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Wood Duck

Meno Trieda Dátum

Jane Kim, Wood Duck (2015), Cornell Lab of Ornithology. Reprodukované len na ilustračné účely; všetky práva si vyhradzuje držiteľ autorských práv. Pozrite si toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom, čistý pigment

Základné informácie

Umenec
Jane Kim originaluniqueart.com/sk/artists/jane-kim_sk/
Životné obdobia umelca
1981 –
Maľované
2015
Materiál
Acrylic On Canvas
Pohyb
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Miesto konania
Cornell Lab of Ornithology originaluniqueart.com/sk/museums/cornell-lab-of-ornithology-ithaca_sk/
Artistic style
Realism, illustration
Influences
Audubon, Thayer
Notable elements or techniques
Detailed plumage, layered colors
Subject or theme
Wildlife, birding

V kontexte

Wood Duck — Jane Kim

Kedy bolo toto vytvorené?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia, pričom rok narodenia sa počíta ako 0.

Vytvorené v čase, keď mal umvec 34 rokov. 0 z 55 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

▲ toto dielo, 2015 každý datovaný obraz, dekáda po dekáde

Podobné diela

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: originaluniqueart.com/sk/art/similar/jane-kim-wood-duck-DD2KFN-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Putty #c3c0b9

    Uložená paleta

    • #C3C0B9
    • #4A343E
    • #DFDEE0
    • #897A81

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Neutrals Dominantná farebná skupina na obraze.
    Dominantná farba
    Putty
    Saturácia
    Monochromatic Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Balanced Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Discordant Palette Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Brilliant Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Muted Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa ich dal zmapovať, preto táto karta uvádza každé dielo od Jane Kim za posledných dvanásteros月的 — celkovo 2 krajín. Z ktorej časti sveta pochádzajú tieto údaje

    Desať vedúcich krajín

    1. 1 Čína 85,7%
    2. 2 Spojené štáty americké 14,3%

    Nájdite na mape tri najtmavšie krajiny. Nachádza sa múzeum, ktoré uchováva tento obraz, v ktorejkoľom z nich? Napíšte jeden dôvod, prečo by sa naň mohli pozerať ľudia zďaleka.

    17 najsledovanejších diel umelca Jane Kim

    1. 1 South America mural detail, 2015 11,8%
    2. 2 Sapayoa, 2015 5,9%
    3. 3 Shoebill, 2015 5,9%
    4. 4 Gray-crowned Babbler, 2015 5,9%
    5. 5 Oilbird, 2015 5,9%
    6. 6 Magpie Goose, 2015 5,9%
    7. 7 American Oystercatcher, 2015 5,9%
    8. 8 Pale-winged Trumpeter, 2015 5,9%
    9. 9 Black Caiman, 2015 5,9%
    10. 10 Oriental Darter, 2015 5,9%
    11. 11 Europe and Eurasia mural detail, 2015 5,9%
    12. 12 Gastornis, 2015 5,9%
    13. 13 Africa and Madagascar mural detail, 2015 5,9%
    14. 14 Pelagornis, 2015 5,9%
    15. 15 Microraptor, 2015 5,9%
    16. 16 Tiktaalik, 2015 5,9%
    17. — Wood Duck, 2015 tento obraz 0,0%

    Spolu tieto diela si 차지li 100,0% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 55 diel tohto umelca, z ktorých bolo 16 aspoň raz pozretých. Tento obraz si v tomto období nikto ešte nepozeral — uzatvára zoznam bez uvedeného poradia. Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    O tomto umedení

    Wood Duck — Jane Kim

    A Symphony in Teal and Crimson: Unveiling Jane Kim’s “Wood Duck”

    Jane Kim's "Wood Duck," a breathtaking watercolor illustration rendered with the meticulous detail of scientific precision, isn’t merely a depiction of two birds; it’s an immersion into the vibrant heart of North American wildlife. Completed in 2015 as part of a monumental mural commissioned by the Cornell Lab of Ornithology, this piece stands as a testament to Kim's extraordinary talent and her deep-seated passion for celebrating the natural world through art. The painting captures a male wood duck and a cardinal, positioned against a subtly textured beige backdrop that allows their plumage—a riot of blues, greens, browns, creams, and fiery reds—to command immediate attention. It’s an artwork that speaks to both the scientific rigor of observation and the pure joy of witnessing beauty in its most intricate form.

    A Masterclass in Observation and Technique

    Kim's technique is a captivating blend of realism and illustrative artistry. The piece appears to be executed primarily with colored pencils, or perhaps a similar fine art medium known for layering and blending—a deliberate choice that lends an incredible sense of texture and depth. Each feather is rendered with painstaking detail, capturing the subtle variations in color and tone that define their unique structure. Soft blending creates smooth transitions between hues, avoiding harsh edges and fostering a feeling of softness and fluffiness, as if you could reach out and gently touch the birds’ feathers. The artist's use of line work is equally precise, defining the contours of the bodies with confident strokes while maintaining an overall sense of fluidity. The composition itself—a deliberate placement of the wood duck on the right and the cardinal to its left—creates a dynamic visual dialogue, inviting the viewer to contemplate their relationship within the broader ecosystem.

