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Jocotoco Antpitta

Meno Trieda Dátum

Jane Kim, Jocotoco Antpitta (2015), Cornell Lab of Ornithology. Reprodukované len na ilustračné účely; všetky práva si vyhradzuje držiteľ autorských práv. Pozrite si toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom, čistý pigment

Základné informácie

Umenec
Jane Kim originaluniqueart.com/sk/artists/jane-kim_sk/
Životné obdobia umelca
1981 –
Maľované
2015
Materiál
Acrylic
Miesto konania
Cornell Lab of Ornithology originaluniqueart.com/sk/museums/cornell-lab-of-ornithology-ithaca_sk/
Artistic style
Wildlife illustration
Influences
Science illustration
Notable elements
Mural detail of bird
Subject or theme
Bird conservation

V kontexte

Jocotoco Antpitta — Jane Kim

Kedy bolo toto vytvorené?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia, pričom rok narodenia sa počíta ako 0.

Vytvorené v čase, keď mal umvec 34 rokov. 0 z 55 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

▲ toto dielo, 2015 každý datovaný obraz, dekáda po dekáde

Podobné diela

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: originaluniqueart.com/sk/art/similar/jane-kim-jocotoco-antpitta-DD2KAF-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Cobalt Violet #808daa

    Uložená paleta

    • #808DAA
    • #D2D0C9
    • #474B67
    • #1D1F30

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Neutrals Dominantná farebná skupina na obraze.
    Dominantná farba
    Cobalt Violet
    Saturácia
    Monochromatic Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Statement Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Discordant Palette Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Brilliant Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Muted Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa ich dal zmapovať, preto táto karta uvádza každé dielo od Jane Kim za posledných dvanásteros月的 — celkovo 2 krajín. Z ktorej časti sveta pochádzajú tieto údaje

    Desať vedúcich krajín

    1. 1 Čína 85,7%
    2. 2 Spojené štáty americké 14,3%

    Nájdite na mape tri najtmavšie krajiny. Nachádza sa múzeum, ktoré uchováva tento obraz, v ktorejkoľom z nich? Napíšte jeden dôvod, prečo by sa naň mohli pozerať ľudia zďaleka.

    17 najsledovanejších diel umelca Jane Kim

    1. 1 South America mural detail, 2015 11,8%
    2. 2 Sapayoa, 2015 5,9%
    3. 3 Shoebill, 2015 5,9%
    4. 4 Gray-crowned Babbler, 2015 5,9%
    5. 5 Oilbird, 2015 5,9%
    6. 6 Magpie Goose, 2015 5,9%
    7. 7 American Oystercatcher, 2015 5,9%
    8. 8 Pale-winged Trumpeter, 2015 5,9%
    9. 9 Black Caiman, 2015 5,9%
    10. 10 Oriental Darter, 2015 5,9%
    11. 11 Europe and Eurasia mural detail, 2015 5,9%
    12. 12 Gastornis, 2015 5,9%
    13. 13 Africa and Madagascar mural detail, 2015 5,9%
    14. 14 Pelagornis, 2015 5,9%
    15. 15 Microraptor, 2015 5,9%
    16. 16 Tiktaalik, 2015 5,9%
    17. — Jocotoco Antpitta, 2015 tento obraz 0,0%

    Spolu tieto diela si 차지li 100,0% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 55 diel tohto umelca, z ktorých bolo 16 aspoň raz pozretých. Tento obraz si v tomto období nikto ešte nepozeral — uzatvára zoznam bez uvedeného poradia. Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    O tomto umedení

    Jocotoco Antpitta — Jane Kim

    The Enigmatic Antpitta: Jane Kim's Conservation Canvas

    Jane Kim’s “Jocotoco Antpitta” isn’t merely a painting; it’s an immersive experience, a vibrant testament to the fragility and beauty of a vanishing species. This striking artwork, rendered in meticulous detail and imbued with a palpable sense of urgency, captures the elusive Jocotoco Antpitta – a critically endangered bird endemic to the cloud forests of Ecuador – alongside its young. The image transcends simple representation, becoming a powerful plea for conservation within a broader narrative of ecological awareness.

    The piece immediately draws the eye to the central figure: a magnificent black antpitta, radiating an almost regal presence amidst a flurry of smaller birds. Its posture is one of quiet authority, yet its gaze holds a hint of vulnerability. Flanking it are two juvenile birds, their plumage softer and less defined, symbolizing the future of this threatened lineage. The background, a carefully constructed blend of cerulean sky and wispy clouds, provides a serene counterpoint to the intensity of the avian subjects, suggesting the delicate balance within its natural habitat.

    A Fusion of Science and Art: Technique and Process

    Kim’s masterful technique is evident in every brushstroke. The painting employs a layered approach, building up texture and depth through multiple applications of acrylic and latex paints on canvas. The artist's background as a science illustrator shines through – the anatomical accuracy of the birds is remarkable, yet never feels sterile or clinical. Instead, it’s presented with an appreciation for their inherent beauty. The use of color is particularly noteworthy; rich, saturated hues are juxtaposed with subtle gradations and tonal variations, creating a dynamic visual rhythm that guides the viewer's eye across the composition.

