1880, we find Henri Gervex working with a sense of purpose that transcends mere sketching. This is a design for the wedding hall of the Mairie of the 19th Arrondissement in Paris, a space intended to host the most fundamental of civic ceremonies. The composition is structured around three octagonal medallions, arranged with a formal, rhythmic precision against a muted, olive-green ground. There is a…
The scene unfolds in a swirling, oval vignette, pulling the eye into a crowded celebration of human industry and community. Figures move with a restless energy, their bodies caught in mid-gesture against a backdrop of monumental architecture. To the right, massive classical columns rise upward, grounding the composition with a sense of permanence, while the sky peeks through in pale, airy blues. There is a palpable sense of motion here,…
The composition of Allegory of the Bank by Henri Gervex is centered on a single female figure positioned within an oval vignette. This figure is seated atop a celestial or cloud-like formation that occupies the middle ground. She holds a vessel or cornucopia-like object in her hands, symbolizing abundance. Below this central figure, elements suggestive of commerce and industry are partially visible. A globe and heavy, ornate fabrics are situated…
In this 1884 oil portrait, we find ourselves in an intimate, private space with Madame Blerzy. She is seated slightly off-center, her head resting gently against her right hand in a gesture of quiet introspection. There is a profound sense of poise in her posture, a stillness that suggests a woman accustomed to the weight of her own thoughts. The composition draws the eye through a soft, directional light that…
In this intimate oil on canvas, we encounter Woman with a Fan (Portrait of Réjane?), a work that captures a singular moment of poise and elegance. The artist, Henri Gervex, presents us with a subject who commands the space through a quiet, seated grace. She holds a pink folding fan, a detail that draws the eye toward her hands and the soft textures of her attire. There is a sense…
In the large-scale expanse of Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform, Henri Gervex captures a moment of quiet social gravity. This academic oil painting, dating to about 1889, presents a gathering of men that feels caught in a suspended breath of history. The figures occupy a space that bridges the gap between private conversation and public observation, creating a scene that feels both formal…
Panorama of the Century: Kléber and Monge, Surrounded by Personalities of the French Revolution1889 · Petit Palais
12
Panorama of the Century: The Imperial Family Surrounded by Numerous Personalities of the Second Empire in Front of the Palais Bourbon1889 · Petit Palais
13
Panorama of the Century: Festival of the Federation 1790 - The Convention 17921889 · Petit Palais
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Panorama of the Century1889 · Petit Palais
15
The Panorama of the Century: Dumas, Rachel, Daumier, Gavarni, Henri Monnier, Frédérick Lemaître, Rude, Horace Vernet, Delaroche1889 · Petit Palais
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Panorama of the Century: Dupré, Rousseau, Isabey, Millet, Couture, Daubigny, Diaz, Corot, Troyon, Fromentin, Barye, Decamp, Courbet, Robert-Fleury1889 · Petit Palais
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The Ball1890 · Carnavalet Museum
18
Portrait of Thomas W. Evans1892
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Young Woman with a Fan1888
20
Pierre Waldeck-Rousseau1894 · Carnavalet Museum
21
Armenonville, the Evening of the Grand Prix (P2708)1905 · Carnavalet Museum
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Battle of Flowers in Nice1900 · Carnavalet Museum
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Portrait of Madame de Lorgeril1902 · Carnavalet Museum
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Un soir de grand prix au pavillon d'Armenonville1905 · Carnavalet Museum
25
A Tuesday, Evening at Madeleine Lemaire's1910 · Carnavalet Museum
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France Welcoming Abundance, Ceiling Project for the Palais de l'Élysée1907 · Carnavalet Museum
27
The Circle of the Île de Puteaux1907 · Carnavalet Museum
28
The Train of the Wounded1915
29
An Ambulance in Poitiers1914
30
Madame Gervex1923
31
Une Soiree MondaineCarnavalet Museum
32
The Salon Jury
33
Satyre and Menade1874 · Musée d'Orsay
