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Gray-crowned Babbler

Meno Trieda Dátum

Jane Kim, Gray-crowned Babbler (2015), Cornell Lab of Ornithology. Reprodukované len na ilustračné účely; všetky práva si vyhradzuje držiteľ autorských práv. Pozrite si toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom, čistý pigment

Základné informácie

Umenec
Jane Kim originaluniqueart.com/sk/artists/jane-kim_sk/
Životné obdobia umelca
1981 –
Maľované
2015
Materiál
Acrylic On Canvas
Pohyb
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Miesto konania
Cornell Lab of Ornithology originaluniqueart.com/sk/museums/cornell-lab-of-ornithology-ithaca_sk/
Artistic style
Realistic illustration
Influences
Graffiti culture
Notable elements or techniques
Layered washes, Fine brushwork
Subject or theme
Bird species depiction

V kontexte

Gray-crowned Babbler — Jane Kim

Kedy bolo toto vytvorené?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia, pričom rok narodenia sa počíta ako 0.

Vytvorené v čase, keď mal umvec 34 rokov. 0 z 55 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

▲ toto dielo, 2015 každý datovaný obraz, dekáda po dekáde

Podobné diela

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: originaluniqueart.com/sk/art/similar/jane-kim-gray-crowned-babbler-DD2KD7-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Gray #716b69

    Uložená paleta

    • #716B69
    • #E8E5E0
    • #B8B2A6
    • #2D2C31

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Neutrals Dominantná farebná skupina na obraze.
    Dominantná farba
    Gray
    Saturácia
    Monochromatic Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Bold Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Softly Mixed Palette Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Brilliant Celkový kontrast obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Muted Aký čistý a silný je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa ich dal zmapovať, preto táto karta uvádza každé dielo od Jane Kim za posledných dvanásteros月的 — celkovo 2 krajín. Z ktorej časti sveta pochádzajú tieto údaje

    Desať vedúcich krajín

    1. 1 Čína 85,7%
    2. 2 Spojené štáty americké 14,3%

    Nájdite na mape tri najtmavšie krajiny. Nachádza sa múzeum, ktoré uchováva tento obraz, v ktorejkoľom z nich? Napíšte jeden dôvod, prečo by sa naň mohli pozerať ľudia zďaleka.

    16 najsledovanejších diel umelca Jane Kim

    1. 1 South America mural detail, 2015 11,8%
    2. 2 Sapayoa, 2015 5,9%
    3. 3 Shoebill, 2015 5,9%
    4. 4 Gray-crowned Babbler, 2015 tento obraz 5,9%
    5. 5 Oilbird, 2015 5,9%
    6. 6 Magpie Goose, 2015 5,9%
    7. 7 American Oystercatcher, 2015 5,9%
    8. 8 Pale-winged Trumpeter, 2015 5,9%
    9. 9 Black Caiman, 2015 5,9%
    10. 10 Oriental Darter, 2015 5,9%
    11. 11 Europe and Eurasia mural detail, 2015 5,9%
    12. 12 Gastornis, 2015 5,9%
    13. 13 Africa and Madagascar mural detail, 2015 5,9%
    14. 14 Pelagornis, 2015 5,9%
    15. 15 Microraptor, 2015 5,9%
    16. 16 Tiktaalik, 2015 5,9%

    Spolu tieto diela si 차지li 100,0% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 55 diel tohto umelca, z ktorých bolo 16 aspoň raz pozretých. Tento obraz sa v tomto poriadí umiestňuje na 4 mieste, pričom získal 5,9% takejto pozornosti. Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    O tomto umedení

    Gray-crowned Babbler — Jane Kim

    A Symphony in Watercolor: Exploring Jane Kim’s “Gray-crowned Babbler”

    Jane Kim's "Gray-crowned Babbler," created in 2015, isn’t merely a depiction of avian beauty; it’s an embodiment of meticulous observation and a celebration of understated elegance. Executed in watercolor on paper—a medium known for its luminous translucency—the artwork captures the essence of this unassuming bird species against a backdrop of serene white, allowing Kim's masterful brushstrokes to shine through with remarkable clarity. The piece speaks volumes about the artist’s dedication to capturing fleeting moments of natural wonder and translating them into visual form.

    Composition and Technique: Layers of Delicate Color

    The composition prioritizes balance and subtlety. Several birds are arranged in overlapping planes, creating a dynamic yet harmonious visual experience. Kim skillfully employs layering techniques—thin washes gradually built upon one another—to achieve depth and nuance. This painstaking process lends the painting an ethereal quality, mirroring the delicate plumage of the Gray-crowned Babbler itself. Fine lines delineate feathers with precision, highlighting textural variations and conveying a palpable sense of realism without resorting to overwhelming detail. The artist’s deliberate use of masking fluid ensures pristine white areas—essential for preserving the purity of the background—further enhancing the artwork's visual impact.

