Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 86 dielov umelca Edwin Longsden Long v našom katalógu
Stručne povedané
Z všetkých originálov, ktoré Edwin Longsden Long zanechal, je najznámejší Francis Egerton, 1st Earl of Ellesmere (1867), ktorý sa nachádza v zbierkach National Portrait Gallery v meste Londýn. Hneď za ním nasledujú Sir Stafford Henry Northcote, 1st Earl of Iddesleigh (1882) a Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht (1850). Náš katalóg obsahuje 86 diel od Edwin Longsden Long; galéria si zachovala tých 82, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
This oil portrait by Edwin Long depicts Francis Egerton, 1st Earl of Ellesmere. The subject of the painting lived from 1800 to 1857. Dated 1891, the work is part of the collection held by the National Portrait Gallery in London, United Kingdom.
The gaze of Sir Stafford Henry Northcote, 1st Earl of Iddesleigh meets the viewer through this 1882 oil portrait. He sits with the quiet gravity of a man deeply embedded in the machinery of British governance. As a prominent Conservative politician, his presence carries the weight of significant public service. He once held the high office of First Lord of the Treasury, navigating the complex currents of political power during…
In this 1850 oil portrait, Edward Ward, 4th Viscount Bangor, is positioned within an oval composition. He sits slightly off-center, his body angled toward the viewer while his gaze is directed toward the horizon. The subject wears a dark, fur-trimmed coat that provides a heavy texture against the lighter elements of the scene. His right hand holds a metallic telescope, a tool of navigation, which catches the light coming from…
A formal three-quarter length portrait, this 1850 work captures the poised presence of the Hon. Harriet Margaret Maxwell, Viscountess Bangor. The subject is positioned slightly off-center, her gaze establishing an intimate yet respectful connection with the viewer. She is draped in a dark silk or satin cloak, the heavy folds of which contrast with the delicate white lace of her attire. The composition relies on a somber, elegant atmosphere, utilizing…
The portrait depicts Mary Dickinson, Viscountess Clifden of Gowran, seated in a three-quarter length pose. She is positioned slightly off-center against a dark, matte blue background that suggests the presence of heavy drapery. The subject holds a small musical instrument, specifically a guitar or mandolin, with her hands resting near its rounded body. Her gown is composed of creamy whites, ivories, and golds, featuring delicate lace ruffles at the sleeves…
In "A Spanish Girl Praying" by Edwin Long, a quiet moment of devotion unfolds within a vertical portrait. The young girl is captured from the waist up, her presence felt through a slight off-center positioning that suggests a subtle, living movement. She gazes upward and away from the viewer, her eyes fixed on something unseen beyond the frame. Her hands are clasped tightly in prayer, clutching a set of rosary…
In the quietude of a space that feels pulled from the annals of classical antiquity, the scene unfolds within the work titled the artists model by Edwin Long. Painted about 1890, the image captures a moment of stillness and observation. A male figure sits at the heart of the composition, draped in a heavy, reddish-brown robe that anchors him to the setting. He appears lost in a moment of creative…
A young Egyptian woman moves through a space of heavy, ancient stillness. She stands centered within an interior that breathes the air of a bygone era, her form framed by the geometric precision of architectural elements. There is a profound sense of duty in her posture as she presents an offering, perhaps food or drink, toward the viewer. Her expression carries a weight of quiet dignity, tinged with a subtle…
In this work titled confession, Edwin Long presents a quiet, heavy moment of spiritual reckoning. Painted about 1862, the scene is set within the hushed, shadowed interior of an old church. A man, dressed in a robe and a hat, is positioned in a state of humility, kneeling down before a confessional booth. The weight of the moment is felt in his posture, suggesting a private dialogue between the penitent…
The oil painting las hilanderas emerged from the brush of Edwin Long around 1857. This work marks a significant chapter in the career of the English painter, who was born in Bath, United Kingdom. Long established himself as a successful painter of genre, history, biblical, and portrait subjects, moving through the artistic circles of the Victorian era with a steady hand.
