Portrét Edward Smith

13 najznámejších obrazov od Edward Smith, výber z galérie

Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 13 dielov umelca Edward Smith v našom katalógu

Stručne povedané

Z všetkých originálov, ktoré Edward Smith zanechal, je najznámejší Market House, Dursley, Gloucestershire (1879), ktorý sa nachádza v zbierkach Gloucester Life Museum v meste Gloucester. Hneď za ním nasledujú An Angling Party (The Willyams Family at Carnanton ) (1773) a Edward Rushton (1795–1851) (1840). Náš katalóg obsahuje 13 diel od Edward Smith; galéria si zachovala tých 13, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.

Najviac diel: Museum of Gloucester

Top 10 obrazov umelca Edward Smith: výber galérie

Výber umelcov Edward Smith pokračuje, od 11 do 13

Múzeá, ktoré uchovávajú originály umelca Edward Smith

4 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Edward Smith Obrazy z tohto zoznamu
Museum of Gloucester, GloucesterMuseum of Gloucester Gloucester 8 Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire, The Quay and Docks, Gloucester, 1878
Gloucester Life Museum, GloucesterGloucester Life Museum Gloucester 2 Market House, Dursley, Gloucestershire, The Quay and Docks, Gloucester, 1890
Wimpole HallWimpole Hall 1 An Angling Party (The Willyams Family at Carnanton )
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 1 Edward Rushton (1795–1851)

Edward Smith dekáda po dekáde: originál, ktorý definuje každú z nich

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Otázky zberateľov o obrazoch od Edward Smith

Ktorým dielom je Edward Smith najznámejší/najznámejšia?Odhaľte odpoveď

Market House, Dursley, Gloucestershire (1879), Gloucester Life Museum, Gloucester. Nasledujú An Angling Party (The Willyams Family at Carnanton ) (1773) a Edward Rushton (1795–1851) (1840).

Ktorých desať najznámejších obrazov má Edward Smith?Odhaľte odpoveď

Market House, Dursley, Gloucestershire, An Angling Party (The Willyams Family at Carnanton ), Edward Rushton (1795–1851), Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire, The Quay and Docks, Gloucester, 1878, The Quay and Docks, Gloucester, 1890, Llanthony Bridge, Gloucester, Southgate Street, Gloucester a Captain James Pendergrass (1767–1851), RN. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko obrazov zanechal umenec Edward Smith?Odhaľte odpoveď

Náš katalóg obsahuje 13 diel od umelca Edward Smith z perioda od 1773 do 1880.

V ktorých múzeách visia majstrovské diela umelca Edward Smith?Odhaľte odpoveď

Väčšinou v Museum of Gloucester (Gloucester), Gloucester Life Museum (Gloucester) a Wimpole Hall. Tabuľka múzeí vyššie ich všetky uvádza.

V ktorých rokoch vytvoril Edward Smith svoje najznámejšie diela?Odhaľte odpoveď

V období 1870s: 4 z 13 diel na tejto stránke bolo vytvorených vtedy, pričom Market House, Dursley, Gloucestershire z nich.

Aké sú prvé a posledné známe originály od Edward Smith?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z An Angling Party (The Willyams Family at Carnanton ) (1773) a najnovšie z River Scene with Anglers, the Leadon, Gloucestershire (1880).

Aké diela umelca Edward Smith sa nachádzajú v múzeu Museum of Gloucester?Odhaľte odpoveď

Spa Grounds, Gloucester, River Scene with Anglers, the Leadon, Gloucestershire a The Quay and Docks, Gloucester, 1878: múzeá Museum of Gloucester, Gloucester uchovávajú 8 z diel na tejto stránke.

Edward Smith: život a dielo

The Visionary Landscapes of Edward Smith

Edward Smith (1850 – 1912) stands as a singular figure in Victorian British art, recognized primarily for his monumental canvases depicting mythological scenes—particularly the biblical Flood—and expansive landscapes imbued with an almost unsettling grandeur. While overshadowed by contemporaries like Turner and Constable during his lifetime, Smith’s distinctive style has garnered renewed appreciation in recent decades, cementing his place as a pivotal artist of the era and influencing subsequent generations of painters. His work transcends mere representation; it strives to convey profound emotional resonance and philosophical contemplation, reflecting the anxieties and aspirations of a society grappling with scientific advancements alongside spiritual yearning.

Born in Hanley, Staffordshire, Smith’s upbringing amidst a family of potters instilled an appreciation for craftsmanship and detail—traits that would become hallmarks of his artistic practice. His father's involvement in the American Civil War shaped his worldview, fostering a fascination with history and storytelling. Despite facing personal hardships including familial discord and debilitating illness, Smith persevered in pursuing his artistic ambitions. He honed his skills at the British School in Etruria before embarking on a self-directed artistic journey, absorbing inspiration from Romantic painters like Turner and Friedrich, particularly their masterful manipulation of light and atmosphere.

A Mastery of Atmosphere and Narrative

Smith’s artistic evolution was marked by an engagement with Symbolist aesthetics, evident in his use of muted palettes and evocative imagery that demonstrated an intellectual curiosity extending far beyond mere visual technique. His ability to blend naturalist observation with symbolic commentary allowed him to create works that felt both grounded in reality and elevated by myth. This is perhaps most strikingly realized in his depictions of the English countryside, where he captured the serene essence of rural life through scenes such as At Elmore, Gloucester. In these works, a sense of peace pervades the atmosphere, often punctuated by the delicate presence of birds flying overhead, adding to the harmony of the composition.

Beyond the tranquil, however, lies the dramatic power of his larger-scale compositions. His magnum opus, “The Flood,” exemplifies his grand artistic vision. Measuring over 10 feet by 20 feet, this monumental piece showcases his capacity for depicting apocalyptic landscapes with a sense of awe and terror. Whether he was painting the bustling town square of Market House, Dursley or the quiet river scenes of the Leadon, Smith possessed a unique ability to imbue every subject with a sense of historical weight and atmospheric depth.

Legacy and Historical Significance

The legacy of Edward Smith resides not only in the physical canvases he left behind but in the way his work continues to provoke thought regarding our relationship with the natural world. His paintings often serve as a striking blend of naturalist observation and symbolic commentary, reflecting deep-seated anxieties about environmental degradation and the passage of time. Today, his contributions to British art history are preserved in significant collections, including:

  • The Museum of Gloucester: Housing cherished works like At Elmore, Gloucester, which offer a window into late 19th-century rural life.
  • Louisiana State University Art Collection: Where his evocative depictions of birds and landscapes continue to inspire scholars and art enthusiasts alike.
  • Public Exhibitions: Showcasing his distinctive vision and the enduring power of his mythological and landscape narratives.

Through his meticulous attention to detail and his ability to capture the ephemeral qualities of light and shadow, Edward Smith remains a vital voice in the history of Victorian painting, reminding us of the profound connection between the landscapes we inhabit and the myths we carry within us.