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Going under Bye

Meno Trieda Dátum

Norman Stansfield Cornish, Going under Bye. Reprodukované len na ilustračné účely; všetky práva si vyhradzuje držiteľ autorských práv.

Základné informácie

Umenec
Norman Stansfield Cornish originaluniqueart.com/sk/artists/norman-stansfield-cornish/
Životné obdobia umelca
1919 – 2014
Pôvodná veľkosť
53 x 74 cm

V kontexte

Going under Bye — Norman Stansfield Cornish

Aká je jeho veľkosť?

Pôvodné rozmery sú 53 × 74 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.

Kedy mohlo byť toto dielo namalované?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Row above: the year. Row below: the artist's age in that year.

Shaded: životný príbeh Norman Stansfield Cornish (1919–2014)

Pri tomto zázname nie je v evidencii uvedené presné yılové obdobie — ak by ste brali do úvahy životný pomer umelca a štýl diela, ktoré dekády by ste odhadli?

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  • Pit Road at Night (recto) originaluniqueart.com/sk/art/norman-stansfield-cornish-pit-road-at-night-recto-AQSKZR-en/

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: originaluniqueart.com/sk/art/similar/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Rosy Brown #9ba289

    Uložená paleta

    • #9BA289
    • #242414
    • #7C7751
    • #52502E
    Dominantná farba
    Rosy Brown
    Saturácia
    Balanced Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Balanced Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Strong Color Unity Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Shadow Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Subtle Color Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Norman Stansfield Cornish over the last twelve months — 2 countries in all.

    The ten leading countries

    1. 1 Čína 75,0%
    2. 2 Argentína 25,0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Norman Stansfield Cornish

    1. 1 Self Portrait, 1950 25,0%
    2. 2 Pit Gantry Steps 25,0%
    3. 3 A Tired Pit Pony 25,0%
    4. 4 Going under Bye this painting 25,0%

    Together these works take 100,0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 14 works by this artist, of which 4 were looked at at least once. This painting ranks 4 of them, with 25,0% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Umenec a múzeum

    Umenec

    Norman Stansfield Cornish

    Norman Cornish: A Chronicle of the Pit and the Palette

    Norman Stansfield Cornish (1919-2014) wasn’t merely an artist; he was a living embodiment of Northern England's industrial heartland, meticulously rendered onto canvas and paper. His life story is inextricably linked to the mines that shaped his identity and fueled his artistic vision – a poignant narrative of a miner who traded his pickaxe for brushes, capturing the dignity, hardship, and enduring spirit of his community with an unparalleled sensitivity. Born in Spennymoor, County Durham, a town synonymous with coal mining, Cornish’s early life was defined by the rhythms of the pit, a reality that would profoundly influence every aspect of his work.

    Cornish's journey into art began unexpectedly. Initially destined for a career within the mines, he found solace and inspiration in the Spennymoor Settlement, a unique recreational and artistic hub established to provide social and cultural opportunities for the local community. It was here, amidst workshops and gatherings, that Cornish discovered his talent for drawing and painting – a revelation sparked by the encouragement of Bill Farrell, the Settlement’s warden, who recognized the potential within the miner's eye. This formative experience marked a pivotal shift in Cornish’s life, transforming him from a dedicated worker into an artist deeply invested in documenting the lives of his fellow miners.

    The ‘Pitman Painter’ and His Subjects

    Cornish quickly established himself as the foremost “Pitman Painter,” a title earned through his unwavering dedication to portraying the everyday realities of mining life. Unlike many artists who sought grand, romanticized depictions of industry, Cornish focused on the intimate details – the weary faces of men returning from their shifts, the damp and claustrophobic tunnels, the communal spaces where miners found respite and camaraderie. His paintings aren’t dramatic landscapes; they are studies in human endurance, resilience, and community spirit.

    His subjects weren't merely miners; they were families, friends, and neighbors – rendered with a remarkable warmth and empathy. Cornish captured not just the physical labor but also the emotional landscape of these communities, portraying their joys, sorrows, and unwavering bonds. He frequently depicted scenes from Gala Days, village fetes, and moments of shared celebration, offering glimpses into the social fabric of mining towns. His work is deeply rooted in realism, yet infused with an expressive quality that transcends mere representation. Thick impasto, dramatic lighting, and a muted color palette contribute to a sense of isolation and beauty, reflecting both the harshness and the inherent dignity of the pit.

