Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 61 dielov umelca Dosso Dossi v našom katalógu
Stručne povedané
Z všetkých originálov, ktoré Dosso Dossi zanechal, je najznámejší Saint George (1513), ktorý sa nachádza v zbierkach J. Paul Getty Museum v meste Los Angeles. Hneď za ním nasledujú Circe and Her Lovers in a Landscape, c. - (100.8(13) (1525) a Apollo and Daphne (1524). Náš katalóg obsahuje 61 diel od Dosso Dossi; galéria si zachovala tých 57, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
In the heart of the Italian Renaissance, where the courtly splendor of Ferrara met the atmospheric magic of Venice, Dosso Dossi breathed life into legends. His Saint George is not merely a depiction of a Christian icon; it is a window into a transformative era of human emotion and artistic innovation. As one of the cornerstones of the School of Ferrara, Dossi captures the saint in a moment that transcends…
In this oil on canvas, we find ourselves in a secluded landscape where the boundaries between the human and the animal seem to blur. A nude woman sits upon the earth, her legs crossed in a moment of repose, her attention fixed upon a book held before her. She is Circe, the mythological enchantress, yet she is presented here with a startlingly calm presence. Around her, the landscape breathes with…
In the heart of the Italian Renaissance, where the boundaries between myth and reality often blurred into a singular, poetic vision, Dosso Dossi captured a moment of profound transformation. His Apollo and Daphne is not merely a depiction of a Greek legend; it is an immersive experience that invites the viewer into a dreamlike realm of pursuit and metamorphosis. The scene vibrates with a palpable tension, as the god Apollo,…
Portrait of Alfonso I d'Este by Dosso Dossi (Giovanni Di Niccolò De Luteri) presents the Duke of Ferrara in a stately manner. Created about 1530, the work captures the ruler in military attire against an expansive landscape. The subject is portrayed as a powerful ruler, utilizing a composition that balances his physical presence with a grand, theatrical setting.
The canvas titled Circe and Her Lovers in a Landscape - by Dosso Dossi (Giovanni Di Niccolò De Luteri) captures a moment of quietude within a dense forest. Dated 1525, the work presents a nude female figure seated amidst the thicket. She appears as a mythological representation of love and wisdom, or perhaps Venus, holding a large stone tablet inscribed with text. A deer rests near her, grounding the scene…
Circe (or Melissa) by Dosso Dossi (Giovanni Di Niccolò De Luteri) functions as a complex mythological allegory. Executed in oil on canvas about 1525, the work explores the transformative power of magic through the figure of the sorceress. The title suggests a dual identification, linking the classical Circe with the legendary Melissa, a figure often associated with enchantment and metamorphosis.
Saint Lucretia is a work by Dosso Dossi (Giovanni Di Niccolò De Luteri), an Italian Renaissance painter associated with the School of Ferrara. Created about 1520, the piece reflects the artistic developments occurring within the Ferrarese court during the early sixteenth century.
The scene unfolds within the grand narrative of The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily. This oil on canvas, dating to 1520, captures a moment of communal devotion and ancient ritual. The figures gather in a wide field, their presence anchored by a distant castle that rises against the horizon. Within this setting, the weight of myth meets the tangible reality of…
The oil on canvas work titled Circe and Her Lovers in a Landscape (11) - was executed by the artist Dosso Dossi (Giovanni Di Niccolò De Luteri). Dated 1525, this painting functions as a mythological allegory. The composition centers on the figure of the sorceress Circe, a subject that allows for the exploration of classical legends through a specific narrative lens.
