Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 50 dielov umelca Louis Gauffier v našom katalógu
Stručne povedané
Z všetkých originálov, ktoré Louis Gauffier zanechal, je najznámejší A Portrait of Johan Claes Lagersvard ) (1756), ktorý sa nachádza v zbierkach Národné múzeum v meste Stockholm. Hneď za ním nasledujú Christ and the Canaanite Woman (1784) a The Canaanite Woman at the Feet of Jesus Christ (1784). Náš katalóg obsahuje 50 diel od Louis Gauffier; galéria si zachovala tých 49, ktoré obdivuje celý svet, pričom každý z nich je prezentovaný spolu s jeho dátumom, múzeou a príbehom.
A seated gentleman occupies the center of this formal composition, his posture projecting a quiet authority. He is positioned slightly off-center, creating a sense of natural movement within a rigid, structured interior. A table laden with books sits before him, while a bust of a woman rests upon a pedestal to his left, adding layers of depth to the scene. Through a window in the background, an urban landscape is…
The composition centers on a profound encounter between Christ and a Canaanite woman. He is rendered in a blue and white robe, his presence marked by a measured, serene detachment. Below him, the woman kneels in a white garment, her posture one of desperate hope and vulnerability. The interaction is framed by a theatrical grouping of disciples and onlookers, their faces caught in various states of observation and quiet discussion.…
In this oil on canvas, titled The Canaanite Woman at the Feet of Jesus Christ, Louis Gauffier captures a moment of profound supplication. The scene depicts a woman from the region of Tyre and Sidon approaching Jesus to ask for the healing of her daughter. This specific narrative, found in the Gospels of Matthew and Mark, is rendered here with a sense of dramatic weight. The woman is positioned low…
The composition is anchored by two massive fluted Doric columns, creating a shallow, stage-like arena for a moment of profound tension. On the left, a seated woman draped in white and gold holds an infant, her posture suggesting a heavy, grounded sorrow. Beside her, a young boy and a woman in dark robes add to the weight of the scene. To the right, a procession of women approaches, their gestures…
In the oil painting Portrait of a Lady Seated in a Landscape by Louis Gauffier, dated about 1794, the composition is organized asymmetrically. A young woman reclines against the base of a large tree, her figure positioned on the right side of the frame. A massive, textured tree trunk anchors this side of the scene, providing a vertical element that stabilizes the subject. At the lady's feet lies a lyre,…
This oil painting, executed in 1793, presents a family group positioned within an outdoor, pastoral setting. The composition is structured around a central female figure seated prominently, her form defined by the soft folds of her clothing and a yellow shawl. To the right, a male figure, the artist, occupies the edge of the frame, while two children are situated in the lower left. The figures are set against a…
In "Eleven Sample Portraits" by Louis Gauffier, the viewer encounters a composite collection of nine distinct miniature portrait scenes arranged in a precise 3x3 grid. This Neoclassical arrangement invites the eye to wander through various social settings, each populated by figures dressed in the elegant attire of the late 18th century. The color palette shifts with every panel, moving through warm ochres, deep blues, creams, and earthy tones that distinguish…
The portrait depicts a young man positioned in the foreground on the right side of the composition. He is dressed in late 18th-century attire, featuring a white cravat and dark clothing that contrasts with the lighter tones of his skin. His right arm is outstretched toward the viewer, and he holds a sketchbook and a brush, identifying him as a scholar or an artist. The subject is rendered with smooth…
In "Portrait Of An Officer Of The Cisalpine Republic," by Louis Gauffier, a young man commands the viewer's attention through a centered composition. He occupies most of the frame, his presence filling the space with a sense of quiet authority. He wears elaborate 19th-century military attire, an ensemble that speaks clearly of his high status and specific military rank. Every detail of his uniform suggests a life of discipline and…
In the sweeping canvas of Louis Gauffier’s Cleopatra and Octavian, we are transported to a moment of profound historical tension and unparalleled opulence. Painted in 1788, on the precipice of the French Revolution, this masterpiece captures the legendary Queen of the Nile in a gesture of both diplomacy and allure. Cleopatra sits regally upon an ornate couch, her hand outstretched as if offering a silent negotiation or a fateful greeting…
Andre-francois Miot, Envoy Of The French Republic To The Grand Duke Of TuscanyNational Gallery of Victoria
12
General Jean-joseph Dessole
13
Cliff at Vicovaro1787 · National Gallery
14
Vue sur la vallée de l'Arno à Florence1795 · Musée Fabre
