Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 46 dielov umelca Claudio Coello v našom katalógu
Stručne povedané
La Anunciación je obrazom od Claudio Coello, ktorý priťahuje najviac pohľadov. Potom sa pohľad presunie na The Immaculate Conception a Self-Portrait (1680). Z 46 diel umelca Claudio Coello v našom katalógu je týchto 43 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
The air in the painting feels heavy with the weight of a divine arrival. On the left, the Virgin Mary sits as the anchor of the composition, her presence a quiet vessel for the miracle unfolding. Beside her, the infant Jesus rests, a small, luminous figure amidst the swirling movement of the heavens. Angels crowd the space, their bodies caught in the rhythm of song and the motion of their…
A Vision of Divine Purity The scene unfolds within a vertical composition that draws the eye upward through a swirling host of cherubs and clouds. At the center, the Virgin Mary exists in a moment of divine exaltation, her figure emerging from a dark, atmospheric background. Deep midnight blues and heavy shadows in her mantle provide a stark contrast to the luminous whites and creams of her gown. Light appears…
Claudio Coello’s “Self-Portrait,” painted in 1680, stands as a testament to the artistic fervor of the Baroque period and represents one of the most striking examples of self-representation during that era. More than just a likeness of the artist himself, it embodies the ideals of humanist introspection and aristocratic grandeur characteristic of Spanish art under Charles II.
Claudio Coello’s “King Charles II,” completed in 1675, stands as a cornerstone of Baroque portraiture and a poignant reflection of Spain's precarious position at the cusp of its decline. More than just a likeness of the young monarch—Charles II (1661-1700)—the painting embodies the anxieties surrounding succession and the looming shadow of Louis XIV’s dominance, capturing a moment frozen in time.
The figure of St Dominic emerges from a deep, enveloping darkness, his presence commanding the space through a sudden, dramatic influx of light. He sits with a quiet, unwavering authority, his gaze fixed upon the viewer with an intensity that feels immediate and personal. The light, descending from an unseen source above and to the left, carves out the contours of his face and the heavy folds of his religious…
The light falls from the upper left, a sharp diagonal cutting through the gloom to find a face. It is the face of Charles II, pale and steady against a void of deep blacks and umber shadows. The skin possesses a luminous, almost translucent quality, catching the light where the cheekbone meets the hollow of the eye. A heavy, white collar provides a stark, bright anchor between the dark background…
The oil on canvas painting titled The Vision of Saint Anthony of Padua was executed by the Spanish artist Claudio Coello in 1663. The work depicts a specific theological moment where the Christ Child descends to answer the meditations of Saint Anthony regarding the Incarnation. This subject matter focuses on the religious belief that God assumed human form through Jesus.
The gaze of the monarch meets us in Charles II, King of Spain, a portrait that captures the heavy presence of a ruler. Painted by Claudio Coello, this work presents the king in a moment of quiet, formal dignity. The figure occupies a significant space, rendered in oil on canvas with a scale that demands attention. At 211.0 x 132.0cm, the verticality of the composition emphasizes the imposing stature of…
The painting depicts a central group consisting of Mary, Joseph, and the infant Jesus. Mary is positioned in the center, holding the child in her arms. Joseph stands in close proximity to the pair. Surrounding these figures are several angels, distributed at varying heights and distances to create a sense of depth. Some angels appear in the foreground, while others are situated further back in the composition. In the upper…
Claudio Coello's "St Dominic of Guzman," painted in 1685, is more than just a depiction of a religious figure; it’s a window into the heart of Baroque Spain – a realm of fervent faith, dramatic light, and meticulously rendered detail. This vertical canvas, measuring a substantial 240 x 160 cm, immediately commands attention with its imposing scale and the saint's direct, unwavering gaze. Coello, considered the last great master of…
Mariana of Austria, Consort of King Philip IV of Spain, as a Widow1690 · Bavarské štátne múzeá výtvarného umenia
12
Mary, the Immaculate Conception1658 · Bavarské štátne múzeá výtvarného umenia
13
The Virgin and Child between the Theological Virtues and Saints1669 · Museo del Prado
14
Portrait of a Monk1685 · Rhode Island School of Design Museum of Art
15
Saint Peter of Alcántara Walks over the River Quadiana1690 · Bavarské štátne múzeá výtvarného umenia
16
The Dream of Saint Augustine1693
17
Mariana of Austria (1634–1696), Queen of Spain1688 · Bowes Museum
18
The Triumph of St Augustine1664 · Museo del Prado
19
San Francisco de Asís
20
San Antonio de PaduaMuseo del Prado
21
Susannah and the Elders1661 · Museo de Arte de Ponce
