Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 82 dielov umelca Daniel Mytens I. v našom katalógu
Stručne povedané
Z hľadiska galérie je najznámejším obrazom umelca Daniel Mytens I. dielo Charles I, King of England (detail) (1629), ktorého originál visí v Metropolitné múzeum umenia v meste New York. Charles I (1600–1649), King of England (1629) a Portrait of a Man (1627) dopĺňajú trojicu, ktorú pozná každé oko. Z 82 diel umelca Daniel Mytens I. v našom katalógu prezentuje galéria nižšie 74 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.
In the quiet intensity of Daniel Mijtens’s 1629 portrait of Charles I, King of England, we encounter more than a mere likeness; we witness the carefully orchestrated visual language of a monarchy at a crossroads. This exquisite detail captures the essence of an era where the grandeur of the Elizabethan age was being reshaped into the solemn, dignified weight of the Stuart period. As the viewer’s eye is drawn to…
In the year 1629, a portrait emerged from the studio of Daniel Mijtens that would do more than merely capture a likeness; it would crystallize an era. The portrait of Charles I stands as a profound testament to the burgeoning artistic landscape of England during the reign of James I and his son. At a time when the English court was navigating complex political waters, Mijtens offered a vision of…
In this 1627 portrait, we encounter a man of quiet authority, captured in a moment of composed stillness. The composition follows a traditional three-quarter view, focusing on the subject from the waist up against a dark, indeterminate background that pushes his presence forward. There is a certain gravity to his posture, a sense of dignity that suggests a life of significant standing. The lighting is deliberate, descending from the upper…
In this portrait by Daniël Mijtens, we encounter John Cotton, a man whose presence carries the weight of significant theological influence. Painted around 1628, the work captures the clergyman during a period of profound religious transition. Cotton was a central figure in the religious life of both England and the American colonies, eventually becoming the preeminent minister and theologian of the Massachusetts Bay Colony. There is a quiet gravity in…
In this 1624 portrait, we encounter Charles I during his tenure as Prince of Wales, a period before his ascension to the English throne. The subject is positioned with a quiet, commanding presence, his gaze meeting the viewer with a directness that suggests both nobility and a burgeoning sense of responsibility. There is a certain stillness to his posture, a composure that defines the Baroque portraiture of the era. He…
Charles I (1600–1649) (when Prince of Wales): Portrait of Majesty Amidst Turbulent Times Daniel Mijtens’s depiction of Charles I as Prince of Wales stands as a remarkable testament to the artistic sensibilities of Elizabethan England and a poignant reflection on the anxieties surrounding succession. Painted around 1623, this portrait transcends mere likeness; it embodies an ambition to capture not just appearance but also character—a task accomplished with masterful skill by…
Venus and Amor (Allegory of Love) is an oil on canvas work by the Dutch Golden Age painter Daniël Mijtens. Executed in 1619, the painting presents a mythological subject through a Baroque lens. The composition focuses on the intimate interaction between the goddess Venus and the young Amor.
A formal, full-length Baroque portrait captures Lionel Cranfield, 1st Earl of Middlesex, in a moment of composed dignity. He is positioned slightly off-center, leaning against a table draped in heavy red cloth. The composition is vertical, emphasizing his stature through a three-quarter length view. His attire consists of dark, heavy robes that absorb the light, contrasted sharply by a crisp white ruff and the metallic sheen of gold embroidery on…
The subject, Thomas Howard, 1st Earl of Suffolk, is depicted in a full-length, vertical composition. He stands in a three-quarter view, his body angled slightly to the right while his gaze is directed toward the viewer. He wears a red surcoat over a dark doublet, accented by a large, stiffly pleated white ruff at the neck. Heavy gold livery collars and jewelry hang from his shoulders, catching the light against…