    Echoes of Audubon and the Legacy of Scientific Illustration

    “Wood Duck” resonates deeply with the legacy of John James Audubon, one of the most celebrated ornithologists and artists of the 19th century. Like Audubon’s meticulous studies, Kim's work is rooted in a profound understanding of avian anatomy and behavior. The painting draws inspiration from Audubon’s own detailed illustrations of wood ducks, capturing their characteristic coloration and posture with remarkable accuracy. However, Kim transcends mere replication; she imbues the piece with her own artistic sensibility, adding a layer of contemporary beauty and emotional resonance. The influence of scientific illustration is also evident—a commitment to documenting nature with precision and clarity, while simultaneously elevating it to an object of aesthetic appreciation. The painting’s almost photographic quality speaks to this dedication.

    Symbolism and the Language of Nature

    Beyond its technical brilliance, “Wood Duck” carries a subtle yet powerful symbolic weight. The wood duck itself is often associated with resilience, adaptability, and the quiet beauty of the wilderness. Its vibrant plumage—a complex tapestry of blues, greens, and browns—represents the richness and diversity of the natural world. The cardinal, with its striking red coloration, symbolizes passion, energy, and a connection to the heart. Together, these two birds embody the interconnectedness of life within an ecosystem. The choice to depict them in this specific pose – the wood duck stepping forward, the cardinal partially turned away—suggests movement, interaction, and a fleeting moment captured in time. The painting serves as a gentle reminder of the importance of conservation efforts and our responsibility to protect these remarkable creatures and their habitats.

    This stunning reproduction captures the essence of Kim’s original artwork, offering a timeless tribute to the beauty and wonder of North American wildlife.

    Umenec a múzeum

    Umenec

    Jane Kim

    Miesto narodenia New York, USA

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Múzeum

    Cornell Lab of Ornithology

    Vystavené v Ithaca, USA

    MUSEUM INFORMATION: Cornell Lab of Ornithology

    Nestled in the rolling hills of Ithaca, New York, the Cornell Lab of Ornithology transcends the typical definition of a research institution; it is a vibrant testament to our enduring connection with the avian world. Founded in 1915 by Arthur A. Allen – a visionary who championed the formal study of birds – the Lab has blossomed into a global hub for ornithological science, conservation, and citizen engagement. From its humble beginnings within Cornell University's entomology department to its current state-of-the-art facilities at Sapsucker Woods Sanctuary, the story of the Cornell Lab is one of passionate dedication and groundbreaking discovery. It’s a place where scientific rigor dances with public enthusiasm, fostering a unique environment that invites everyone to look up and listen. The very essence of the Lab lies in its ability to transform casual birdwatchers into invaluable scientific contributors, pioneering a spirit of collective observation that has revolutionized our understanding of avian life.

    A Sanctuary of Wings and Wonder: Exploring the Cornell Lab of Ornithology

    History & Founding Visionaries

    Architectural Harmony with Nature – The Imogene Powers Johnson Center

    Citizen Science Initiatives: eBird & Beyond

    Celebrating Avian Biodiversity Through Observation and Research

    History & Founding Visionaries

    The Cornell Lab’s genesis can be traced back to Arthur Allen, a fervent advocate for systematic bird research who secured the establishment of the first graduate program in ornithology at Cornell University. Recognizing the importance of understanding avian populations and their habitats, Allen envisioned a collaborative effort between scientists and enthusiasts—a bold step forward in ornithological scholarship. Alongside Lyman Stuart, a businessman with an unwavering passion for conservation, donors, and landowners contributed generously to securing land for Sapsucker Woods Sanctuary. This pivotal moment solidified the Lab’s commitment to preserving birdlife and fostering scientific exploration within a breathtaking natural setting. The Lab's name itself—Sapsucker Woods—came from the discovery of the first breeding pair of yellow-bellied sapsuckers ever recorded in the Cayuga Lake Basin, an event that captivated Allen and inspired the sanctuary’s enduring symbol.

    Architectural Harmony with Nature – The Imogene Powers Johnson Center

    The Imogene Powers Johnson Center for Birds and Biodiversity stands as a testament to this core principle—a building designed not merely to house research but to seamlessly integrate into its surroundings. Opened in 2003, the Visitor Center embodies the Lab’s ethos of connection with nature through innovative architectural design. Situated within Sapsucker Woods Sanctuary, it utilizes natural materials and expansive windows to maximize views of the forest canopy and pond ecosystem—creating an immersive experience for visitors. The building's orientation and landscaping choices prioritize sunlight exposure and airflow, minimizing energy consumption while fostering a tranquil atmosphere conducive to contemplation and learning about avian ecology.

