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One. Number 31, 1950

Meno Trieda Dátum

Paul Jackson Pollock, One. Number 31, 1950. Pracovné dielo vo verejnej domäne. Vnímajte toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom aj čistý pigment

Fakty

Umenec
Paul Jackson Pollock originaluniqueart.com/sk/artists/paul-jackson-pollock_sk/
Obdobia tvorby umelca
1912 – 1956
Technika
Painting
Pohyb
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Obdobie
Modern
Artistic style
Chaotic
Notable elements
Drip technique
Subject or theme
Abstraction

V kontexte

One. Number 31, 1950 — Paul Jackson Pollock

Kedy mohlo byť toto dielo namalované?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia — 0 pri narodení, 44 pri smrti.

Shaded: životný príbeh Paul Jackson Pollock (1912–1956) každý datovaný obraz, dekáda po dekáde

Prvé diela: až do 1941 Hlavné pracovné roky: 1941–1948 Neskoré diela: od 1948

Tieto tri pásma delia diela s uvedeným dátumom v tomto katalógu na prvú štvrtinu, strednú polovicu a poslednú štvrtinu. Ne predstavujú kompletný výsadok umelca: tento úzky úsek môže byť skôr chýbajúc záznam v archíve než obdobie menšej aktivity. Rovnaké roky, v ktorých sa odráža život umelca

Pri tomto zázname nie je v evidencii uvedené presné yılové obdobie — ak by ste brali do úvahy životný pomer umelca a štýl diela, ktoré dekády by ste odhadli?

Porovnajte s

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: originaluniqueart.com/sk/art/similar/paul-jackson-pollock-one-number-31-1950-8EWJXM-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Gray #68635f

    Katalogizovaná paleta

    • #68635F
    • #C0B8A8
    • #3B393C
    • #918B80

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Earthy Dominantná farebná skupina na obraze.
    Názov hlavnej farby
    Gray
    Intenzita
    Monochromatic Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Balanced Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Balanced Harmony Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Balanced Celková svetlostrávenosť obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Muted Aký čistý a sýty je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • menej ako 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa dal zmapovať, preto táto karta uvádza každé dielo od Paul Jackson Pollock za posledných dvanásteros月的 — celkovo 72 krajín. Pôvod týchto údajov

    Desať vedúcich krajín

    1. 1 Čína 17,3%13 300 návštev
    2. 2 Francúzsko 8,2%6 300 návštev
    3. 3 Spojené štáty americké 8,2%6 300 návštev
    4. 4 Nemecko 6,9%5 300 návštev
    5. 5 Španielsko 6,0%4 600 návštev
    6. 6 Taliansko 5,9%4 500 návštev
    7. 7 Japonsko 5,6%4 300 návštev
    8. 8 Brazília 3,1%2 400 návštev
    9. 9 Mexiko 2,5%1 900 návštev
    10. 10 Singapur 2,5%1 900 návštev
    11. · 62 ostatné krajiny 33,8%26 000 návštev

    Na mape nájdite tri najtmavšie krajiny. Nachádza sa v ktorej z nich múzeum, ktoré uchováva tento obraz? Napíšte jeden dôvod, prečo by naň mohli prísť ľudia zďaleka.

    20 najsledovanejších diel umelca Paul Jackson Pollock

    1. 1 Číslo 1, 1949, 1950 35,1%46 900 návštev
    2. 2 Jeseňský Rytmus. Číslo 30, 1950 6,7%8 900 návštev
    3. 3 One. Number 31, 1950 tento obraz 5,3%7 100 návštev
    4. 4 Konvergence 5,2%7 000 návštev
    5. 5 Number 5, 1948 3,1%4 100 návštev
    6. 6 Number 5, 1948 2,7%3 600 návštev
    7. 7 Číslo 1A 2,2%3 000 návštev
    8. 8 Biele svetlo, 1954 2,1%2 800 návštev
    9. 9 Number 10, 1949 1,6%2 100 návštev
    10. 10 Number 3, 1948 1,5%2 000 návštev
    11. 11 Number 8 1,3%1 800 návštev
    12. 12 Number 6, 1949 1,2%1 600 návštev
    13. 13 Number 3, 1949 1,2%1 600 návštev
    14. 14 Number 1, 1948 1,1%1 500 návštev
    15. 15 The She Wolf, 1943 1,0%1 300 návštev
    16. 16 Full Fathom Five 1,0%1 300 návštev
    17. 17 Number 2, 1951 0,8%1 100 návštev
    18. 18 Cathedral 0,8%1 100 návštev
    19. 19 Saint 0,7%1 000 návštev
    20. 20 The Deep 0,7%1 000 návštev

