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Saint Jerome

Meno Trieda Dátum

Jusepe de Ribera, Saint Jerome (1630), Szépművészeti Múzeum. Verejná doména Pozrite si toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom, čistý pigment

Základné informácie

Umenec
Jusepe de Ribera originaluniqueart.com/sk/artists/jusepe-de-ribera_sk/
Životné obdobia umelca
1591 – 1652
Maľované
1630
Materiál
Oil On Canvas
Pôvodná veľkosť
123 x 95 cm
Pohyb
Baroque Painting Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Miesto konania
Szépművészeti Múzeum originaluniqueart.com/sk/museums/szepmuveszeti-muzeum-budapest_sk-1/
Artistic style
Dramatic, spiritual
Influences
Caravaggio
Notable elements
Tenebrism, realism
Subject or theme
Religious figure

V kontexte

Saint Jerome — Jusepe de Ribera

Aká je jeho veľkosť?

Pôvodné rozmery sú 123 × 95 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.

Kedy bolo toto vytvorené?

  1. 1590
  2. 1600
  3. 1610
  4. 1620
  5. 1630
  6. 1640
  7. 1650

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia — 0 pri narodení, 61 pri smrti.

Vytvorené v čase, keď mal umvec 39 rokov. Umenec dožil do veku 61. 17 z 61 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

Shaded: životný príbeh Jusepe de Ribera (1591–1652) ▲ toto dielo, 1630 každý datovaný obraz, dekáda po dekáde

Prvé diela: až do 1628 Hlavné pracovné roky: 1628–1639 Neskoré diela: od 1639

Tieto tri pásma delia diela, ktoré tento katalóg obsahuje, na prvé štvrtinu, strednú polovicu a poslednú štvrtinu. Ne predstavujú úplný výsadok umelca: ten úzky úsek môže byť skôr chýbajúc záznam v archíve než obdobie menšej aktivity. Tie isté roky, v ktorých sa odráža život umelca

Podobné diela

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: originaluniqueart.com/sk/art/similar/jusepe-de-ribera-saint-jerome-D3ZBF3-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Phthalo Green #2c241f

    Uložená paleta

    • #2C241F
    • #886C47
    • #483627
    • #B59F7D

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Earthy Dominantná farebná skupina na obraze.
    Dominantná farba
    Phthalo Green
    Saturácia
    Monochromatic Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Gentle Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Strong Color Unity Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Deep_shadow Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Muted Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa ich dal zmapovať, preto táto karta uvádza každé dielo od Jusepe de Ribera za posledných dvanásteros月的 — celkovo 16 krajín. Z ktorej časti sveta pochádzajú tieto údaje

    Desať vedúcich krajín

    1. 1 Čína 71,1%
    2. 2 Spojené štáty americké 7,2%
    3. 3 Hongkong 5,4%
    4. 4 Taliansko 4,2%
    5. 5 Singapur 3,0%
    6. 6 Francúzsko 2,4%
    7. 7 Južná Kórea 1,2%
    8. 8 Argentína 0,6%
    9. 9 Brazília 0,6%
    10. 10 Maďarsko 0,6%
    11. · 6 ďalšie krajiny 3,7%

    Nájdite na mape tri najtmavšie krajiny. Nachádza sa múzeum, ktoré uchováva tento obraz, v ktorejkoľom z nich? Napíšte jeden dôvod, prečo by sa naň mohli pozerať ľudia zďaleka.

    20 najsledovanejších diel umelca Jusepe de Ribera

    1. 1 Martyrdom of Saint Bartholomew, 1644 4,4%
    2. 2 Man Tied to a Tree, and a Figure Resting, 1635 2,2%
    3. 3 Christ with crown of thorns 2,2%
    4. 4 Jacob's Dream 1,7%
    5. 5 Saint Michael Archangel 1,7%
    6. 6 Mučení Bartolomea 1,7%
    7. 7 Clubfooted boy 1,7%
    8. 8 Penitent St. Gerome 1,7%
    9. 9 St. Thomas 1 1,7%
    10. 10 Apollo flaying Marsyas 1,7%
    11. 11 The Martyrdom of Saint Lawrence 1,7%
    12. 12 Pitagoras 1,7%
    13. 13 St. Jerome penitente, 1652 1,7%
    14. 14 St. Jerome, 1644 1,7%
    15. 15 Svätý Sebastián pozornosťou svätej Irene, 1628 1,7%
    16. 16 St. Jerome, 1651 1,7%
    17. 17 St. Onuphrius, 1637 1,7%
    18. 18 Archimedes, 1630 1,7%
    19. 19 The Martyrdom of Saint Bartholomew, 1634 1,1%
    20. 24 Saint Jerome, 1630 tento obraz 1,1%

