Stručne povedané
The Artist Painting Queen Victoria (1895) je obrazom umelca Frederic Marlett Bell-Smith, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Národná galéria Kanady, Ottawa. Potom sa pohľad presunie na Daybreak (1886) a Mists and Glaciers of the Selkirks (1911). Z 8 diel umelca Frederic Marlett Bell-Smith v našom katalógu je týchto 6 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
Top 10 obrazov umelca Frederic Marlett Bell-Smith podľa výberu galérie
Múzeá, ktoré uchovávajú originály umelca Frederic Marlett Bell-Smith
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Frederic Marlett Bell-Smith | Obrazy z tohto zoznamu |
|---|---|---|---|
| Ottawa | 6 | The Artist Painting Queen Victoria, Daybreak, Mists and Glaciers of the Selkirks |
Frederic Marlett Bell-Smith naprieč dekádami: jeden jedinečný originál pre každý
Diela podľa dekád
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
Obrazy umelca Frederic Marlett Bell-Smith: otázky pre galériu
Akým najznámejším dielom sa pýta Frederic Marlett Bell-Smith?Odhaľte odpoveď
The Artist Painting Queen Victoria (1895), Národná galéria Kanady, Ottawa. Nasledujú Daybreak (1886) a Mists and Glaciers of the Selkirks (1911).
V akom veku vytvoril/a Frederic Marlett Bell-Smith dielo The Artist Painting Queen Victoria?Odhaľte odpoveď
49 rokov: The Artist Painting Queen Victoria vzniklo v roku 1895 a Frederic Marlett Bell-Smith sa narodil/a v roku 1846.
Koľko je známych diel umelca Frederic Marlett Bell-Smith?Odhaľte odpoveď
Náš katalóg obsahuje 8 diel od umelca Frederic Marlett Bell-Smith z perioda od 1886 do 1916.
Kde možno vidieť najznámejšie originály od Frederic Marlett Bell-Smith?Odhaľte odpoveď
Väčšinou v Národná galéria Kanady (Ottawa). Tabuľka múzeí vyššie ich všetky uvádza.
V akom období vytvoril/a Frederic Marlett Bell-Smith svoje najznámejšie obrazy?Odhaľte odpoveď
V období 1900s: 2 z 6 diel na tejto stránke bolo vytvorených vtedy, pričom Sunny Sandown, Isle of Wight z nich.
Ktorý z najslávnejších obrazov autora Frederic Marlett Bell-Smith je najstarší a ktorý najnovší?Odhaľte odpoveď
Na tejto stránke je najstaršie dielo z Daybreak (1886) a najnovšie z St. Mary-le-Strand (1916).
Aké originály od Frederic Marlett Bell-Smith môžem vidieť v Národná galéria Kanady?Odhaľte odpoveď
The Artist Painting Queen Victoria, Daybreak a Mists and Glaciers of the Selkirks: múzeá Národná galéria Kanady, Ottawa uchovávajú 6 z diel na tejto stránke.
Frederic Marlett Bell-Smith: portrét umelca
A Life in Canadian Landscapes
Frederic Marlett Bell-Smith was a Canadian landscape painter who emigrated from England to British North America in 1866. After studying at the South Kensington School of Art, he worked as an artist and photographer in Montreal, where he helped his father, John Bell-Smith, found the Society of Canadian Artists in 1867. His career saw him move through Hamilton, Ontario, and Toronto, and he spent time teaching art classes at various institutions, including the Ontario College of Art and the Toronto Art School. In 1896, he traveled to Paris to study at the Académie Colarossi.
Bell-Smith became well known for his depictions of the Canadian Rockies and the Selkirk Range, as well as works featuring Quebec and Maine. In 1886, he traveled to the Canadian west to paint vistas of the area, frequently returning to work near Lake Louise. He was a founding member of several prestigious organizations, including the Royal Canadian Academy of Arts and the Ontario Society of Artists.
Notable Works and Portraits
Beyond his landscapes, Bell-Smith captured scenes of late Victorian and Edwardian life. One of his most famous paintings, Lights of a City Street, portrays the intersection of Yonge and King Streets in Toronto in 1894. This work features the artist himself as a man buying a newspaper, his son as a man raising his hat, and a local constable named Bill Redford as the policeman.
Bell-Smith also achieved distinction in portraiture. He secured a sitting with Queen Victoria, who permitted him to position her as he wished during a cordial session that lasted over an hour. This achievement followed his ability to obtain sittings with Princesses Beatrice and Louise. His later work was characterized by warm accents and a sensitivity to French Impressionism.

