Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 233 dielov umelca George Dawe v našom katalógu
Stručne povedané
Z hľadiska galérie je najznámejším obrazom umelca George Dawe dielo Portrait of Emperor Alexander I (1824), ktorého originál visí v Hermitáž v meste Petrohrad. Portrait of Admiral Alexander S. Shishkov (1754-1841) (1826) a Portrait of Nikolai Sipyagin (1785-1828) (1827) dopĺňajú trojicu, ktorú pozná každé oko. Z 233 diel umelca George Dawe v našom katalógu prezentuje galéria nižšie 100 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.
The Portrait of Emperor Alexander I is a significant work by the English portraitist George Dawe. Created about 1824, this full-length portrait captures the Russian Emperor, Alexander I, in a moment of formal repose. The painting offers a direct encounter with the sovereign, presented in his capacity as a military leader.
A heavy silence settles in the room where the Admiral sits. He is an old man now, his face a map of weathered authority, etched with the fine lines of a life spent navigating both salt spray and political currents. His gaze is direct, meeting the observer with a steady, unblinking clarity that demands respect. The navy blue of his uniform is deep and somber, a stark contrast to the…
Nikolai Sipyagin sits in a moment of quiet dignity, his body angled in a three-quarter view that suggests a man caught between duty and contemplation. He looks upward and toward the left, his eyes fixed on a point beyond the frame, as if scanning a distant battlefield or a future yet to unfold. The light catches the pale contours of his face, carving out the structure of his features against…
A single, steady gaze meets the viewer from a three-quarter view. The Grand Duke Nikolai Pavlovich is rendered in a dark military uniform, the fabric a deep navy or black that absorbs the light. Against this somberness, gold epaulettes and a crimson sash cut through the darkness. He holds a helmet in his left hand, the metal catching a glint of light. The silhouette is sharp, defined by the precision…
A single man occupies the center of this oil on canvas, his presence defined by a quiet, aristocratic composure. He sits in a bust-length pose, turned slightly toward the left, yet his eyes remain fixed upon the observer. The light enters from the upper left, carving the contours of his face with a soft, directional glow. This illumination casts gentle shadows across his features, lending a three-dimensional depth to his…
A single figure dominates the canvas, anchored by the rigid geometry of a military tunic. Count Alexey Arakcheyev meets the viewer's gaze with a steady, unyielding presence. The navy blue fabric of his uniform absorbs the light, while the gold of his epaulettes catches it, casting a sharp, metallic glint against the muted landscape. He is a man of structure. His posture is a vertical line of discipline, cutting through…
A single figure occupies the space, leaning with a heavy, practiced grace against the cold cylinder of a bronze cannon. Edward, Duke of Kent, is rendered in the sharp clarity of the Neoclassical tradition, his silhouette defined by the stark contrast of a scarlet military jacket against the dim, atmospheric air. The light falls from the upper left, carving the planes of his face and catching the fine, white feathers…
The gaze of history settles upon the Portrait of Grand Duchess Alexandra Fiodorovna with Children, a work by the English portraitist George Dawe. Within this frame, the Empress Alexandra Feodorovna of Russia, born Princess Charlotte of Prussia, sits in a moment of quiet, regal presence. She is not alone in this assembly; her two eldest children, Alexander and Maria Nikolaevna, are gathered by her side, anchoring the scene in a…
George Dawe painted Portrait of Empress Maria Feodorovna in Mourning about 1825. The subject is Empress Maria Feodorovna, originally born Duchess Sophie Dorothea of Württemberg. She held the position of Empress of Russia as the second wife of Emperor Paul I, following his assassination in 1801.