    Spolu tieto diela si 차지li 36,5% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 329 diel tohto umelca, z ktorých bolo 113 aspoň raz pozretých. Tento obraz sa v tomto poriadí umiestňuje na 24 mieste, pričom získal 1,1% takejto pozornosti. Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    O tomto umedení

    Saint Jerome — Jusepe de Ribera

    The Weight of Faith: Jusepe de Ribera’s “Saint Jerome”

    Jusepe de Ribera's "Saint Jerome," painted circa 1638-40, isn’t merely a portrait; it’s an immersion into the soul of a man wrestling with divine purpose and earthly suffering. This monumental work, currently residing in the Cleveland Museum of Art, exemplifies Ribera’s signature style – a dramatic blend of tenebrism, raw realism, and profound spiritual intensity that secured his place as one of the most significant artists of the Spanish Baroque era. More than just depicting a biblical figure, Ribera captures a universal struggle with faith, repentance, and the burden of divine responsibility.

    The painting immediately commands attention through its masterful use of light and shadow. Ribera employs a technique known as chiaroscuro – a stark contrast between intensely illuminated areas and deep, enveloping darkness – to sculpt the figure of Saint Jerome from the gloom. The saint’s face, partially obscured by shadow, is rendered with an almost photographic realism, capturing every wrinkle, furrow, and the haunted expression etched upon his brow. This deliberate obscurity draws the viewer in, forcing a contemplative engagement with the subject's inner turmoil.

    A Study of Penance and Revelation

    Saint Jerome, traditionally depicted as the hermit who translated the Bible into Latin, is presented here not as a serene scholar but as a man consumed by his task. He’s shown in a desolate landscape – a barren desert, rendered with muted browns and ochres – beating his breast with a stone, an act of self-flagellation symbolizing repentance and devotion. The inclusion of a skull beneath his hand is a potent reminder of mortality and the vanity of earthly pursuits, urging viewers to contemplate their own spiritual journeys.

    The composition itself is carefully constructed to amplify this sense of drama. Ribera utilizes a pyramidal structure, with Jerome’s figure forming the apex, drawing the eye upwards and emphasizing his importance within the scene. The outstretched hand holding a scroll – bearing the words of the Vulgate Bible – represents not just the accomplishment of translating scripture but also the weight of that responsibility. It's a visual declaration of faith undertaken with profound humility.

    The Caravaggisti Influence & Spanish Roots

    Ribera’s style is deeply rooted in the artistic innovations of Michelangelo Merisi da Caravaggio, whom he encountered and profoundly admired during his time in Rome. Like Caravaggio, Ribera favored dramatic lighting, intense realism, and a focus on human emotion. However, Ribera infused this Italian influence with distinctly Spanish sensibilities – a heightened sense of drama, a darker palette, and an unflinching portrayal of the human condition. The painting’s somber mood reflects the prevailing religious fervor and social anxieties of 17th-century Spain.

    Born in Xativa, Valencia, in 1591, Ribera's life was marked by hardship and exile. He spent much of his career in Naples, where he established a prolific workshop and cultivated a devoted following. His paintings often depict scenes of martyrdom, poverty, and religious ecstasy – subjects that resonated deeply with the social realities of the time. “Saint Jerome” is a testament to Ribera’s ability to transform historical narratives into emotionally resonant works of art.

    A Timeless Meditation on Faith

    Saint Jerome” transcends its biblical subject matter, offering a timeless meditation on faith, repentance, and the human struggle for spiritual understanding. The painting's power lies not just in its technical brilliance but also in its ability to evoke a profound sense of empathy and contemplation. It’s a work that invites viewers to consider their own relationship with faith, mortality, and the enduring weight of responsibility – a truly remarkable achievement of the Spanish Baroque.