15
Cleopatra And Octavian,1788
16
View of Falls at Vallombrosa1797 · Fine Arts Museums of San Francisco
17
The Salucci family
18
Portrait Of Prince Augustus FrederickStaatliche Kunsthalle Karlsruhe
19
Convent in Civita CastellanaMusée Bonnat-Helleu
20
The Valley Of The Arno
21
Cornelia Presenting Her Two Young Sons
22
A Woman Of Three-quarter With A Sleeve
23
Portrait of Elizabeth, Lady Webster, later Lady
24
Portrait Of An Officer Of The Cisalpine Republic
25
Portrait Of Victor Leopold Berthier
26
Portrait Of Sir Godfrey Webster, 4th Baronet
27
View Of Vallombrosa, Near Florence_2
28
Pygmalion And GalateaManchester Art Gallery
29
Nine Sample PortraitsBowes Museum
30
A Woman, Three-quarter-length, With A Muff
31
Retrato Do Poeta Thomas Penrose
32
Portrait De Philippe-henri Coclers
33
Arno ValleyPhiladelphia Museum of Art
34
Jacob With The Daughters Of LabanMusée Sainte-Croix
35
L'ensevelissement Du Christ
36
Portrait Of A Young Man, Full-length, With Mount Vesuvius Beyond
37
The Adoration Of The Shepherds
38
Portrait Of A Lady With Two Children And A Dog On A Terrace, An Extensive River Landscape Beyond
39
The Arno Valley -Musée Fabre
40
La Vallee De L'arno -
41
For An Italian Village In A Landscape With The Dome Of Church In The Background
42
Cleopatra And Octavian
43
Odysseus Recognises Achilles Amongst The Daughters Of LycomedesNárodné múzeum
44
Unknown Man, Formerly Known As Henry Richard Vassall Fox, 3rd Baron HollandNational Portrait Gallery
45
Portrait Of Count Gustaf Mauritz Armfelt In FlorenceNárodné múzeum
46
Portrait Of Elizabeth Holland With His Son
47
La Générosité des dames romaines1790 · Musée Sainte-Croix
48
Ulysse and Nausicaa1798 · Musée Sainte-Croix
49
Rest Of The Holy Family On The Flight Into EgyptMusée Sainte-Croix
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Louis Gauffier | Obrazy z tohto zoznamu |
|---|---|---|---|
 Musée Sainte-Croix |
Poitiers | 5 | Christ and the Canaanite Woman, Jacob With The Daughters Of Laban, La Générosité des dames romaines |
 Národné múzeum |
Stockholm | 3 | A Portrait of Johan Claes Lagersvard ), Odysseus Recognises Achilles Amongst The Daughters Of Lycomedes, Portrait Of Count Gustaf Mauritz Armfelt In Florence |
 Musée Fabre |
Montpellier | 3 | Eleven Sample Portraits, Vue sur la vallée de l'Arno à Florence, The Arno Valley - |
 Wadsworth Atheneum |
Hartford | 1 | Portrait of a Lady Seated in a Landscape |
 Minneapolis Institute of Art |
Minneapolis | 1 | Portrait of Dr. Thomas Penrose |
 Scottish National Gallery |
Edinburgh | 1 | Cleopatra and Octavian |
 National Gallery of Victoria |
Melbourne | 1 | Andre-francois Miot, Envoy Of The French Republic To The Grand Duke Of Tuscany |
 National Gallery |
Londýn | 1 | Cliff at Vicovaro |
Vyberte si dekádu a pozrite si originál, ktorý ju definuje.
The composition centers on a profound encounter between Christ and a Canaanite woman. He is rendered in a blue and white robe, his presence marked by a measured, serene detachment. Below him, the woman kneels in a white garment, her posture one of desperate hope and vulnerability. The interaction is framed by a theatrical grouping of disciples and onlookers, their faces caught in various states of observation and quiet discussion.…
The composition is anchored by two massive fluted Doric columns, creating a shallow, stage-like arena for a moment of profound tension. On the left, a seated woman draped in white and gold holds an infant, her posture suggesting a heavy, grounded sorrow. Beside her, a young boy and a woman in dark robes add to the weight of the scene. To the right, a procession of women approaches, their gestures…
In "Portrait Of An Officer Of The Cisalpine Republic," by Louis Gauffier, a young man commands the viewer's attention through a centered composition. He occupies most of the frame, his presence filling the space with a sense of quiet authority. He wears elaborate 19th-century military attire, an ensemble that speaks clearly of his high status and specific military rank. Every detail of his uniform suggests a life of discipline and…
A Portrait of Johan Claes Lagersvard ) (1756), Národné múzeum, Stockholm. Nasledujú Christ and the Canaanite Woman (1784) a The Canaanite Woman at the Feet of Jesus Christ (1784).
A Portrait of Johan Claes Lagersvard ), Christ and the Canaanite Woman, The Canaanite Woman at the Feet of Jesus Christ, Roman Ladies Supplicating the Family of Coriolanus, Portrait of a Lady Seated in a Landscape, Self-portrait by Louis Gauffier with his wife and his two children, Eleven Sample Portraits, Portrait of Dr. Thomas Penrose, Portrait Of An Officer Of The Cisalpine Republic, a Cleopatra and Octavian. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 50 diel od umelca Louis Gauffier z perioda od 1784 do 1801.
Väčšinou v Musée Sainte-Croix (Poitiers), Národné múzeum (Stockholm) a Musée Fabre (Montpellier). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1790s: 9 z 49 diel na tejto stránke bolo vytvorených vtedy, pričom Roman Ladies Supplicating the Family of Coriolanus z nich.
