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Return from the Races

Meno Trieda Dátum

Giuseppe De Nittis, Return from the Races (1875), Philadelphia Art Museum. Pracovné dielo vo verejnej domäne. Vnímajte toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom aj čistý pigment

Fakty

Umenec
Giuseppe De Nittis originaluniqueart.com/sk/artists/giuseppe-de-nittis_sk/
Obdobia tvorby umelca
1846 – 1884
Maľované
1875
Technika
Oil On Canvas
Pôvodná veľkosť
55 x 114 cm
Pohyb
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Koná sa v
Philadelphia Art Museum originaluniqueart.com/sk/museums/philadelphia-art-museum-philadelphia_sk/
Artistic style
Impressionist
Influences
Salon art, Impressionism
Notable elements
Bright colors, light & shadow
Subject or theme
Social scene, leisure

V kontexte

Return from the Races — Giuseppe De Nittis

Rozmery

Pôvodné rozmery sú 55 × 114 cm (výška × šírka), zobrazené tu vedľa dospelého človeka priemerného vzrastu.

Kedy bolo toto vytvorené?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia — 0 pri narodení, 38 pri smrti.

Namaľované v čase, keď mal umvec 29 rokov. Umenec dožil do veku 38. 5 z 30 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

Shaded: životný príbeh Giuseppe De Nittis (1846–1884) ▲ toto dielo, 1875 každý datovaný obraz, dekáda po dekáde

Prvé diela: až do 1875 Hlavné pracovné roky: 1875–1881 Neskoré diela: od 1881

Tieto tri pásma delia diela s uvedeným dátumom v tomto katalógu na prvú štvrtinu, strednú polovicu a poslednú štvrtinu. Ne predstavujú kompletný výsadok umelca: tento úzky úsek môže byť skôr chýbajúc záznam v archíve než obdobie menšej aktivity. Rovnaké roky, v ktorých sa odráža život umelca

Porovnajte s

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: originaluniqueart.com/sk/art/similar/giuseppe-de-nittis-return-from-the-races-8YDRG3-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Espresso #3a251c

    Katalogizovaná paleta

    • #3A251C
    • #CECACC
    • #AC9578
    • #826640

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Neutrals Dominantná farebná skupina na obraze.
    Názov hlavnej farby
    Espresso
    Intenzita
    Balanced Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Statement Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Balanced Harmony Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Brilliant Celková svetlostrávenosť obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Subtle Color Aký čistý a sýty je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • menej ako 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa dal zmapovať, preto táto karta uvádza každé dielo od Giuseppe De Nittis za posledných dvanásteros月的 — celkovo 7 krajín. Pôvod týchto údajov

    Desať vedúcich krajín

    1. 1 Čína 63,0%
    2. 2 Taliansko 15,2%
    3. 3 Spojené kráľovstvo 6,5%
    4. 4 Spojené štáty americké 6,5%
    5. 5 Francúzsko 4,3%
    6. 6 Izrael 2,2%
    7. 7 Singapur 2,2%

    Na mape nájdite tri najtmavšie krajiny. Nachádza sa v ktorej z nich múzeum, ktoré uchováva tento obraz? Napíšte jeden dôvod, prečo by naň mohli prísť ľudia zďaleka.

    20 najsledovanejších diel umelca Giuseppe De Nittis

    1. 1 The Orange Kimono, 1883 12,3%
    2. 2 Nude with Red Stockings, 1879 7,0%
    3. 3 Twelve Studies of Vesuvius 5,3%
    4. 4 A Lady from Naples 5,3%
    5. 5 Dvadsať štúdií Vezuvia 5,3%
    6. 6 Return from the ball 5,3%
    7. 7 Lungo l'Ofanto, 1870 5,3%
    8. 8 Lunch at Posillipo 3,5%
    9. 9 Twelve Studies of Vesuvius 3,5%
    10. 10 A Roman Aqueduct, 1875 3,5%
    11. 11 Poplars 3,5%
    12. 12 Winter Landscape, 1880 3,5%
    13. 13 Campagna vesuviana 3,5%
    14. 14 The Races at Auteuil, Paris 3,5%
    15. 15 On the Slopes of Vesuvius (III) - Giuseppe De Nittis, 1872 1,8%
    16. 16 A Winter's Landscape, 1875 1,8%
    17. 17 Twelve Studies of Vesuvius 1,8%
    18. 18 Twelve Studies of Vesuvius 1,8%
    19. 19 Femme aux pompons (Woman with Pompoms) 1,8%
    20. — Return from the Races, 1875 tento obraz 0,0%