    Umenec a múzeum

    Umenec

    Jusepe de Ribera

    Miesto narodenia Xativa, Španielsko

    A Life Forged in Shadow and Light

    Jusepe de Ribera, známy ako Lo Spagnoletto – “Malý Španiel” – bol obdivuhodný umelec barokovej éry, ktorého plátna pulzovali dramatickou intenzitou a bezkompromisnou realistickosťou. Narodil sa v Xàtiva, Španielsko, v roku 1591, a jeho cesta ho odviedla ďaleko od svojich valencijských korienov, čím sa etabloval ako jeden z najvýznamnejších maliarov 17. storočia v Neapole, meste pod španielskou nadvládou. Život Ribery nebol len kronikou umeleckého rozvoja; bol to príbeh spletený s ťažkosťami, ambíciami a nezlomným záväzkom k zobrazovaniu ľudskej existencie v jej čoraz väčšej krúžnosti. A hoci skoré životopisné detaily zatiaľ zahalené v nejakej závoji, vieme, že sa usadil v Taliansku okolo roku 1607, najprv v Ríme a neskôr sa v roku 1616 presťahol do Neapolu – mesta, ktoré sa stalo jeho umeleckým domovom a krízovým bodom pre jeho jedinečný štýl. Jeho manželstvo s Caterínou Azzolino, dcérou miestneho maliara, ďalej posilnilo jeho väzby k neapolskému umelníckeho prostredia, umožňujúc mu rozkvitnúť v jeho živajúcom, no často turbulentnom, prostredí.

    The Embrace of Tenebrism and Realist Vision

    Umelecké vzdelanie Ribery bolo hlboko ovplyvnené prúdmi talianskych maľieb. Vplyv Caravaggia je nepopriateľiteľný; Ribera absorboval revolucionárnu techniku Caravaggia – dramatickú interakciu svetla a tieňa – na vytváranie scén nabitých emocionálnou silou. Avšak on ju neukrádli. Syntetizoval túto techniku s prvkami získanými od iných majstrov, ako je Guido Reni, pričom integroval klasickú citlivosť do svojich kompozícií zatiaľ čo si uchovával vulgárny dopad Caravaggiaovej realizmu. Táto fúzia viedla k štýlu jedinečnému pre neho: charakterizovanému ostrými kontrastmi, intenzívne zameranými postavami a takmer brutálnou úprimnosťou pri zobrazovaní ľudského utrpenia a duchovnej extázie. Jeho skoré diela, ako je Umučenie sväteho Bartolomeja, exemplifikujú tento prístup – znepokojivé zobrazovanie bolesti zobrazené s bezkompromisným detailom. Nebol ochotný odmietať fyzické reality mučení, zkrivené postavy, napäté svaly, dokonca aj textúra pokožky a kostí. Tento záväzok k realizmu sa rozširoval aj mimo náboženské motívy; jeho portréty chudobných ľudí a bežnejších obyvateľov, často zobrazované ako filozofi alebo svätci, boli vted' revolucionárne v tom, že zdvihli marginalizovaných na úroveň dôstojnosti a významu, akú zriedka videli v umení.

    A Career Across Genres and Evolving Styles

    Ribera’s artistic output was remarkably diverse. While he is perhaps best known for his religious paintings – scenes of martyrdom, depictions of saints, and dramatic biblical narratives – he also excelled in portraiture, still life, and even landscape painting. His *Saint Jerome and the Angel*, for instance, showcases a softer, more contemplative side to his artistry, while still retaining the characteristic dramatic lighting that defines his work. Throughout his career, Ribera’s style underwent subtle but significant evolutions. His earlier paintings are marked by an almost austere realism and a stark use of tenebrism. As he matured, particularly after establishing himself firmly in Naples, his palette became richer, his compositions more complex, and his lighting somewhat softened. However, the core elements of his Baroque aesthetic – the emotional intensity, the dramatic narratives, and the unwavering commitment to portraying human experience with honesty – remained constant. He was a master craftsman, capable of rendering textures with astonishing precision, from the rough fabric of a beggar’s cloak to the smooth skin of a youthful saint.

    Key Works and Influences

    Ribera's work is characterized by its dramatic intensity and unflinching realism. His most famous paintings include The Martyrdom of Saint Bartholomew, The Lamentation over the Dead Christ, *Saint Jerome in the Wilderness, and The Penitent St. Peter*. He was deeply influenced by Caravaggio, but also drew inspiration from other masters such as Guido Reni and Michelangelo. Ribera’s use of tenebrism – the dramatic contrast between light and shadow – created a sense of drama and emotional intensity that is characteristic of Baroque art. His paintings often depict scenes of suffering and torment, reflecting his own belief in the importance of faith and redemption.

    Legacy and Lasting Influence

    Jusepe de Ribera’s impact on the art world extended far beyond his Neapolitan workshop. He became a pivotal figure in Spanish Baroque painting, alongside masters like Velázquez, Zurbarán, and Murillo. His innovative use of tenebrism and his unflinching realism influenced generations of artists throughout Europe. His work resonated with those seeking to break away from the idealized forms of Renaissance art and embrace a more visceral, emotionally charged style. Even later artists drew inspiration from his dramatic compositions and powerful depictions of human suffering. Today, Ribera’s paintings are housed in prestigious museums around the world – the Museo del Prado in Madrid, the National Gallery of Art in Washington D.C., and numerous institutions across Europe – ensuring that his legacy continues to inspire and captivate audiences centuries after his death in 1652. He stands as a testament to the power of art to confront difficult truths, explore the depths of human emotion, and illuminate the enduring spirit of faith and resilience.