Na tejto stránke je najstaršie dielo z Christ and the Canaanite Woman (1784) a najnovšie z Portrait Of An Officer Of The Cisalpine Republic, (1801).
Portraits (10), Man (7) a Woman (7), v rámci 49 diel na tejto stránke.
Oil On Canvas, pre 5 z 49 diel na tejto stránke.
Neoclassicism, podľa originálov na tejto stránke.
Christ and the Canaanite Woman, Jacob With The Daughters Of Laban a La Générosité des dames romaines: múzeá Musée Sainte-Croix, Poitiers uchovávajú 5 z diel na tejto stránke.
Život Louisa Gauffiera bol dojmovou tapisériou utkanou z vlákien klasického veľkolepstva a búrlivých realít kontinentu v pohybe. Narodený v roku 1762 v tichom francúzskom meste Poitiers, Gauffierov raný vek definovala prísna snaha o dosiahnutie dokonalosti pod dozorom uznávaného historického malára Huguesa Taravala. Toto základné tréning v Paríži v ňom vkorenovalo hlbokú úctu k klasickej kompozícii a dôsledné pozorovanie detailov – cties, ktoré mu neskôr umožnili zachytiť nielen epické rozsah biblických príbehov, ale aj intímne nuansy ľudskej tváre. Jeho vzostup bol rýchly; víťazstvom v prestížnej súťaži Prix de Rome v roku 1779 so svojím evokatívnym dielom, Krist a Kanaančanka, si Gauffier zabezpečil cestu do Talianska, čo bol krok, ktorý nevratne zmenil trajektórie jeho duše aj jeho štetca.
Keď sa usadil v živobudnej umeleckej atmosfére Ríma, Gauffier sa ocitol na priečine antiky a modernity. Vplyv osobností ako Thomas Hope, kolektora nesmierneho rozsahu, rozšíril jeho umelecké obzory za hranice čystej imitácie minulosti. Prostredníctvom takýchto stretnutí začala Gauffierova tvorba absorbovať textúry antického dekoru a eleganciu klasických motívov. Avšak vetry Francúzskej revolúcie so sebou priniesli mrazivú nestabilitu. Poprava Ludovika XVI. a následné politické otrasenia prinútili Gauffiera k životu v exile. Utekač Much pokročilých napätí v Paríži, on a jeho manželka, talentovaná maľarka Pauline Chatillon, hľadali útočisko vo Florencii. Toto obdobie vyhnanstva, hoci plné osobnej neistoty, sa stalo krčou, v ktorej sa vykoval jeho najtrvanejší štýl.
V slnecom zalanej krajine Toskánska našiel Gauffier svätyšte, ktorého politický nepokoj nemohol dotknúť. Kvôli tomu, že bol označený za royalistu, mu odepretá tradičná francúzska patronáž ho prinútila odkloniť sa od veľkolepdej a často náročnej scény historického malba smerom k pokojnej a tralej kráse prírodného sveta. Tento prechod nebol len taktickou snahou o prežitie, ale umeleckou evolúciou. Začal vytvárať krajiny, ktoré hlboko rezonovali s citlivosťou britských turistov prechádzajúcich kontinentom, zachytujúc éterické svetlo a pastorálnu pokojnosť talianskeho vidieka. Jeho plátna sa stali oknami do sveta pokoja, charakterizovaného majstrovským ovládaním farby a lumináciou pripomínajúcou veľkého Claude Lorraina.
Jeho neskoršie roky vo Taliansku priniesli fascinujúcu štylistickú dualitu. Zatiaľ čo jeho krajiny ponúkali útek z chaosu napoleonskej éry, príchod francúzskych vojsk do Florencie v roku 1799 povzbudil návrat k ľudskej postave prostredníctvom portrétnej tvorby. Stal sa žiadaným maľiarom dôstojníkov, zachytujúc vojenskú eleganciu a subtílnu psychologickú hĺbku tých, ktorí boli v Taliansku stanovení. Toto obdobie jeho tvorby demonštruje pozoruhodnú všestrannosť:
Hoci bol jeho život v roku 1801 v Livorne prervaný, Louis Gauffier za sebou zanechal odkaz, ktorý presahuje jednoduchú dokumentáciu turbulentnej éry. Zostáva vitalným prepojením v reťazci neoklasickej umeleckého diela, predstavujúc most medzi formálnymi akademickými tradíciami konca 18. storočia vo Francúzsku a romantizovanými, svetlom naplnenými krajinami talianskej tradície. Jeho schopnosť nájsť krásu uprostred vyhnanstva – premeniť nevyhnutnosť exilu na príležitosť pre štylistickú znovuzrodenie – slúži ako dôkaz odolnosti tvorivého ducha. Dnes jeho diela stoja ako tichí svedkovia zaniknutého sveta a pozývajú moderných divákov, aby zažili ten istý pocit údivu a pokoja, ktorý kedysi viedol jeho štetec cez toskánske roviny.
