Aktualizované november 2026 · zoradené podľa našej miery popularity (vyhľadávanie, návštevy a objednávky pre každou prácu) · 33 dielov umelca Johann Liss v našom katalógu
Stručne povedané
Nymph and Shepherd (1625) je obrazom umelca Johann Liss, ktorý priťahuje najviac pohľadov; originál sa nachádza v múzeu Metropolitné múzeum umenia, New York. Potom sa pohľad presunie na Temptation of Saint Anthony (1614) a The Apostle Paul (1614). Z 33 diel umelca Johann Liss v našom katalógu je týchto 31 najznámejších; každá z nich je jedinečným originálom prezentovaným s jeho rokom vzniku, múzeom a dôvodom, prečo pretrváva.
Deep within a dense, shadowy woodland, a quiet drama unfolds under the weight of heavy leaves and twisting branches. A nymph lies reclined, her pale skin catching a soft, directional light that cuts through the gloom of the forest. She rests in a state of deep repose, unaware of the gaze directed toward her. From behind the rugged bark of a tree, a muscular shepherd leans into the frame. He…
The artwork is titled Temptation of Saint Anthony, a work executed by the German Baroque painter Johann Liss. This specific piece is also identified by the alternative title Anthony and Lust. The painting was created between 1624 and 1625.
The Apostle Paul emerges from the shadows of history in this striking portrait by Johann Liss. Created about 1614, the work captures a moment of profound spiritual intensity. The subject is an elderly man, his features weathered by time and his spirit ignited by divine inspiration. He is identified as the Apostle Paul, a figure of immense weight in religious tradition, appearing here with a sense of urgent, living presence.
In "Curse of Cain" by Johann Liss, a diagonal tension pulls the eye upward. The composition begins with a muscular figure in the foreground, anchored in shadow. From this heavy base, the gaze climbs through a turbulent sky toward a celestial presence hidden within the clouds. This movement follows a low-angle perspective, forcing the viewer to look up at the unfolding drama of divine judgment and human suffering. The scene…
The scene unfolds in A Game of Morra, a painting by the German Baroque artist Johann Liss. This genre art piece captures a spirited moment of human interaction, pulling the viewer into a lively social encounter. The figures gather under a rustic pergola, their gestures and expressions suggesting the tension and play of the game itself. It is a moment frozen in time, where the energy of the group seems…
Johann Liss created Village Wedding Procession, a work dating from about 1616. The oil painting captures a scene of a rural wedding, focusing on the communal activity of a country celebration. The composition centers on a group of figures engaged in the festivities of a village procession.
A pale, luminous figure lies amidst the dark textures of a cavernous landscape. This reclining nude female rests upon a bed of grass and white drapery, her body catching a soft, directional light that pulls her from the surrounding gloom. She faces away, her posture relaxed and heavy with sleep. Around her, the world is composed of craggy, dark rocky masses and deep, earthy tones of ochre and brown. The…
In this dramatic oil painting from 1622, we find ourselves drawn into a nocturnal scene of revelry and debauchery. The composition is dense, creating a sense of chaotic movement within a shallow, stage-like space. A group of figures is caught in a moment of intense social interaction, their lives seemingly consumed by the immediate demands of drinking and carnal pleasure. The subject matter draws from the biblical narrative of the…