    Spolu tieto diela si 차지li 79,3% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 66 diel tohto umelca, z ktorých bolo 31 aspoň raz pozretých. Tento obraz si v tomto období nikto ešte nepozeral — uzatvára zoznam bez uvedeného poradia. Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    O tomto umelackom dielo

    Return from the Races — Giuseppe De Nittis

    A Glimpse of Leisure: De Nittis’ “Return from the Races”

    Giuseppe De Nittis' "Return from the Races," painted in 1875, isn’t merely a depiction of a pleasant afternoon; it’s a vibrant snapshot of late 19th-century Italian society, imbued with the fleeting beauty and emotional resonance characteristic of Impressionism. This oil on canvas, measuring 55 x 114 cm and currently residing in the Philadelphia Museum of Art, captures a scene brimming with life – elegantly dressed figures returning from a horse race, their carriages mingling with pedestrians along a sun-drenched street. De Nittis masterfully eschews meticulous detail in favor of capturing the impression of the moment: the dappled light filtering through trees, the movement of horses and riders, the animated conversations amongst the onlookers. The painting’s power lies not in photographic realism but in its ability to evoke a specific feeling – a sense of joyful camaraderie and the transient pleasures of modern life.

    The Artist and His Vision: Bridging Salon Art and Impressionism

    Giuseppe De Nittis (1846-1884) stands as a pivotal figure in Italian art history, skillfully blending the formal conventions of academic salon painting with the revolutionary spirit of Impressionism. Born in Barletta, Italy, his early career was tragically disrupted by an expulsion from Naples’ Institute of Fine Arts – an event that fueled his determination to forge his own artistic path. De Nittis' work is deeply rooted in the Macchiaioli movement, a group of Italian artists who championed bold brushstrokes and a rejection of academic precision. This influence is immediately apparent in “Return from the Races,” where loose, expressive strokes create a sense of dynamism and immediacy. Unlike the polished surfaces favored by some Salon painters, De Nittis embraces visible brushwork, inviting the viewer to appreciate the act of painting itself – the layering of color, the manipulation of light and shadow.

    A Symphony of Light and Color: Technique and Composition

    The painting’s composition is carefully orchestrated to draw the eye through the scene. The foreground establishes a sense of depth with its grassy expanse leading towards the gravel path where carriages are parked. Central to the image, a group of horses and carriages dominates the midground, their movement suggested by De Nittis' skillful use of color and brushwork. The figures in the background – women in elaborate dresses, men in formal attire – are rendered with a lighter touch, emphasizing their presence without overwhelming the overall composition. Notice how De Nittis employs broken color—small dabs of paint rather than blended hues—to create an atmospheric effect, particularly evident in the hazy sky and dappled sunlight. This technique contributes to the painting’s sense of immediacy and captures the fleeting effects of light on the scene. The artist's use of warm yellows and oranges contrasts beautifully with cooler blues and greens, creating a vibrant and engaging visual experience.

    Symbolism and Social Commentary

    Beyond its aesthetic qualities, “Return from the Races” offers subtle insights into the social dynamics of 19th-century Italy. The scene depicts a leisure activity enjoyed by the upper classes – a time for socializing, entertainment, and demonstrating wealth. The horses and carriages represent status and privilege, while the figures themselves embody the elegance and refinement of the era. However, De Nittis doesn’t simply celebrate this social order; he captures the feeling of it—the joy, the conversation, the shared experience. The painting subtly hints at a world undergoing rapid change, where traditional values are being challenged by the rise of modern life. The overall mood is one of relaxed enjoyment and convivial spirit, inviting us to step back in time and witness a moment of fleeting beauty.

    High-quality reproductions of “Return from the Races” are available on AllPaintingsStore.com, allowing art lovers to bring this captivating Impressionist masterpiece into their homes. For more information about Giuseppe De Nittis and his artistic legacy, visit Wikipedia’s page on the artist. The Philadelphia Museum of Art also offers custom prints of this iconic painting.

    Umenec a múzeum

    Umenec

    Giuseppe De Nittis

    Narodený v Barletta, Taliansko

    Giuseppe De Nittis: Bridging Salon Art and Impressionism

    Giuseppe De Nittis (1846-1884) stands as a pivotal figure in Italian art history, representing a crucial juncture between the established conventions of Salon painting and the burgeoning spirit of Impressionism. Born in Barletta, Apulia, on February 25th, 1846, his formative years were marked by familial political dissent – his father’s outspoken opposition to the Bourbon monarchy resulting in imprisonment – shaping him into an individual unafraid to challenge societal norms and express his convictions. This rebellious spirit would permeate throughout his artistic endeavors.