    Spolu tieto diela si 차지li 75,3% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 176 diel tohto umelca, z ktorých bolo 128 aspoň raz pozretých. Tento obraz sa nachádza na 3 mieste v rámci celkovej pozornosti, pričom získal 5,3% tejto pozornosti (7 100 návštev). Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    O tomto umelackom dielo

    One. Number 31, 1950 — Paul Jackson Pollock

    A Symphony of Chaos: The Visceral Energy of Pollock’s Masterpiece

    In the pantheon of modern art, few works command the room with such raw, unbridled intensity as Paul Jackson Pollock’s “One: Number 31, 1950.” To stand before this canvas is to witness a moment of pure, unfiltered creation captured in time. As a cornerstone of the Abstract Expressionist movement, this painting transcends the boundaries of traditional composition, offering instead a dense, rhythmic web of energy that seems to pulse with its own internal heartbeat. It is not merely an arrangement of pigment; it is a visceral embodiment of spontaneity and emotion, a radical reimagining of what it means to apply paint to a surface. For the discerning collector or the designer seeking a focal point of profound character, this work offers an unparalleled sense of movement and depth.

    The brilliance of the piece lies in its revolutionary technique, famously known as the drip method. Moving away from the controlled constraints of the easel, Pollock laid his canvas horizontally on the floor, allowing him to engage with the work from all sides—a practice often referred to as "action painting." Through a meticulous yet seemingly accidental process of pouring, dripping, and splashing liquid household paint using sticks, knives, and even feathers, he bypassed the traditional brushstroke. This method allowed for a complex layering of textures where tans, blues, and grays interweave with stark blacks and whites. The resulting surface is a labyrinthine network of lines that shimmer with varying degrees of luster, creating an optical experience that shifts as the viewer moves around the piece.

    The Landscape of the Subconscious

    Beyond its technical audacity, “One: Number 31, 1950” serves as a profound window into the artist's psyche. Created during a period of intense experimentation in his East Hampton studio, the painting reflects Pollock’s desire to tap into the subconscious mind. The composition lacks a singular focal point, instead utilizing an "all-over" approach that directs the eye in a continuous, looping journey across the canvas. This lack of hierarchy creates a sense of infinite expansion, mirroring the vast, untamed landscapes of the American West that shaped Pollock’s early life. The subdued, earthy palette, punctuated by sudden, bold splashes of color, speaks to an emotional depth that avoids mere visual spectacle in favor of a more spiritual, primal resonance.

    For those looking to integrate such a powerful work into a sophisticated interior, the painting offers a unique versatility. Its complex textures and neutral base tones allow it to anchor a room, providing a sense of historical weight and intellectual intrigue. Whether placed in a minimalist contemporary setting or a more classic, curated gallery space, a high-quality reproduction of this masterpiece brings with it the spirit of 20th-century innovation. It is an invitation to contemplate the beauty found within chaos and to appreciate the enduring legacy of an artist who dared to let the paint dance across the canvas.

    Umenec a múzeum

    Umenec

    Paul Jackson Pollock

    Narodený v Cody, Spojené štáty americké

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the very beginning. His early life was marked by constant movement; his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West, relocating the family frequently. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures – particularly through encounters with Native American art during those surveying trips. These early experiences, filled with the raw energy of the frontier and the traditions of indigenous peoples, subtly shaped his artistic vision later in life, though he never explicitly imitated these styles. Despite the challenges of a nomadic upbringing, Pollock’s mother, Stella May McClure, recognized and nurtured her son's creative potential, fostering an appreciation for art within the family.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, where he developed a foundational understanding of drawing and design. Following this, he continued his studies at the Art Students League of New York under the guidance of Thomas Hart Benton, a prominent figure in the Regionalist movement. Benton emphasized rhythmic composition and narrative themes rooted in American life – a style that initially influenced Pollock’s work, encouraging him to explore dynamic forms and tell stories through visual elements. However, Pollock's inherent inclination leaned towards more abstract explorations, seeking ways to express emotions and ideas beyond representational imagery. Furthermore, he was profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with his own sense of justice and the human condition. These early influences – the rugged beauty of the American West, the traditions of Native Americans, and the dramatic narratives of Regionalist art combined with the passionate social commentary of Mexican murals – laid a foundation for Pollock’s unique artistic voice.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s witnessed a period of experimentation for Pollock as he sought alternatives to traditional brushwork, driven by a desire to capture spontaneity and emotion in his art. He began exploring various techniques, including pouring paint directly onto the canvas – an unconventional approach that would ultimately revolutionize painting. Around 1947, however, Pollock’s artistic trajectory underwent a radical transformation. Abandoning the easel entirely, he laid canvases directly on the floor of his studio, initiating what would become known as his “drip technique.” This involved dripping, splashing, and flinging paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process. This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction. Works like Blue Poles, with its vibrant blue hues and swirling patterns, became instantly iconic, capturing the public's imagination and solidifying Pollock’s reputation as a groundbreaking artist.

