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Longipteryx

Meno Trieda Dátum

Jane Kim, Longipteryx (2015), Cornell Lab of Ornithology. Reprodukované len na ilustračné účely; všetky práva si vyhradzuje držiteľ autorských práv. Pozrite si toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom, čistý pigment

Základné informácie

Umenec
Jane Kim originaluniqueart.com/sk/artists/jane-kim_sk/
Životné obdobia umelca
1981 –
Maľované
2015
Materiál
Acrylic
Pohyb
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Miesto konania
Cornell Lab of Ornithology originaluniqueart.com/sk/museums/cornell-lab-of-ornithology-ithaca_sk/
Artistic style
Realistic, scientific
Influences
Ornithology
Notable elements
Detailed line work
Subject or theme
Avian life, flight

V kontexte

Longipteryx — Jane Kim

Kedy bolo toto vytvorené?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia, pričom rok narodenia sa počíta ako 0.

Vytvorené v čase, keď mal umvec 34 rokov. 0 z 55 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

▲ toto dielo, 2015 každý datovaný obraz, dekáda po dekáde

Podobné diela

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: originaluniqueart.com/sk/art/similar/jane-kim-longipteryx-DD2KDM-en/

Farby

Zmerané z obrazu

    Hlavná farba

    White #f4f5ef

    Uložená paleta

    • #F4F5EF
    • #B8B9B8
    • #D7D7D5
    • #EDEEE8

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Monochrome Dominantná farebná skupina na obraze.
    Dominantná farba
    White
    Saturácia
    Monochromatic Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Serene Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Unified Palette Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Brilliant Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Muted Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa ich dal zmapovať, preto táto karta uvádza každé dielo od Jane Kim za posledných dvanásteros月的 — celkovo 2 krajín. Z ktorej časti sveta pochádzajú tieto údaje

    Desať vedúcich krajín

    1. 1 Čína 85,7%
    2. 2 Spojené štáty americké 14,3%

    Nájdite na mape tri najtmavšie krajiny. Nachádza sa múzeum, ktoré uchováva tento obraz, v ktorejkoľom z nich? Napíšte jeden dôvod, prečo by sa naň mohli pozerať ľudia zďaleka.

    17 najsledovanejších diel umelca Jane Kim

    1. 1 South America mural detail, 2015 11,8%
    2. 2 Sapayoa, 2015 5,9%
    3. 3 Shoebill, 2015 5,9%
    4. 4 Gray-crowned Babbler, 2015 5,9%
    5. 5 Oilbird, 2015 5,9%
    6. 6 Magpie Goose, 2015 5,9%
    7. 7 American Oystercatcher, 2015 5,9%
    8. 8 Pale-winged Trumpeter, 2015 5,9%
    9. 9 Black Caiman, 2015 5,9%
    10. 10 Oriental Darter, 2015 5,9%
    11. 11 Europe and Eurasia mural detail, 2015 5,9%
    12. 12 Gastornis, 2015 5,9%
    13. 13 Africa and Madagascar mural detail, 2015 5,9%
    14. 14 Pelagornis, 2015 5,9%
    15. 15 Microraptor, 2015 5,9%
    16. 16 Tiktaalik, 2015 5,9%
    17. — Longipteryx, 2015 tento obraz 0,0%

    Spolu tieto diela si 차지li 100,0% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 55 diel tohto umelca, z ktorých bolo 16 aspoň raz pozretých. Tento obraz si v tomto období nikto ešte nepozeral — uzatvára zoznam bez uvedeného poradia. Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    O tomto umedení

    Longipteryx — Jane Kim

    A Flight Through Time: Jane Kim’s “Longipteryx”

    Jane Kim's "Longipteryx," a monumental hand-painted reproduction of a prehistoric bird, isn’t merely an illustration; it’s a portal to the dawn of avian evolution. Commissioned for the 100th anniversary of the Cornell Lab of Ornithology, this expansive artwork transcends its physical dimensions, inviting viewers on a journey through 125 million years of feathered history. Kim's meticulous attention to detail and her masterful command of grayscale—a deliberate choice that emphasizes form and texture rather than vibrant color—transform a scientific discovery into a profoundly moving experience.

    The Fossil’s Legacy: Unearthing the Past

    “Longipteryx chaoyangensis,” unearthed in China's Jiufotang Formation, represents one of the earliest known bird species. This remarkable fossil, dating back to the Early Cretaceous period, offers a crucial window into the evolutionary lineage leading to modern birds. Kim’s artwork meticulously recreates this ancient creature, drawing upon paleontological research and her own artistic interpretation. The inclusion of the Longipteryx alongside other Mesozoic dinosaurs—a deliberate juxtaposition—highlights the interconnectedness of life on Earth and underscores the bird's surprisingly advanced features for its time: a long bill equipped with hooked teeth, proportionally long wings, and even rudimentary claws, suggesting an early adaptation to flight.