A youthful figure emerges from a heavy, dark void. This is Cupid, the god of desire, caught in a moment of quiet tension. His skin possesses a luminous, fleshy quality that seems to hold its own light against the surrounding gloom. He holds a single arrow diagonally across his chest, a sharp instrument of fate held with a soft, unstudied grace. The composition pulls the viewer into an intimate space,…
The painting presents a tight, triangular arrangement of figures that creates a sense of intimacy and tension. A seated saint occupies the center of the frame, his form illuminated by a strong directional light source from the upper left. This light falls upon his face and a golden bowl held by an approaching woman, leaving the background in deep shadow. The woman is draped in crimson fabric, which provides a…
Temptation of Saint Anthony1660 · Bavarské štátne múzeá výtvarného umenia
12
The Ecstasy of St Paul1628 · Staatliche Museen zu Berlin
13
The Prodigal Son1625 · Academy of Fine Arts Vienna
14
Untitled (D2X6GG)1626 · Metropolitné múzeum umenia
15
A Bacchanalian Feast1617 · Fitzwilliam College
16
Judith in the Tent of Holofernes1622 · National Gallery
17
The Fall of Phaeton1624 · National Gallery
18
Adam and Eve Mourning for Abel1624 · Gallerie dell'Accademia di Venezia
19
The Vision of St Jerome1627 · San Nicola da Tolentino
20
Franciscan MonkStatens Museum For Kunst
21
A lute player
22
MOISE SAUVE DES EAUXPalais des Beaux-Arts de Lille
23
E Dirck van der Blind Mans Buff
24
Abel mourned by his parents
25
The Satyr and the Peasant1626 · National Gallery of Art
26
Venus and Adonis1625 · Staatliche Kunsthalle Karlsruhe
27
Smrť Kleopatry1622 · Alte Pinakothek
28
Obetovanie Izáka1624 · Gallerie dell'Accademia di Venezia
29
Judith and Holophernes1628 · Kunsthistorisches Museum
30
Apollo and Marsyas1627 · Gallerie dell'Accademia di Venezia
31
Venus in front of the Mirror1625 · Galleria degli Uffizi
Štyri témy, ktoré sa v týchto origináloch najčastejšie vracajú, každá s jej najvychybenejším príkladom.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Johann Liss | Obrazy z tohto zoznamu |
|---|---|---|---|
 Bavarské štátne múzeá výtvarného umenia |
Mních | 4 | Temptation of Saint Anthony, The Apostle Paul, Temptation of Saint Anthony |
 Gallerie dell'Accademia di Venezia |
Venezia | 3 | Adam and Eve Mourning for Abel, Obetovanie Izáka, Apollo and Marsyas |
 Metropolitné múzeum umenia |
New York | 2 | Nymph and Shepherd, Untitled (D2X6GG) |
 Statens Museum For Kunst |
Kodaň | 2 | Sleeping Nymph, Franciscan Monk |
 National Gallery |
Londýn | 2 | Judith in the Tent of Holofernes, The Fall of Phaeton |
 Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe |
Kassel | 1 | A Game of Morra |
 Szépművészeti Múzeum |
Budapešť | 1 | Village Wedding Procession |
 Germanisches Nationalmuseum |
Norimberk | 1 | The prodigal son at the prostitutes |
15 rokov rozdeľuje prvý a posledný datovaný originál umelca Johann Liss zobrazený tu, 1614 a 1628: každý rok má svoje miesto nižšie.
Vyberte si rok a pozrite si originály.
The artwork is titled Temptation of Saint Anthony, a work executed by the German Baroque painter Johann Liss. This specific piece is also identified by the alternative title Anthony and Lust. The painting was created between 1624 and 1625.
Viac od 1614
In "Curse of Cain" by Johann Liss, a diagonal tension pulls the eye upward. The composition begins with a muscular figure in the foreground, anchored in shadow. From this heavy base, the gaze climbs through a turbulent sky toward a celestial presence hidden within the clouds. This movement follows a low-angle perspective, forcing the viewer to look up at the unfolding drama of divine judgment and human suffering. The scene…
Johann Liss created Village Wedding Procession, a work dating from about 1616. The oil painting captures a scene of a rural wedding, focusing on the communal activity of a country celebration. The composition centers on a group of figures engaged in the festivities of a village procession.