    Interestingly, “Jocotoco Antpitta” was originally conceived as part of a larger mural project – "From So Simple a Beginning" – commissioned by Ink Dwell Studio for Ithaca, New York. This context is crucial to understanding the artwork’s intent: it's not just about depicting a single bird but about raising awareness of biodiversity loss and the importance of habitat preservation. The mural served as a visual education tool, bringing the plight of the Jocotoco Antpitta directly into the community.

    Symbolism and Ecological Resonance

    The Jocotoco Antpitta itself carries significant symbolic weight. As one of the rarest birds in the world, it represents the vulnerability of entire ecosystems. Its depiction alongside its young underscores the urgency of conservation efforts – a reminder that every individual plays a role in safeguarding future generations. The surrounding avian community—a diverse array of species—further emphasizes this interconnectedness, illustrating the delicate web of life within the cloud forest.

    Furthermore, Kim’s work resonates with broader themes of environmental stewardship and human responsibility. The mural's location in Ithaca, a region increasingly focused on sustainability and ecological awareness, amplifies its message. It invites viewers to contemplate their own relationship with nature and consider the impact of their choices.

    A Legacy of Conservation: Jane Kim’s Vision

    Jane Kim’s artistic practice is deeply rooted in advocacy. Her work extends beyond individual paintings; she actively uses her art to promote conservation causes, as evidenced by her involvement with organizations like the California Working Families Party and her dedication to creating impactful murals. “Jocotoco Antpitta” stands as a powerful example of this commitment – a beautiful, informative, and ultimately hopeful reminder of the importance of protecting our planet’s most vulnerable species. Reproductions of this artwork offer a tangible connection to this vital message, allowing viewers to bring a piece of this conservation story into their own spaces.

    Umenec a múzeum

    Umenec

    Jane Kim

    Miesto narodenia New York, USA

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Múzeum

    Cornell Lab of Ornithology

    Vystavené v Ithaca, USA

    MUSEUM INFORMATION: Cornell Lab of Ornithology

    Nestled in the rolling hills of Ithaca, New York, the Cornell Lab of Ornithology transcends the typical definition of a research institution; it is a vibrant testament to our enduring connection with the avian world. Founded in 1915 by Arthur A. Allen – a visionary who championed the formal study of birds – the Lab has blossomed into a global hub for ornithological science, conservation, and citizen engagement. From its humble beginnings within Cornell University's entomology department to its current state-of-the-art facilities at Sapsucker Woods Sanctuary, the story of the Cornell Lab is one of passionate dedication and groundbreaking discovery. It’s a place where scientific rigor dances with public enthusiasm, fostering a unique environment that invites everyone to look up and listen. The very essence of the Lab lies in its ability to transform casual birdwatchers into invaluable scientific contributors, pioneering a spirit of collective observation that has revolutionized our understanding of avian life.

    A Sanctuary of Wings and Wonder: Exploring the Cornell Lab of Ornithology

    History & Founding Visionaries

    Architectural Harmony with Nature – The Imogene Powers Johnson Center

    Citizen Science Initiatives: eBird & Beyond

    Celebrating Avian Biodiversity Through Observation and Research

    History & Founding Visionaries

    The Cornell Lab’s genesis can be traced back to Arthur Allen, a fervent advocate for systematic bird research who secured the establishment of the first graduate program in ornithology at Cornell University. Recognizing the importance of understanding avian populations and their habitats, Allen envisioned a collaborative effort between scientists and enthusiasts—a bold step forward in ornithological scholarship. Alongside Lyman Stuart, a businessman with an unwavering passion for conservation, donors, and landowners contributed generously to securing land for Sapsucker Woods Sanctuary. This pivotal moment solidified the Lab’s commitment to preserving birdlife and fostering scientific exploration within a breathtaking natural setting. The Lab's name itself—Sapsucker Woods—came from the discovery of the first breeding pair of yellow-bellied sapsuckers ever recorded in the Cayuga Lake Basin, an event that captivated Allen and inspired the sanctuary’s enduring symbol.

    Architectural Harmony with Nature – The Imogene Powers Johnson Center

    The Imogene Powers Johnson Center for Birds and Biodiversity stands as a testament to this core principle—a building designed not merely to house research but to seamlessly integrate into its surroundings. Opened in 2003, the Visitor Center embodies the Lab’s ethos of connection with nature through innovative architectural design. Situated within Sapsucker Woods Sanctuary, it utilizes natural materials and expansive windows to maximize views of the forest canopy and pond ecosystem—creating an immersive experience for visitors. The building's orientation and landscaping choices prioritize sunlight exposure and airflow, minimizing energy consumption while fostering a tranquil atmosphere conducive to contemplation and learning about avian ecology.