    Beyond the technical aspects of his technique, Pollock’s work explored profound themes related to human experience – anxiety, spirituality, and the search for meaning in a rapidly changing world. His paintings are often described as “action paintings,” reflecting the physical energy and process involved in their creation. The scale of these works—often monumental in size—further emphasized the immersive nature of Pollock’s artistic practice, inviting viewers to engage with his art on a visceral level.

    Influence and Historical Significance

    Jackson Pollock's impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City’s position as a global center for modern art, shifting the focus away from European dominance. Pollock's influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism. He wasn’t simply creating beautiful images; he was redefining what it meant to be an artist in the 20th century. His legacy continues to inspire artists today, demonstrating the power of experimentation, spontaneity, and emotional honesty in artistic creation. Despite initial skepticism from some critics, Pollock's work has since been recognized as a cornerstone of modern art, securing his place among the most important and influential figures in the history of painting.

    Kde si prečítať viac informácií

    Nájdite si toto online

    QR kód odkazujúci na stránku na stiahnutie One. Number 31, 1950

    originaluniqueart.com/sk/art/download/paul-jackson-pollock-one-number-31-1950-8EWJXM-en/

    Citovať toto dielo

    MLA
    Pollock, Paul Jackson. One. Number 31, 1950. n.d., https://originaluniqueart.com/sk/art/paul-jackson-pollock-one-number-31-1950-8EWJXM-en/
    APA
    Pollock, Paul Jackson (n.d.). One. Number 31, 1950 [Painting]. https://originaluniqueart.com/sk/art/paul-jackson-pollock-one-number-31-1950-8EWJXM-en/
    Chicago
    Paul Jackson Pollock. One. Number 31, 1950. n.d. https://originaluniqueart.com/sk/art/paul-jackson-pollock-one-number-31-1950-8EWJXM-en/
    Harvard
    Pollock, Paul Jackson (n.d.) One. Number 31, 1950. Available at: https://originaluniqueart.com/sk/art/paul-jackson-pollock-one-number-31-1950-8EWJXM-en/

    Pozrite si bližšie

    One. Number 31, 1950 — Paul Jackson Pollock

    Pozrite si bližšie

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. V našom katalógu je toto dielo zaúčtované pod: drip painting, color field, abstraction. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    4. Späť sa pozrite na dielo Číslo 1, 1949 (1950), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Kde sa to v tomto diele dá vidieť?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Umenlecký kvíz

    One. Number 31, 1950 — Paul Jackson Pollock

    Ako dobre poznáte toto dielo?

    Zvoľte jednu odpoveď pre každú z 5 otázok nižšie. Každá má presne jednu správnu odpoveď.

    1. 1. Which artistic movement is 'One: Number 31, 1950' considered a cornerstone of?

      • A Surrealism
      • B Abstract Expressionism
      • C Regionalism
    2. 2. What revolutionary technique did Jackson Pollock use to create this artwork?

      • A Impasto brushwork
      • B Pointillism
      • C Drip painting
    3. 3. Where is 'One: Number 31, 1950' currently held?

      • A The Metropolitan Museum of Art
      • B The Museum of Modern Art (MoMA)
      • C The Whitney Museum of American Art
    4. 4. How did Pollock typically position his canvas during the creation of this piece?

      • A Vertically on an easel
      • B Horizontally on the floor
      • C At a slight angle against a wall
    5. 5. Which color palette best describes the predominant tones in this painting?

      • A Bright, neon primary colors
      • B Earthy tones with splashes of black, white, and blue
      • C Monochromatic shades of green and brown

    Môj výsledok: ____ zo 5

    Kľúč k správnym odpovediam — pre učiteľa

    Táto strana začína novú vytlačenú stránku, takže ju môžete z kópií jednoducho vynechať.

    1A · 2B · 3A · 4B · 5A

    Skontrolujte každú odpoveď v porovnaní s katalógovým záznamom pre tento obraz

    Otázky a odpovede

    Ako si môžem pozrieť „One. Number 31, 1950“ od Paul Jackson Pollock v formie prezentácie?

    Diaporama diela „One. Number 31, 1950“ si môžete pozrieť na jeho stránke Prehliadanie diela.

    Sú farby diela „One. Number 31, 1950“ od Paul Jackson Pollock živé alebo tlmené?

    Saturácia farieb diela „One. Number 31, 1950“ je na úrovni Muted a ich intenzita je Monochromatic.

    Pod akými ďalšími menami je známy/á Paul Jackson Pollock?

    Paul Jackson Pollock sa objavuje aj pod inými menami: Jackson Pollock, Pollock, Paul Jackson.