Portrét Taras Ševčenko

Obrazy umelca Taras Ševčenko: 58 najznámejších výtvarných diel prostretých pohľadom galérie

Aktualizované október 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 58 dielov umelca Taras Ševčenko v našom katalógu

Stručne povedané

Z hľadiska galérie je najznámejším obrazom umelca Taras Ševčenko dielo The death of Bohdan Khmelnytsky (1837). Vydubychi Monastery in Kyiv (1844) a Self-Portrait (1852) dopĺňajú trojicu, ktorú pozná každé oko. Z 58 diel umelca Taras Ševčenko v našom katalógu prezentuje galéria nižšie 58 najznámejších, z ktorých je každá originál s uvedeným rokom vzniku, múzeom a unikátnosťou.

1814 – 1861, Moryntsi Romanticism Najviac diel: Taras Shevchenko National Museum

Top 10 obrazov umelca Taras Ševčenko v galérii

Obrazy umelca Taras Ševčenko, usporiadané od 11 do 58

11Self-portrait (1860) od Taras ŠevčenkoSelf-portrait1860 · National Art Museum of Ukraine 12Architectural project of private house. Side facade. (1860) od Taras ŠevčenkoArchitectural project of private house. Side facade.1860 13Architectural project of private house. Main facade. (1860) od Taras ŠevčenkoArchitectural project of private house. Main facade.1860 14Self-portrait of Shevchenko (winter 1840/1841) (1841) od Taras ŠevčenkoSelf-portrait of Shevchenko (winter 1840/1841)1841 · Taras Shevchenko National Museum 15Life Model (1838) od Taras ŠevčenkoLife Model1838 · Taras Shevchenko National Museum 16Self-Portrait (1861) od Taras ŠevčenkoSelf-Portrait1861 · Taras Shevchenko National Museum 17Portrait of Anna Zakrevska (1843) od Taras ŠevčenkoPortrait of Anna Zakrevska1843 18Portrait of Victor Zakrevsky (1843) od Taras ŠevčenkoPortrait of Victor Zakrevsky1843 · Taras Shevchenko National Museum 19The Moonlit Night at Kos-Arali (1850) od Taras ŠevčenkoThe Moonlit Night at Kos-Arali1850 · Taras Shevchenko National Museum 20Chigirin viewed  from Subotovsky (1845) od Taras ŠevčenkoChigirin viewed from Subotovsky1845 21Church of the Intercession in Pereslavl (1838) od Taras ŠevčenkoChurch of the Intercession in Pereslavl1838 22In Vasilivka (1838) od Taras ŠevčenkoIn Vasilivka1838 23In V'unisch (1838) od Taras ŠevčenkoIn V'unisch1838 24Rural cemetery (1838) od Taras ŠevčenkoRural cemetery1838 25Pochaiv Cathedral (interior view) (1846) od Taras ŠevčenkoPochaiv Cathedral (interior view)1846 · Taras Shevchenko National Museum 26Pochayiv Lavra from south (1846) od Taras ŠevčenkoPochayiv Lavra from south1846 · Taras Shevchenko National Museum 27Pochayiv Lavra from west (1846) od Taras ŠevčenkoPochayiv Lavra from west1846 · Taras Shevchenko National Museum 28unknown portraits (1838) od Taras Ševčenkounknown portraits1838 29Portrait of an unknown with necklace (1838) od Taras ŠevčenkoPortrait of an unknown with necklace1838 · Taras Shevchenko National Museum 30Portrait of an unknown (1838) od Taras ŠevčenkoPortrait of an unknown1838 · Taras Shevchenko National Museum 31Portrait of a girl with a dog (1838) od Taras ŠevčenkoPortrait of a girl with a dog1838 32Portrait of P.V. Engelhardt (1833) od Taras ŠevčenkoPortrait of P.V. Engelhardt1833 · Taras Shevchenko National Museum 33Portrait of Nikolai Alexandrovich Lunin (1838) od Taras ŠevčenkoPortrait of Nikolai Alexandrovich Lunin1838 · Taras Shevchenko National Museum 34Portrait of Catherine Abaza Shevchenko (1837) od Taras ŠevčenkoPortrait of Catherine Abaza Shevchenko1837 · Taras Shevchenko National Museum 35Portrait of Gorlenko od Taras ŠevčenkoPortrait of GorlenkoNárodné umeniecké múzeum v Ukrajine 36Portrait of Anton Ivanovich (1838) od Taras ŠevčenkoPortrait of Anton Ivanovich1838 · Taras Shevchenko National Museum 37Report (1838) od Taras ŠevčenkoReport1838 38On the bank (1838) od Taras ŠevčenkoOn the bank1838 39Motryn Monastery (1845) od Taras ŠevčenkoMotryn Monastery1845 40Kateryna (1842) od Taras ŠevčenkoKateryna1842 · Taras Shevchenko National Museum 41St. Michael's Church in Pereslavl (1838) od Taras ŠevčenkoSt. Michael's Church in Pereslavl1838 42Maria (1838) od Taras ŠevčenkoMaria1838 · Taras Shevchenko National Museum 43Corner of Smolensk cemetery in St. Petersburg (1838) od Taras ŠevčenkoCorner of Smolensk cemetery in St. Petersburg1838 · Taras Shevchenko National Museum 44Barn and stream (1838) od Taras ŠevčenkoBarn and stream1838 45Oratory (1838) od Taras ŠevčenkoOratory1838 46The Healer (1838) od Taras ŠevčenkoThe Healer1838 · Taras Shevchenko National Museum 47Mother's Head (1838) od Taras ŠevčenkoMother's Head1838 · Taras Shevchenko National Museum 48Bust of woman (1838) od Taras ŠevčenkoBust of woman1838 · Taras Shevchenko National Museum 49Ascension Cathedral in Pereslavl (1838) od Taras ŠevčenkoAscension Cathedral in Pereslavl1838 50View from the terrace around Pochayiv Lavra (1846) od Taras ŠevčenkoView from the terrace around Pochayiv Lavra1846 · Taras Shevchenko National Museum 51The Willows in Andrusha (1845) od Taras ŠevčenkoThe Willows in Andrusha1845 52In Hustyn: Church of Peter and Paul (1845) od Taras ŠevčenkoIn Hustyn: Church of Peter and Paul1845 53In Dustin Traditional church (1845) od Taras ŠevčenkoIn Dustin Traditional church1845 54Gate house, monastery, Nikolai (1838) od Taras ŠevčenkoGate house, monastery, Nikolai1838 55Bohdan Khmelnytsky's Church in Subotiv (1845) od Taras ŠevčenkoBohdan Khmelnytsky's Church in Subotiv1845 56Andrush (1845) od Taras ŠevčenkoAndrush1845 57Self-portrait (1838) od Taras ŠevčenkoSelf-portrait1838 · Taras Shevchenko National Museum 58At apiary (1843) od Taras ŠevčenkoAt apiary1843 · Taras Shevchenko National Museum

