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Odds and Ends

Meno Trieda Dátum

Walter Goodin, Odds and Ends (1938), Ferens Art Gallery. Reprodukované len na ilustračné účely; všetky práva si vyhradzuje držiteľ autorských práv. Vnímajte toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom aj čistý pigment

Fakty

Umenec
Walter Goodin originaluniqueart.com/sk/artists/walter-goodin/
Obdobia tvorby umelca
1907 – 1992
Maľované
1938
Pôvodná veľkosť
82 x 103 cm
Koná sa v
Ferens Art Gallery originaluniqueart.com/sk/museums/ferens-art-gallery-hull_sk/

V kontexte

Odds and Ends — Walter Goodin

Rozmery

Pôvodné rozmery sú 82 × 103 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.

Kedy bolo toto vytvorené?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia — 0 pri narodení, 85 pri smrti.

Namaľované v čase, keď mal umvec 31 rokov. Umenec dožil do veku 85. 0 z 8 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

Shaded: životný príbeh Walter Goodin (1907–1992) ▲ toto dielo, 1938 každý datovaný obraz, dekáda po dekáde

Prvé diela: až do 1938 Hlavné pracovné roky: 1938–1949 Neskoré diela: od 1949

Tieto tri pásma delia diela s uvedeným dátumom v tomto katalógu na prvú štvrtinu, strednú polovicu a poslednú štvrtinu. Ne predstavujú kompletný výsadok umelca: tento úzky úsek môže byť skôr chýbajúc záznam v archíve než obdobie menšej aktivity. Rovnaké roky, v ktorých sa odráža život umelca

Porovnajte s

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: originaluniqueart.com/sk/art/similar/walter-goodin-odds-and-ends-AQUGY4-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Black #111005

    Katalogizovaná paleta

    • #111005
    • #A59456
    • #634922
    • #36280F

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Earthy Dominantná farebná skupina na obraze.
    Názov hlavnej farby
    Black
    Intenzita
    Monochromatic Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Gentle Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Strong Color Unity Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Deep_shadow Celková svetlostrávenosť obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Subtle Color Aký čistý a sýty je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • menej ako 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa dal zmapovať, preto táto karta uvádza každé dielo od Walter Goodin za posledných dvanásteros月的 — celkovo 2 krajín. Pôvod týchto údajov

    Desať vedúcich krajín

    1. 1 Čína 50,0%100 visits
    2. 2 Spojené kráľovstvo 50,0%100 visits

    Na mape nájdite tri najtmavšie krajiny. Nachádza sa v ktorej z nich múzeum, ktoré uchováva tento obraz? Napíšte jeden dôvod, prečo by naň mohli prísť ľudia zďaleka.

    3 najsledovanejších diel umelca Walter Goodin

    1. 1 Odds and Ends, 1938 tento obraz 33,3%100 visits
    2. 2 Bridlington Harbour, East Riding of Yorkshire, 1951 33,3%100 visits
    3. 3 Alderman Thomas B. Broadbent, 1949 33,3%100 visits

    Spolu tieto diela si 차지li 99,9% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 11 diel tohto umelca, z ktorých bolo 3 aspoň raz pozretých. This painting ranks 1 of them, with 33,3% of that attention (100 visits). Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    Umenec a múzeum

    Umenec

    Walter Goodin

    Walter Goodin: A Yorkshire Visionary of Light and Shadow

    Walter Goodin (1907-1992) wasn’t a name that immediately leaps to mind when discussing the titans of 20th-century British art. Yet, within the quiet landscapes of Yorkshire and the bustling streets of Hull, he cultivated a remarkably distinctive style—a blend of meticulous realism, atmospheric observation, and a subtle, almost melancholic beauty. His work, often overlooked in mainstream narratives, offers a poignant glimpse into a changing Britain, capturing both the enduring charm of its rural heritage and the gritty realities of industrial life.

    Born in Hull, Goodin’s early life was deeply rooted in the maritime traditions of his hometown. The docks, the ships, and the ever-present influence of the North Sea shaped his visual vocabulary from a young age. This connection to the coast would remain a constant throughout his career, informing his depictions of rugged cliffs, windswept beaches, and the moody skies above Yorkshire’s coastline. However, Goodin wasn't solely confined to coastal scenes; he possessed an equally keen eye for urban landscapes, particularly the industrial heartland of Hull, where he spent much of his working life as a clerk.

    Goodin’s artistic journey began modestly, largely self-taught. He initially focused on sketching and watercolor studies, honing his observational skills with painstaking detail. His early works demonstrate a remarkable ability to capture the nuances of light and shadow—a hallmark of his mature style. Influences are discernible in the work of artists like Albert Pinkham Ryder, whose atmospheric landscapes and use of color resonated with Goodin’s own approach. Furthermore, he was clearly influenced by the Realist movement, evident in his commitment to portraying subjects truthfully and without idealization. However, unlike many Realists, Goodin infused his scenes with a distinctly personal sensibility, imbuing them with an underlying mood of quiet contemplation.

    The Yorkshire Landscapes: A Study in Texture and Light

    Goodin’s most celebrated work revolves around the landscapes of Yorkshire – particularly the dramatic coastline near Bridlington. These paintings aren't simply representations of scenery; they are carefully constructed studies of texture, light, and atmosphere. He employed a layered technique, building up thin washes of color to create a sense of depth and luminosity. His brushstrokes are often subtle yet deliberate, guiding the viewer’s eye across the canvas and revealing the intricate details of the terrain – from the rough-hewn cliffs to the swaying grasses.