22
Portrait of Teresa Francisca Mudarra y Herrera1690 · Museo de Bellas Artes
23
Mariana of Austria and Charles II1693 · Biblioteca Museu Víctor Balaguer
24
Santa Rosa de Lima
25
Portrait of a LadyRhode Island School of Design Museum of Art
26
La Virgen y el Niño adorados por San Luis, rey de FranciaMuseo del Prado
27
La Sagrada Forma1685
28
Virgin and Child Adored by St Louis, King of France1665 · Museo del Prado
29
Portrait d'homme
30
Etude pour une figure de moine hiéronymite 1
31
Etude pour une figure de moine hiéronymite
32
Vierge à l'Enfant avec les Vertus théologales, entourée de saints
33
Charles II of Spain on Horseback
34
Saint Michael Triumphing over EvilMuseum of Fine Arts, Houston
35
Tránsito de la Magdalena
36
Jubilé de la Portioncule
37
El padre CabanillasMuseo del Prado
38
La Virgen y el Niño entre las virtudes teologales y santos
39
La Adoración de la Sagrada Forma
40
Don Fernando de Valenzuela, Marqués de Villasierra
41
Doña Mariana de Austria, reina de España
42
Jesús niño en la puerta del templo
43
Juan Francisco de la Cerda, VIII Duke of Medinaceli1670 · Museu Nacional d'Art de Catalunya
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Claudio Coello | Obrazy z tohto zoznamu |
|---|---|---|---|
 Museo del Prado |
Madrid | 9 | The Immaculate Conception, King Charles II, St Dominic of Guzman |
 Bavarské štátne múzeá výtvarného umenia |
Mních | 4 | Charles II, King of Spain, Mariana of Austria, Consort of King Philip IV of Spain, as a Widow, Mary, the Immaculate Conception |
 Szépművészeti Múzeum |
Budapešť | 2 | St Dominic, Holy Family |
 Museu Nacional d'Art de Catalunya |
Barcelona | 2 | Portrait of Charles II, Juan Francisco de la Cerda, VIII Duke of Medinaceli |
 Rhode Island School of Design Museum of Art |
Providence | 2 | Portrait of a Monk, Portrait of a Lady |
 Hermitáž |
Petrohrad | 1 | Self-Portrait |
 Bowes Museum |
Barnard Castle | 1 | Mariana of Austria (1634–1696), Queen of Spain |
 Museo de Arte de Ponce |
Ponce | 1 | Susannah and the Elders |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
The celestial scene known as Mary, the Immaculate Conception unfolds before the viewer, a profound vision rendered by the Spanish painter Claudio Coello. Created about 1658, this oil painting captures a moment of profound spiritual significance. The subject matter focuses on themes of religious and symbolic purity, presenting a vision of the Virgin Mary that feels both immediate and divine.
The gaze of the monarch meets us in Charles II, King of Spain, a portrait that captures the heavy presence of a ruler. Painted by Claudio Coello, this work presents the king in a moment of quiet, formal dignity. The figure occupies a significant space, rendered in oil on canvas with a scale that demands attention. At 211.0 x 132.0cm, the verticality of the composition emphasizes the imposing stature of…
Claudio Coello’s “King Charles II,” completed in 1675, stands as a cornerstone of Baroque portraiture and a poignant reflection of Spain's precarious position at the cusp of its decline. More than just a likeness of the young monarch—Charles II (1661-1700)—the painting embodies the anxieties surrounding succession and the looming shadow of Louis XIV’s dominance, capturing a moment frozen in time.
Claudio Coello’s “Self-Portrait,” painted in 1680, stands as a testament to the artistic fervor of the Baroque period and represents one of the most striking examples of self-representation during that era. More than just a likeness of the artist himself, it embodies the ideals of humanist introspection and aristocratic grandeur characteristic of Spanish art under Charles II.
The figure of St Dominic emerges from a deep, enveloping darkness, his presence commanding the space through a sudden, dramatic influx of light. He sits with a quiet, unwavering authority, his gaze fixed upon the viewer with an intensity that feels immediate and personal. The light, descending from an unseen source above and to the left, carves out the contours of his face and the heavy folds of his religious…
La Anunciación. Nasledujú The Immaculate Conception a Self-Portrait (1680).
La Anunciación, The Immaculate Conception, Self-Portrait, King Charles II, St Dominic, Portrait of Charles II, Vision of St. Anthony of Padua, Charles II, King of Spain, Holy Family a St Dominic of Guzman. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 46 diel od umelca Claudio Coello z perioda od 1658 do 1693.
Väčšinou v Museo del Prado (Madrid), Bavarské štátne múzeá výtvarného umenia (Mních) a Szépművészeti Múzeum (Budapešť). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1680s: 6 z 43 diel na tejto stránke bolo vytvorených vtedy, pričom Self-Portrait z nich.
Na tejto stránke je najstaršie dielo z Mary, the Immaculate Conception (1658) a najnovšie z The Dream of Saint Augustine (1693).
Religious (7), Man (6) a Woman (5), v rámci 43 diel na tejto stránke.
Oil On Canvas, pre 20 z 43 diel na tejto stránke.
Baroque, podľa originálov na tejto stránke.
The Immaculate Conception, King Charles II a St Dominic of Guzman: múzeá Museo del Prado, Madrid uchovávajú 9 z diel na tejto stránke.