    Historical Context: Echoes of Ecological Awareness

    Kim’s work aligns with a broader artistic movement focused on documenting and appreciating biodiversity during an era increasingly concerned with environmental preservation. The Gray-crowned Babbler, endemic to Southeast Asia, represents not just a species but also a symbol of resilience—a creature adapting to challenging habitats while maintaining its distinctive appearance. This careful selection of subject matter underscores Kim’s commitment to conveying both scientific accuracy and emotional resonance.

    Symbolism Beyond Representation: Finding Beauty in Simplicity

    While seemingly straightforward, “Gray-crowned Babbler” invites contemplation on themes of observation and appreciation. The artist's choice to focus on a relatively common bird—one often overlooked by casual viewers—suggests a desire to elevate the ordinary into something extraordinary. Like many watercolor artists, Kim seeks to capture not just what is seen but also how it feels—the quiet beauty of nature’s intricacies.

    Emotional Impact: A Moment Frozen in Time

    Ultimately, “Gray-crowned Babbler” evokes a feeling of tranquility and wonder. The soft lighting and muted color palette contribute to an atmosphere of serenity, transporting the viewer into the bird's habitat. It serves as a reminder that beauty can be found in unexpected places—that even the simplest forms of life possess inherent value and deserve careful consideration. This piece is sure to resonate with collectors who appreciate understated artistry and seek reproductions that faithfully convey Kim’s vision.

    Umenec a múzeum

    Umenec

    Jane Kim

    Miesto narodenia New York, USA

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Múzeum

    Cornell Lab of Ornithology

    Vystavené v Ithaca, USA

    MUSEUM INFORMATION: Cornell Lab of Ornithology

    Nestled in the rolling hills of Ithaca, New York, the Cornell Lab of Ornithology transcends the typical definition of a research institution; it is a vibrant testament to our enduring connection with the avian world. Founded in 1915 by Arthur A. Allen – a visionary who championed the formal study of birds – the Lab has blossomed into a global hub for ornithological science, conservation, and citizen engagement. From its humble beginnings within Cornell University's entomology department to its current state-of-the-art facilities at Sapsucker Woods Sanctuary, the story of the Cornell Lab is one of passionate dedication and groundbreaking discovery. It’s a place where scientific rigor dances with public enthusiasm, fostering a unique environment that invites everyone to look up and listen. The very essence of the Lab lies in its ability to transform casual birdwatchers into invaluable scientific contributors, pioneering a spirit of collective observation that has revolutionized our understanding of avian life.

    A Sanctuary of Wings and Wonder: Exploring the Cornell Lab of Ornithology

    History & Founding Visionaries

    Architectural Harmony with Nature – The Imogene Powers Johnson Center

    Citizen Science Initiatives: eBird & Beyond

    Celebrating Avian Biodiversity Through Observation and Research

    History & Founding Visionaries

    The Cornell Lab’s genesis can be traced back to Arthur Allen, a fervent advocate for systematic bird research who secured the establishment of the first graduate program in ornithology at Cornell University. Recognizing the importance of understanding avian populations and their habitats, Allen envisioned a collaborative effort between scientists and enthusiasts—a bold step forward in ornithological scholarship. Alongside Lyman Stuart, a businessman with an unwavering passion for conservation, donors, and landowners contributed generously to securing land for Sapsucker Woods Sanctuary. This pivotal moment solidified the Lab’s commitment to preserving birdlife and fostering scientific exploration within a breathtaking natural setting. The Lab's name itself—Sapsucker Woods—came from the discovery of the first breeding pair of yellow-bellied sapsuckers ever recorded in the Cayuga Lake Basin, an event that captivated Allen and inspired the sanctuary’s enduring symbol.

    Architectural Harmony with Nature – The Imogene Powers Johnson Center

    The Imogene Powers Johnson Center for Birds and Biodiversity stands as a testament to this core principle—a building designed not merely to house research but to seamlessly integrate into its surroundings. Opened in 2003, the Visitor Center embodies the Lab’s ethos of connection with nature through innovative architectural design. Situated within Sapsucker Woods Sanctuary, it utilizes natural materials and expansive windows to maximize views of the forest canopy and pond ecosystem—creating an immersive experience for visitors. The building's orientation and landscaping choices prioritize sunlight exposure and airflow, minimizing energy consumption while fostering a tranquil atmosphere conducive to contemplation and learning about avian ecology.

    Citizen Science Initiatives: eBird & Beyond

    At the heart of Cornell Lab’s mission lies its embrace of citizen science—a transformative approach that empowers individuals worldwide to contribute meaningfully to scientific advancement. The cornerstone of this endeavor is eBird, an online database fueled by the observations of birdwatchers across continents. Imagine a real-time map constantly updated by thousands of eyes, revealing the intricate movements of feathered travelers—a breathtaking visualization of interconnectedness and demonstrating how collective observation unlocks profound insights into avian life on Earth. Complementing this digital marvel is All About Birds, an award-winning website offering exhaustive profiles of North American species—a treasure trove of identification tips, life history details, and captivating sound recordings. These resources aren’t simply informative; they ignite curiosity and inspire conservation efforts, fostering a spirit of collaborative exploration that has fundamentally reshaped our understanding of bird distribution and behavior.