    Citizen Science Initiatives: eBird & Beyond

    At the heart of Cornell Lab’s mission lies its embrace of citizen science—a transformative approach that empowers individuals worldwide to contribute meaningfully to scientific advancement. The cornerstone of this endeavor is eBird, an online database fueled by the observations of birdwatchers across continents. Imagine a real-time map constantly updated by thousands of eyes, revealing the intricate movements of feathered travelers—a breathtaking visualization of interconnectedness and demonstrating how collective observation unlocks profound insights into avian life on Earth. Complementing this digital marvel is All About Birds, an award-winning website offering exhaustive profiles of North American species—a treasure trove of identification tips, life history details, and captivating sound recordings. These resources aren’t simply informative; they ignite curiosity and inspire conservation efforts, fostering a spirit of collaborative exploration that has fundamentally reshaped our understanding of bird distribution and behavior.

    Celebrating Avian Biodiversity Through Observation and Research

    Cornell Lab's dedication extends beyond data collection; it champions active engagement with the natural world through projects like NestWatch and Celebrate Urban Birds, empowering people to become stewards of avian populations. Furthermore, “Bird Cams” provide unprecedented access into nesting birds’ daily lives—a window into delicate dramas unfolding within avian families—demonstrating that scientific rigor can coexist harmoniously with public fascination. Ultimately, Cornell Lab embodies a holistic vision: integrating research, education, and conservation to address the multifaceted challenges facing bird populations in an era of rapid environmental change. It serves as a powerful reminder that everyone possesses a role to play in safeguarding the future of these magnificent creatures and their habitats—a legacy built not just on scientific discoveries but on inspiring wonder and responsibility across generations.

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    Získajte informácie online

    QR kód odkazujúci na stránku na stiahnutie Jocotoco Antpitta

    originaluniqueart.com/sk/art/download/jane-kim-jocotoco-antpitta-DD2KAF-en/

    Citácia diela

    MLA
    Kim, Jane. Jocotoco Antpitta. 2015, Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-jocotoco-antpitta-DD2KAF-en/
    APA
    Kim, Jane (2015). Jocotoco Antpitta [Painting]. Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-jocotoco-antpitta-DD2KAF-en/
    Chicago
    Jane Kim. Jocotoco Antpitta. 2015. Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-jocotoco-antpitta-DD2KAF-en/
    Harvard
    Kim, Jane (2015) Jocotoco Antpitta. Cornell Lab of Ornithology. Available at: https://originaluniqueart.com/sk/art/jane-kim-jocotoco-antpitta-DD2KAF-en/

    Pozrite si bližšie

    Jocotoco Antpitta — Jane Kim

    Detailný pohľad

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. V našom katalógu je toto dielo zaúčtované pod: jocotoco antpitta, bird conservation, wildlife mural. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    4. Späť sa pozrite na dielo Veľký vrabec (2015), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    5. Jane Kim mal pri tvorbe tohto diela približne 34 rokov. Čo v ňom odzrkadľuje umelecký štýl umelca v tomto období života?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Umenlecký kvíz

    Jocotoco Antpitta — Jane Kim

    Ako dobre poznáte toto dielo?

    Zvoľte jednu odpoveď pre každú z 5 otázok nižšie. Každá má presne jednu správnu odpoveď.

    1. 1. What is the primary subject of Jane Kim’s painting, ‘Jocotoco Antpitta’?

      • A A colorful tropical bird
      • B A small, endangered antbird species
      • C A large predatory mammal
    2. 2. According to the provided information, in what year was Jane Kim’s painting ‘Jocotoco Antpitta’ created?

      • A 2012
      • B 2015
      • C 2020
    3. 3. Jane Kim is primarily known for her work in which field?

      • A Abstract Expressionism
      • B Conservation murals and science illustration
      • C Portrait painting
    4. 4. The image description mentions a blue sky and clouds in the background of the painting. What does this suggest about the setting?

      • A A dense, tropical rainforest
      • B A mountainous region with clear weather
      • C A coastal environment
    5. 5. What is Jane Kim’s artistic style primarily associated with?

      • A Impressionism
      • B Blending art and advocacy, promoting awareness of the natural world through stunning wildlife depictions.
      • C Cubism

    Môj výsledok: ____ zo 5

    Kľúč k správnym odpovediam — pre učiteľa

    Táto strana začína novú vytlačenú stránku, takže ju môžete z kópií jednoducho vynechať.

    1A · 2B · 3A · 4B · 5A

    Skontrolujte každú odpoveď v porovnaní s katalógovým záznamom pre tento obraz

    Otázky a odpovede

    Aké farby dominujú v díle „Jocotoco Antpitta“ od Jane Kim?

    „Jocotoco Antpitta“ od Jane Kim využíva paletu v odtieňoch Neutrals, pričom dominantnou farbou je Cobalt Violet (#808daa).

    Aké sú reprodukčné práva k dielu „Jocotoco Antpitta“ v múzeu Cornell Lab of Ornithology?

    Autorské právo k dielu „Jocotoco Antpitta“ od Jane Kim je jasné: toto dielo patrí do stále chránené autorským právom. Jeho prítomnosť v múzeu Cornell Lab of Ornithology tento stav nemení.

    Hacia ktorej farbe sa naklonilo dielo "Jocotoco Antpitta"?

    Celý dielo „Jocotoco Antpitta“ od Jane Kim prechádza Green to Violet Spectrum odtieň.