Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 33 dielov umelca Amico Aspertini v našom katalógu
Stručne povedané
Female Portrait (1502) je obrazom umelca Amico Aspertini, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Kunsthistorisches Museum, Viedeň. Potom sa pohľad presunie na Portrait of a Man (1505) a View of the Oratory (1504). Z 33 diel umelca Amico Aspertini v našom katalógu je týchto 30 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
The Portrait of a Man by Amico Aspertini presents a quiet encounter with a young man. Created around 1505, the work captures a singular moment of stillness. The subject is framed in a medium close-up, a view that begins at the chest and rises to the head. He sits centrally, a steady presence against the distant world behind him.
The creation of View of the Oratory by Amico Aspertini marks a significant moment in the artistic development of Bologna. Around 1504, the artist joined Francesco Francia and Lorenzo Costa to undertake the decoration of the Oratory of Santa Cecilia. This collaborative effort was commissioned by Giovanni II Bentivoglio, the ruler of Bologna at the time. The project brought together several prominent figures of the Bolognese School to transform the…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
In the painting Heroic Head by Amico Aspertini, the subject is a man depicted from the chest up. He possesses curly hair and wears a hat. A beard and a mustache cover his lower face. The man's gaze is directed toward the viewer, and his expression is serious and contemplative. This portrait is executed in tempera on canvas, a technique that provides the surface with an old-fashioned appearance.
In this 1505 portrait, we encounter a figure of profound vulnerability. A woman sits upon a ledge, her hands bound behind her back with heavy rope, a detail that immediately establishes a sense of unease. The composition is defined by a stark, dark background that pushes the subject toward the viewer, forcing an intimate encounter with her distress. There is a palpable tension in her posture, a quiet suffering that…
The fresco titled Legend of Sts Cecilia and Valerian, Scene 6 is a work by the Bolognese painter Amico Aspertini. Created about 1504, this piece belongs to a larger cycle of frescoes. These paintings occupy the walls of the Oratorio di Santa Cecilia in Bologna. The series traces the life of Saint Cecilia and her husband, Valerian.
Legend of Sts Cecilia and Valerian, Scene 5 is a fresco painting by Amico Aspertini. Created in 1504, this work occupies a specific place within a larger decorative cycle. The artist joined Francesco Francia and Lorenzo Costa to execute these frescoes for the Oratory of Santa Cecilia. This sacred space in Bologna, Italy, received its commission from Giovanni II Bentivoglio.
In the Portrait of Albertus Magnus and Duns Scotus by Amico Aspertini, two figures emerge from the shadows, locked in a moment of intense intellectual or spiritual exchange. Created about 1545, the work presents these two men in heavy religious garb, their presence commanding the space. On the left, one man leans forward, his mouth open as if caught mid-sentence or perhaps in the heat of a sudden, profound realization.…
The Portrait of Tommaso Raimondi, rendered in exquisite oil on panel by Amico Aspertini around 1500, is more than just a likeness; it’s a carefully constructed tableau of Renaissance ideals and human observation. Housed within the hallowed halls of the Museo Thyssen-Bornemisza in Madrid, this painting offers a captivating glimpse into the world of a Bolognese jurist and poet, revealing not only his physical appearance but also a subtle complexity…
Ercole e il cinghiale di ErimantoGalleria degli Uffizi
12
Venere con Amore nella fucina di VulcanoGalleria degli Uffizi
13
Statua di Pan/Leone che azzanna un cavalloGalleria degli Uffizi
14
Nereidi, Tritoni e putti alati sopra delfiniGalleria degli Uffizi