A full-length portrait of James Hamilton, 2nd Marquess of Hamilton, presents a single male figure positioned slightly off-center. He is depicted in a standing pose, holding a slender staff in one hand and a hat in the other. The subject wears a dark doublet with structured, geometric folds and a crisp, white lace ruff that encircles the neck. His legs are clad in light tan leather boots, which contrast with…
Portrait of Maurits van Oranje-Nassau (1567-1625)1611 · Amsterdam Museum
12
Portrait of a Young Girl1610 · National Trust
13
Sir Thomas Edmondes1622 · National Portrait Gallery
14
Charles I1633 · Saint Louis Art Museum
15
Lady Martha Cranfield, Countess of Monmouth (1601-1667)1634 · Knole House
16
Elizabeth, Queen of Bohemia (1596-1662)1626 · Royal Collection
17
Charles I and Henrietta Maria1631 · Royal Collection
18
Self-Portrait1630 · Buckingham Palace
19
Charles I1628 · Royal Collection
20
Charles I and Henrietta Maria Departing for the Chase1631 · Royal Collection
21
Charles I1623 · Royal Collection
22
Mary, Queen of Scots (1542-87)1627 · Royal Collection
23
Margaret Tudor, Queen of Scotland (1489-1541)1629 · Royal Collection
24
Charles I (1600-1649) when Prince of Wales1623 · Royal Collection
25
Ernst von Mansfeld (1585-1626)1624 · Royal Collection
26
Jeffrey Hudson (1619-1682)1629 · Royal Collection
27
Charles I of England (1600–1649) as Prince of Wales1624 · Statens Museum For Kunst
28
James Hamilton (1589–1625), 2nd Marquess of Hamilton and 4th Earl of Arran, KG, PC1623
29
Thomas Howard (1585–1646), Earl of Arundel1630 · Temple Newsam House
30
Portrait of Gerard Schaep Pietersz. (1599-1655) (copy)1724 · Amsterdam Museum
31
Portrait of Johanna de Vissere (1604-1676) (copy)1725 · Amsterdam Museum
32
Charles I, King of England1629 · Metropolitné múzeum umenia
33
Charles Howard (1536–1624), 2nd Lord Howard of Effingham and 1st Earl of Nottingham1620 · Nostell Priory
34
Sir John Garrard (c.1546–1625), Lord Mayor of London (1601)1618 · Guildhall Art Gallery
35
Lionel Cranfield (1575–1645), 1st Earl of Middlesex1620 · Národná spoločnosť
36
Nicolò Molino, Venetian Ambassador1622 · Národná spoločnosť
37
Charles Howard (1536–1624), 1st Earl of Nottingham1620
38
King James I of England and VI of Scotland1621 · National Portrait Gallery
39
Thomas Howard, 2nd Earl of Arundel and Surrey1618 · National Portrait Gallery
40
William Laud (1573–1645), Archbishop of Canterbury (1633–1645)1631
41
Philip Herbert (1584–1650), 4th Earl of Pembroke, 1st Earl of Montgomery, KG1634 · Národný fond
42
Robert Rich (1587–1658), 2nd Earl of Warwick, Aged 451633 · Národný fond
43
James Hamilton (1606–1649), 1st Duke of Hamilton, Royalist1629 · Škótska národná galéria portrétov
44
Portrait of James Hamilton, Earl of Arran, Later 3rd Marquis and 1st Duke of Hamilton, Aged 171623 · Tate Britain
45
Robert Rich (1587–1658), 2nd Earl of Warwick1632 · National Maritime Museum
46
Chief Justice Sir Henry Hobart (d.1625), 1st Bt1624 · National Trust
47
King Charles I (1600–1649)1629 · Government Art Collection
48
Charles I (1600–1649), King of Great Britain and Ireland1631 · National Maritime Museum
49
Lady Anne Montagu, née Rich (1604–1642), Wife of Edward Montagu, 2nd Duke of Manchester (Viscount Mandeville)1626 · Government Art Collection
50
Endymion Porter1627 · National Portrait Gallery
51
Allegorizing Group Portrait of the Children of Diederic Pietersz van Leyden van Leeuwen, Burgomaster of Leiden, and Alida Paets, Daniël Mijtens (II), 16791679 · Rijksmuseum
52
Thomas Bruce, 3rd Lord Bruce of Kinloss, 1st Earl of Elgin (1599-1663)Hardwick Hall
53
An Unknown LadyNational Trust
54
Christian, Duke of Brunswick and Lüneburg (1599-1626)Royal Collection
55
Elizabeth Knollys, née Howard
56
Mary, Queen of Scots
57
Alathea, Countess of Arundel and Surrey
58
Ďalší gróf Hamilton1629 · Škótska národná galéria portrétov
59
Ralph hopton
60
Paul and Barnabas at Lycaonia
61
James I and VI
62
Healing of the Lame ManKnole House
63
Charles I , in Robes of State
64
Christ's Charge to Peter
65
James VI
66
William Herbert, 3rd Earl of Pembroke
67
Duke of Buckingham
68
Elizabeth Leicester (b.1587)
69
William Herbert (1580–1630), 3rd Earl of Pembroke, KG, PCNárodný fond
70
George Villiers (1592–1628), 1st Duke of BuckinghamNational Maritime Museum
71
George Villiers (1592–1628), 1st Duke of Buckingham