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Valtesse De La BigneMusée d'Orsay
35
A Meeting of the Judges of the Salon des Artistes
36
Femme Resuse À La Toilette
37
Study for 'Autopsy at the Hôtel-Dieu'1876 · National Gallery of Art
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Sketch for the Salle des Fêtes of the Hôtel de Ville de Paris: Music Through the Ages1889 · Petit Palais
39
Study for an unidentified painting, showing the Deauville Hippodrome1905 · Carnavalet Museum
40
Parmentier and Louis XVI on the Plain of Sablons
41
Study for the Cercle de l'île de Puteaux (P2710)1907 · Carnavalet Museum
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Study for the Cercle de l'île de Puteaux1907 · Carnavalet Museum
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Study for the Cercle de l'île de Puteaux1907 · Carnavalet Museum
44
An Elegant Lady
45
Ballerinas
46
The Tub
47
Le Modèle Masqué
48
Venus Et L'amour
49
The Coal CarrierPalais des Beaux-Arts de Lille
50
A Portrait Of Marie-clotilde De Faret Legrand
51
Liebe Und Ehe
52
Winter
53
Madame Valtesse De La Bigne -
54
Portrait Of Madame Gervex
55
Cinq Heures Chez Paquin
56
Liane De Pougy
57
Colette's First Steps
58
Portrait Of Colette Gervex
59
Music Across The Ages
60
L'étéNárodné múzeum
61
Fragment Of The Panorama Of 'the History Of The Century' -
62
Communion At The Church Of The Trinity
63
La Toilette
64
Portrait of Tsarina Alexandra
65
Cinq Heures chez le Couturier Paquin
66
Birth, Town Hall Of The 19th Arrondissement
67
Study For The Civil Marriage In The Town Hall Of The 19th Arrondissement
68
Portrait Of The Couturier Madame Paquin
69
The Operation
70
An Elegant Man On A Terrace
71
Jules-émile Pean And His Surgery Class Before The Operation H. Gervex PinxMusée d'Orsay
72
The wedding of Mathurin Moreau in the city hall of Paris
73
Study for the Coronation of Tsar Nicholas II
74
Portrait De Jenny Sacerdote.
75
RollaMusée d'Orsay
76
The Birth of Venus1907 · Petit Palais
77
Une Scéance Du Jury De PeintureMusée d'Orsay
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
#4 Café Scene in Paris
#6 Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling)
#12 Panorama of the Century: The Imperial Family Surrounded by Numerous Personalities of the Second Empire in Front of the Palais Bourbon
#14 Panorama of the Century
#10 Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform
#11 Panorama of the Century: Kléber and Monge, Surrounded by Personalities of the French Revolution
#13 Panorama of the Century: Festival of the Federation 1790 - The Convention 1792
#16 Panorama of the Century: Dupré, Rousseau, Isabey, Millet, Couture, Daubigny, Diaz, Corot, Troyon, Fromentin, Barye, Decamp, Courbet, Robert-Fleury
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Henri Gervex | Obrazy z tohto zoznamu |
|---|---|---|---|
 Carnavalet Museum |
Paríž | 17 | Allegory of the Bank, Portrait of Madame Blerzy, Woman with a Fan (Portrait of Réjane?) |
 Petit Palais |
Paríž | 11 | Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Supply, Voting, Tooling, Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling), Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform |
 Musée d'Orsay |
Paríž | 5 | Satyre and Menade, Valtesse De La Bigne, Jules-émile Pean And His Surgery Class Before The Operation H. Gervex Pinx |
 Kráľovské múzeá krásnych umení Belgicka |
Brusel | 1 | Portrait of Alfred Stevens |
 Detroit Institute of Arts |
Detroit | 1 | Café Scene in Paris |
 National Gallery of Art |
Washington | 1 | Study for 'Autopsy at the Hôtel-Dieu' |
 Palais des Beaux-Arts de Lille |
Lille | 1 | The Coal Carrier |
 Národné múzeum |
Stockholm | 1 | L'été |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In this intimate oil on canvas, we encounter Woman with a Fan (Portrait of Réjane?), a work that captures a singular moment of poise and elegance. The artist, Henri Gervex, presents us with a subject who commands the space through a quiet, seated grace. She holds a pink folding fan, a detail that draws the eye toward her hands and the soft textures of her attire. There is a sense…
The work before us is titled Portrait of Alfred Stevens, a significant oil on canvas created by the French artist Henri Gervex. Painted in 1884, this portrait offers a direct encounter with the subject, Alfred Stevens, capturing him in a moment of quiet presence. It is a piece that reflects the specific social and artistic milieu of late 19th-century France through its formal execution and the identity of its sitter.
