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Hesperornis

Meno Trieda Dátum

Jane Kim, Hesperornis (2015), Cornell Lab of Ornithology. Reprodukované len na ilustračné účely; všetky práva si vyhradzuje držiteľ autorských práv. Pozrite si toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom, čistý pigment

Základné informácie

Umenec
Jane Kim originaluniqueart.com/sk/artists/jane-kim_sk/
Životné obdobia umelca
1981 –
Maľované
2015
Materiál
Acrylic On Paper
Pohyb
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Obdobie
Contemporary
Miesto konania
Cornell Lab of Ornithology originaluniqueart.com/sk/museums/cornell-lab-of-ornithology-ithaca_sk/
Artistic style
Scientific Illustration
Influences
Naturalism
Notable elements
Layered lines, cross-hatching
Subject or theme
Avian Anatomy

V kontexte

Hesperornis — Jane Kim

Kedy bolo toto vytvorené?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia, pričom rok narodenia sa počíta ako 0.

Vytvorené v čase, keď mal umvec 34 rokov. 0 z 55 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

▲ toto dielo, 2015 každý datovaný obraz, dekáda po dekáde

Podobné diela

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: originaluniqueart.com/sk/art/similar/jane-kim-hesperornis-DD2KDX-en/

Farby

Zmerané z obrazu

    Hlavná farba

    White #f1f0eb

    Uložená paleta

    • #F1F0EB
    • #A3A3A4
    • #C5C5C3
    • #DEDEDA

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Monochrome Dominantná farebná skupina na obraze.
    Dominantná farba
    White
    Saturácia
    Monochromatic Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Serene Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Strong Color Unity Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Brilliant Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Muted Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa ich dal zmapovať, preto táto karta uvádza každé dielo od Jane Kim za posledných dvanásteros月的 — celkovo 2 krajín. Z ktorej časti sveta pochádzajú tieto údaje

    Desať vedúcich krajín

    1. 1 Čína 85,7%
    2. 2 Spojené štáty americké 14,3%

    Nájdite na mape tri najtmavšie krajiny. Nachádza sa múzeum, ktoré uchováva tento obraz, v ktorejkoľom z nich? Napíšte jeden dôvod, prečo by sa naň mohli pozerať ľudia zďaleka.

    17 najsledovanejších diel umelca Jane Kim

    1. 1 South America mural detail, 2015 11,8%
    2. 2 Sapayoa, 2015 5,9%
    3. 3 Shoebill, 2015 5,9%
    4. 4 Gray-crowned Babbler, 2015 5,9%
    5. 5 Oilbird, 2015 5,9%
    6. 6 Magpie Goose, 2015 5,9%
    7. 7 American Oystercatcher, 2015 5,9%
    8. 8 Pale-winged Trumpeter, 2015 5,9%
    9. 9 Black Caiman, 2015 5,9%
    10. 10 Oriental Darter, 2015 5,9%
    11. 11 Europe and Eurasia mural detail, 2015 5,9%
    12. 12 Gastornis, 2015 5,9%
    13. 13 Africa and Madagascar mural detail, 2015 5,9%
    14. 14 Pelagornis, 2015 5,9%
    15. 15 Microraptor, 2015 5,9%
    16. 16 Tiktaalik, 2015 5,9%
    17. — Hesperornis, 2015 tento obraz 0,0%

    Spolu tieto diela si 차지li 100,0% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 55 diel tohto umelca, z ktorých bolo 16 aspoň raz pozretých. Tento obraz si v tomto období nikto ešte nepozeral — uzatvára zoznam bez uvedeného poradia. Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    O tomto umedení

    Hesperornis — Jane Kim

    A Chronicle in Feathers: Jane Kim’s “Hesperornis” – A Window into Cretaceous Flight

    Jane Kim's "Hesperornis," a monumental acrylic painting, isn’t merely a depiction of a prehistoric bird; it’s an immersive journey through the vast expanse of avian evolution. Completed in 2015 and currently residing within the Cornell Lab of Ornithology’s expansive mural collection, this artwork transcends its physical dimensions to become a testament to both scientific discovery and artistic vision. Kim, a science illustrator with a deep commitment to conservation, masterfully blends meticulous detail with an evocative sense of movement, inviting viewers into a world lost millions of years ago.

    The Paleontological Foundation: Echoes of the Cretaceous

    “Hesperornis” centers around the fossil remains of Hesperornis regalis, a remarkable bird unearthed in Kansas during the late 19th century. This early avian form, dating back to the Campanian age of the Late Cretaceous period, represents a pivotal moment in evolutionary history – a bridge between reptiles and modern birds. Kim’s work meticulously recreates this ancient creature, grounding the painting in rigorous paleontological research. The inclusion of Hesperornis isn't simply an artistic choice; it serves as a powerful reminder of our planet’s deep past and the intricate processes that have shaped life on Earth.

    Scientific Accuracy: Kim collaborated closely with paleontologists to ensure the anatomical details of *Hesperornis* were rendered with exceptional accuracy, capturing the bird's unique adaptations for flight and aquatic life.

