Stručne povedané
Z všetkých originálov, ktoré August von der Embde zanechal, je najznámejší Portrait of Wilhelmine Caroline von Hessen-Kassel (1818), ktorý sa nachádza v zbierkach New Gallery v meste Kassel. Hneď za ním nasledujú Portrait of Countess Louise Bose as a Child (1820) a Self-portrait (1819). Náš katalóg obsahuje 7 diel od August von der Embde; galéria si zachovala tých 7, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
Top 10 obrazov umelca August von der Embde: výber galérie
Múzeá, ktoré uchovávajú originály umelca August von der Embde
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca August von der Embde | Obrazy z tohto zoznamu |
|---|---|---|---|
| Kassel | 6 | Portrait of Wilhelmine Caroline von Hessen-Kassel, Portrait of Countess Louise Bose as a Child, Self-portrait |
August von der Embde dekáda po dekáde: originál, ktorý definuje každú z nich
Diela podľa dekád
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
Portrait of Heinrich Ferdinand Graf zu Isenburg-Philippseich
Otázky zberateľov o obrazoch od August von der Embde
Ktorým dielom je August von der Embde najznámejší/najznámejšia?Odhaľte odpoveď
Portrait of Wilhelmine Caroline von Hessen-Kassel (1818), New Gallery, Kassel. Nasledujú Portrait of Countess Louise Bose as a Child (1820) a Self-portrait (1819).
V akom veku bol/a August von der Embde, keď vzniklo dielo Portrait of Wilhelmine Caroline von Hessen-Kassel?Odhaľte odpoveď
38 rokov: Portrait of Wilhelmine Caroline von Hessen-Kassel vzniklo v roku 1818 a August von der Embde sa narodil/a v roku 1780.
Koľko obrazov zanechal umenec August von der Embde?Odhaľte odpoveď
Náš katalóg obsahuje 7 diel od umelca August von der Embde z perioda od 1818 do 1839.
V ktorých múzeách visia majstrovské diela umelca August von der Embde?Odhaľte odpoveď
Väčšinou v New Gallery (Kassel). Tabuľka múzeí vyššie ich všetky uvádza.
V ktorých rokoch vytvoril August von der Embde svoje najznámejšie diela?Odhaľte odpoveď
V období 1830s: 4 z 7 diel na tejto stránke bolo vytvorených vtedy, pričom Portrait of Heinrich Ferdinand Graf zu Isenburg-Philippseich z nich.
Aké sú prvé a posledné známe originály od August von der Embde?Odhaľte odpoveď
Na tejto stránke je najstaršie dielo z Portrait of Wilhelmine Caroline von Hessen-Kassel (1818) a najnovšie z Portr. of three brothers playing with flowers (1839).
Aké diela umelca August von der Embde sa nachádzajú v múzeu New Gallery?Odhaľte odpoveď
Portrait of Wilhelmine Caroline von Hessen-Kassel, Portrait of Countess Louise Bose as a Child a Self-portrait: múzeá New Gallery, Kassel uchovávajú 6 z diel na tejto stránke.
August von der Embde: život a dielo
The Journey of a Master: The Life of August von der Embde
In the heart of the German landscape, during an era defined by the transition from classical traditions to the burgeoning romantic spirit, the life of August von der Embde unfolded with the quiet determination of a true craftsman. Born on December 2, 1780, in Kassel, his early years were rooted in the tactile reality of manual labor; as the son of a master carpenter, he initially learned the precision of the woodworking trade. Yet, the call of the brush proved more resonant than the chisel. This foundational discipline of craftsmanship would later manifest in the meticulous detail and structural integrity of his painted works, bridging the gap between the physical world of form and the ethereal realm of fine art.
His formal artistic odyssey began at the Kassel Academy, where from 1799 to 1804, he honed the technical foundations that would support a lifetime of exploration. This period was not merely one of academic study but of profound observation. As he traveled through the vibrant cultural hubs of Germany—visiting Dresden, Düsseldorf, and Munich—he did more than just witness the art of his era; he engaged in a deep, transformative dialogue with the masters of the past. His travels were punctuated by periods of intense study, where he sought to capture the essence of greatness through the act of copying, a practice that allowed him to internalize the brushwork and light of the Old Masters.
A Legacy of Mimicry and Mastery
One of the most remarkable chapters in Embde’s career was his ability to inhabit the styles of those who came before him. He possessed a rare, almost scholarly devotion to the lineage of European painting. In 1803, he achieved a significant milestone by becoming one of the first artists to independently reproduce the Angel from Raphael's legendary Sixtine Madonna. This feat was not merely an exercise in imitation but a profound way of reclaiming and reinterpreting classical beauty for his own generation. Through such works, he bridged the gap between the Renaissance ideal and the nineteenth-century aesthetic.
As his horizons expanded, so did his influences. His time in Vienna brought him into the orbit of the Füger school, particularly under the influence of the historical and portrait painter Josef Abel. This exposure to the refined, academic style of Vienna added a layer of sophistication to his repertoire, blending the rigorous structure of German training with the graceful, narrative elegance found in Austrian portraiture. His development was a continuous loop of learning, traveling, and absorbing the diverse artistic languages of the various German-speaking residencies he inhabited.
The Enduring Impression
Though history often remembers the innovators who broke entirely from tradition, the significance of an artist like August von der Embde lies in his role as a custodian of excellence. He served as a vital link in the chain of artistic continuity, ensuring that the techniques and spiritual weight of the masters were preserved through his careful hands. His life, which concluded in Kassel on August 10, 1862, represents a period of profound cultural synthesis.
To look upon the works associated with his name is to witness a lifetime of devotion to the craft. His legacy remains etched in the meticulous way he approached every canvas, treating each subject with the reverence of a historian and the precision of a master builder. Through his eyes, we see the echoes of Raphael and the structured elegance of the Viennese academy, all unified by the singular, dedicated spirit of a man who found his true calling far beyond the carpenter's workshop.