In "Circe and Her Lovers in a Landscape," Dosso Dossi (Giovanni Di Niccolò De Luteri) captures a moment of quietude within a dense forest. Dated 1525, the work presents a nude female figure seated amidst the thicket. She appears as a mythological representation of love and wisdom, or perhaps Venus. The scene explores the transformative power of magic through the figure of the sorceress. A single deer watches from the…
Circe and Her Lovers in a Landscape1525
12
Circe and Her Lovers in a Landscape (8) -1525
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Circe and Her Lovers in a Landscape (9) -1525
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Circe and Her Lovers in a Landscape -1525
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Circe and Her Lovers in a Landscape -1525
16
Circe and Her Lovers in a Landscape (10) -1525
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Circe and Her Lovers in a Landscape -1525
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Circe and Her Lovers in a Landscape, c. - (100.8x(9)1525
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Circe and Her Lovers in a Landscape -1525
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Circe and Her Lovers in a Landscape (13) -1525
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Bacchus
22
Sts John and Bartholomew with Donors
23
Diana and Calisto
24
A Man embracing a WomanNational Gallery
25
Circe and her Lovers in a Landscape
26
Portrait of a Young ManCleveland Museum of Art
27
Madonna and Child
28
portrait of a young man with a dog and a cat
29
Aeneas and Achates on the Libyan Coast
30
St Sebastian
31
The Holy Family
32
Lady in green tourban
33
The Adoration of the KingsNational Gallery
34
Witchcraft (Allegory of Hercules)
35
Nymph and Satyr
36
St Cosmas and St Damian
37
Sibyl
38
Francesco Maria della Rovere Leading His Troups
39
untitled (7069)
40
Circe (detail)
41
untitled
42
A bacchanalNational Gallery
43
Lamentation over the Body of ChristNational Gallery
44
A female saint
45
The Embrace
46
Witchcraft (or Allegory of Hercules)1535 · Galleria degli Uffizi
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Circe and Her Lovers in a Landscape1525 · National Gallery of Art
48
Allegory of MusicMuseo Horne
49
Jupiter, Mercury and the VirtueKráľovský hrad Wawel
50
Anger or the TussleCollezione Vittorio Cini
51
untitled (9126)Galleria Borghese
52
'Luteri, Italian, dossi)1479
53
The Virgin Appearing to Sts John the Baptist and John the Evangelist
54
Portrait of a Warrior
55
The Trojans Repairing Their Ships in Sicily1520 · National Gallery of Art
56
Sibyl1525 · Hermitáž
57
The Three Ages of ManMetropolitné múzeum umenia
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Dosso Dossi | Obrazy z tohto zoznamu |
|---|---|---|---|
 National Gallery of Art |
Washington | 4 | Saint Lucretia, The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily, Circe and Her Lovers in a Landscape |
 National Gallery |
Londýn | 4 | A Man embracing a Woman, The Adoration of the Kings, A bacchanal |
 Galleria Borghese |
Rím | 2 | Apollo and Daphne, untitled (9126) |
 J. Paul Getty Museum |
Los Angeles | 1 | Saint George |
 Cleveland Museum of Art |
Cleveland | 1 | Portrait of a Young Man |
 Galleria degli Uffizi |
Florencia | 1 | Witchcraft (or Allegory of Hercules) |
 Museo Horne |
Florence | 1 | Allegory of Music |
 Kráľovský hrad Wawel |
Krakov | 1 | Jupiter, Mercury and the Virtue |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In the heart of the Italian Renaissance, where the courtly splendor of Ferrara met the atmospheric magic of Venice, Dosso Dossi breathed life into legends. His Saint George is not merely a depiction of a Christian icon; it is a window into a transformative era of human emotion and artistic innovation. As one of the cornerstones of the School of Ferrara, Dossi captures the saint in a moment that transcends…
In this oil on canvas, we find ourselves in a secluded landscape where the boundaries between the human and the animal seem to blur. A nude woman sits upon the earth, her legs crossed in a moment of repose, her attention fixed upon a book held before her. She is Circe, the mythological enchantress, yet she is presented here with a startlingly calm presence. Around her, the landscape breathes with…
Portrait of Alfonso I d'Este by Dosso Dossi (Giovanni Di Niccolò De Luteri) presents the Duke of Ferrara in a stately manner. Created about 1530, the work captures the ruler in military attire against an expansive landscape. The subject is portrayed as a powerful ruler, utilizing a composition that balances his physical presence with a grand, theatrical setting.
Saint George (1513), J. Paul Getty Museum, Los Angeles. Nasledujú Circe and Her Lovers in a Landscape, c. - (100.8(13) (1525) a Apollo and Daphne (1524).
27 rokov: Saint George vzniklo v roku 1513 a Dosso Dossi sa narodil/a v roku 1486.
Saint George, Circe and Her Lovers in a Landscape, c. - (100.8(13), Apollo and Daphne, Portrait of Alfonso I d'Este, Circe and Her Lovers in a Landscape -, Circe (or Melissa), Saint Lucretia, The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily, Circe and Her Lovers in a Landscape (11) - a Circe and Her Lovers in a Landscape,. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 61 diel od umelca Dosso Dossi z perioda od 1513 do 1535.
Väčšinou v National Gallery of Art (Washington), National Gallery (Londýn) a Galleria Borghese (Rím). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1520s: 20 z 57 diel na tejto stránke bolo vytvorených vtedy, pričom Circe and Her Lovers in a Landscape, c. - (100.8(13) z nich.
Na tejto stránke je najstaršie dielo z Saint George (1513) a najnovšie z Witchcraft (or Allegory of Hercules) (1535).
Landscape (17), Woman (11) a Trees (9), v rámci 57 diel na tejto stránke.