    Celebrating Avian Biodiversity Through Observation and Research

    Cornell Lab's dedication extends beyond data collection; it champions active engagement with the natural world through projects like NestWatch and Celebrate Urban Birds, empowering people to become stewards of avian populations. Furthermore, “Bird Cams” provide unprecedented access into nesting birds’ daily lives—a window into delicate dramas unfolding within avian families—demonstrating that scientific rigor can coexist harmoniously with public fascination. Ultimately, Cornell Lab embodies a holistic vision: integrating research, education, and conservation to address the multifaceted challenges facing bird populations in an era of rapid environmental change. It serves as a powerful reminder that everyone possesses a role to play in safeguarding the future of these magnificent creatures and their habitats—a legacy built not just on scientific discoveries but on inspiring wonder and responsibility across generations.

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    Získajte informácie online

    QR kód odkazujúci na stránku na stiahnutie Gray-crowned Babbler

    originaluniqueart.com/sk/art/download/jane-kim-gray-crowned-babbler-DD2KD7-en/

    Citácia diela

    MLA
    Kim, Jane. Gray-crowned Babbler. 2015, Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-gray-crowned-babbler-DD2KD7-en/
    APA
    Kim, Jane (2015). Gray-crowned Babbler [Painting]. Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-gray-crowned-babbler-DD2KD7-en/
    Chicago
    Jane Kim. Gray-crowned Babbler. 2015. Cornell Lab of Ornithology. https://originaluniqueart.com/sk/art/jane-kim-gray-crowned-babbler-DD2KD7-en/
    Harvard
    Kim, Jane (2015) Gray-crowned Babbler. Cornell Lab of Ornithology. Available at: https://originaluniqueart.com/sk/art/jane-kim-gray-crowned-babbler-DD2KD7-en/

    Pozrite si bližšie

    Gray-crowned Babbler — Jane Kim

    Detailný pohľad

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. V našom katalógu je toto dielo zaúčtované pod: birds, watercolor painting, wildlife art. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    4. Späť sa pozrite na dielo Veľký vrabec (2015), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Kde sa to v tomto diele dá vidieť?

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Umenlecký kvíz

    Gray-crowned Babbler — Jane Kim

    Ako dobre poznáte toto dielo?

    Zvoľte jednu odpoveď pre každú z 5 otázok nižšie. Každá má presne jednu správnu odpoveď.

    1. 1. What artistic style is predominantly evident in Jane Kim’s painting of the Gray-crowned Babbler?

      • A Abstract Expressionism
      • B Realism with detailed illustration elements
      • C Impressionism
    2. 2. The painting utilizes a technique characterized by layering thin washes of color to achieve what visual effect?

      • A Bold, contrasting hues
      • B Smooth gradients and subtle tonal variations
      • C Random splatters of pigment
    3. 3. What is the primary subject matter of this artwork?

      • A A portrait depicting a prominent figure
      • B An urban landscape scene
      • C A depiction of avian wildlife
    4. 4. Based on the image description, what type of surface was likely used for Jane Kim’s artwork?

      • A Canvas stretched over wooden frame
      • B Metal sheet polished to a sheen
      • C Paper or similar material
    5. 5. What overarching theme does the painting seem to convey regarding its subject matter?

      • A A celebration of human achievement
      • B An exploration of social inequalities and challenges
      • C A depiction of idealized beauty

    Môj výsledok: ____ zo 5

    Kľúč k správnym odpovediam — pre učiteľa

    Táto strana začína novú vytlačenú stránku, takže ju môžete z kópií jednoducho vynechať.

    1A · 2B · 3C · 4C · 5A

    Skontrolujte každú odpoveď v porovnaní s katalógovým záznamom pre tento obraz

    Otázky a odpovede

    Aká je dominantná farba diela „Gray-crowned Babbler“ od Jane Kim?

    Dominantnou farbou diela „Gray-crowned Babbler“ od Jane Kim je Gray (#716b69).

    Je „Gray-crowned Babbler“ od Jane Kim svetlé alebo tmavé dielo?

    Celkovo je dielo „Gray-crowned Babbler“ zaznamenané ako brilliant. Vnímaná jasnosť popisuje, aký svetlý alebo tmavý sa tento kus zdá byť.

    Môžem si „Gray-crowned Babbler“ od Jane Kim pozrieť pod iným osvetlením?

    X-ray pohľad na dielo „Gray-crowned Babbler“ od Jane Kim nájdete na stránke RTG skenovanie pre dané dielo: ide o interaktívne skúmanie obrazu prostredníctvom jedenástich optických vrstiev.