    Temporal Context: The painting subtly incorporates elements that evoke the Cretaceous landscape – muted earth tones, hints of marine environments – transporting viewers back in time to a world dominated by dinosaurs and nascent avian forms.

    A Symphony of Line and Tone: Technique and Style

    Kim’s artistic approach is characterized by a deliberate restraint and an exquisite control over line and tone. The painting's palette is predominantly monochromatic, relying on subtle gradations of grey and white to build form and create a sense of depth. Fine hatching and cross-hatching techniques are employed extensively, layering lines upon lines to simulate the texture of feathers – each delicate barb meticulously rendered. This painstaking process results in an image that feels both incredibly detailed and remarkably atmospheric. The lack of strong directional light contributes to a diffused, almost dreamlike quality, focusing attention on the bird’s form and movement.

    The artist's choice of acrylic paint allows for layering and blending, creating a rich texture and subtle variations in tone that mimic the natural appearance of feathers.

    Symbolism of Flight: Freedom, Resilience, and Evolution

    Beyond its scientific accuracy, “Hesperornis” resonates with profound symbolic meaning. The bird’s outstretched wings, poised mid-flight, evoke a sense of freedom, aspiration, and the relentless pursuit of survival. Hesperornis, as an early avian form, represents the nascent stages of flight – a daring leap into a new dimension. Furthermore, its presence within the mural collection speaks to the enduring power of evolution—a continuous process of adaptation and transformation. The painting subtly suggests that even in the face of immense change, life finds a way to soar.

    A Legacy in Color: Reproductions and Artistic Inspiration

    Jane Kim’s “Hesperornis” stands as a remarkable achievement—a testament to her artistic skill, scientific curiosity, and dedication to conservation. High-quality reproductions of this artwork offer a captivating glimpse into the distant past, while also serving as a poignant reminder of our planet's rich biodiversity. Its evocative imagery and meticulous detail make it an ideal addition to art collections, interior spaces, or educational settings—a source of inspiration for artists, collectors, and anyone who appreciates the beauty and wonder of the natural world.

    Umenec a múzeum

    Umenec

    Jane Kim

    Miesto narodenia New York, USA

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Múzeum

    Cornell Lab of Ornithology

    Vystavené v Ithaca, USA

    MUSEUM INFORMATION: Cornell Lab of Ornithology

    Nestled in the rolling hills of Ithaca, New York, the Cornell Lab of Ornithology transcends the typical definition of a research institution; it is a vibrant testament to our enduring connection with the avian world. Founded in 1915 by Arthur A. Allen – a visionary who championed the formal study of birds – the Lab has blossomed into a global hub for ornithological science, conservation, and citizen engagement. From its humble beginnings within Cornell University's entomology department to its current state-of-the-art facilities at Sapsucker Woods Sanctuary, the story of the Cornell Lab is one of passionate dedication and groundbreaking discovery. It’s a place where scientific rigor dances with public enthusiasm, fostering a unique environment that invites everyone to look up and listen. The very essence of the Lab lies in its ability to transform casual birdwatchers into invaluable scientific contributors, pioneering a spirit of collective observation that has revolutionized our understanding of avian life.

    A Sanctuary of Wings and Wonder: Exploring the Cornell Lab of Ornithology

    History & Founding Visionaries

    Architectural Harmony with Nature – The Imogene Powers Johnson Center

    Citizen Science Initiatives: eBird & Beyond

    Celebrating Avian Biodiversity Through Observation and Research

    History & Founding Visionaries

    The Cornell Lab’s genesis can be traced back to Arthur Allen, a fervent advocate for systematic bird research who secured the establishment of the first graduate program in ornithology at Cornell University. Recognizing the importance of understanding avian populations and their habitats, Allen envisioned a collaborative effort between scientists and enthusiasts—a bold step forward in ornithological scholarship. Alongside Lyman Stuart, a businessman with an unwavering passion for conservation, donors, and landowners contributed generously to securing land for Sapsucker Woods Sanctuary. This pivotal moment solidified the Lab’s commitment to preserving birdlife and fostering scientific exploration within a breathtaking natural setting. The Lab's name itself—Sapsucker Woods—came from the discovery of the first breeding pair of yellow-bellied sapsuckers ever recorded in the Cayuga Lake Basin, an event that captivated Allen and inspired the sanctuary’s enduring symbol.

    Architectural Harmony with Nature – The Imogene Powers Johnson Center

    The Imogene Powers Johnson Center for Birds and Biodiversity stands as a testament to this core principle—a building designed not merely to house research but to seamlessly integrate into its surroundings. Opened in 2003, the Visitor Center embodies the Lab’s ethos of connection with nature through innovative architectural design. Situated within Sapsucker Woods Sanctuary, it utilizes natural materials and expansive windows to maximize views of the forest canopy and pond ecosystem—creating an immersive experience for visitors. The building's orientation and landscaping choices prioritize sunlight exposure and airflow, minimizing energy consumption while fostering a tranquil atmosphere conducive to contemplation and learning about avian ecology.