Múzeá, ktoré uchovávajú originály umelca Taras Ševčenko

3 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Taras Ševčenko Obrazy z tohto zoznamu
Taras Shevchenko National Museum, KievTaras Shevchenko National Museum Kiev 26 Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod, Archangel Cathedral in Nizhny Novgorod
National Art Museum of Ukraine, KievNational Art Museum of Ukraine Kiev 1 Self-portrait
Národné umeniecké múzeum v Ukrajine, KyivNárodné umeniecké múzeum v Ukrajine Kyiv 1 Portrait of Gorlenko

Taras Ševčenko, jeden ikonický obraz na každé desaťročie

Diela podľa dekád

Vyberte si dekádu a pozrite si originál, ktorý ju definuje.

Obrazy umelca Taras Ševčenko: odpovede galérie

Ktorý obraz od Taras Ševčenko je najznámejší zo všetkých?Odhaľte odpoveď

The death of Bohdan Khmelnytsky (1837). Nasledujú Vydubychi Monastery in Kyiv (1844) a Self-Portrait (1852).

Koľko rokov mal/a Taras Ševčenko pri dokončeni diela The death of Bohdan Khmelnytsky?Odhaľte odpoveď

23 rokov: The death of Bohdan Khmelnytsky vzniklo v roku 1837 a Taras Ševčenko sa narodil/a v roku 1814.

Ktorých 10 najlepších obrazov má Taras Ševčenko?Odhaľte odpoveď

The death of Bohdan Khmelnytsky, Vydubychi Monastery in Kyiv, Self-Portrait, Aulia-Tau, Valley on the Khiva road, Cathedral of the Annunciation in Nizhny Novgorod, Mezhyhirya Monastery, Catholic Church of St. Alexander, Archangel Cathedral in Nizhny Novgorod a Architectural project of private house. Plan.. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.

Koľko diel vytvoril/a Taras Ševčenko?Odhaľte odpoveď

Náš katalóg obsahuje 58 diel od umelca Taras Ševčenko z perioda od 1833 do 1861.

Kde visia najznámejšie originály umelca Taras Ševčenko?Odhaľte odpoveď

Väčšinou v Taras Shevchenko National Museum (Kiev), National Art Museum of Ukraine (Kiev) a Národné umeniecké múzeum v Ukrajine (Kyiv). Tabuľka múzeí vyššie ich všetky uvádza.

Kedy vytvoril/a Taras Ševčenko svoje najznámejšie obrazy?Odhaľte odpoveď

V období 1830s: 27 z 58 diel na tejto stránke bolo vytvorených vtedy, pričom The death of Bohdan Khmelnytsky z nich.

Aké sú najskoršie a najneskoršie známe diela umelca Taras Ševčenko?Odhaľte odpoveď

Na tejto stránke je najstaršie dielo z Portrait of P.V. Engelhardt (1833) a najnovšie z Self-Portrait (1861).