In this 1821 oil on canvas, we encounter Piotr Konovnitsyn, a man whose presence fills the space with a quiet, heavy authority. He is depicted in a three-quarter view, his body angled slightly away while his gaze maintains a direct, steady connection with us. There is a profound sense of stillness in his expression, a calm that suggests a life spent navigating the complexities of high-stakes military leadership. The lighting…
Portrait of Ivan F. Paskevich (1782-1856)1823 · Hermitáž
12
Portrait of Piotr Zheltukhin (1777-1829)1823 · Hermitáž
13
Portrait of Fabian Gottlieb von der Osten-Sacken (1752-1837)1822 · Hermitáž
14
Karl von Pirch1821 · Hermitáž
15
Portrait of Alexander S. Menshikov (1787-1869)1825 · Hermitáž
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Portrait of the Empress Dowager Maria Feodorovna1824 · Hermitáž
17
Naomi and her Daughters1804
18
Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis1803 · Museum of New Zealand Te Papa Tongarewa
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Portrait of Princess Charlotte of Wales1817 · Museum of New Zealand Te Papa Tongarewa
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Charlotte (Alexandra Feodorovna), Empress of Russia, with her eldest children, Alexander and Maria1821 · Royal Collection
21
Leopold, Prince of Saxe-Coburg-Saalfeld, later Leopold I, King of the Belgians (1790-1865)1816 · Royal Collection
22
Alexander I, Emperor of Russia (1777-1825)1817 · Royal Collection
23
Edward, Duke of Kent (1767-1820)1818 · Royal Collection
24
Ernst I (1784-1844), Duke of Saxe-Coburg-Gotah1818 · Buckingham Palace
25
Princess Feodora of Leiningen (1807-1872)1818 · Royal Collection
26
Alexander I, Emperor of Russia (1777-1825)1821 · Royal Collection
27
Victoria, Duchess of Kent (1786-1861)1818 · Royal Collection
28
Princess Charlotte (1796-1817)1817 · Royal Collection
29
Portrait of Piotr Meller-Zakomelsky (1755-1823)1823 · Hermitáž
30
Portrait of Grand Duchess Maria Pavlovna1822 · Hermitáž
31
Portrait of Charlotte von Lieven (1742/43-1828)1827 · Hermitáž
32
Portrait of Miguel Ricardo de Alava1818 · Hermitáž
33
Portrait of Emperor Alexander IHermitáž
34
Portrait of Alexander P. Kutuzov1825 · Hermitáž
35
Elizabeth, Empress of Russia (1779-1826)Royal Collection
36
A self portrait“
37
Alexander I in Dawe's workshop in the Winter palace
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Group portrait including the artist George Dawe and a self portrait
39
Portrait of Sergey G. Volkonsky (1788-1865)1823 · Hermitáž
40
Portrait of Leonty L. Bennigsen (Levin) (1745-1826)1822 · Hermitáž
41
Portrait of Ivan N. Durnovo (1784-1850)1822 · Hermitáž
42
Portrait of Ivan F. Paskevich (1782-1856) (replica of the 1823 portrait)1824 · Hermitáž
43
Portrait of Andrey V. Bogdanovsky (1780-1864)1832 · Hermitáž
44
Portrait of Karl G. Stahl (1777-1853)1822 · Hermitáž
45
Portrait of Mikhail N. Ryleyev (1771-1831) (1st)1824 · Hermitáž
46
Portrait of Andrey P. Zass (1753-1816) (1st))1824 · Hermitáž
47
Portrait of Karl I. Bistrom (1770-1838) (1st)1822 · Hermitáž
48
Portrait of Alexander A. Bibikov (1765-1822)1828 · Hermitáž
49
Portrait of Alexander, Prince of Wurttemberg (1771-1833)1825 · Hermitáž
50
Portrait of Andrey I. Gudovich (1782-1867)1822 · Hermitáž
51
Portrait of Fyodor F. Leviz (1767-1824)1822 · Hermitáž
52