    Múzeum

    Szépművészeti Múzeum

    Vystavené v Budapešť, Maďarsko

    A Palace of Visions: Unveiling the Szépművészeti Múzeum in Budapest

    Nestled within the imposing grandeur of Heroes’ Square – a monumental space itself steeped in Hungarian history and national identity – lies the Szépművészeti Múzeum, or Museum of Fine Arts. More than simply a repository for artistic treasures, it is an architectural statement of ambition, a testament to Europe's rich artistic journey, and a building designed not merely to house art, but to become art itself. Completed in 1906 by the esteemed architects Albert Schickedanz and Fülöp Herzog, this neoclassical palace whispers tales of bold vision, deliberate exclusion, and an unwavering commitment to presenting the very best of European artistic heritage – a story that continues to unfold within its golden-hued walls.

    The initial conception of the museum was remarkably strategic. Unlike many institutions of its time, the Szépművészeti Múzeum deliberately excluded Hungarian art from its early collections, establishing an international perspective and prioritizing a survey of European masterpieces. This decision, born out of a desire to cultivate a truly cosmopolitan collection, shaped the museum’s trajectory and continues to inform its curatorial approach today. The palace itself was meticulously designed to reflect this ethos – a deliberate departure from the prevailing trends of the era, favoring a grand, classical style that spoke to Europe's artistic past while simultaneously embracing modern sensibilities.

    Architectural Majesty: A Symphony in Stone and Light

    The building’s architectural significance is immediately arresting. The façade, bathed in the warm glow of Hungarian sunlight, is an intricate tapestry of sculpted figures representing various artistic movements – a visual encyclopedia of European art history rendered in stone. Each figure, painstakingly crafted by renowned sculptors, embodies a different era and style, creating a dynamic and engaging spectacle for visitors. Beyond the facade, the interior spaces are equally impressive, boasting soaring ceilings adorned with elaborate frescoes, marble floors that gleam under the light, and meticulously restored rooms that evoke the elegance of the early 20th century. The architects skillfully blended neoclassical ideals – symmetry, proportion, and grandeur – with a touch of modern innovation, resulting in a building that is both timelessly beautiful and remarkably functional.

    A Panorama of European Art: Highlights from Antiquity to Today

    Within its walls, the Szépművészeti Múzeum boasts an astonishing collection exceeding 100,000 pieces, meticulously organized into six distinct departments that offer a comprehensive overview of European art history. The museum’s highlights are truly captivating, ranging from ancient Egyptian artifacts to contemporary works. A visit is a journey through time and style, beginning with the breathtaking Egyptian Collection – a miniature replica of the famed halls of Cairo, housing monumental sarcophagi guarding pharaohs and intricate hieroglyphic inscriptions that narrate tales of gods and rulers. Moving forward, one encounters captivating Greek and Roman sculptures, embodying the enduring legacy of Western artistic tradition; Old Master paintings by masters like Maso di Banco and Raphael’s poignant “Esterhazy Madonna,” alongside Rubens' dramatic "Mucius Scaevola Before Porsenna"; a vibrant Dutch Masters Wing showcasing Rembrandt’s evocative portraits and Vermeer’s serene landscapes; and, crucially, the Department of Drawings and Prints – a treasure trove containing Leonardo da Vinci’s preparatory sketches for “The Battle of Anghiari,” offering an unparalleled glimpse into the artist's creative process. The collection also houses a remarkable equestrian sculpture tentatively attributed to Leonardo da Vinci—a testament to the museum’s dedication to preserving even the most enigmatic aspects of artistic history.

    Beyond the Icons: Unveiling Hidden Gems

    While the museum is undoubtedly renowned for its iconic works, it offers far more than just familiar masterpieces. The collection extends beyond celebrated paintings and sculptures to encompass intimate drawings, striking sculptures, and captivating prints – providing a richer, more nuanced understanding of European art history. Particular attention should be drawn to the Old Sculpture Collection, which includes a fascinating equestrian sculpture tentatively attributed to Leonardo da Vinci—a testament to the museum’s dedication to preserving even the most enigmatic aspects of artistic history. The sheer breadth and depth of the collection ensure that every visitor will discover something new and unexpected.

