Edward Collier
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Stručne povedané
Z hľadiska galérie je najznámejším obrazom umelca Evert Collier dielo Edward Collier (1683). Still Life with a Volume of Wither's 'Emblemes' (1696) a Vanitas Still-Life (10) (1697) dopĺňajú trojicu, ktorú pozná každé oko. Z 53 diel umelca Evert Collier v našom katalógu prezentuje galéria nižšie 46 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Still Life with a Volume of Wither's 'Emblemes' is an oil on canvas painting executed by Evert Collier in 1696. The work originated during the artist's period of activity in England, following his arrival from the Netherlands in 1693. Collier, born in Breda, Netherlands, spent his final years in London, where he died in 1708.
Vanitas Still-Life (10) is an oil on canvas work by Evert Collier, executed in 1697. The artist, born in Breda, Netherlands, in 1642, was a prominent figure of the Dutch Golden Age. Collier lived until 1708, leaving behind a body of work defined by the meticulous observation of material objects and their symbolic weight.
The scene unfolds through Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus. This composition emerges from the hand of Evert Collier, an artist born in Breda. The objects rest in a quiet, heavy atmosphere, as if caught in a moment of profound stillness. Every item, from the…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
Trompe l'oeil still-life of a letter rack is an oil on canvas work by Evert Collier, dated 1684. The artist, born in Breda, Netherlands, in 1642, was a prominent figure of the Dutch Golden Age. Collier lived until 1708.
The scene unfolds within Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, a work that invites a quiet contemplation of existence. Evert Collier presents this still life as a meditation on the fleeting nature of life and the weight of human achievement. Every object rests upon a red velvet tablecloth, waiting for the viewer to notice the subtle interplay of shadow and light.…
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Evert Collier | Obrazy z tohto zoznamu |
|---|---|---|---|
| Denver | 2 | Charles I, A vanitas | |
| New York | 1 | Vanitas Still Life | |
| Budapešť | 1 | A Vanitas Still Life | |
| Leipzig | 1 | Vanitas with Books, Instruments, and an Astronomical Globe on a table | |
| Houston | 1 | Still Life: The Smell | |
| Haag | 1 | Vanitas Still Life | |
| San Francisco | 1 | Vanitas still life with coins and other objects on a table | |
| Helsinki | 1 | Vanitas |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
The scene unfolds through Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus. This composition emerges from the hand of Evert Collier, an artist born in Breda. The objects rest in a quiet, heavy atmosphere, as if caught in a moment of profound stillness. Every item, from the…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Still Life with a Volume of Wither's 'Emblemes' is an oil on canvas painting executed by Evert Collier in 1696. The work originated during the artist's period of activity in England, following his arrival from the Netherlands in 1693. Collier, born in Breda, Netherlands, spent his final years in London, where he died in 1708.
Edward Collier (1683). Nasledujú Still Life with a Volume of Wither's 'Emblemes' (1696) a Vanitas Still-Life (10) (1697).
41 rokov: Edward Collier vzniklo v roku 1683 a Evert Collier sa narodil/a v roku 1642.
Edward Collier, Still Life with a Volume of Wither's 'Emblemes', Vanitas Still-Life (10), Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus, Vanitas Still Life, A Vanitas Still Life, Trompe l'oeil still-life of a letter rack, Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, Vanitas with Books, Instruments, and an Astronomical Globe on a table a Charles I. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 53 diel od umelca Evert Collier z perioda od 1650 do 1706.
Väčšinou v Denver Art Museum (Denver), Metropolitné múzeum umenia (New York) a Szépművészeti Múzeum (Budapešť). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1660s: 8 z 46 diel na tejto stránke bolo vytvorených vtedy, pričom Vanitas Still Life z nich.
Na tejto stránke je najstaršie dielo z Vanitas still life with a globe, books, and a box of jewels all resting on a draped table (1650) a najnovšie z A trompe l'oeil of a letter rack with a print, a quill, sealing wax and a knife (1706).
Life (13), Books (7) a Skull (5), v rámci 46 diel na tejto stránke.
Oil On Canvas, pre 6 z 46 diel na tejto stránke.
Baroque, podľa originálov na tejto stránke.
Charles I a A vanitas: múzeá Denver Art Museum, Denver uchovávajú 2 z diel na tejto stránke.
Evert Collier, born circa 1642 in Breda, Noord-Brabant, emerged as a prominent figure within the Dutch Golden Age artistic landscape—a period characterized by unparalleled innovation and opulent patronage. His early training in Haarlem under Vincent Laurensz van der Vinne instilled foundational principles of observation and draughtsmanship, shaping his distinctive approach to still life painting.
Collier distinguished himself from many of his contemporaries through his masterful execution of trompe-l'œil—a technique designed to deceive the eye by creating illusions of depth and dimensionality on a flat surface. Unlike conventional realism, trompe-l'œil prioritized visual trickery over accurate representation, transforming ordinary objects into captivating spectacles.
Collier’s still lifes transcended mere depiction; they functioned as meditations on mortality—a central preoccupation within the vanitas genre prevalent during his era. Each element meticulously chosen conveyed a profound message about decay, remembrance, and the inevitability of death.
Collier’s artistic legacy extends beyond his individual oeuvre—he exerted considerable influence on subsequent generations of Dutch painters, particularly those exploring the trompe-l'œil technique. His works are housed in prominent museums worldwide, including the Rijksmuseum (Amsterdam), Tate London, Denver Art Museum and Honolulu Museum of Art, ensuring that his visionary artistry continues to inspire admiration and scholarly inquiry.
Sources: Bryan’s Dictionary of Painters and Engravers; Netherlands Institute for Art History; Biographical Notices from Various Art Historical Databases