A large dining table draped in white cloth anchors the scene, a pale island amidst a sea of movement. Figures cluster around this center, their bodies caught in various states of repose and action. Some sit, anchored by the weight of the feast, while others stand, their limbs tracing arcs through the air. The air feels thick with the energy of a communal celebration, a moment of shared indulgence frozen…
The scene unfolds in A Game of Morra, a painting by the German Baroque artist Johann Liss. This genre art piece captures a spirited moment of human interaction, pulling the viewer into a lively social encounter. The figures gather under a rustic pergola, their gestures and expressions suggesting the tension and play of the game itself. It is a moment frozen in time, where the energy of the group seems…
Viac od 1620
In this dramatic oil painting from 1622, we find ourselves drawn into a nocturnal scene of revelry and debauchery. The composition is dense, creating a sense of chaotic movement within a shallow, stage-like space. A group of figures is caught in a moment of intense social interaction, their lives seemingly consumed by the immediate demands of drinking and carnal pleasure. The subject matter draws from the biblical narrative of the…
Viac od 1622
The painting presents a tight, triangular arrangement of figures that creates a sense of intimacy and tension. A seated saint occupies the center of the frame, his form illuminated by a strong directional light source from the upper left. This light falls upon his face and a golden bowl held by an approaching woman, leaving the background in deep shadow. The woman is draped in crimson fabric, which provides a…
Viac od 1624
Deep within a dense, shadowy woodland, a quiet drama unfolds under the weight of heavy leaves and twisting branches. A nymph lies reclined, her pale skin catching a soft, directional light that cuts through the gloom of the forest. She rests in a state of deep repose, unaware of the gaze directed toward her. From behind the rugged bark of a tree, a muscular shepherd leans into the frame. He…
Viac od 1625
In the vast tapestry of the 17th-century Baroque era, where the theatrical shadows of Caravaggio and the luminous interiors of Vermeer often command the spotlight, there exists a more intimate, whispered form of storytelling. Johann Liss’s “The Temptation of Saint Mary Magdalen,” completed around 1626, serves as a profound testament to this subtle mastery. The painting captures a pivotal moment of spiritual and psychological tension, inviting the viewer into a…
Viac od 1626
The air in the room feels heavy with the weight of a sudden, celestial intrusion. St. Jerome sits amidst the quietude of his devotion, an old man whose white beard catches the light, marking him as a soul weathered by years of study and solitude. He is not alone. The stillness is broken by the presence of angels, their forms appearing as if they have just stepped through the veil…
Viac od 1627
To gaze upon The Ecstasy of St Paul is to be enveloped in a moment so transcendent it seems plucked directly from the annals of divine revelation. This painting does not merely depict an event; it captures the very breath of spiritual rapture. At its heart, St. Paul is suspended, his outstretched arms reaching not just toward the heavens, but into a palpable emanation of grace. The composition centers on…
Viac od 1628
Nymph and Shepherd (1625), Metropolitné múzeum umenia, New York. Nasledujú Temptation of Saint Anthony (1614) a The Apostle Paul (1614).
28 rokov: Nymph and Shepherd vzniklo v roku 1625 a Johann Liss sa narodil/a v roku 1597.
Nymph and Shepherd, Temptation of Saint Anthony, The Apostle Paul, Curse of Cain, A Game of Morra, Village Wedding Procession, Sleeping Nymph, The prodigal son at the prostitutes, Cupid (Amor) a Temptation of Saint Anthony. Vyššie uvedené hodnotenie uvádza rok a múzeu pre každé z nich.
Náš katalóg obsahuje 33 diel od umelca Johann Liss z perioda od 1614 do 1628.
Väčšinou v Bavarské štátne múzeá výtvarného umenia (Mních), Gallerie dell'Accademia di Venezia (Venezia) a Metropolitné múzeum umenia (New York). Tabuľka múzeí vyššie ich všetky uvádza.
V období 1624: 4 z 31 diel na tejto stránke bolo vytvorených vtedy, pričom Temptation of Saint Anthony z nich.
Na tejto stránke je najstaršie dielo z Temptation of Saint Anthony (1614) a najnovšie z The Ecstasy of St Paul (1628).
Man (10), Woman (9) a People (7), v rámci 31 diel na tejto stránke.
Oil On Canvas, pre 14 z 31 diel na tejto stránke.
Baroque, podľa originálov na tejto stránke.
Temptation of Saint Anthony, The Apostle Paul a Temptation of Saint Anthony: múzeá Bavarské štátne múzeá výtvarného umenia, Mních uchovávajú 4 z diel na tejto stránke.