15
San Cristoforo con Gesù BambinoGalleria degli Uffizi
16
The Beheading of Saint John the BaptistFitzwilliam Museum
17
The Adoration of the Shepherds
18
Female Saint Holding a BookWalters Art Museum
19
Virgin and Child between Saint Helena and Saint FrancisNational Museum Cardiff
20
The Adoration of the ShepherdsGemäldegalerie
21
A baptismal ceremonyVanderbilt Museum of Art
22
Trionfo militare allGalleria degli Uffizi
23
Fregio con tritoni, cicogne e due coppie di animali mostruosiGalleria degli Uffizi
24
CentauromachiaGalleria degli Uffizi
25
Tre guerrieri che si mettono in salvo, raggiungendo la riva di un fiumeGalleria degli Uffizi
26
Euridice uccisa dal serpente alla presenza di AristeoGalleria degli Uffizi
27
Busto di giovane uomo (Ritratto di Giovanni Achillini detto il Filotèo )Galleria degli Uffizi
28
Figura maschile nudaGalleria degli Uffizi
29
Incredulità di San TommasoGalleria degli Uffizi
30
St CassianoPinacoteca di Brera
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Amico Aspertini | Obrazy z tohto zoznamu |
|---|---|---|---|
 Galleria degli Uffizi |
Florencia | 14 | Adoration of the Shepherds, Ercole e il cinghiale di Erimanto, Venere con Amore nella fucina di Vulcano |
 Kunsthistorisches Museum |
Viedeň | 1 | Female Portrait |
 Städel Museum |
Frankfurt | 1 | Portrait of a Man |
 Christian Museum |
Eger | 1 | Heroic Head |
 National Gallery of Art |
Washington | 1 | Saint Sebastian |
 Pinacoteca Civica di Palazzo Volpi |
Comasco | 1 | Portrait of Albertus Magnus and Duns Scotus |
 Thyssen-Bornemisza Museum |
Madrid | 1 | Portrait of Tommaso Raimondi |
 Fitzwilliam Museum |
1 | The Beheading of Saint John the Baptist |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
In the painting Heroic Head by Amico Aspertini, the subject is a man depicted from the chest up. He possesses curly hair and wears a hat. A beard and a mustache cover his lower face. The man's gaze is directed toward the viewer, and his expression is serious and contemplative. This portrait is executed in tempera on canvas, a technique that provides the surface with an old-fashioned appearance.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
In the Portrait of Albertus Magnus and Duns Scotus by Amico Aspertini, two figures emerge from the shadows, locked in a moment of intense intellectual or spiritual exchange. Created about 1545, the work presents these two men in heavy religious garb, their presence commanding the space. On the left, one man leans forward, his mouth open as if caught mid-sentence or perhaps in the heat of a sudden, profound realization.…
Female Portrait (1502), Kunsthistorisches Museum, Viedeň. Nasledujú Portrait of a Man (1505) a View of the Oratory (1504).
27 rokov: Female Portrait vzniklo v roku 1502 a Amico Aspertini sa narodil/a v roku 1475.
Female Portrait, Portrait of a Man, View of the Oratory, Adoration of the Shepherds, Heroic Head, Saint Sebastian, Legend of Sts Cecilia and Valerian, Scene 6, Legend of Sts Cecilia and Valerian, Scene 5, Portrait of Albertus Magnus and Duns Scotus a Portrait of Tommaso Raimondi. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 33 diel od umelca Amico Aspertini z perioda od 1496 do 1545.
Väčšinou v Galleria degli Uffizi (Florencia), Kunsthistorisches Museum (Viedeň) a Städel Museum (Frankfurt). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1500s: 7 z 30 diel na tejto stránke bolo vytvorených vtedy, pričom Female Portrait z nich.
Na tejto stránke je najstaršie dielo z Heroic Head (1496) a najnovšie z Portrait of Albertus Magnus and Duns Scotus (1545).
Religious (6), Man (4) a People (3), v rámci 30 diel na tejto stránke.
Acrylic On Canvas, pre 4 z 30 diel na tejto stránke.
Mannerism a Renaissance, podľa originálov na tejto stránke.
Adoration of the Shepherds, Ercole e il cinghiale di Erimanto a Venere con Amore nella fucina di Vulcano: múzeá Galleria degli Uffizi, Florencia uchovávajú 14 z diel na tejto stránke.