72
King Charles I (1600–1649)Government Art Collection
73
The Death of AnaniasVictoria and Albert Museum
74
King Charles I1631 · National Portrait Gallery
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Daniel Mytens I. | Obrazy z tohto zoznamu |
|---|---|---|---|
 Royal Collection |
Londýn | 11 | Elizabeth, Queen of Bohemia (1596-1662), Charles I and Henrietta Maria, Charles I |
 National Portrait Gallery |
Londýn | 5 | Sir Thomas Edmondes, King James I of England and VI of Scotland, Thomas Howard, 2nd Earl of Arundel and Surrey |
 National Maritime Museum |
Londýn | 4 | Thomas Howard (1561-1626), 1st Earl of Suffolk, Robert Rich (1587–1658), 2nd Earl of Warwick, Charles I (1600–1649), King of Great Britain and Ireland |
 Metropolitné múzeum umenia |
New York | 3 | Charles I, King of England (detail), Charles I (1600–1649), King of England, Charles I, King of England |
 Knole House |
Sevenoaks | 3 | Lionel Cranfield, 1st Earl of Middlesex (1575-1645), Lady Martha Cranfield, Countess of Monmouth (1601-1667), Healing of the Lame Man |
 Amsterdam Museum |
Amsterdam | 3 | Portrait of Maurits van Oranje-Nassau (1567-1625), Portrait of Gerard Schaep Pietersz. (1599-1655) (copy), Portrait of Johanna de Vissere (1604-1676) (copy) |
 Národný fond |
Čerchešfiér | 3 | Philip Herbert (1584–1650), 4th Earl of Pembroke, 1st Earl of Montgomery, KG, Robert Rich (1587–1658), 2nd Earl of Warwick, Aged 45, William Herbert (1580–1630), 3rd Earl of Pembroke, KG, PC |
 Government Art Collection |
Londín | 3 | King Charles I (1600–1649), Lady Anne Montagu, née Rich (1604–1642), Wife of Edward Montagu, 2nd Duke of Manchester (Viscount Mandeville), King Charles I (1600–1649) |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
Venus and Amor (Allegory of Love) is an oil on canvas work by the Dutch Golden Age painter Daniël Mijtens. Executed in 1619, the painting presents a mythological subject through a Baroque lens. The composition focuses on the intimate interaction between the goddess Venus and the young Amor.
In the quiet intensity of Daniel Mijtens’s 1629 portrait of Charles I, King of England, we encounter more than a mere likeness; we witness the carefully orchestrated visual language of a monarchy at a crossroads. This exquisite detail captures the essence of an era where the grandeur of the Elizabethan age was being reshaped into the solemn, dignified weight of the Stuart period. As the viewer’s eye is drawn to…
This oil on canvas work by Daniël Mijtens depicts Charles I, King of England. Dated 1633, the portrait presents the monarch in a formal manner. The subject is rendered in a full-length view, positioned as a royal portrait intended to convey the status of the sitter. The figure is shown in a three-quarter view against a dark, atmospheric background.
Charles I, King of England (detail) (1629), Metropolitné múzeum umenia, New York. Nasledujú Charles I (1600–1649), King of England (1629) a Portrait of a Man (1627).
39 rokov: Charles I, King of England (detail) vzniklo v roku 1629 a Daniel Mytens I. sa narodil/a v roku 1590.
Charles I, King of England (detail), Charles I (1600–1649), King of England, Portrait of a Man, John Cotton, Charles I as Prince of Wales, Charles I (1600–1649) (kedy princom Walesu), Venus and Amor (Allegory of Love), Lionel Cranfield, 1st Earl of Middlesex (1575-1645), Thomas Howard (1561-1626), 1st Earl of Suffolk a James Hamilton, 2nd Marquess of Hamilton (1589-1625). Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 82 diel od umelca Daniel Mytens I. z perioda od 1610 do 1634.
Väčšinou v Royal Collection (Londýn), National Portrait Gallery (Londýn) a National Maritime Museum (Londýn). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1620s: 31 z 74 diel na tejto stránke bolo vytvorených vtedy, pričom Charles I, King of England (detail) z nich.
Na tejto stránke je najstaršie dielo z Portrait of a Young Girl (1610) a najnovšie z Lady Martha Cranfield, Countess of Monmouth (1601-1667) (1634).
Man (33), Lace ruff (11) a Portrait (9), v rámci 74 diel na tejto stránke.
Oil On Canvas, pre 39 z 74 diel na tejto stránke.
Dutch golden age a Baroque, podľa originálov na tejto stránke.
Elizabeth, Queen of Bohemia (1596-1662), Charles I and Henrietta Maria a Charles I: múzeá Royal Collection, Londýn uchovávajú 11 z diel na tejto stránke.
