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1. Sketch 8 — Thomas Sully
2. Sketch 7 — Thomas Sully
3. Male [Breaking Fall]; Male Gesturing Toward Dog; Female on Step Leaning Against Column by Foliage — Thomas Sully
4. Man and Dog Overlooming Distant Landscape; Seated Man Collapsing, Attended by Three Figures — Thomas Sully
5. Liberty Figure; Fleeing Nude Female Figure with Putti — Thomas Sully
6. Woman Prostrate Before a Nobleman; Nude Bather Seated on a Rock — Thomas Sully
7. Man on Horseback with Standing Figure; Female in a Landscape — Thomas Sully
8. Kompozícia (číslo III) bielo-žltá — Piet Mondrian, 1942

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1. Male [Breaking Fall]; Male Gesturing Toward Dog; Female on Step Leaning Against Column by Foliage — Thomas Sully
2. Man Gesturing, Composition Study, Woman Petting Dog — Thomas Sully
3. Sketches of Friezes and Groups of Figures in Three Tiers, Some Antique, Some 16th and 17th Century Genre — Thomas Sully
4. Man on Horseback with Standing Figure; Female in a Landscape — Thomas Sully
5. Woman Prostrate Before a Nobleman; Nude Bather Seated on a Rock — Thomas Sully
6. Oval Composition — Piet Mondrian
7. Composition 10 — Piet Mondrian
8. Composition X — Wassily Wassilyevich Kandinsky, 1939
9. Man and Dog Overlooming Distant Landscape; Seated Man Collapsing, Attended by Three Figures — Thomas Sully
10. Small composition — László Moholy-Nagy, 1923
11. Composition sketch 1 — Nikolaj Rerich
12. Kompozícia X — Wassily Wassilyevich Kandinsky
13. Sketch 36 — Thomas Sully
14. Keys (Composition) (Les Clés (Composition)) — Fernand Léger, 1928
15. Sketches of Two Sentry Types; Male and Female Monarch Types — Thomas Sully
16. Sketch 8 — Thomas Sully
17. Kompozícia (číslo III) bielo-žltá — Piet Mondrian, 1942
18. Sketch 3 — Thomas Sully
19. Sketch 7 — Thomas Sully
20. Liberty Figure; Fleeing Nude Female Figure with Putti — Thomas Sully
21. Composition No. 12 with Blue — Piet Mondrian, 1942
22. Composition No. 1 with Grey and Red 1938 / Composition with Red 1939 — Piet Mondrian, 1939
23. Composition, Composition with Red, yellow, blue and black — Piet Mondrian

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1. Composition in gray-blue — Piet Mondrian, 1913