S ktorým smerom je spojený/á umenec Taras Ševčenko?Odhaľte odpoveď

Romanticism, podľa originálov na tejto stránke.

Aké originály umelca Taras Ševčenko má v zbierkach Taras Shevchenko National Museum?Odhaľte odpoveď

Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod a Archangel Cathedral in Nizhny Novgorod: múzeá Taras Shevchenko National Museum, Kiev uchovávajú 26 z diel na tejto stránke.

Taras Ševčenko: umelec

A Life Etched in Poetry and Paint: The World of Taras Shevchenko

Taras Hryhorovych Shevchenko, a name synonymous with Ukrainian identity and resilience, was more than just an artist or a poet—he was the embodiment of a nation’s yearning for freedom. Born into serfdom in 1814 in the humble village of Moryntsi, Ukraine, his early life was steeped in hardship, yet illuminated by an innate artistic talent that would ultimately transcend his circumstances and ignite a cultural awakening. The weight of oppression bore down on young Taras; he lost his mother at seven and his father eight years later, experiences that indelibly marked his sensibility and fueled the poignant social commentary woven throughout his life’s work. His initial exposure to art came through apprenticeships with local icon painters, laying the foundation for a technical skill that would blossom under formal training. This early period wasn't merely about mastering technique; it was an immersion into Ukrainian folklore, religious imagery, and the visual language of his people—elements that would become cornerstones of his artistic expression.

From Serfdom to St. Petersburg: The Flowering of a Genius

Shevchenko’s path took a pivotal turn when he was sent to Kyiv for education, first at the Grammar School and then the Theological Seminary. However, these institutions proved ill-suited to his artistic spirit. Fate intervened through the patronage of several individuals who recognized his exceptional talent. This led to his liberation from serfdom in 1838—a watershed moment achieved through a lottery where the prize was a portrait by Karl Bryullov. This freedom unlocked access to the prestigious Imperial Academy of Arts in St. Petersburg, where he studied under Karl Brück. Here, Shevchenko wasn’t simply absorbing artistic techniques; he was engaging with the broader European art scene, encountering Romanticism and Realism, styles that would subtly influence his own developing aesthetic. His work began to blend traditional Ukrainian themes with a modern sensibility, foreshadowing the unique voice he would soon project through both brushstrokes and verse. During this period, he honed his skills in painting, etching, and drawing, demonstrating a remarkable versatility that set him apart.

The Poet of Ukraine: *Kobzar* and the Voice of a Nation

While Shevchenko excelled as an artist, it was through poetry that he truly captured the soul of Ukraine. The publication of *Kobzar* in 1840 marked a turning point not only in his career but also in Ukrainian literature itself. This collection wasn’t merely a compilation of poems; it was a declaration of national identity, a lament for past injustices, and a call for future liberation. The verses resonated deeply with the Ukrainian peasantry, articulating their struggles under serfdom and igniting a sense of collective consciousness. *Kobzar* became a symbol of resistance and hope, circulating widely despite censorship attempts by the Tsarist regime. Beyond *Kobzar*, Shevchenko’s artistic output continued to reflect his deep connection to Ukraine—paintings depicting rural life, historical events, and portraits that captured the spirit of his people. Works like “Architectural project of private house. Main facade” and "Cathedral of the Annunciation in Nizhny Novgorod" demonstrate a range beyond purely nationalistic themes, showcasing his architectural interests and technical skill. His monochrome illustration, “The Death of Bohdan Khmelnytsky,” stands as a powerful example of his mastery of realism and etching, depicting a pivotal moment in Ukrainian history with profound emotional depth.

Exile, Resilience, and Enduring Legacy

Shevchenko’s outspoken criticism of the Tsarist regime and involvement with the Petrashevsky Circle—a group advocating for political reform—led to his arrest in 1847 and a decade-long exile to Central Asia. This period was marked by immense hardship; he was forbidden from writing or painting, subjected to harsh conditions, and constantly monitored. Yet, even in the face of such oppression, Shevchenko’s spirit remained unbroken. He continued to sketch secretly, documenting his surroundings and preserving his artistic vision. His exile became a symbol of Ukrainian suffering under Russian rule, further solidifying his status as a national hero. Upon his premature release due to failing health, he returned to St. Petersburg only to succumb to illness in 1861 at the age of 47. His death was mourned throughout Ukraine and beyond. Today, Taras Shevchenko is revered as a foundational figure in Ukrainian literature and art. Numerous museums and memorials—including the Taras Shevchenko National Museum in Kyiv and the Tereshchenko Museum—are dedicated to preserving his legacy. His works continue to inspire generations of artists, writers, and activists, ensuring that his voice—a voice forged in hardship and fueled by a deep love for Ukraine—will resonate for centuries to come. The recent creation of a Taras Shevchenko AI chatbot is a testament to the enduring power of his ideas and the ongoing commitment to sharing his work with new audiences.