    A Study in Grayscale: Technique and Texture

    Kim’s technique is rooted in the traditions of scientific illustration, yet imbued with a distinctly contemporary sensibility. The artwork relies heavily on precise pencil lines—a testament to her dedication to accuracy—combined with subtle variations in shading achieved through meticulous hatching and cross-hatching. This creates an astonishingly realistic depiction of feathers, musculature, and skeletal structure, conveying both the bird’s delicate beauty and its robust physicality. The deliberate use of grayscale isn't a limitation; it’s a strategic choice that amplifies the sense of depth and volume, mimicking the way light and shadow sculpt form in three-dimensional space. The absence of color directs the viewer’s attention to the intricate details of the bird’s anatomy and its dynamic pose.

    Symbolism of Flight: Freedom and Evolution

    “Longipteryx” is more than just a representation of a fossil; it's an emblem of evolution itself. The bird in mid-flight embodies the spirit of freedom, suggesting the boundless potential inherent within the natural world. Its upward trajectory speaks to aspiration and progress—a visual metaphor for the relentless drive towards adaptation and innovation that has shaped life on Earth. The inclusion of smaller birds in the background adds a layer of complexity, hinting at the ongoing process of diversification and the interconnectedness of species. The artwork subtly reminds us of our own place within this vast evolutionary narrative.

    Bringing “Longipteryx” to Your Space

    A hand-painted reproduction of "Longipteryx" is a unique addition to any art collection or interior design scheme. Its monumental scale commands attention, while its understated elegance seamlessly integrates into diverse settings—from museums and galleries to private residences and corporate offices. The artwork’s timeless appeal lies in its ability to evoke both scientific curiosity and emotional resonance. It's a powerful reminder of the beauty and wonder of the natural world, and a testament to Jane Kim’s extraordinary artistic talent.

    Umenec a múzeum

    Umenec

    Jane Kim

    Miesto narodenia New York, USA

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Múzeum

    Cornell Lab of Ornithology

    Vystavené v Ithaca, USA

    MUSEUM INFORMATION: Cornell Lab of Ornithology

    Nestled in the rolling hills of Ithaca, New York, the Cornell Lab of Ornithology transcends the typical definition of a research institution; it is a vibrant testament to our enduring connection with the avian world. Founded in 1915 by Arthur A. Allen – a visionary who championed the formal study of birds – the Lab has blossomed into a global hub for ornithological science, conservation, and citizen engagement. From its humble beginnings within Cornell University's entomology department to its current state-of-the-art facilities at Sapsucker Woods Sanctuary, the story of the Cornell Lab is one of passionate dedication and groundbreaking discovery. It’s a place where scientific rigor dances with public enthusiasm, fostering a unique environment that invites everyone to look up and listen. The very essence of the Lab lies in its ability to transform casual birdwatchers into invaluable scientific contributors, pioneering a spirit of collective observation that has revolutionized our understanding of avian life.

    A Sanctuary of Wings and Wonder: Exploring the Cornell Lab of Ornithology

    History & Founding Visionaries

    Architectural Harmony with Nature – The Imogene Powers Johnson Center

    Citizen Science Initiatives: eBird & Beyond

    Celebrating Avian Biodiversity Through Observation and Research

    History & Founding Visionaries

    The Cornell Lab’s genesis can be traced back to Arthur Allen, a fervent advocate for systematic bird research who secured the establishment of the first graduate program in ornithology at Cornell University. Recognizing the importance of understanding avian populations and their habitats, Allen envisioned a collaborative effort between scientists and enthusiasts—a bold step forward in ornithological scholarship. Alongside Lyman Stuart, a businessman with an unwavering passion for conservation, donors, and landowners contributed generously to securing land for Sapsucker Woods Sanctuary. This pivotal moment solidified the Lab’s commitment to preserving birdlife and fostering scientific exploration within a breathtaking natural setting. The Lab's name itself—Sapsucker Woods—came from the discovery of the first breeding pair of yellow-bellied sapsuckers ever recorded in the Cayuga Lake Basin, an event that captivated Allen and inspired the sanctuary’s enduring symbol.

    Architectural Harmony with Nature – The Imogene Powers Johnson Center

    The Imogene Powers Johnson Center for Birds and Biodiversity stands as a testament to this core principle—a building designed not merely to house research but to seamlessly integrate into its surroundings. Opened in 2003, the Visitor Center embodies the Lab’s ethos of connection with nature through innovative architectural design. Situated within Sapsucker Woods Sanctuary, it utilizes natural materials and expansive windows to maximize views of the forest canopy and pond ecosystem—creating an immersive experience for visitors. The building's orientation and landscaping choices prioritize sunlight exposure and airflow, minimizing energy consumption while fostering a tranquil atmosphere conducive to contemplation and learning about avian ecology.