    Early Education & Exile:

    Initial Career & Macchiaioli Connections:

    Parisian Breakthroughs & Impressionist Engagement:

    Return to Italy & Vesuvius Landscapes:

    Legacy & Influence:

    Early Education & Exile

    De Nittis’ artistic journey commenced with studies under Giovanni Battista Calò, a respected Barletta painter who instilled in him foundational techniques. However, his rebellious nature swiftly led to expulsion from the Reale Instituto di Belle Arti in Naples for insubordination—a setback that fueled his determination and propelled him toward independent exploration.

    His father’s imprisonment profoundly impacted De Nittis' upbringing, fostering a deep understanding of political activism and shaping his worldview. Despite these challenges, he persevered in pursuing his artistic ambitions, securing admittance to the Instituto despite his outspoken views.

    Initial Career & Macchiaioli Connections

    Following his expulsion, De Nittis launched his career with a notable exhibition at the 1864 Neapolitan Promotrice, establishing connections with fellow artists who championed a revolutionary approach to painting—the Macchiaioli. This movement, spearheaded by Telemaco Signorini and Vincenzo De Stefano, prioritized capturing fleeting moments of light and color directly from nature, rejecting academic conventions.

    His friendship with Signorini fostered collaborative endeavors and solidified his position within the Florentine artistic milieu.

    Parisian Breakthroughs & Impressionist Engagement

    In 1867, De Nittis relocated to Paris, entering into a lucrative contract with Adolphe Goupil—a dealer who encouraged him to produce commercially viable genre paintings. This move proved instrumental in elevating his artistic profile and attracting international acclaim.

    Crucially, he encountered Edgar Degas, whose influence profoundly impacted his stylistic evolution.

    Return to Italy & Vesuvius Landscapes

    Returning to Italy during the Franco-Prussian War between 1870 and 1873, De Nittis rediscovered the inspiration of his homeland—particularly the dramatic vistas surrounding Mount Vesuvius.

    He meticulously documented these landscapes, employing pastel as a favored medium, capturing the ethereal quality of light and atmosphere with remarkable precision.

    Legacy & Influence

    De Nittis’ artistic legacy extends far beyond his own lifetime. His pioneering use of pastel—a technique he championed and popularized—continues to inspire artists today.

    His paintings reside in prominent museums across Europe, including the Musée d'Orsay in Paris and the National Gallery in London, serving as enduring testaments to his artistic vision.

    Further Exploration

    For deeper insights into Giuseppe De Nittis’ life and work, consult resources such as Wikipedia () and scholarly articles examining his contributions to Impressionism and Macchiaioli movements.

    Múzeum

    Philadelphia Art Museum

    Súčasne vystavené v Philadelphia, Spojené štáty americké

    A Sanctuary of Artistic Voices: The Philadelphia Museum of Art

    Nestled majestically atop Benjamin Franklin Parkway in the heart of Philadelphia, the Philadelphia Museum of Art is far more than a mere repository for art; it’s an immersive experience, a profound reflection of centuries of human creativity and a vibrant embodiment of American cultural identity. From its modest beginnings as a showcase for the Centennial Exposition to its current status as one of the nation's premier artistic institutions, the museum has consistently evolved while remaining deeply rooted in its rich and storied past. The iconic steps, immortalized in the film Rocky, beckon visitors not just to admire the building’s grandeur but to participate in a shared cultural narrative – a powerful symbol of perseverance, resilience, and the enduring allure of artistic aspiration.

    The museum's story truly begins with the ambitious vision of the 1876 Centennial Exposition. Initially conceived as a celebration of applied arts and sciences—a tribute to industry’s burgeoning innovations—it quickly blossomed into a comprehensive institution dedicated to preserving, exhibiting, and ultimately inspiring an appreciation for art from across the globe. The architectural design, masterfully spearheaded by Horace Trumbauer and brought to life through the invaluable contributions of Julian Abele – Philadelphia's first African-American graduate of the University of Pennsylvania’s Department of Architecture – is itself a breathtaking work of art. Constructed from imposing Minnesota dolomite, the building exudes an unparalleled elegance and grandeur, a physical manifestation of artistic ideals that continues to captivate visitors today. Abele’s meticulous detailing—the delicate carvings adorning the façade, the precisely placed columns lending structural strength, and the subtle variations in stone texture creating a mesmerizing interplay of light and shadow – elevates the entire structure beyond mere functionality, transforming it into a harmonious blend of classical inspiration and modern sensibility.