Oil On Canvas, pre 20 z 57 diel na tejto stránke.
Renaissance, podľa originálov na tejto stránke.
Saint Lucretia, The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily a Circe and Her Lovers in a Landscape: múzeá National Gallery of Art, Washington uchovávajú 4 z diel na tejto stránke.
V zlatom veku talianskeho renesancie, uprostred dvorského nádory Ferrary, sa objavil maliar, ktorého štetec disponoval silou tkať sny do reality. Giovanni di Niccolò de Luteri, históriou známy pod jeho evokatívnym priezviskom Dosso Dossi, nebol len kronikárom mýtov, ale tvorcom celých atmosférických svetov. Narodený okolo roku 1489 v San Giovanni del Dosso, nesie samo jeho meno ozveny jeho pôvodu, no jeho umelecký duch sa vydal hneď za hranice jeho rodnej krajiny. Ako kľúčová postava Scuola di Ferrara prepojil medzeru medzi prísnou precíznosťou raného renesancie a emotívnymi, farebnými inováciami, ktoré neskôr definovali benátsku školu.
Základy Dossiho majstrovstva boli položené počas apprentíže, ktorá ho spojila s gigantmi predchádzajúcej generácie. Štúdiom pod dôsledným Andrea Mantegna v Mantove Dossi odziedzil hlboký rešpekt k klasickej štruktúre a komplexnej geometrii perspektívy. Avšak tam, kde Mantegna hľadal jasnosť a sochovú tr permanence, Dossi usiloval o niečo oveľa pomýlavšie. Začal dopĺňať svoje kompozície jemnou, svetelnou kvalitou, ktorá naznačovala pohyb a mystiku, čo bol vývoj, ktorý ho nakoniec postavil vedľa legendárnych umelcov ako Tizian a Giorgione ako pioniera nového, poetického vizuálneho jazyka.
Dossiho skutočný brilantný lesk rozkvitol pod patronátom rodiny Este, najmä počas vlády Alfonso I d'Este. V tomto sofistikovanom prostredí našiel dokonalú tému: komplexné, často erotizované a hlboko alegorické príbehy klasickej mytológie. Jeho diela, ako napríklad očarujúca Circe alebo Melissa, neopisujú len starobylé legendy; oni v nich žijú. Mal jedinečnú schopnosť prepojiť heroizmus s nadprirodzeným a vytvárať scény, kde sa bohy a nymphs zdajú vynikať z pološtieku. Táto charakteristická „snová“ kvalita bola dosiahnutá majstrovským použitím atmosférickej perspektívy, kde sa vzdialené krajiny rozplyvajú do jemných modrých a tlmených zelených tónov, čím vtiahnu diváka do stavu tichej kontemplácie.
Vplyv Benok v Dossiho zrelom štýle je nepochopiteľný. Odklonil sa od tvrdých kontúrov svojej mantovskej výučby smerom k fluidnej足りšej, malárskej prístupe, ktorý charakterizovali bohaté, sýte pigmenty a záujem o svetlo. Tento benátsky vplyv mu umožnil manipulovať s farbou tak, aby vyvolával náladu, nie len tvar. V jeho rukách svetlo scenu nielen osvetlňuje; on ju transformuje, vrhajúc tiene, ktoré skrývajú tajomstvá, a odlesky, ktoré naznačujú božstvo. Jeho schopnosť harmonizovať štrukturálnu disciplínu ferrarskej školy s chromatickou teplotou Benok spôsobila, že jeho dielo bolo jedinečne pútavé a ťažko napodobiteľné.
Historický význam Dosso Dossiho spočíva v jeho úlohe prechodného majstra, ktorý pomohol nasmerovať talianske umenie k expresívnej slobode manierizmu. Jeho diela, od veľkolepých fresiek ako Francesco Maria della Rovere vedúci svoje vojsko až po intímne, enigmatické portréty a sibylky, demonštrujujú všestrannosť, ktorá preverovala hranice súčasného maliarstva. Ovládol umenie alegórie a využíval mytologické postavy na komunikáciu komplexných politických a humanistických myšlienok, ktoré preferovala ferrarska elita.
Hoci jeho život skončil v roku 1542 a zanechal po sebe odkaz vytesaný do samotnej tkaniny renesancie, Dossiho dopad zostáva hlboký. Jeho prínos možno zhrnúť prostredníctvom niekoľkých kľúčových umeleckých úspechov:
Dnes, keď sa pozrieme na vírivé tiene a svetelné textúry Dossiho majstrovského diela, nepozeráme sa len na farbu na plátne; svedčíme o trvajúcej sile vizionára, ktorý naučil svet vidieť mágiu skrytú v klasickej minulosti.
