Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 36 dielov umelca Richard Edward Miller v našom katalógu
Stručne povedané
Virginia Matthews James je obrazom od Richard Edward Miller, ktorý priťahuje najviac pohľadov. Potom sa pohľad presunie na Woman at the table (1903) a The Parasol (1910). Z 36 diel umelca Richard Edward Miller v našom katalógu je týchto 34 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
In Virginia Matthews James, Richard Edward Miller presents a quiet moment of domesticity. The subject is a woman seated upon a couch, her presence defined by a sense of poised relaxation. She is dressed in a long, flowing gown featuring delicate lace at the neckline and sleeves, with a floral pattern that mirrors the upholstery of the furniture. A large, feathered hat rests upon her head, a nod to the…
In Woman at the table by Richard Edward Miller, we find ourselves in a quiet, intimate space. The composition centers on a round wooden table in the foreground, which acts as a threshold between the viewer and the subject. Seated just behind this surface, an elderly woman is captured in a private, domestic moment. This arrangement creates a sense of closeness, as if we are sharing the stillness of her…
In The Parasol, Richard Edward Miller centers the composition on a female figure walking through a field of tall grass and wildflowers. This central subject is framed by soft, leafy trees on either side, creating a sense of enclosure within a lush, sunlit meadow. The perspective is set at eye level, which establishes an intimate connection between the viewer and the woman as she moves through the landscape. Depth is…
The oil painting Reverie emerges from the brush of Richard Edward Miller, an American Impressionist who captures a fleeting moment of stillness. Created about 1916, this work reflects the luminous sensibilities of an artist deeply connected to the light of the Giverny Colony. The scene holds a quiet, suspended quality, as if the air itself has slowed to match the peaceful mood of the subject.
In the quietude of a room bathed in the first glow of day, Morning Sunlight unfolds. Painted by Richard Edward Miller around 1910, the scene captures a private, still moment within an intimate interior. A woman occupies the center of this luminous space, her presence defined by the soft light filtering through an open window. She stands near a simple table, where a vase of red flowers provides a singular…
In Girl With Guitar, the artist Richard Edward Miller places a young woman at the center of a quiet moment. She is seated upon a wooden bench, her form draped in a purple dress. A white collar rests against the fabric, providing a sharp point of light against the deeper tones of her attire. In her hands, she holds a guitar, the instrument cradled as if she is caught in…
Night Café
12
La Crinoline
13
The Goldfish Bowl
14
La Toilette
15
The Shadow
16
Nude
17
A gentleman with his dog
18
Chinese StatuetteSaint Louis Art Museum
19
Woman In Blue Dress
20
Women sewing
21
Portrait of Alice Carey
22
The Pool
23
Reverie
24
Goldfish
25
Reflections At The Dressing Table
26
Reclining Nude
27
An Artistic Reverie
28
The Milliner
29
Title Unknown
30
Daydreams
31
Summer Bather
32
The Chinese Robe
33
Scarlet Neck Lace3
34
Sewing By Lamp Light
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
4 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Richard Edward Miller | Obrazy z tohto zoznamu |
|---|---|---|---|
 Kráľovské múzeum výtvarných umení Antverpy |
Antverpy | 1 | Woman at the table |
 Minneapolis Institute of Art |
Minneapolis | 1 | The Parasol |
 Rhode Island School of Design Museum of Art |
Providence | 1 | Reverie |
 Saint Louis Art Museum |
Saint Louis | 1 | Chinese Statuette |
14 rokov rozdeľuje prvý a posledný datovaný originál umelca Richard Edward Miller zobrazený tu, 1903 a 1916: každý rok má svoje miesto nižšie.
Vyberte si rok a pozrite si originály.