    Stepping inside is akin to embarking on a journey through time and across continents. The museum’s collection boasts an astonishing diversity of over 240,000 objects, encompassing a staggering range of artistic mediums and historical periods. European paintings form the cornerstone of the early galleries, offering a sweeping panorama from the Renaissance masters—Botticelli's ethereal Venus, a study in delicate color and idealized beauty; Rembrandt’s dramatic lighting capturing both the grandeur and vulnerability of human experience; and the Impressionists—Monet’s shimmering water lilies evoking the fleeting nature of light and atmosphere, Renoir’s joyful gatherings brimming with life and celebrating the simple pleasures of everyday moments. However, to limit the museum's scope solely to its European holdings would be a profound disservice. A comprehensive survey of American art unfolds before the visitor’s eyes, tracing the evolution of artistic expression within the United States from colonial times to contemporary explorations. This section provides a rich understanding of how America’s unique cultural landscape—its diverse influences and evolving identity—has shaped its artistic heritage, showcasing works by artists like William Michael Harnett, whose “Still Life: Writing Table” exemplifies the mastery of trompe-l’œil realism – a technique so convincingly deceptive that it appears to leap off the canvas, blurring the line between art and reality; and Nettie Pettway Young, whose iconic Gee’s Bend quilts embody the spirit of African American artistry—each meticulously stitched stitch a testament to tradition, resilience, and profound storytelling. Beyond Europe and America, the museum extends its reach across continents with an extensive collection of Asian art—ceramics, bronzes, paintings, and sculptures that offer glimpses into the region's profound artistic heritage, including the exquisite works of Gim Eung-won, a Korean master painter renowned for his intricate depictions of orchids and rocks – capturing both their delicate beauty and the strength of nature.

    A Living Cultural Hub: Exhibitions and Engagement

    The Philadelphia Museum of Art is not merely a place to passively observe art; it’s a dynamic space designed to foster engagement, spark curiosity, and inspire creativity in visitors of all ages. The museum consistently hosts rotating special exhibitions that bring fresh perspectives, introduce new artists to the public eye, and explore diverse themes—ranging from groundbreaking retrospectives celebrating the legacies of masters like Cézanne – exemplified by his poignant “Seated Peasant,” a study in muted tones and expressive brushstrokes – to thematic explorations of specific artistic movements. These carefully curated exhibitions ensure that the museum remains a vibrant cultural hub, constantly evolving and adapting to meet the needs and interests of its diverse community.

    Beyond these temporary displays, the museum offers a wealth of educational programs tailored for audiences ranging from young children to seasoned art enthusiasts. Family workshops provide hands-on opportunities for creative exploration, while school tours are designed to spark curiosity and foster an appreciation for art in young minds. Lectures and artist talks offer insightful perspectives on the creative process, providing valuable insights into the lives and works of renowned artists. The museum’s commitment to accessibility is evident through its comprehensive range of services—including wheelchair access, sensory-friendly programs, large print materials, and assistive listening devices—ensuring that art remains accessible and engaging for everyone.

    Architectural Marvels and Historical Context

    The building itself is an integral part of the Philadelphia Museum of Art’s story. The original design by Horace Trumbauer, complemented by Julian Abele's masterful detailing, reflects a profound commitment to architectural grandeur and artistic harmony. However, the museum’s evolution has continued through significant expansions and renovations over the decades, each adding new layers to its rich history.

    The addition of the Rodin Museum, housing Auguste Rodin’s iconic sculptures including The Thinker, provides a dedicated space for this influential artist's work – a powerful meditation on contemplation and humanity’s inner struggles. More recently, the Perelman Building, designed by Frank Gehry, opened in 2007, dramatically reshaping the interior and adding new galleries specifically designed to showcase prints, drawings, photographs, and design objects. This modern addition seamlessly integrates with the historic building, creating a dynamic and visually stunning space – a testament to the museum’s ability to embrace innovation while honoring its past. The “Rocky Steps” themselves are more than just a visual landmark; they're a powerful symbol of determination and achievement, attracting visitors from around the globe who come to reenact the iconic scene and connect with the spirit of perseverance.

