The mocking of Christ
The light fades into the dark.
Stručne povedané
The mocking of Christ (1699) je obrazom umelca Anthoni Schoonjans, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Kunsthistorisches Museum, Viedeň. Potom sa pohľad presunie na The Apple of Eris (1690) a Portrait of an unknown lady (1690). Z 15 diel umelca Anthoni Schoonjans v našom katalógu je týchto 15 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
3 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Anthoni Schoonjans | Obrazy z tohto zoznamu |
|---|---|---|---|
| Mních | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Viedeň | 2 | The mocking of Christ, Vestal virgins | |
| Berlín | 1 | Portrait of crown prince Frederick William as David with a sling |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
The mocking of Christ (1699), Kunsthistorisches Museum, Viedeň. Nasledujú The Apple of Eris (1690) a Portrait of an unknown lady (1690).
44 rokov: The mocking of Christ vzniklo v roku 1699 a Anthoni Schoonjans sa narodil/a v roku 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew a Elector Johann Wilhelm on Horseback. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 15 diel od umelca Anthoni Schoonjans z perioda od 1690 do 1716.
Väčšinou v Bavarské štátne múzeá výtvarného umenia (Mních), Kunsthistorisches Museum (Viedeň) a Charlottenburgský palác (Berlín). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1690s: 10 z 15 diel na tejto stránke bolo vytvorených vtedy, pričom The mocking of Christ z nich.
Na tejto stránke je najstaršie dielo z The Apple of Eris (1690) a najnovšie z Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, pre 2 z 15 diel na tejto stránke.
The Apple of Eris, Portrait of an unknown lady a Jacob blames Laban of his deception with Lea (Genesis 29:25-27): múzeá Bavarské štátne múzeá výtvarného umenia, Mních uchovávajú 11 z diel na tejto stránke.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.