    Citizen Science Initiatives: eBird & Beyond

    At the heart of Cornell Lab’s mission lies its embrace of citizen science—a transformative approach that empowers individuals worldwide to contribute meaningfully to scientific advancement. The cornerstone of this endeavor is eBird, an online database fueled by the observations of birdwatchers across continents. Imagine a real-time map constantly updated by thousands of eyes, revealing the intricate movements of feathered travelers—a breathtaking visualization of interconnectedness and demonstrating how collective observation unlocks profound insights into avian life on Earth. Complementing this digital marvel is All About Birds, an award-winning website offering exhaustive profiles of North American species—a treasure trove of identification tips, life history details, and captivating sound recordings. These resources aren’t simply informative; they ignite curiosity and inspire conservation efforts, fostering a spirit of collaborative exploration that has fundamentally reshaped our understanding of bird distribution and behavior.

    Celebrating Avian Biodiversity Through Observation and Research

    Cornell Lab's dedication extends beyond data collection; it champions active engagement with the natural world through projects like NestWatch and Celebrate Urban Birds, empowering people to become stewards of avian populations. Furthermore, “Bird Cams” provide unprecedented access into nesting birds’ daily lives—a window into delicate dramas unfolding within avian families—demonstrating that scientific rigor can coexist harmoniously with public fascination. Ultimately, Cornell Lab embodies a holistic vision: integrating research, education, and conservation to address the multifaceted challenges facing bird populations in an era of rapid environmental change. It serves as a powerful reminder that everyone possesses a role to play in safeguarding the future of these magnificent creatures and their habitats—a legacy built not just on scientific discoveries but on inspiring wonder and responsibility across generations.

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    Získajte informácie online

    QR kód odkazujúci na stránku na stiahnutie Longipteryx

    originaluniqueart.com/sk/art/download/jane-kim-longipteryx-DD2KDM-en/

    Citácia diela

    MLA
    Kim, Jane. Longipteryx. 2015, Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-longipteryx-DD2KDM-en/
    APA
    Kim, Jane (2015). Longipteryx [Painting]. Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-longipteryx-DD2KDM-en/
    Chicago
    Jane Kim. Longipteryx. 2015. Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-longipteryx-DD2KDM-en/
    Harvard
    Kim, Jane (2015) Longipteryx. Cornell Lab of Ornithology. Available at: https://originaluniqueart.com/sk/art/jane-kim-longipteryx-DD2KDM-en/

    Pozrite si bližšie

    Longipteryx — Jane Kim

    Detailný pohľad

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. V našom katalógu je toto dielo zaúčtované pod: bird flight, wildlife art, nature scene. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    4. Späť sa pozrite na dielo Veľký vrabec (2015), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Kde sa to v tomto diele dá vidieť?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Umenlecký kvíz

    Longipteryx — Jane Kim

    Ako dobre poznáte toto dielo?

    Zvoľte jednu odpoveď pre každú z 5 otázok nižšie. Každá má presne jednu správnu odpoveď.

    1. 1. What is the primary subject matter depicted in Jane Kim’s ‘Longipteryx’?

      • A A detailed portrait of a human figure.
      • B A realistic depiction of a prehistoric bird species, Longipteryx chaoyangensis.
      • C An abstract landscape scene.
    2. 2. The image description highlights which technique as being prominently used in the artwork?

      • A Impasto – thick application of paint to create texture.
      • B Hatching and cross-hatching – using closely spaced parallel lines to build up tonal values.
      • C Pointillism – applying small dots of color to create an image.
    3. 3. According to the provided information, in what year was ‘Longipteryx’ created?

      • A 1960
      • B 2015
      • C 2024
    4. 4. The image description mentions that the lighting in ‘Longipteryx’ is described as:

      • A Dramatic and high-contrast.
      • B Soft and diffused, with no strong highlights or shadows.
      • C Bright and vibrant, utilizing a full spectrum of colors.
    5. 5. Based on the provided information, what can be inferred about the artist’s intention in creating ‘Longipteryx’?

      • A To create a purely aesthetic artwork for personal enjoyment.
      • B To document and celebrate the diversity of avian life through scientific illustration.
      • C To express political opinions through symbolic imagery.

    Môj výsledok: ____ zo 5

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    Otázky a odpovede

    Zobrazuje "Longipteryx" silné svetlo-tmavé kontrasty?

    „Longipteryx“ od Jane Kim predstavuje Serene kontrast medzi svetlými a tmavými časťami diela.

    Aká farebná paleta je použitá v díle „Longipteryx“ od Jane Kim?

    „Longipteryx“ od Jane Kim využíva Monochrome farebnú paletu. Táto paleta vystihuje celkový farebný charakter diela.

    Existujú diela podobné ako „Longipteryx"]?

    Diela podobné dielu „Longipteryx“ od Jane Kim sú zhromaždené na stránke Podobné diela daného diela.