Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 10 dielov umelca Anthon van Rappard v našom katalógu
Stručne povedané
Z hľadiska galérie je najznámejším obrazom umelca Anthon van Rappard dielo Weaver (1884), ktorého originál visí v Van Gogh Museum v meste Amsterdam. Portrait of a Girl (1884) a Woman at the Spinning Wheel (1891) dopĺňajú trojicu, ktorú pozná každé oko. Z 10 diel umelca Anthon van Rappard v našom katalógu prezentuje galéria nižšie 10 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
3 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Anthon van Rappard | Obrazy z tohto zoznamu |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
Utrecht | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 Van Gogh Museum |
Amsterdam | 2 | Weaver, Old Drenthe Woman |
Desať rokov, od 1882 do 1891, bolo pre Anthon van Rappard dostatočných: galéria ich prechádza rok po roku, jeden slávny originál za druhým.
Vyberte si rok a pozrite si originály.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Viac od 1884
Weaver (1884), Van Gogh Museum, Amsterdam. Nasledujú Portrait of a Girl (1884) a Woman at the Spinning Wheel (1891).
26 rokov: Weaver vzniklo v roku 1884 a Anthon van Rappard sa narodil/a v roku 1858.
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine a Washing strands of Cotton. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 10 diel od umelca Anthon van Rappard z perioda od 1882 do 1891.
Väčšinou v Museum Boijmans Van Beuningen (Rotterdam), Centraal Museum (Utrecht) a Van Gogh Museum (Amsterdam). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1884: 3 z 10 diel na tejto stránke bolo vytvorených vtedy, pričom Weaver z nich.
Na tejto stránke je najstaršie dielo z Tile Painters (1882) a najnovšie z Woman at the Spinning Wheel (1891).
Portrait of a Girl, Woman at the Spinning Wheel a Landing-stage with boats: múzeá Museum Boijmans Van Beuningen, Rotterdam uchovávajú 5 z diel na tejto stránke.
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