In Woman at the table by Richard Edward Miller, we find ourselves in a quiet, intimate space. The composition centers on a round wooden table in the foreground, which acts as a threshold between the viewer and the subject. Seated just behind this surface, an elderly woman is captured in a private, domestic moment. This arrangement creates a sense of closeness, as if we are sharing the stillness of her…
In The Parasol, Richard Edward Miller centers the composition on a female figure walking through a field of tall grass and wildflowers. This central subject is framed by soft, leafy trees on either side, creating a sense of enclosure within a lush, sunlit meadow. The perspective is set at eye level, which establishes an intimate connection between the viewer and the woman as she moves through the landscape. Depth is…
The oil painting Reverie emerges from the brush of Richard Edward Miller, an American Impressionist who captures a fleeting moment of stillness. Created about 1916, this work reflects the luminous sensibilities of an artist deeply connected to the light of the Giverny Colony. The scene holds a quiet, suspended quality, as if the air itself has slowed to match the peaceful mood of the subject.
Virginia Matthews James. Nasledujú Woman at the table (1903) a The Parasol (1910).
Virginia Matthews James, Woman at the table, The Parasol, Reverie, Morning Sunlight, Girl With Guitar, Woman at Her Dressing Table with Earring, Sewing By Lamplight, Chinese Statuette - a Girl With Jewels. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 36 diel od umelca Richard Edward Miller z perioda od 1903 do 1916.
Väčšinou v Kráľovské múzeum výtvarných umení Antverpy (Antverpy), Minneapolis Institute of Art (Minneapolis) a Rhode Island School of Design Museum of Art (Providence). Tabuľka múzeí vyššie ich všetky uvádza.
Na tejto stránke je najstaršie dielo z Woman at the table (1903) a najnovšie z Reverie (1916).
Woman (7), Portrait (3) a Women (3), v rámci 34 diel na tejto stránke.
Oil, pre 5 z 34 diel na tejto stránke.
Impressionism, podľa originálov na tejto stránke.
Born in the vibrant city of St. Louis, Missouri, Richard Edward Miller emerged as a defining figure of American Impressionism, weaving a visual tapestry that captured the delicate essence of light and leisure. His artistic journey began in his native home, where he honed his skills at the local School of Fine Arts. This foundational period, characterized by rigorous training in drawing, modeling, and anatomy, prepared him for the transformative years he would spend in Europe. Seeking to expand his horizons, Miller traveled to Paris, immersing himself in the prestigious Académie Julian. Under the guidance of masters such as Jean-Paul Laurens and Jean-Joseph Benjamin-Constant, he absorbed the sophisticated techniques of the French tradition, a period of study that would forever inform his approach to color and composition.
The heart of Miller's creative evolution lay in his deep connection to the Giverny Colony. As a member of this illustrious group of American Impressionists, he lived and worked alongside contemporaries like Frederick Frieseke, often finding inspiration in the sun-d'renched landscapes near Claude Monet’s home. His work from this era is celebrated for its decorative impressionism, a style that prioritized the conveyance of pleasant optical sensations over heavy narrative. He possessed a unique ability to paint wistful maidens relaxing in gardens dappled with sunlight, using broken brushstrokes and a luminous palette to create scenes of profound tranquility. His canvases often featured a rhythmic use of diagonals—arranging figures and furniture in a way that guided the eye through an intimate, introspective space.
Miller’s artistic philosophy was rooted in the idea that art should serve a decorative and comforting purpose. He famously stated that his intention was not to create works for the staid environments of museums, but rather for the comfortable intimacy of people's homes. This sentiment is reflected in his mastery of subject matter, which frequently focused on women posing languidly in elegant interiors or serene outdoor settings. Whether capturing the quiet introspection of Sewing By Lamplight or the delicate allure of Girl With Jewels, his paintings evoke a sense of domestic peace and refined grace.
Throughout his distinguished career, Miller achieved significant recognition both in America and abroad. His accolades included:
After his time in France, Miller’s travels took him through Pasadena, California, where he influenced the emerging impressionist movement there, before he eventually settled in the art colony of Provincetown, Massachusetts. He remained in this coastal community for the rest of his life, leaving behind a body of work that continues to enchant viewers with its soft light, elegant figures, and timeless sense of serenity. His contribution to American Impressionism remains a testament to the power of art to provide lasting pleasure through beauty and light.
