Peaceable Kingdom (34)
Peaceable Kingdom (34): A Vision of Harmony Embodied
Edward Hicks’ “Peaceable Kingdom” (1834) stands as an enduring testament to Quaker faith and artistic ingenuity, capturing a moment of profound serenity amidst the anxieties of its time. Currently residing in the National Gallery of Art's collection, this monumental oil on canvas transcends mere depiction; it presents a carefully constructed allegory for universal peace and reconciliation—a message powerfully conveyed through Hicks’ distinctive blend of folk art sensibilities and meticulous realism.- Subject Matter: The painting portrays the biblical narrative of Noah’s Ark, depicting animals and humans coexisting peacefully after the Great Flood. This selection of imagery wasn't arbitrary; it directly reflects Quaker beliefs concerning God’s benevolent stewardship of creation and humanity’s responsibility to foster harmony within the natural world.
- Style: Hicks’ approach leans heavily into Mannerism—a stylistic movement characterized by elongated figures, dramatic poses, and an expressive handling of form—though tempered by a grounding in American folk art traditions. This fusion creates a visual language that is both emotionally resonant and intellectually stimulating.
- Technique: The artist employed painstaking detail in rendering textures – particularly fur, feathers, and fabric – demonstrating mastery over oil paint application. Layers upon layers of pigment were skillfully blended to achieve luminous effects and imbue the scene with palpable warmth.
- Symbolism: Beyond its biblical narrative, “Peaceable Kingdom” is laden with symbolic significance. The ark represents salvation and divine protection, while the diverse animal population symbolizes God’s covenant with humanity—a promise of mutual care and respect. Notably, the two infants nestled amongst the animals symbolize future generations inheriting this legacy of peace.
- Historical Context: Hicks created “Peaceable Kingdom” during a period marked by social unrest and religious fervor in America. The painting served as a visual articulation of Quaker pacifism—a stance firmly opposed to violence—and offered solace amidst turbulent times.
Further Exploration
For more information about Edward Hicks and his artistic endeavors, visit /art/list/?Filter=8YDLSX-Edward-Hicks-Peaceable-Kingdom-(34). You can also discover other paintings by Hicks here: /art/list/?Filter=8YDLSH-Edward-Hicks-Peaceable-Kingdom-(20) and /art/list/?Filter=8YDLS3-Edward-Hicks-Peaceable-Kingdom.Resources
You can find more details about “Peaceable Kingdom” and its artistic merit on the National Gallery of Art’s website: https://www.nga.gov/artworks/59908-peaceable-kingdomOtázky a odpovede
Akú farebnú harmóniu predstavuje „Peaceable Kingdom (34)“ od Edward Hicks?
Farby diela „Peaceable Kingdom (34)“ od Edward Hicks vykazujú Balanced Harmony harmóniu. Harmónia popisuje vzájomný vzťah medzi farbami.
Ktorá farba dominuje v diele „Peaceable Kingdom (34)“?
Farbou, ktorá v diele „Peaceable Kingdom (34)“ najvýraznejšie vyniká, je Phthalo Green (#241c25). Dominantná farba je užitočná pri prispôsobovaní umelackého diela interiéru.
Aký je formát diela „Peaceable Kingdom (34)"]?
Formát diela „Peaceable Kingdom (34)“ je Landscape. Je to užitočné pri plánovaní miesta, kam bude reprodukcia umiestnená.
Edward Hicks (1780 – 1849)
%C3%BDdward Hopperova maľba 'Slovenská rána' zobrazuje osamelú ženu pred domom v Charlestonu, symbolizujúcu izoláciu a odolnosť. Obraz evokuje tichosť a hlboké emócie.
Národná galéria umenia (Washington, USA)
Objavte Národnú galériu umenia vo Washingtone! Majstrovské diela od renesancie po modernú dobu, vrátane Raphaela a Van Gogha. Vstup zdarma!
O tomto diele
- Názov: Peaceable Kingdom (34)
- Umenec: Edward Hicks
- Rok: 1834
- Formát: Landscape
- Stav autorských práv: Právo verejného vlastníctva
- Kde si ho pozrieť: Národná galéria umenia
- Pohyb: Folk Art
- Technika: Oil On Canvas
- Typ média: WallArt
- Určenie: Accent
Rýchle fakty
- Artistic style: Mannerism; Folk art blend
- Medium: Oil on canvas
- Artist: Edward Hicks
- Year: 1834
- Location: National Gallery of Art, Washington