    Technique and Influences

    Cornish’s artistic style evolved over time, influenced by a diverse range of sources. Initially, his work bore a strong resemblance to L.S. Lowry, with whom he maintained a close friendship and mutual admiration. However, Cornish quickly developed his own distinctive voice, characterized by bold brushstrokes, expressive use of color, and an intimate understanding of human psychology. He employed a technique known as “expressionism,” prioritizing emotional impact over strict realism. His paintings are not photographic representations but rather subjective interpretations of the world around him.

    The influence of his mining background is undeniable. Cornish’s meticulous observation of detail, combined with his deep understanding of light and shadow, created a powerful sense of atmosphere. He skillfully used texture to convey the roughness of the coal dust, the dampness of the tunnels, and the weight of the men's burdens. His use of color – predominantly browns, grays, and blues – evoked the somber mood of the mines while also capturing the warmth and resilience of the human spirit.

    Legacy and Recognition

    Norman Cornish’s work gained increasing recognition throughout his career, culminating in numerous exhibitions across Britain. He was celebrated for his ability to capture the essence of Northern England's mining communities with honesty, compassion, and artistic skill. His paintings are now held in major collections, including the National Museum of Wales and the Laing Art Gallery in Newcastle upon Tyne. Cornish’s legacy extends beyond his artistic achievements; he remains a symbol of resilience, community spirit, and the enduring power of art to document and celebrate the lives of ordinary people.

    In 2019, a ‘Norman Cornish Trail’ was created in Spennymoor, allowing visitors to trace the locations depicted in his paintings – a testament to his profound connection with his hometown. His life story serves as an inspiration, demonstrating how personal experience can be transformed into powerful and enduring art.

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    QR kód odkazujúci na stránku na stiahnutie Going under Bye

    originaluniqueart.com/sk/art/download/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

    Citácia diela

    MLA
    Cornish, Norman Stansfield. Going under Bye. n.d., https://originaluniqueart.com/sk/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    APA
    Cornish, Norman Stansfield (n.d.). Going under Bye [Painting]. https://originaluniqueart.com/sk/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    Chicago
    Norman Stansfield Cornish. Going under Bye. n.d. https://originaluniqueart.com/sk/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    Harvard
    Cornish, Norman Stansfield (n.d.) Going under Bye. Available at: https://originaluniqueart.com/sk/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

    Pozrite si bližšie

    Going under Bye — Norman Stansfield Cornish

    Detailný pohľad

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. Pozrite sa opätovne na Pit Gantry Steps, ktorú ste spomínali skôr v tejto príručke. Uveďte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, v ktorej sa líši.
    4. Čo by vás umelec mohol chcieť vyvolať v pocitoch?
    5. Keby ste mohli položiť umelcovi o tomto diele jednu otázku, čo by to bolo?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Otázky a odpovede

    Môžem použiť rozšírenú realitu na to, aby som si zobrazil „Going under Bye“ od Norman Stansfield Cornish vo svojej miestnosti?

    Dielo „Going under Bye“ od Norman Stansfield Cornish si môžete vyskúšať priamo na vašej stene pomocou rozšírenej reality na kompatibilnom zariadení na stránke AR náhľad pre AR náhľad.

    Môžem si objednať olejную reprodukciu diela "Going under Bye"?

    Ručne maľované kópie diela „Going under Bye“ od Norman Stansfield Cornish sú na predaj na táto webstránka: ručne maľovaná olejná reprodukcia na plátne z ľanu, objednať môžete cez táto stránka.

    Je k dispozícii vysokorozlíšiteľné stiahnutie diela „Going under Bye“?

    „Going under Bye“ je dostupný ako stiahnutie digitálneho obrázka vo vysokom rozlíšení, ktorý si môžete zakúpiť priamo na táto stránka.

    K ktorému umelcovi sa pripisuje dielo "Going under Bye"?

    Autorom diela „Going under Bye“ je Norman Stansfield Cornish. Prácu nájdete v katalógu pod menom Norman Stansfield Cornish.

    Aký tvar a rozmery má dielo „Going under Bye“ od Norman Stansfield Cornish?

    Formát diela „Going under Bye“ je Landscape a originál meria 53 x 74 cm. Obe informácie sú užitočné pri plánovaní reprodukcie.

    Je k dispozícii prezentácia pre „Going under Bye“ od Norman Stansfield Cornish?

    Dielo „Going under Bye“ od Norman Stansfield Cornish si môžete pozrieť ako diaporama na stránke Diaporama daného diela.

    Kde môžem kúpiť print diela „Going under Bye“ od Norman Stansfield Cornish?

    „Going under Bye“ je dostupný ako umelecká tlač na bavlnenom plátne alebo archivnom plátnovom papieri. Objednávky sa podávajú na táto stránka v rozmeroch podľa vašej voľby.