Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 76 dielov umelca Augustus Vincent Tack v našom katalógu
Stručne povedané
Z všetkých originálov, ktoré Augustus Vincent Tack zanechal, je najznámejší Elihu Root (1922), ktorý sa nachádza v zbierkach National Portrait Gallery v meste Washington, D.C.. Hneď za ním nasledujú Rosa Mystica (1923) a Benjamin Nathan Cardozo (1931). Náš katalóg obsahuje 76 diel od Augustus Vincent Tack; galéria si zachovala tých 17, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
The portrait depicts an older man seated in a dark suit against a muted brown background. He is positioned centrally, his posture creating a strong vertical line within the frame. The subject wears a formal dark jacket and a white shirt, with the fabric of his clothing rendered through visible brushstrokes that suggest a textured surface. His face is oval-shaped, illuminated by a directional light source originating from above and…
In Rosa Mystica, Augustus Vincent Tack organizes the pictorial space through a hierarchical perspective that separates the celestial from the mortal. The composition centers on a divine female figure, likely the Virgin Mary, who floats within a luminous blue mandorla. She is positioned in a higher plane above the earthly realm, surrounded by a sky of fragmented, pale clouds. Her arms are outstretched in a gesture of grace, draped in…
In this formal portrait, Augustus Vincent Tack presents Benjamin Nathan Cardozo in a moment of quiet, judicial dignity. Painted about 1931, the work captures the subject in his capacity as a judge, a role that informs the entire gravity of the piece. There is a certain stillness here, a sense of the weight of responsibility that accompanies such a position. Tack avoids the superficiality of a mere likeness, focusing instead…
This oil portrait by Augustus Vincent Tack depicts John Munro Woolsey, a United States district judge. Painted about 1934, the work presents the subject in a formal setting that emphasizes his professional status. The composition focuses on the man seated behind a wooden desk, positioned in a medium close-up view that establishes a direct presence before the viewer.
This formal portrait of Charles Evans Hughes, executed by Augustus Vincent Tack, offers a quiet moment of reflection. Painted about 1941, the work captures the subject in a setting that suggests a private study or a professional office. There is a sense of stillness here, as if we have interrupted a moment of deep thought. The composition places Hughes at the center of the viewer's attention, establishing a presence that…
In this formal portrait of Harry S. Truman, Augustus Vincent Tack captures the subject in a half-length composition that centers the viewer's attention on the man's face and upper body. The figure sits slightly off-center to the right, creating a subtle tension within the frame. A strong light source emerges from the upper left, casting deep shadows that define the contours of the face and the heavy folds of the…
In this formal portrait, Augustus Vincent Tack presents Harlan F. Stone in a moment of quiet, seated dignity. Painted in 1944, the work captures the subject in a three-quarter view, a composition that emphasizes his presence and the weight of his position. There is a certain stillness to the figure, which is likely intended to reflect Stone's role as Chief Justice of the United States Supreme Court. The subject's expression…
The High Command Right Panel is a work by Augustus Vincent Tack, executed in 1949. The painting captures two men seated within the quiet confines of an office setting. Their presence is anchored by the weight of their surroundings, suggesting a moment of professional stillness. The subject matter centers on naval officers or individuals tied to maritime affairs, a theme reflected in the nautical elements that populate the scene.
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
6 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Augustus Vincent Tack | Obrazy z tohto zoznamu |
|---|---|---|---|
 National Portrait Gallery |
Washington, D.C. | 4 | Elihu Root, The High Command Right Panel, The High Command Left Panel |
 Metropolitné múzeum umenia |
New York | 2 | John La Farge, Night Clouds and Star Dust |
 Cleveland Museum of Art |
Cleveland | 1 | Rosa Mystica |
 New York Historical Society |
New York | 1 | John Munro Woolsey |
 Reading Public Museum |
Reading | 1 | Rising Wind and Tide |
 Campion Hall |
Oxford | 1 | Reverend Cornelius Clifford |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
Augustus Vincent Tack's 1897 portrait of John La Farge offers more than just a likeness; it’s a carefully constructed tableau of intellect, artistic temperament, and the quiet dignity of a seasoned observer. Executed in black and white photographic reproduction from an original oil or charcoal drawing, the image possesses a remarkable depth achieved through subtle tonal variations and masterful use of line. The composition is centered on La Farge's head…
The portrait depicts an older man seated in a dark suit against a muted brown background. He is positioned centrally, his posture creating a strong vertical line within the frame. The subject wears a formal dark jacket and a white shirt, with the fabric of his clothing rendered through visible brushstrokes that suggest a textured surface. His face is oval-shaped, illuminated by a directional light source originating from above and…
In this formal portrait, Augustus Vincent Tack presents Benjamin Nathan Cardozo in a moment of quiet, judicial dignity. Painted about 1931, the work captures the subject in his capacity as a judge, a role that informs the entire gravity of the piece. There is a certain stillness here, a sense of the weight of responsibility that accompanies such a position. Tack avoids the superficiality of a mere likeness, focusing instead…
This formal portrait of Charles Evans Hughes, executed by Augustus Vincent Tack, offers a quiet moment of reflection. Painted about 1941, the work captures the subject in a setting that suggests a private study or a professional office. There is a sense of stillness here, as if we have interrupted a moment of deep thought. The composition places Hughes at the center of the viewer's attention, establishing a presence that…
Elihu Root (1922), National Portrait Gallery, Washington, D.C.. Nasledujú Rosa Mystica (1923) a Benjamin Nathan Cardozo (1931).
52 rokov: Elihu Root vzniklo v roku 1922 a Augustus Vincent Tack sa narodil/a v roku 1870.
Elihu Root, Rosa Mystica, Benjamin Nathan Cardozo, John Munro Woolsey, Charles Evans Hughes, Harry S. Truman, Harlan F. Stone, The High Command Right Panel, Rising Wind and Tide a Reverend Cornelius Clifford. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 76 diel od umelca Augustus Vincent Tack z perioda od 1897 do 1949.
Väčšinou v National Portrait Gallery (Washington, D.C.), Metropolitné múzeum umenia (New York) a Cleveland Museum of Art (Cleveland). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1940s: 7 z 17 diel na tejto stránke bolo vytvorených vtedy, pričom Charles Evans Hughes z nich.
Na tejto stránke je najstaršie dielo z John La Farge (1897) a najnovšie z The High Command Right Panel (1949).
Portraiture (4), Man (4) a Chair (3), v rámci 17 diel na tejto stránke.
Oil On Canvas, pre 8 z 17 diel na tejto stránke.
Elihu Root, The High Command Right Panel a The High Command Left Panel: múzeá National Portrait Gallery, Washington, D.C. uchovávajú 4 z diel na tejto stránke.