Johann Liss, známy aj ako Jan Lys, predstavuje svetlejšiu postavu v rámci nemeckého baroka 17. storočia, maliara, ktorého cesta Európou odzrkadľovala živé a meniace sa prúdy jeho éry. Narodený v Schleswig-Holštaini v Nemecku, konkrétne v Oldenburgu, bol raný život Johann Liss formovaný prísnymi umeleckými tradíciami jeho domovskej krajiny. Jeho cesta umelca bola povahou neustálého pohybu a hlbokej transformácie, keď sa presúval od severných pohostinných oblastí Nemecka až po veľké umelecké centrá kontinentu. Prostredníctvom štúdií u Hendricka Goltziusa v Haarleme a Amsterdame si osvojil technickú majstrosť holandskej tradície, než sa vydal na cestu, ktorá ho neskôr popvedla cez Paríž až do samotného srdca Itálie.
Evolúcia štýlu Johann Liss je fascinujúcim štúdiou umeleckej adaptácie. Jeho rané obdobie, poznačené pobytom v Ríme okolo rokov 1620–1622, odhaľuje hlbokú angažovanosť dramatickou napätím Caravaggia. Počas týchto formujúcich sa rokov definovali jeho plátna ostrými, mocnými kontrastmi svetla a tieňa, technikou, ktorá dodala jeho náboženským a mytologickým motívom okamžitú, vizcerálnu prítomnosť. Avšak, keď migroval smerom k Venedíci, jeho paleta prešla nádhernou metamorfózou. Temné hĺbky jeho rímskeho obdobia ustúpili živenému prístupu k malenej plachte, ktorý charakterizovali brilantné farby a voľné, energické ťahy pędzla, ktoré sa zdali, že dýchajú životom.
Johann Liss disponoval vzácnou schopnosťou pohybovať sa v dvojitých sférách toho, čo je posvätné a to, čo je profánne, pričom biblické naratívy aj klasické mýty pôsobil s rovnakou emocionálnou intenzitou. Vo svojich náboženských díelach, ako je Obetovanie Izaka, využil baroknú estetiku na preskúmanie hlbokých tém viery, poslušnosti a božskej intervencie. Tieto ťažké teologické momenty často umiestňoval do kontextu rozľahlých, detailne vykreslených krajín, čím vytvoril napätie medzi monumentálnou váhou svätého písma a prírodným svetom. Jeho zobrazenia božstva nikdy neboli len statické; pulzovali poctom pohybu a psychologickou hĺbkou, ktorá zachytávala náboženský zzeľ v 17. storočí.
Naprotiv, jeho mytologické diela umožnili zmyselný výskum ľudskej podoby a klasickej legendy. V díelach ako Venuša a Adonis Johann Liss prijal vznikajúcu estetiku krásy a túžby, pričom používal olej na meďi na dosiahnutie jemných tónových variácií, ktoré zvýšili emocionálnu váhu Ovidiovskej tragédie. Či už zachytával tragický koniec Kleopatry alebo božský súd v obraze Apollo a Marsyas, jeho práca neustále túžila prekročiť jednoduché rozprávanie príbehov. Sústredil sa na surovú silu emócií, využívajúc husté impasto a dynamické kompozície, aby zabezpečil, že každé mytologické stretnutie bude pôsobiť ako starobavé i naliehavo živé súčasne.
Význam Johann Liss presahuje jeho jednotlivé plátna, keďže jeho štýlové inovácie pomohli pripraviť cestu budúcim generáciám maliarov. Jeho neskorší vénetský štýl, s dôrazom na svetlo, farbu a určitú plynulú spontánnosť, pôsobil ako prekurzor hnutia rokoka. Energické ťahy pędzla v jeho díelach možno vnímať ako skorý vplyv na veľkých bratov Guardi a jeho schopnosť integrovať cudzinecké vplyvy do vénetskej tradície zanechala trvalú stopu v umeleckej krajine republiky.
Jeho dopad je najjasnejšie cítiť v líniách majstrov 18. storočia. Díela ako Sebastiano Ricci, Giovanni Battista Tiepolo a Giovanni Piazzetta nesú odrazy brilantnosti a pohybu, ktoré Johann Liss pioniersky preskúmal. Hoci mu život krátime morom v de Verone, pričom po sebe zanechal odkaz na pobožné biblické témy aj zmyselné mytologické príbehy, zostáva vitalným článkom v reťazí baroknej excellencie. Bol to maliar, ktorý ovládl umenie transformácie, meniac tiene Ríma na žiiarivé svetlo Venedíci.