peters pence1867
12
the balcony1875
13
The Supplicants The Expulsion of the Gypsies from Spain1872
14
jamaica1887
15
Ireland
16
Delight Of The Home
17
Egyptian Beauty
18
The Ionian Pottery Seller
19
untitled
20
An Ancient Custom
21
Anno domini
22
A Question Of Propriety
23
Ready for the Bath
24
Portrait of Peter Douglas Esquire
25
Lord northcote
26
Preparing for the festival of anubis
27
Queen Esther1878 · National Gallery of Victoria
28
An Egyptian Feast -
29
untitled (8615)
30
A Seville Pottery
31
a seville pottery
32
bethlehem
33
Ready For The Bath
34
The Babylonian Marriage Market
35
egypt
36
untitled (6236)
37
katherine
38
at prayer
39
ancient cyprus
40
The Babylonian Marriage Market -
41
A question of propriety
42
Choir boys buying chestnuts from Gypsy
43
an egyptian feast
44
An egyptian feast
45
Love's Labour Lost
46
The Raising of Jairus's Daughter
47
Pharaoh's Daughter
48
the assyrian captive
49
The Chosen Five Zeuxis at Crotona
50
Girl by a Fireside
51
Spanish Town
52
The Expulsion of the Gypsies
53
Lieutenant Colonel George James Mouat MacDowell
54
Woman Carrying a Basket Full of Pomegranates
55
Study for the Portrait of Ernest Renan
56
Stafford Henry Northcote 1st Earl of Iddesleigh by Edwin Longsden LongFries Museum
57
The Daughters Of Our EmpireYale Center for British Art
58
Head Studies of Young Girls Oil On Board
59
The Raising of Jairus Daughter
60
the cousins
61
Study for Lord Ellesmere
62
lord randolph churchillNational Portrait Gallery
63
Sacred to Pasht
64
De camino en Granada
65
A Dorcas meeting in the 6th centuryArt Gallery of New South Wales
66
The Gods and their Makers
67
Confession
68
la valenciana
69
Study of a Young Girls Head
70
The date seller
71
Study of a young girls head another view
72
The approval
73
A spanish flower seller
74
Love's labour lost
75
Alethe Attendant of the Sacred Ibis in the Temple of Isis at
76
To Her Listening Ear Responsive Chords of Music Came Familia
77
Girl with Bagpipes
78
babylonian marriage market
79
Vashti1879
80
die auffindung moses
81
queen estherNational Gallery of Victoria
82
Uncle Tom and Little Eva1866 · Russell-Cotes Art Gallery - Museum
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
7 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Edwin Longsden Long | Obrazy z tohto zoznamu |
|---|---|---|---|
 National Portrait Gallery |
Londýn | 3 | Francis Egerton, 1st Earl of Ellesmere, Sir Stafford Henry Northcote, 1st Earl of Iddesleigh, lord randolph churchill |
 National Gallery of Victoria |
Melbourne | 2 | Queen Esther, queen esther |
 Lanhydrock House |
Bodmin | 1 | Mary Dickinson, Viscountess Clifden of Gowran (1853-1921) |
 Fries Museum |
Leeuwarden | 1 | Stafford Henry Northcote 1st Earl of Iddesleigh by Edwin Longsden Long |
 Yale Center for British Art |
New Haven | 1 | The Daughters Of Our Empire |
 Art Gallery of New South Wales |
Sydney | 1 | A Dorcas meeting in the 6th century |
 Russell-Cotes Art Gallery - Museum |
Bournemouth | 1 | Uncle Tom and Little Eva |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In this 1850 oil portrait, Edward Ward, 4th Viscount Bangor, is positioned within an oval composition. He sits slightly off-center, his body angled toward the viewer while his gaze is directed toward the horizon. The subject wears a dark, fur-trimmed coat that provides a heavy texture against the lighter elements of the scene. His right hand holds a metallic telescope, a tool of navigation, which catches the light coming from…
This oil portrait by Edwin Long depicts Francis Egerton, 1st Earl of Ellesmere. The subject of the painting lived from 1800 to 1857. Dated 1891, the work is part of the collection held by the National Portrait Gallery in London, United Kingdom.
Two women sit upon a bench, their forms draped in white fabric that catches the light. They are caught in a moment of stillness, a shared breath between companions. One woman turns her head, her gaze drifting toward the other, seeking a connection in the silence. Between them, an open umbrella of silk or paper rests, a pale shield against the heat. A fan lies nearby, a small tool for…
The gaze of Sir Stafford Henry Northcote, 1st Earl of Iddesleigh meets the viewer through this 1882 oil portrait. He sits with the quiet gravity of a man deeply embedded in the machinery of British governance. As a prominent Conservative politician, his presence carries the weight of significant public service. He once held the high office of First Lord of the Treasury, navigating the complex currents of political power during…
In the quietude of a space that feels pulled from the annals of classical antiquity, the scene unfolds within the work titled the artists model by Edwin Long. Painted about 1890, the image captures a moment of stillness and observation. A male figure sits at the heart of the composition, draped in a heavy, reddish-brown robe that anchors him to the setting. He appears lost in a moment of creative…
Francis Egerton, 1st Earl of Ellesmere (1867), National Portrait Gallery, Londýn. Nasledujú Sir Stafford Henry Northcote, 1st Earl of Iddesleigh (1882) a Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht (1850).
38 rokov: Francis Egerton, 1st Earl of Ellesmere vzniklo v roku 1867 a Edwin Longsden Long sa narodil/a v roku 1829.
Francis Egerton, 1st Earl of Ellesmere, Sir Stafford Henry Northcote, 1st Earl of Iddesleigh, Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht, The Hon. Harriet Margaret Maxwell, Viscountess Bangor (1805-1880), Mary Dickinson, Viscountess Clifden of Gowran (1853-1921), A Spanish Girl Praying, the artists model, Alethe Attendant of the Sacred Iblis - oil on panel -, confession a las hilanderas. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 86 diel od umelca Edwin Longsden Long z perioda od 1850 do 1890.
Väčšinou v National Portrait Gallery (Londýn), National Gallery of Victoria (Melbourne) a Lanhydrock House (Bodmin). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1880s: 5 z 82 diel na tejto stránke bolo vytvorených vtedy, pričom Sir Stafford Henry Northcote, 1st Earl of Iddesleigh z nich.
Na tejto stránke je najstaršie dielo z Edward Ward, 4th Viscount Bangor (1827 - 1881) on a Yacht (1850) a najnovšie z the artists model (1890).
Girls (6), Man (5) a Woman (4), v rámci 82 diel na tejto stránke.
Oil On Canvas, pre 11 z 82 diel na tejto stránke.
Academic realism, podľa originálov na tejto stránke.
Francis Egerton, 1st Earl of Ellesmere, Sir Stafford Henry Northcote, 1st Earl of Iddesleigh a lord randolph churchill: múzeá National Portrait Gallery, Londýn uchovávajú 3 z diel na tejto stránke.