Portrait of Nikolai M. Sipyagin (1785-1828)1822 · Hermitáž
53
Portrait of Yeremey Ya. Savoini (1766-1836)1824 · Hermitáž
54
Portrait of Gavriil A. Lukovkin (1772 - after 1849)1824 · Hermitáž
55
Portrait of Ilya I. Alexeyev (1772-1830)1825 · Hermitáž
56
Portrait of Alexei P. Yermolov (1772/77-1861)1824 · Hermitáž
57
Portrait of Alexander K. Riedinger (1782-1825)1822 · Hermitáž
58
Portrait of Ivan Z. Yershov (1777/78-1852)1822 · Hermitáž
59
Portrait of Gerasim A. Shostakov (1756-1837)1824 · Hermitáž
60
Portrait of Anton A. Skalon (1767-1812)1822 · Hermitáž
61
Portrait of Pyotr P. Schroeder (1770-1824)1822 · Hermitáž
62
Portrait of Fyodor V. (Dietrich Jacob) Tijl van Seraskerken (1771-1826)1824 · Hermitáž
63
Portrait of Pavel P. Pahlen (1775-1834) (2nd)1821 · Hermitáž
64
Portrait of Alexander I. Talyzin (1777-1849) (2nd)1823 · Hermitáž
65
Portrait of Nikolai I. Depreradovich (1767-1843)1822 · Hermitáž
66
Portrait of Mikhail N. Matsnev (1785-1842)1824 · Hermitáž
67
Portrait of Ilya F. Chernozubov (1765-1821)1824 · Hermitáž
68
Portrait of Alexander F. Langeron (1763-1831)1822 · Hermitáž
69
Portrait of Nikolai D. Olsufyev (1779-1817) (3rd)1826 · Hermitáž
70
Portrait of Dmitry M. Mordvinov (1773-1848)1820 · Hermitáž
71
Portrait of Fyodor V. Zvarykin (1765-1826)1823 · Hermitáž
72
Portrait of Ivan V. Argamakov (1763-1834) (1st)1824 · Hermitáž
73
Portrait of Fyodor F. (Theodore) d'Auvray (1764/66-1846)1827 · Hermitáž
74
Portrait of Mikhail M. Volkov (1776-1820)1822 · Hermitáž
75
Portrait of Anton S. Chalikov (1754-1821)1829 · Hermitáž
76
Portrait of Maxim F. Stavitsky (1778-1841)1822 · Hermitáž
77
Portrait of Faddei F. Steingel (1762-1831)1822 · Hermitáž
78
Portrait of Alexey G. Shcherbatov (1776-1848)1822 · Hermitáž
79
Portrait of Nikolai N. Rayevsky (1771-1829)1825 · Hermitáž
80
Portrait of Mikhail S. Vorontsov (1782-1856)1822 · Hermitáž
81
Portrait of Ivan T. Kozlyaninov (1781-1834)1823 · Hermitáž
82
Portrait of Matvey I. von der Pahlen (1779-1863)1822 · Hermitáž
83
Portrait of Fyodor F. (Friedrich Otto) Rosen (1767-1851) (3rd)1822 · Hermitáž
84
Portrait of Pyotr A. Kosen (1776-1853)1823 · Hermitáž
85
Portrait of Grigory G. Engelhardt (1759-1834)1822 · Hermitáž
86
Portrait of Yevgeny I. Markov (1769-1828) (1st)1823 · Hermitáž
87
Portrait of Alexander E. Pyker (1776-1834)1823 · Hermitáž
88
Portrait of Yegor I. Meller-Zakomelsky (1767-1830)1823 · Hermitáž
89
Portrait of Matvey I. Platov (1753-1818) (copy after the 1814 original made in Britain ?)1822 · Hermitáž
90
Portrait of Boris Kh. Richter (1782-1832)1822 · Hermitáž
91
Portrait of Pyotr K. Essen (1772-1844)1822 · Hermitáž
92
Portrait of Konstantin Kh. von Benckendorf (1785-1828) (2nd)1823 · Hermitáž
93
Portrait of Grand Prince Konstantin Pavlovich (1779-1831)1834 · Hermitáž
94
Portrait of Vasily Lavrentyev (?-1843)1828 · Hermitáž
95
Portrait of Illarion V. Vasilchikov (1775/76-1847) (1st)1822 · Hermitáž
96
Portrait of Nikolai N. Khovansky (1777-1837)1822 · Hermitáž
97
Portrait of Ivan F. Udom (1769-1821) (1st)1822 · Hermitáž
98
Portrait of Mikhail A. Shkapsky (1754-1815)1822 · Hermitáž
99
Portrait of Alexander Ya. Patton (1762-1815)1823 · Hermitáž
100
Portrait of Fabian W. von der Osten-Sacken (1752-1837)1822 · Hermitáž
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
4 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca George Dawe | Obrazy z tohto zoznamu |
