period

1. Crevettes et coquillages — James Ensor
2. Biela Skála (Znak Cintamani alebo Koňský šťastliviec) — Nikolaj Rerich, 1933
3. Adam and Eve(unfinished) — Gustav Klimt, 1917
4. Terem Yaroslavny pre Wall Monastery — Nikolaj Rerich, 1908
5. Lumberjack, study — Ferdinand Hodler, 1910
6. Poetria — Ferdinand Hodler

movement

1. Crevettes et coquillages — James Ensor
2. Biela Skála (Znak Cintamani alebo Koňský šťastliviec) — Nikolaj Rerich, 1933
3. Adam and Eve(unfinished) — Gustav Klimt, 1917
4. Terem Yaroslavny pre Wall Monastery — Nikolaj Rerich, 1908
5. Lumberjack, study — Ferdinand Hodler, 1910
6. Poetria — Ferdinand Hodler

vibe

1. Crevettes et coquillages — James Ensor
2. Lumberjack, study — Ferdinand Hodler, 1910

topics

keywords

tone

1. Crevettes et coquillages — James Ensor
2. Adam and Eve(unfinished) — Gustav Klimt, 1917
3. Lumberjack, study — Ferdinand Hodler, 1910
4. Poetria — Ferdinand Hodler

main color

1. Crevettes et coquillages — James Ensor
2. Lumberjack, study — Ferdinand Hodler, 1910
3. Adam and Eve(unfinished) — Gustav Klimt, 1917
4. Beach Scene 1 — Edward Henry Potthast
5. Biela Skála (Znak Cintamani alebo Koňský šťastliviec) — Nikolaj Rerich, 1933
6. Florida Beach Scene with Beached Boat and Sailboat in Water — William Aiken Walker
7. Terem Yaroslavny pre Wall Monastery — Nikolaj Rerich, 1908
8. Poetria — Ferdinand Hodler
9. Florida Beach Scene with Sand Dunes, Sea Oats and Surf — William Aiken Walker

other

1. (Beach Scene, Santa Monica, California), (painting) — Mary Agnes Yerkesová, 1922