    “Bridlington from the West,” for example, exemplifies his approach perfectly. The painting captures a sweeping vista of rolling hills and chalk cliffs bathed in the golden light of late afternoon. The colors are muted yet vibrant, creating a sense of both serenity and drama. Goodin’s masterful use of perspective draws the viewer into the scene, inviting them to lose themselves in the beauty of the Yorkshire countryside. He wasn't interested in grand vistas or heroic landscapes; instead, he focused on capturing the quiet dignity of everyday scenes – a farmer tending his fields, a solitary figure walking along the beach, or a small village nestled amongst the hills.

    Hull and Industrial Realism

    While Yorkshire provided the backdrop for much of Goodin’s work, Hull held a special place in his heart. He spent decades documenting the city's industrial landscape – its docks, factories, warehouses, and bustling streets. Unlike romanticized depictions of industry, Goodin presented a realistic portrayal of life in a working-class port town. His paintings often featured scenes of laborers at work, their faces etched with weariness and determination. These works offer a poignant commentary on the social and economic realities of the time.

    “Holy Trinity Church in Hull Market Place” is a prime example of this approach. The painting captures the imposing presence of the church against the backdrop of the city’s industrial sprawl. Goodin's attention to detail—the weathered stonework, the intricate carvings, and the bustling activity around the market square—creates a vivid sense of place. He didn’t shy away from depicting the grime and grit of urban life, but he also managed to find beauty in its everyday details.

    Technique and Style: A Master of Detail

    Goodin's artistic style is characterized by an extraordinary level of detail and a meticulous approach to his craft. He was known for spending hours—sometimes days—working on a single painting, carefully rendering every element with painstaking precision. His use of watercolor, particularly in his early works, allowed him to achieve remarkable effects of light and shadow. Later in his career, he increasingly favored oil paint, which enabled him to build up layers of color and texture.

    A key aspect of Goodin’s style is his masterful control of chiaroscuro—the dramatic contrast between light and dark. He used this technique to create a sense of depth and atmosphere, drawing the viewer's eye to specific areas of interest. His paintings are often described as “atmospheric,” reflecting his ability to capture the mood and feeling of a particular place or moment. His work is not merely about depicting what he saw; it’s about conveying an emotional response to the world around him.

    Legacy and Recognition

    Despite his talent and dedication, Walter Goodin remained largely unknown during his lifetime. His paintings were primarily exhibited in local galleries and private collections, and he never achieved widespread recognition as a major artist. However, in recent years, there has been a growing appreciation for his work—a testament to the enduring power of his vision. His paintings are now featured in prominent collections, including those at The Walters Art Museum in Baltimore, and are increasingly recognized for their unique beauty and historical significance.

    Walter Goodin’s legacy lies not only in his artistic achievements but also in his ability to capture the spirit of a bygone era. His paintings offer a valuable window into the lives and landscapes of Yorkshire and Hull—a reminder of the quiet dignity and enduring charm of these communities. He was, in essence, a chronicler of ordinary life, transforming everyday scenes into works of art that continue to resonate with viewers today.

    Múzeum

    Ferens Art Gallery

    Súčasne vystavené v Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

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    Citovať toto dielo

    MLA
    Goodin, Walter. Odds and Ends. 1938, Ferens Art Gallery. https://originaluniqueart.com/sk/art/walter-goodin-odds-and-ends-AQUGY4-en/
    APA
    Goodin, Walter (1938). Odds and Ends [Painting]. Ferens Art Gallery. https://originaluniqueart.com/sk/art/walter-goodin-odds-and-ends-AQUGY4-en/
    Chicago
    Walter Goodin. Odds and Ends. 1938. Ferens Art Gallery. https://originaluniqueart.com/sk/art/walter-goodin-odds-and-ends-AQUGY4-en/
    Harvard
    Goodin, Walter (1938) Odds and Ends. Ferens Art Gallery. Available at: https://originaluniqueart.com/sk/art/walter-goodin-odds-and-ends-AQUGY4-en/

    Pozrite si bližšie

    Odds and Ends — Walter Goodin

    Pozrite si bližšie

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. V našom katalógu je toto dielo zaúčtované pod: still life, dutch art, chiaroscuro. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    4. Späť sa pozrite na dielo Alderman Thomas B. Broadbent (1949), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    5. Walter Goodin mal pri tvorbe tohto diela približne 31 rokov. Čo v ňom odzrkadľuje umelecký štýl umelca v tomto období života?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Otázky a odpovede

    Kto je umelcom diela „Odds and Ends"?

    Autorom diela „Odds and Ends“ je Walter Goodin. Prácu nájdete v katalógu pod menom Walter Goodin.

    Je k dispozícii prezentácia pre „Odds and Ends“ od Walter Goodin?

    Dielo „Odds and Ends“ od Walter Goodin si môžete pozrieť v formie diaporama na stránke Prehliadanie diela.

    Čo zobrazuje dielo „Odds and Ends“ od Walter Goodin?

    Témy predstavované v díle „Odds and Ends“ od Walter Goodin zahŕňajú still life, dutch art, chiaroscuro, everyday objects, baroque style, vintage painting, domestic scene, rich colors. Spolu zhrňujú predmet skladby.