In "The Ball" by Henri Gervex, a sense of quiet repose settles over a sophisticated interior, even as a social gathering pulses in the distance. The composition centers on a woman seated upon a sofa, her presence anchored in the foreground. She is draped in an elegant, voluminous gown that spreads around her, creating a soft weight against the furniture. To her side, the scene opens up to reveal a…
The air inside the Armenonville feels thick with the hum of conversation and the warmth of a thousand flickering lamps. We find ourselves looking into a grand social gathering, a scene where the elegance of the Belle Époque breathes through every brushstroke. Large, imposing columns frame the view, pulling the eye past the immediate figures and into a crowded, luminous background. There is a sense of movement here, a lively…
A Tuesday, Evening at Madeleine Lemaire's is an oil on canvas painted by Henri Gervex. The work carries the original title Un mardi, soirée chez Madeleine Lemaire. It captures a specific moment of social gathering, frozen in the soft light of a Parisian interior. The brushwork traces the edges of a quiet, private world.
The air feels soft, almost heavy with the scent of old lace and quietude. A young woman turns her head, her gaze catching the light as she looks back toward us from a three-quarter view. She exists in a dreamlike space, an oval-shaped window into a moment of quiet elegance. Her skin glows with a luminous, pale quality, touched by the faintest rose at the cheeks and lips, as if…
Study For A Portrait Of Tsar Nicholas Ii. Nasledujú Portrait De Madame G. a Portrait of Alfred Stevens (1884).
Study For A Portrait Of Tsar Nicholas Ii, Portrait De Madame G., Portrait of Alfred Stevens, Café Scene in Paris, Sketch for the Wedding Hall of the Mairie of the 19th Arrondissement: Supply, Voting, Tooling, Sketch for the wedding hall of the Mairie of the 19ème arrondissement: Activities of the 19ème arrondissement (Ceiling), Allegory of the Bank, Portrait of Madame Blerzy, Woman with a Fan (Portrait of Réjane?) a Panorama of the Century: Group of 19th-Century Men, Including Three in Uniform. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 78 diel od umelca Henri Gervex z perioda od 1874 do 1923.
Väčšinou v Carnavalet Museum (Paríž), Petit Palais (Paríž) a Musée d'Orsay (Paríž). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1880s: 14 z 77 diel na tejto stránke bolo vytvorených vtedy, pričom Portrait of Alfred Stevens z nich.
Na tejto stránke je najstaršie dielo z Satyre and Menade (1874) a najnovšie z Madame Gervex (1923).
Woman (13), People (13) a Men (8), v rámci 77 diel na tejto stránke.
Oil On Canvas, pre 24 z 77 diel na tejto stránke.
Naturalism a Impressionism, podľa originálov na tejto stránke.
Allegory of the Bank, Portrait of Madame Blerzy a Woman with a Fan (Portrait of Réjane?): múzeá Carnavalet Museum, Paríž uchovávajú 17 z diel na tejto stránke.
V živobudnom, často búrlivom srdci Paríža konca 19. storočia navigoval málo umelcov po tak citlivom hranici medzi akademickým prestížou a modernou provokáciou ako Henri Gervex. Narodený v roku 1852 v mestskej štvrti Montmartre bol Gervex dieťaťom tých istých ulíc, ktoré neskôr poznamenal nesmrteľnosťou. Jeho rané roky boli hlboko ponorené do prísnych tradícií francúzskeho umenia, formovaných disciplinovanými rukami majstrov ako Alexandre Cabanel a Pierre-Nicolas Brisset. Pod ich vedením na École des Beaux-Arts si Gervex osvojil anatomickú presnosť a klasickú eleganciu, ktoré boli nevyhnutné pre rodiacu sa hviezdu salónneho systému. Avšak pod toutým lešteným akademickým povrchom sa skrýval nepokojný duch, ktorý sa snažil odhrnúť zamatové závesy parížskej vysoké spoločnosti a odhaliť surovú, pulzujúcu realitu éry Belle Époque.