    A Living Legacy: Engagement and Innovation

    The Szépművészeti Múzeum is not merely a static museum; it’s a vibrant cultural hub actively fostering appreciation for the arts. Through rotating exhibitions, engaging educational programs, and ongoing research initiatives, the museum remains remarkably relevant in an ever-changing world. Workshops, lectures, and family activities are designed to inspire curiosity and foster a deeper connection with European art heritage. Located within Heroes’ Square – a symbolic heartland of Hungarian national identity – the museum continues to evolve, ensuring its place as a vital contributor to Budapest's thriving artistic scene. For more information on current exhibitions and events, please visit:

    https://www.mfab.hu/

    Viac informácií si môžete prečítať tu

    Získajte informácie online

    QR kód odkazujúci na stránku na stiahnutie Saint Jerome

    originaluniqueart.com/sk/art/download/jusepe-de-ribera-saint-jerome-D3ZBF3-en/

    Citácia diela

    MLA
    Ribera, Jusepe de. Saint Jerome. 1630, Szépművészeti Múzeum. https://originaluniqueart.com/sk/art/jusepe-de-ribera-saint-jerome-D3ZBF3-en/
    APA
    Ribera, Jusepe de (1630). Saint Jerome [Painting]. Szépművészeti Múzeum. https://originaluniqueart.com/sk/art/jusepe-de-ribera-saint-jerome-D3ZBF3-en/
    Chicago
    Jusepe de Ribera. Saint Jerome. 1630. Szépművészeti Múzeum. https://originaluniqueart.com/sk/art/jusepe-de-ribera-saint-jerome-D3ZBF3-en/
    Harvard
    Ribera, Jusepe de (1630) Saint Jerome. Szépművészeti Múzeum. Available at: https://originaluniqueart.com/sk/art/jusepe-de-ribera-saint-jerome-D3ZBF3-en/

    Pozrite si bližšie

    Saint Jerome — Jusepe de Ribera

    Detailný pohľad

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. V našom katalógu je toto dielo zaúčtované pod: saint jerome, biblical figure, religious art. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    4. Späť sa pozrite na dielo St. Jerome penitente (1652), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    5. Baroque Painting: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Kde sa to v tomto diele dá vidieť?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Umenlecký kvíz

    Saint Jerome — Jusepe de Ribera

    Ako dobre poznáte toto dielo?

    Zvoľte jednu odpoveď pre každú z 5 otázok nižšie. Každá má presne jednu správnu odpoveď.

    1. 1. What is the primary subject depicted in Jusepe de Ribera’s ‘Saint Jerome’?

      • A A wealthy merchant contemplating his riches.
      • B A devout monk engaged in prayer and penance.
      • C A triumphant warrior celebrating a victory.
    2. 2. The painting ‘Saint Jerome’ is characterized by which artistic technique?

      • A Soft, blended colors and delicate brushstrokes.
      • B Dramatic contrasts between light and dark (tenebrism).
      • C A focus on detailed naturalistic representation of landscapes.
    3. 3. In what city was Jusepe de Ribera born?

      • A Rome, Italy.
      • B Valencia, Spain.
      • C Naples, Italy.
    4. 4. Approximately when was ‘Saint Jerome’ painted?

      • A 1607-1612
      • B 1622-1625
      • C 1642-1645
    5. 5. The skull depicted in ‘Saint Jerome’ symbolizes which concept?

      • A Divine grace and salvation.
      • B Human vanity and mortality.
      • C The power of faith.

    Môj výsledok: ____ zo 5

    Kľúč k správnym odpovediam — pre učiteľa

    Táto strana začína novú vytlačenú stránku, takže ju môžete z kópií jednoducho vynechať.

    1B · 2B · 3C · 4B · 5B

    Skontrolujte každú odpoveď v porovnaní s katalógovým záznamom pre tento obraz

    Otázky a odpovede

    Akú mieru kontrastu predstavuje „Saint Jerome“ od Jusepe de Ribera?

    Svetlo-tmavý kontrast diela „Saint Jerome“ je zaznamenaný ako Gentle. Kontrast popisuje, ako výrazne sa líšia svetlé a tmavé oblasti.

    Patrí „Saint Jerome“ od Jusepe de Ribera do verejnej domény?

    Čo sa týka autorských práv, „Saint Jerome“ je v v verejnom vlastníctve – autorské práva vypršali.

    Ako "Saint Jerome" vyvažuje svetlo a tieň?

    Jasnosť diela „Saint Jerome“ od Jusepe de Ribera je zaznamenaná ako deep_shadow pri luminancii Dark.