    Citizen Science Initiatives: eBird & Beyond

    At the heart of Cornell Lab’s mission lies its embrace of citizen science—a transformative approach that empowers individuals worldwide to contribute meaningfully to scientific advancement. The cornerstone of this endeavor is eBird, an online database fueled by the observations of birdwatchers across continents. Imagine a real-time map constantly updated by thousands of eyes, revealing the intricate movements of feathered travelers—a breathtaking visualization of interconnectedness and demonstrating how collective observation unlocks profound insights into avian life on Earth. Complementing this digital marvel is All About Birds, an award-winning website offering exhaustive profiles of North American species—a treasure trove of identification tips, life history details, and captivating sound recordings. These resources aren’t simply informative; they ignite curiosity and inspire conservation efforts, fostering a spirit of collaborative exploration that has fundamentally reshaped our understanding of bird distribution and behavior.

    Celebrating Avian Biodiversity Through Observation and Research

    Cornell Lab's dedication extends beyond data collection; it champions active engagement with the natural world through projects like NestWatch and Celebrate Urban Birds, empowering people to become stewards of avian populations. Furthermore, “Bird Cams” provide unprecedented access into nesting birds’ daily lives—a window into delicate dramas unfolding within avian families—demonstrating that scientific rigor can coexist harmoniously with public fascination. Ultimately, Cornell Lab embodies a holistic vision: integrating research, education, and conservation to address the multifaceted challenges facing bird populations in an era of rapid environmental change. It serves as a powerful reminder that everyone possesses a role to play in safeguarding the future of these magnificent creatures and their habitats—a legacy built not just on scientific discoveries but on inspiring wonder and responsibility across generations.

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    Získajte informácie online

    QR kód odkazujúci na stránku na stiahnutie Wood Duck

    originaluniqueart.com/sk/art/download/jane-kim-wood-duck-DD2KFN-en/

    Citácia diela

    MLA
    Kim, Jane. Wood Duck. 2015, Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-wood-duck-DD2KFN-en/
    APA
    Kim, Jane (2015). Wood Duck [Painting]. Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-wood-duck-DD2KFN-en/
    Chicago
    Jane Kim. Wood Duck. 2015. Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-wood-duck-DD2KFN-en/
    Harvard
    Kim, Jane (2015) Wood Duck. Cornell Lab of Ornithology. Available at: https://originaluniqueart.com/sk/art/jane-kim-wood-duck-DD2KFN-en/

    Pozrite si bližšie

    Wood Duck — Jane Kim

    Detailný pohľad

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. V našom katalógu je toto dielo zaúčtované pod: birds, wildlife, mural. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    4. Späť sa pozrite na dielo Veľký vrabec (2015), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Kde sa to v tomto diele dá vidieť?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Umenlecký kvíz

    Wood Duck — Jane Kim

    Ako dobre poznáte toto dielo?

    Zvoľte jednu odpoveď pre každú z 5 otázok nižšie. Každá má presne jednu správnu odpoveď.

    1. 1. What is the primary subject of this painting?

      • A A lone wolf in a forest
      • B Two birds: a wood duck and a cardinal
      • C A still life of fruit and flowers
    2. 2. What medium is most likely used to create this artwork?

      • A Oil paint
      • B Colored pencils
      • C Watercolor
    3. 3. The artist, Jane Kim, is primarily known for her work in:

      • A Abstract expressionism
      • B Large-scale conservation murals
      • C Portraiture
    4. 4. The background of the painting is described as:

      • A A vibrant green forest
      • B A muted beige or light grey
      • C A dark, stormy sky
    5. 5. According to the description, what is a key characteristic of the wood duck's plumage?

      • A It is predominantly brown with subtle grey markings.
      • B It features a complex array of blues, greens, browns, and creams.
      • C It consists mainly of bright red colors.

    Môj výsledok: ____ zo 5

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    Otázky a odpovede

    Akú saturáciu farieb má „Wood Duck“ od Jane Kim?

    „Wood Duck“ od Jane Kim je zachytené s Muted saturáciou.

    Aká je technika a dátum vytvorenia diela „Wood Duck“ od Jane Kim?

    Dielo „Wood Duck“ bolo vytvorené v roku 2015 pomocou techniky Acrylic On Canvas. Materiál a dátum popisujú, ako a kedy bol originál vytvorený.

    Patrí dielo „Wood Duck“ medzi najobľúbenejšie práce autora Jane Kim?

    Úroveň popularity zaznamenaná pre „Wood Duck“ od Jane Kim je Recognized.