    Citizen Science Initiatives: eBird & Beyond

    At the heart of Cornell Lab’s mission lies its embrace of citizen science—a transformative approach that empowers individuals worldwide to contribute meaningfully to scientific advancement. The cornerstone of this endeavor is eBird, an online database fueled by the observations of birdwatchers across continents. Imagine a real-time map constantly updated by thousands of eyes, revealing the intricate movements of feathered travelers—a breathtaking visualization of interconnectedness and demonstrating how collective observation unlocks profound insights into avian life on Earth. Complementing this digital marvel is All About Birds, an award-winning website offering exhaustive profiles of North American species—a treasure trove of identification tips, life history details, and captivating sound recordings. These resources aren’t simply informative; they ignite curiosity and inspire conservation efforts, fostering a spirit of collaborative exploration that has fundamentally reshaped our understanding of bird distribution and behavior.

    Celebrating Avian Biodiversity Through Observation and Research

    Cornell Lab's dedication extends beyond data collection; it champions active engagement with the natural world through projects like NestWatch and Celebrate Urban Birds, empowering people to become stewards of avian populations. Furthermore, “Bird Cams” provide unprecedented access into nesting birds’ daily lives—a window into delicate dramas unfolding within avian families—demonstrating that scientific rigor can coexist harmoniously with public fascination. Ultimately, Cornell Lab embodies a holistic vision: integrating research, education, and conservation to address the multifaceted challenges facing bird populations in an era of rapid environmental change. It serves as a powerful reminder that everyone possesses a role to play in safeguarding the future of these magnificent creatures and their habitats—a legacy built not just on scientific discoveries but on inspiring wonder and responsibility across generations.

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    Získajte informácie online

    QR kód odkazujúci na stránku na stiahnutie Hesperornis

    originaluniqueart.com/sk/art/download/jane-kim-hesperornis-DD2KDX-en/

    Citácia diela

    MLA
    Kim, Jane. Hesperornis. 2015, Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-hesperornis-DD2KDX-en/
    APA
    Kim, Jane (2015). Hesperornis [Painting]. Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-hesperornis-DD2KDX-en/
    Chicago
    Jane Kim. Hesperornis. 2015. Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-hesperornis-DD2KDX-en/
    Harvard
    Kim, Jane (2015) Hesperornis. Cornell Lab of Ornithology. Available at: https://originaluniqueart.com/sk/art/jane-kim-hesperornis-DD2KDX-en/

    Pozrite si bližšie

    Hesperornis — Jane Kim

    Detailný pohľad

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. V našom katalógu je toto dielo zaúčtované pod: birds, paleontology, evolution. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    4. Späť sa pozrite na dielo Veľký vrabec (2015), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Kde sa to v tomto diele dá vidieť?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Umenlecký kvíz

    Hesperornis — Jane Kim

    Ako dobre poznáte toto dielo?

    Zvoľte jednu odpoveď pre každú z 5 otázok nižšie. Každá má presne jednu správnu odpoveď.

    1. 1. What is the primary subject matter of Jane Kim’s ‘Hesperornis’?

      • A A detailed portrait of a modern bird species.
      • B A depiction of a prehistoric cormorant-like bird from the Cretaceous period.
      • C An abstract representation of flight and freedom.
    2. 2. The artwork ‘Hesperornis’ primarily utilizes which color palette?

      • A A vibrant, saturated rainbow of colors.
      • B A predominantly monochromatic scheme based on shades of grey and white.
      • C Bold, contrasting primary colors.
    3. 3. What technique is most prominently used to create texture and volume in ‘Hesperornis’?

      • A Large, loose brushstrokes with minimal detail.
      • B Extensive use of cross-hatching and layering of lines.
      • C Smooth gradients and blended colors.
    4. 4. According to the description, what is a symbolic element present in ‘Hesperornis’?

      • A The depiction of a specific habitat.
      • B The bird's outstretched wings might symbolize freedom or flight.
      • C A detailed representation of the artist’s signature.
    5. 5. In what geological period did ‘Hesperornis’ primarily exist?

      • A The Jurassic Period.
      • B The Cretaceous Period.
      • C The Pleistocene Epoch.

    Môj výsledok: ____ zo 5

    Kľúč k správnym odpovediam — pre učiteľa

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    Otázky a odpovede

    Akú veľkosť by som mal pre svoju miestnosť vytlačiť pri diele "Hesperornis"?

    V miestnosti typu Living Room sa pre dielo „Hesperornis“ odporúča veľkosť tlače Large.

    Aká veľkosť reprodukcie sa odporúča pre „Hesperornis“ od Jane Kim?

    Odporúčaná veľkosť tlače pre dielo „Hesperornis“ od Jane Kim je Large.

    Kto vytvoril „Hesperornis“ a v ktorom roku?

    Dielo „Hesperornis“ vytvoril/a Jane Kim v roku 2015.