|---|---|---|---|
 Hermitáž |
Petrohrad | 212 | Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841), Portrait of Nikolai Sipyagin (1785-1828) |
 Royal Collection |
Londýn | 9 | Charlotte (Alexandra Feodorovna), Empress of Russia, with her eldest children, Alexander and Maria, Leopold, Prince of Saxe-Coburg-Saalfeld, later Leopold I, King of the Belgians (1790-1865), Alexander I, Emperor of Russia (1777-1825) |
 Buckingham Palace |
Londýn | 2 | Edward, Duke of Kent (1767-1820), Ernst I (1784-1844), Duke of Saxe-Coburg-Gotah |
 Museum of New Zealand Te Papa Tongarewa |
Wellington | 2 | Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis, Portrait of Princess Charlotte of Wales |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
The scene unfolds in Naomi and her Daughters, a work that captures a heavy moment of transition and grief. Painted by George Dawe, the canvas presents a poignant intersection of human emotion and biblical narrative. This oil painting emerged into the public eye when it was exhibited in 1804, offering a glimpse into the artist's early command of dramatic composition and character study.
A single figure occupies the space, leaning with a heavy, practiced grace against the cold cylinder of a bronze cannon. Edward, Duke of Kent, is rendered in the sharp clarity of the Neoclassical tradition, his silhouette defined by the stark contrast of a scarlet military jacket against the dim, atmospheric air. The light falls from the upper left, carving the planes of his face and catching the fine, white feathers…
The Portrait of Emperor Alexander I is a significant work by the English portraitist George Dawe. Created about 1824, this full-length portrait captures the Russian Emperor, Alexander I, in a moment of formal repose. The painting offers a direct encounter with the sovereign, presented in his capacity as a military leader.
Portrait of Emperor Alexander I (1824), Hermitáž, Petrohrad. Nasledujú Portrait of Admiral Alexander S. Shishkov (1754-1841) (1826) a Portrait of Nikolai Sipyagin (1785-1828) (1827).
43 rokov: Portrait of Emperor Alexander I vzniklo v roku 1824 a George Dawe sa narodil/a v roku 1781.
Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841), Portrait of Nikolai Sipyagin (1785-1828), Portrait of Grand Duke Nikolai Pavlovich, Portrait of Kirill A. Naryshkin (1786-1838), Portrait of Count Alexey Arakcheyev, Edward, Duke of Kent (1767-1820), Portrait of Grand Duchess Alexandra Fiodorovna with Children, Portrait of Empress Maria Feodorovna in Mourning a Portrait of Piotr Konovnitsyn (1764-1822). Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 233 diel od umelca George Dawe z perioda od 1803 do 1829.
Väčšinou v Hermitáž (Petrohrad), Royal Collection (Londýn) a Buckingham Palace (Londýn). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1820s: 81 z 100 diel na tejto stránke bolo vytvorených vtedy, pričom Portrait of Emperor Alexander I z nich.
Na tejto stránke je najstaršie dielo z Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis (1803) a najnovšie z Portrait of Anton S. Chalikov (1754-1821) (1829).
Man (84), Military uniform (82) a Medals (59), v rámci 100 diel na tejto stránke.
Oil On Canvas, pre 88 z 100 diel na tejto stránke.
Neoclassicism, podľa originálov na tejto stránke.
Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841) a Portrait of Nikolai Sipyagin (1785-1828): múzeá Hermitáž, Petrohrad uchovávajú 83 z diel na tejto stránke.
George Dawe predstavuje jedného z najvýznamnejších anglických portrétistov devätnásteho storočia, muža, ktorého štetec zachytil samotnú podstatu éry definovanej napoleónovskými konfliktami a imperiálnou veľkoleposťou. Narodený v St James's vo Spojenom kráľovstve, Dawe bol svetom umenia ponorený už od svojich najranších rokov. Bol synom Philipa Dawe, slávneho rytografa mezzotint, a vyrastal v rodine, kde umelecký talent bol spoločným dedičstvom. Jeho raná príprava začala pod pozorným oko svojho otca, pričom si precvičoval schopnosti rytografa predtým, než sa jeho ambície rozšírili smerom k oveľa väčšiemu a svetlejšiemu médiu olejomaľby. Tento základ v presnej čiarovej práci a tónovej hĺbke neskôr ovplyvnil meticulálnu detailnosť, ktorú nachádzame na jeho najslávnejších plátnach.
Jeho cesta akademickým svetom bola poznačená výnimočnosťou. Po štúdiách na Royal Academy of Arts, kde získal prestížnú zlatú medailu Royal Academy Schools, sa Daweova reputácia začala chóngto nadväzovať. Nakoniec sa stal členom Royal Academy a neskôr plnohodnotným akademikom, čo signalizovalo jeho príchod medzi elitu britskej umeleckej scény. Avšak ne v londýnských salónoch mal Dawe dosiahnuť svoj najtrvalejší historický dopad, ale v samom srdci Ruska.
V roku 1819 sa Dawe presťahoval do San Petroburgu, čo bol krok, ktorý by zásadne zmenil priebeh jeho kariéry aj umeleckej histórie. V tomto živobudom imperiálnom hlavnom meste sa ocitol v centre monumentálneho podniku: vytváraní Vojenskej galérie Zimného paláca. Tento ambiciózne projekt priniesol Daweovi príležitosť namalovať extraordinary sériu 329 portrétov ruských generálov, ktorí pôsobili počas Napoleonovho invádovania Ruska. Prostredníctvom týchto diel Dawe urobil viac než len záznam tvárí; zdokumentoval hrdinstvo a psychologickú váhu obrany národa.
Jeho čas v Rusku bol prijatý s hlbou uznivosťou. Stal sa slávnou postavou ruského umeleckého prostredia, získavajúc pochvalu, ktorá zasiahla až legendárneho poetu Pushkina. Jeho schopnosť skombinovať formálne požiadavky portrétnej maľby s hlbokým, emotívnym rezonancom mu umožnila zachytiť komplexné charaktery vojenskej elity. Či už zobrazoval dominantnú prítomnosť Dmitryho V. Golitsyna alebo introspektívny, takmer strašidelný pohľad Michaila Kutuzova, Daweovo dielo slúžilo ako vitalný historický záznam najvplyvnivejších postáv danej éry.
Daweov umelecký štýl bol sofistikovanou tapisériou utkanou z rôznych vplyvov. Jeho raná majsterstvo v rytografii mu poskytlo bezprecedentné pochopenie svetla, tieňa a formy, ktoré s neuveriteľnou zručnosťou preložil do svojich olejomaľieb. V mnohých ohľadom sa jeho práca môže vnímať cez prizma tak neoklasicizmu, ako aj romantizmu:
Napokon, význam Georgea Daweho spočíva v jeho schopnosti prekonať jednoduchú podobnosť. Bol umelcom, ktorý dokázal zachytiť váhu zodpovednosti na pleciach generála aj pomíjavosť slávy prostredníctvom jediného, precízne vykresleného pohľadu. Jeho život a dielo zostávajú mostom medzi disciplinovanými tradíciami anglickej akadémie a epickou, búrlivou históriou imperiálneho Ruska.