Trajektória Gervexovej kariéry bola nevratne zmenená jedným seizmickým udalosťou v roku 1878. Jeho maľba Rolla, inšpirovaná melancholickou poetikou Alfreda de Musseta, sa stala centrálnym bodom kontroverzie. Hoci nahá postava bola neoddeliteľnou súčasťou klasickej mytológie, Gervex sa odvážil umiestniť svoje témy do súčasného, takmer nekomfortne moderného prostredia. Jury Salónu, šokovaná tým, čo vnímala ako morálnu nevhodnosť a sociálny komentár k zakázanej túžbe, dielo zamietla. Namiesto toho, aby sa stiahol do zabudnutia, Gerveš si slávu prijala. Tento moment odmietnutia ho transformoval zo zwyčajného študenta tradície na odvážneho provokatéra, umelca, ktorého meno sa stalo synonymom pre napätie medzi morálkou starého sveta a rodiacim sa naturalizmom nového sveta.
S dozretím jeho kariéry sa Gervex vzdal čisto mytologických tém a prih принял to, čo nazval Naturalisme mondain. Stal sa kronikárom parížskeho zeitgeistu, zachytávajúcým oslnivé večierky, rušné urbánne krajiny a dokonca aj klinickú surosť modernej vedy. Jeho ťah písmenom začal odrážať fascinujúcu syntézu; si zachoval meticulnú detailnosť svojho akademického výcviku, no do svojich kompozícií vžil svetlo a pohyb pripomínajúci impresionistov. Tento jedinečný štylistický most mu umožnil vykresliť psychologickú hĺbku svojich subjektov, či už išlo o parížske dámy na baloch alebo pacientov na nemocničnom dne.
Jedným z jeho najhlbších úspechov zostáva Dr. Péan v Salpétrière, často označovaný jednoducho ako Operácia. V tomto monumentálnom diele dosiahol Gervex modernú parafrázu Rembrandtovej Anatómie, čím nahradil historickú alegóriu vizcerálnou, vedeckou realitou súčasného lekárskeho zákroku. Prostredníctvom tejto maľby demonštroval neobvyklú schopnosť nájsť drámu v klinickej prítomnosti a krásu v obyčajnom. Jeho repertoár bol mimoriadne rozmanitý, od jemnej elegancie portrétov až po veľkorysé oficiálne zakázky, ktoré zdobili samotnú štruktúru francúzskeho verejného života, vrátane diel pre Palais de l'Industrie a rôzne parížske hotely.
Historický význam Henriho Gervexa spočíva v jeho úlohe prechodnej postavy. Stál na historických rozcestí, pričom jednu ruku držal pevne v náramoch Académie a druhú siahala smer k radikálnym inováciom avantgéru. Jeho práca slúži ako vizuálny denník obdobia definovaného rýchlou sociálnou zmenou, kde sa hranice slušnosti neustále prehodnocovali prostredníctvom umenia a literatúry. Ovplyvnené naturalizmom Émile Zola, Gervexove maľby robia viac než len zobrazovanie scén; zachytávajú samotný dych éry, ktorá bola súčasne opulentná aj znepokojujúca.
Dnes, keď sa pozrieme na Gervexove diela, vidíme viac než len krásnu olej na plátne. Svedčíme o odvahe umelca, ktorý odmietol dovoliť tradícii potlačiť pravdu. Jeho odkaz nachádzame v:
Cez svoje triumfy aj skandály zostáva Henri Gervex kľúčovou postavou pre pochopenie komplexnej, tajuplnej duše Paríža na prelome storočí.