    A Legacy of Innovation and Expansion

    Throughout its history, the Philadelphia Museum of Art has consistently demonstrated a commitment to growth, innovation, and inclusivity. The museum’s dedication to diversity, equity, inclusion, and accessibility is reflected in ongoing efforts to ensure that all visitors feel welcomed, valued, and represented within its walls. The Core Project, completed in 2021, represents a monumental investment in the museum's future, transforming the interior with new galleries, improved circulation, and enhanced visitor amenities—creating a more intuitive and engaging experience for all. The addition of stunning views of the city skyline from the renovated spaces further elevates the visitor experience. The museum’s commitment extends beyond its main building, encompassing the historic colonial-era houses of Mount Pleasant and Cedar Grove in Fairmount Park, adding another layer to its historical significance and offering a glimpse into Philadelphia's past.

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    QR kód odkazujúci na stránku na stiahnutie Return from the Races

    originaluniqueart.com/sk/art/download/giuseppe-de-nittis-return-from-the-races-8YDRG3-en/

    Citovať toto dielo

    MLA
    Nittis, Giuseppe De. Return from the Races. 1875, Philadelphia Art Museum. https://originaluniqueart.com/sk/art/giuseppe-de-nittis-return-from-the-races-8YDRG3-en/
    APA
    Nittis, Giuseppe De (1875). Return from the Races [Painting]. Philadelphia Art Museum. https://originaluniqueart.com/sk/art/giuseppe-de-nittis-return-from-the-races-8YDRG3-en/
    Chicago
    Giuseppe De Nittis. Return from the Races. 1875. Philadelphia Art Museum. https://originaluniqueart.com/sk/art/giuseppe-de-nittis-return-from-the-races-8YDRG3-en/
    Harvard
    Nittis, Giuseppe De (1875) Return from the Races. Philadelphia Art Museum. Available at: https://originaluniqueart.com/sk/art/giuseppe-de-nittis-return-from-the-races-8YDRG3-en/

    Pozrite si bližšie

    Return from the Races — Giuseppe De Nittis

    Pozrite si bližšie

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. Koľko tvárí dokážete nájsť? ____ (náš katalóg ich počíta na 6 — súhlasíte?)
    4. V našom katalógu je toto dielo zaúčtované pod: horse racing, leisure scene, 19th century. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    5. Späť sa pozrite na dielo On the Slopes of Vesuvius (III) - Giuseppe De Nittis (1872), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Umenlecký kvíz

    Return from the Races — Giuseppe De Nittis

    Ako dobre poznáte toto dielo?

    Zvoľte jednu odpoveď pre každú z 5 otázok nižšie. Každá má presne jednu správnu odpoveď.

    1. 1. What artistic movement is Giuseppe De Nittis primarily associated with?

      • A Cubism
      • B Impressionism
      • C Surrealism
    2. 2. In 'Return from the Races,' what is a prominent feature that contributes to the painting's sense of movement?

      • A Detailed rendering of individual faces
      • B Loose and visible brushstrokes
      • C A static, symmetrical composition
    3. 3. What year was Giuseppe De Nittis' painting 'Return from the Races' created?

      • A 1865
      • B 1875
      • C 1890
    4. 4. According to the description, what is a key characteristic of De Nittis' style?

      • A Emphasis on precise detail and realism
      • B Capturing fleeting moments of contemporary life with light and color
      • C Strict adherence to academic salon painting conventions
    5. 5. Where is 'Return from the Races' currently housed?

      • A The Louvre Museum, Paris
      • B The Philadelphia Museum of Art
      • C The Metropolitan Museum of Art, New York

    Môj výsledok: ____ zo 5

    Kľúč k správnym odpovediam — pre učiteľa

    Táto strana začína novú vytlačenú stránku, takže ju môžete z kópií jednoducho vynechať.

    1A · 2A · 3B · 4A · 5B

    Skontrolujte každú odpoveď v porovnaní s katalógovým záznamom pre tento obraz

    Otázky a odpovede

    Aká je luminancia diela „Return from the Races“ od Giuseppe De Nittis?

    Dielo „Return from the Races“ od Giuseppe De Nittis má luminanciu na úrovni Bright Balance. Luminancia určuje, koľko svetla sa farbám podmieňuje odrážať.

    Ako veľmi je známe dielo „Return from the Races“ od Giuseppe De Nittis?

    Dielo „Return from the Races“ od Giuseppe De Nittis má úroveň popularity Recognized. Táto klasifikácia odráža mier, do akej miery je toto dielo uznávané.

    Aké sú reálne rozmery diela „Return from the Races“ od Giuseppe De Nittis?

    Zaznamenané rozmery diela „Return from the Races“ od Giuseppe De Nittis sú 55 x 114 cm. Reprodukcie je možné objednať aj v iných rozmeroch pri zachovaní rovnakých pomerov.